When good articles are published about our guys, we all enjoy it and this is a really nice article published by IL CORRIERE DELLA SERA in the section: The beauty of people – The interview. The article is by Maria Egizia Fiaschetti.
I will translate for you.
Il Corriere Della Sera Article – Click Here
Il Volo: “We are antipathetic? Who insults is perhaps ashamed of his origins.”
Irritating, snooty, bimbiminchia (a really bad word that means so many bad things about the guys) …. The “tenorini” del Volo, have received so many criticisms – Piero Barone, Ignazio Boschetto and Gianluca Ginoble – up to the insults in the press room in Sanremo while they climbed on the podium, behind Ultimo and Mahmood, with “MUSICA CHE RESTA”.
More mud in 2015: from a hotel in Locarno they accuse them of having devastated a room. The manager of the structure denies, but the online shaming machine, the web lynching, has already been set in motion. Yet, looking at these three boys in their twenties with the face of those who have learned to manage success but not to the point of not caring about the attacks, one wonders what causes such dislike.
Why do they have it in for you?
Boschetto: “Many do not know us, but in Sanremo we had lunch with some journalists and they changed their minds. We tend to label a person, a bit like judging a book from the cover. We are aware that our music is not in step with what Ghali, Sfera Ebbasta, Frah Quintale do … perhaps we are unpleasant because we propose a genre that pleases, but is not fashionable”. Barone: “Our manager (Michele Torpedine) launched Andrea Bocelli and told us that, at the beginning, he also received the same criticisms”.
As the trappers advance, don’t you fear being anachronistic with your lyric pop?
Barone: “It is as if those who call us ancient are ashamed of their origins … At World Youth Day in Panama we sang the “Hail Mary, Mater Misericordiae” before Pope Francis and a million people. We respect any musical genre and we are happy for the trappers because we do not take anything away from them, nor we from them”. Ginoble: “We make popular national music which has now become a derogatory term, but is rooted in the most authentic traditions of our country”. Barone: “We are unique, we propose a genre in which none of our peers has tried. We do not enter the radio, and we suffer a little, but our strengths are others. We offer the most symphonic version abroad because we are the ones to bring the Italian tradition to the great American arenas after Modugno, Pavarotti and Bocelli”. Ginoble: “But the new album MUSICA is dedicated more to the Italian public thanks to Sanremo, where we proposed a song with contemporary sounds, less set. For our country we have chosen a modern repertoire, which is reflected in the vocal evolution: it is the proof that we are able to excite even with different things”.
You are still boys, but you find yourself already celebrating ten years of career: do you ever think that, after such an unstoppable rise, the public can lose interest in your music?
Barone: “We must know how to reinvent ourselves every day, but without losing our identity. Then, of course, we are mature enough to recognize our limitations. We can’t do reggaeton if we’re IL VOLO.” Ginoble: “It is one thing to manage the career of IL VOLO in other countries, another in Italy. Here you eat pasta every day, in America one evening out for dinner. Our music abroad is a bit like gastronomy, but not only do emigrants like it … (Gianluca says this, because critics have said that IL VOLO’s music abroad was heard only by emigrants = Daniela) Heads of state also come to our concerts, I would like to tell that journalist who, years ago, claimed that we sang in American pizzerias … maybe he doesn’t know that we performed at Radio City Music Hall.”
After ten years together, how can you keep the ego and the ambitions of soloists in check?
Barone: “Fortunately we all come from small towns with a few thousand inhabitants and this has helped us maintain maturity in the group. Then every now and then the spark escapes us, but … ” Ginoble: “The whims are there, especially in times of stress, but we have the strength to look at each other and admit mistakes.”
What are you fighting for?
Barone: “Today, for example, this individual (Ignazio) woke up at 11:30 am while we were already in a meeting at 9 am. He didn’t know anything, he says, but why doesn’t he care? He doesn’t have a secretary, I’m a colleague of his …”.
Have you ever had a fight before a concert?
Barone: “For that matter, even on stage, it happened last year in Taormina. Ignazio is a Juventus fan, who lost 4 to 1 in the Champions League final. To tease him I kept repeating: ‘Mamma mia, how hot it is today’.”
And he?
Boschetto: “I told him: ‘Out do what you want, but, on stage, don’t break the cabbasisi.’ (Sicilian dialect word, the meaning of the sentence is “do not break the balls” – Daniela)
Do you recognize yourself in the image of ancient boys?
Barone: “We are very responsible and disciplined. Gym, healthy food … This generation, on the other hand, scares me. I am worried about the lyrics of certain songs, too explicit, which do not convey positive examples. Once the messages were ‘I’m not worthy of you’ by Gianni Morandi, ‘red roses for you’ by Massimo Ranieri … I don’t say we should go back to that language, but neither boast of not using condoms or taking drugs.”
The transgression, however, has always characterized a certain way of making music.
Ginoble: “The artists of the Sixties and Seventies based their career on transgression, it was a lifestyle. Today it is a fashion. Vasco’s reckless life is true, he had it ….” (Vasco is an Italian singer – Daniela)
Boschetto: “Getting close to hard drugs scares me, I get anxious just thinking about it.”
Are fans writing to tell you about their problems?
Boschetto: “Yes, I remember a girl in Argentina full of scars, she cut herself. She said to me: ‘Thanks to you I don’t do these things anymore.’ Today, they almost instigate you to do it ….” Barone: “It strikes me that many teenagers, when we take a selfie, stay out of the frame, we only see the eye … I ask: ‘Why don’t you enter the picture?’ They answer: ‘No, I’m ugly.’ They fear the judgment of others.”
Yet on social media it’s all a show off.
Barone: “Social media is the spectacle of nothing.”
The old-fashioned air, the antithesis of the beautiful and the damned, does it work?
Ginoble: “At the age of 15 they were already knocking at our hotel rooms in three, four. We watched from the peephole and, if they were not to our liking, we asked the reception to call security ….”
Did you do it even with the prettiest?
Ginoble: “Do you think that three teenagers who are a little unlucky, who find themselves performing all over the world from the country, have had problems getting them in?”
In short, gentlemen or conqueros?
Barone: “The only important story I had was recently closed, it lasted seven months …”.
Why did you leave?
Barone: “I don’t talk about this, but I can say that I’m looking for a simple, dynamic, sporty girl … one that when I call her from the other side of the world and ask her what she’s doing, don’t answer me: ‘I’m bored.’” Ginoble (the only one of the three with a girlfriend): “The woman to marry must be elegant, sensitive, intelligent.”
Like your Francesca?
Barone: “At every meeting he makes video calls, in fact why don’t you call her now?” Silence. A hint of blush, while showing a picture of a bunch of flowers on the phone.
Is that your gift?
Ginoble: “Yes, for our anniversary, on the 13th of the month, we got together in July.” Boschetto: “We are still at the ‘mesiversary’ (month anniversary) … I, on the other hand, have always been afraid of a relationship, if I am not one hundred percent convinced I prefer to stay one step back. I’m not the type who uses women in a relationship, I always put the feeling.”
The next commitments?
Boschetto: “In May the tour in Japan. In summer we will be all over Italy, then in Europe, the United States and South America until 2020.”
Finally a nice interview in a newspaper.
Yes, I must say that something has changed in the critics, towards IL VOLO, after the bad episodes of Sanremo.
Our boys have not changed, but the negative attitude that many journalists had towards them in an absurd way has changed.
And we are happy with this.
Daniela
Credit to owners of all photos and videos.