WORLD TOUR: OHIO – MICHIGAN – ILLINOIS by Daniela

The U.S.  West Coast and Midwest tour is coming to a close, and these are the final three concerts.

April 29  Columbus, Ohio

The concert was at the Palace Theatre.

O SOLE MIO

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SMILE

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E LUCEVAN LE STELLE

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IL MONDO

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NESSUN DORMA

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May 1  Detroit, Michigan

The concert was at the beautiful Fox Theatre.

DON’T CRY FOR ME ARGENTINA

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WHERE DO I BEGIN

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LOVE ME TENDER

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TI VOGLIO TANTO BENE

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MUSIC OF THE NIGHT

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At the Detroit concert there were several Flight Crew fans and also our administrator, Jana, whose beautiful review of the concert you read, then there were RoseMarie Paliobes and Mark and Mary Minton.
The Mintons sent us their lovely commentary and photos:
“Hi Daniela, we’re in Detroit, and last night we went to the Il Volo concert! It was wonderful, as always. I didn’t take many videos or photos because I had a rather large man sitting a couple of rows in front of me who would have been in every shot. We also attended the soundcheck and the meet and greet after the show. They changed up the show a bit, opening with “O Sole Mio.” The first half of the concert was entirely dedicated to Italian classics—including “Granada”—while the second half was mostly in English. A truly fantastic mix of songs. We also have tickets to see them in Boston and Connecticut in November. Hugs to everyone! Mary.”
Thanks Mary and Mark, it must have been a lovely evening!!

May 2 Rosemont, Illinois

The concert was at Rosemont Theatre.

NELLE TUE MANI

ADDIO FIORITO ASIL

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LIBIAM DE LIETI CALICI + LA DONNA È MOBILE

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Funny Moments

GRANDE AMORE

SE

HALLELUJAH

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And now enjoy this fun interview, recorded in Bologna before leaving for the U.S. East Coast tour, and conducted by San Marino RTV (remember, San Marino is a small state within Italy) in anticipation of Eurovision.
The interview is conducted in English and Italian (turn on subtitles to understand Italian).
It begins with a nice overview of Bologna.

I’m always happy to read comments from people who’ve never heard Il Volo before.
This was written by photographer David Warren Clements, who attended one of their concerts for the first time. Below are some of his photos.
“We journeyed to way south of town to photograph a group that until recently I had not heard of….I love the fact that there is so many different types of music….pretty amazing the diversity of appealing sound.
These three gents, Gianluca Ginoble, Piero Barone & Ignazio Boschetto call themselves Il Volo.”
And finally, this nice review done by HIVE MAGAZINE right after the Dallas concert.
REVIEW: We went to see Il Volo at the Winspear Opera House in Dallas, Texas!

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The recent performance by Il Volo at the Winspear Opera House was an evening that blended classical elegance with contemporary charm, leaving the Dallas audience both awed and energized. Known for their powerful operatic pop style, the trio Piero Barone, Ignazio Boschetto, and Gianluca Ginoble demonstrated once again why they continue to captivate audiences worldwide.
From the moment the lights dimmed, the atmosphere in the room shifted into something almost reverential. The venue provided the perfect backdrop for Il Volo’s soaring harmonies. Opening with a dramatic number that showcased their vocal range, the trio immediately established control over the room. Their voices distinct yet seamlessly blended filled every corner of the hall, drawing listeners into a rich emotional landscape.
The setlist moved fluidly between Italian classics, operatic arias, and modern reinterpretations of popular songs. Highlights included their renditions of ‘Nessun Dorma’ and ‘Grande Amore,’ both delivered with technical precision and emotional depth. Each member had moments to shine individually, but it was in their harmonized passages that the true magic of Il Volo emerged. Their ability to balance power with nuance is a testament to years of training and performance experience.
What made the evening particularly engaging was the trio’s rapport with the audience. Between songs, they shared anecdotes, jokes, and reflections, creating a sense of intimacy despite the grandeur of the setting. Their charm felt genuine, never forced, and it helped bridge the gap between classical performance and modern entertainment.
One of the most striking aspects of the concert was how Il Volo managed to be both serious and fun at the same time. Their musical approach is undeniably rooted in discipline and tradition with every note carefully controlled, every phrase thoughtfully delivered. Yet, they infused the performance with a playful energy that kept the evening from feeling overly formal. Whether it was a lighthearted exchange between the members or a spontaneous moment of audience interaction, they showed that even the most refined music can be accessible and enjoyable. This balance allowed them to honor the integrity of the pieces while still inviting the audience to relax and be entertained.
The orchestral accompaniment further elevated the performance, providing a lush, cinematic quality that complemented the trio’s vocals. The synergy between the singers and musicians was evident, particularly in the more dynamic pieces where timing and coordination were crucial.
By the final encore, the audience was on its feet, responding with a standing ovation that felt both earned and inevitable. Il Volo’s performance at the Winspear Opera House was a demonstration of how classical music can evolve without losing its soul. For both longtime fans and newcomers, the evening served as a reminder of the enduring power of the human voice when paired with passion, skill, and a touch of charisma.
And the U.S. West Coast and Midwest tour is over!
There’s a lot of satisfaction and fulfillment, the fans are happy, and everything went well.
Piero, Ignazio, and Gianluca have returned home to Italy, for a little rest.
See you soon:
Daniela 
🤗

Credit to owners of all photos and videos.

Il Volo Fox Detroit May 1, 2026: Two Thumbs Up!!

Hello All!  Ciao a tutti!

 

It’s been a while since I’ve reviewed a concert here.  Their last performance here in 2025, for me, was met with sadness, as my dear friend had just come home from the hospital, after surviving a very tragic car accident, resulting in rescuers having to use the “jaws of life” to get her out, a compound broken leg, and nearly breaking her neck!  I had bought her the ticket for her birthday/Christmas present last year and she wasn’t able to attend.  We also didn’t have our usual front row orchestra pit seats, due to the crazy prices, so had to settle for 2nd row behind orchestra pit.  They were ok seats, but it just wasn’t the same and they seemed so far away!

We also couldn’t afford meet/greets, so all that combined, I left the concert feeling that something was just missing from the whole evening.  Even though I had arranged a fun party bus to take us downtown, which worked out well, along with our pre-concert dinner at our favorite Italian restaurant, it just wasn’t the same.

2026

It had been a hectic week at work, planning for several all-day meetings, with breakfast/lunch being delivered and an almost all-day meeting on Thursday the day before the concert.  Luckily, I did take Friday off.  But still had to coordinate driver pick-up timing and then deal with unexpected possible construction issues.  I planned as much as I could and there were still a few hiccups, but in the end, everything worked out.

Betty flew up from New Orleans and stayed with me, while Magdalena drove up from Toledo, also staying with me the night of the concert.  It was a full house with them, me, my mom, a new dog, and Topaz! 🙂 

So, on to the show…..

After we finally made it to our seats, needing to stop at will-call to have Betty’s ticket printed out, since she was not able to access it on her phone and we ended up printing everyone’s ticket, which really made it easier all around (I’ll have to remember that for next time instead of housing them all on my phone), I was finally settled and relaxed.  We sat right behind Rose Marie P., who had already attended 3 other concerts!  Even though not front row, the 2nd row proved to be great!

They opened with O Sole Mio” and then went into “Granada”. For once they didn’t have all the flashing and strobing lights, like the last few shows.  They had a few, but then it died down and had like these electric candles in alcoves on the stage.  Pretty low fanfare, as far as that goes.  The guys brought great maturity, but were still able to bring forth some of their old humor and camaraderie, as Ignazio did “my” favorite thing he does with Piero when he sings the one long note in Granada, where he acts like he is winding him up behind his back.  They hadn’t done that in many years/concerts!

The ”two thumbs up” must be a new thing with Ignazio – he did it several times during the show.  😊

After a few more songs, they chatted a bit, saying how wonderful it was to come back to the Fox, their home, and how they are celebrating 17 years together, as well as thanking some family-like friends that were in the audience.

The one bling that was almost brighter than the lights was Gianluca’s personal bling!  He had on his usual diamond tennis bracelet, but had added this diamond ring.  It looked like just one big diamond across the band, but we were able to enlarge a picture he posted from Instagram and it was a row of diamonds across.  But we could see it pretty clearly from the 2nd row!  He is also sporting a tiny gold hoop earring now, maybe just for concerts?

Ignazio’s tie was pretty classy, kind of gray/black with a vertical row of crystals going down the front. Ignazio, a bit plumper than we’ve seen him in a while, wore a nice vest with his tuxedo.  Piero had on black with a pretty sparkly brooch on his lapel, as well as wearing a cummerbund.  Piero commented that Ignazio is now a new father and Ignazio parlayed back with “it is not new anymore?” and Piero and Gianluca saying that Gabrielle had the two best “uncles.”  Piero commented on Ignazio’s few extra pounds, with Ignazio trying to make light of it saying “what, since I am a new father, now I am fat?”  or something like that – I can’t remember it exactly…. 😉

Their voices – OMG!  We always seem to say they get better and better, but somehow, they really do!  For the first time in a while, the sound at the Fox was just superb.  Their voices magnificent.  Someone told me Ignazio was taking opera lessons now. They must have mentioned it at a prior concert, but they didn’t at Detroit.  However, you could really tell with his voice on the more operatic songs, in how he held his notes, the timbre of his voice and the technique in which he reached the higher notes.  His mouth seemed much more relaxed and open when reaching for those high notes, projecting clear into the balcony!  I swear, I don’t think they even needed mics, they sang everything with such power.

Another comedy scene, was when they had just finished singing Ecstasy of Gold” and then Piero addressed the audience saying how the previous song and next song were written by the great Italian composer, etc., (of course most of us likely knew it was Ennio Morricone) and then Ignazio comes over and they have this discussion back and forth, with Ignazio asking Piero, “but who is this composer?  You didn’t tell them who wrote the last one.”  Of course Ignazio kept interrupting him each time he tried to tell us it was Morricone, and was trying to say “signore and signori”… and finally gave up and said “ladies and gentleman”Se” from Cinema Paradiso

Earlier, before they sang their solos, they told us how they chose Ignazio to sing his first, as they lightly bantered back and forth, finally leaving Ignazio on the stage to perform his new solo.  I was really hoping for one the many songs he sings in English all over Europe, but no, he actually sang something a little more special!  He commented on how he sang this for the first time at their concert from 2011, at the Detroit Opera House, actually about 15 years ago, “Ti Voglio Tanto Bene!!”  Oh, it was glorioso and magnifico!  It’s definitely not one we hear too often.

Piero sang a new solo as well, from some opera set in the United States, forgive me, I can’t remember what opera it was, but I’d never heard of it. 😉

Gianluca’s solo, was a haunting medley of a few Elvis songs.  It started out with the lights on the stage very low, where you could barely detect the profile outline of his face with the lights glowing behind it.  It got a little lighter as the songs went on, but was mostly sung in the shadows (see below).  In the beginning, before he sang the songs, he spoke this beautiful intro about the legacy of Elvis and what he left us with and then when on to sing Love Me Tender, then Dixie, then went into the Glory, Glory, Hallelujah, ……

They also did what they called a medley of “showtune” songs and did this cute little intro with Ignazio saying how they went to see the “Lion’s King” in New York many years ago and how much he liked it.  They then joked with him that there was just “one” Lion, and Igna pointed out the he was really the “king” of the “lions?” therefore “Lion’s” King.  I think he had a point?  Lol!  Much to my surprise, they didn’t sing “Can You Feel the Love?” from the Lion King, but Igna went on to sing one of my most favorite solos of his, “Tonight,” from West Side Story.  Oh, I so love that song and it was gorgeous!  Piero sang “Where do I Begin?” from Love Story, and Gianluca sang his awesome solo of “Music of the Night,” from Phantom of the Opera.  Then at the end, they all sang the big chorus of “Don’t Cry for Me Argentina,” from Evita! – a huge surprise on that one!  You’d think they would have sang Maria, as well?

One really special moment of the concert, when they were singing Caruso (I think), they let a “grandmother” come up to the stage and give Piero a bouquet of flowers.  He was on the left side of the stage, near the piano.  He was really surprised and of course, gracious, while singing.  After he sang his part, they changed places and he went to center stage and he was just grinning from ear to ear, maybe even a little blushing, I wish I could have caught a picture, but I didn’t.  If anyone remembers the scene from White Christmas, where Danny Kaye and Bing Crosby help out the “sisters” and lip sync to “Sister” and at the end, Bing Crosby has this really big grin on his face, that is what Piero reminded me of!  😊

A nice touch this time, they prompted the audience to sing along on a few songs, like Funiculi, Funicula; Il Mondo, Hallelujah, and Grand Amore on the choruses.  It was really nice!  And of course, most know by now that Giampiero Grani is their new conductor!  They also introduced each other, but none of the orchestra?  Maybe they were all DSO folks?  At the end, they did a little encore and came back to sing Nessun Dorma,” and then it was over.

A big thank you to Rose Marie, who provided me with the setlist from Detroit!  It comes with a misterioso footprint on it!  As well as refreshed my memory on songs that were not listed!!  😊

I would have taken more pictures, but I had lost half my battery trying to resolve an issue.  ☹

I literally got goosebumps, so many times during the show!  I have to say I truly enjoyed this one so much, more than I thought I would.  It was just like the perfect mix of songs, talking, jokes, interaction, etc.  Even the Fox Gestapo wasn’t trying to stop us from taking pictures or videos for once!  At the end, they also allowed some of the folks to approach the stage, with no security from where I sat, and the guys smiled, laughed, and shook hands.  I don’t know, it’s like the whole concert just had a different feel to it for some reason?

Now, for a little morning side trip story….

Sharon, bless her heart, wanted to do something big for the guys again, celebrating their 17 years together!  However, most things didn’t quite work out, except for this one thing.  I live in Farmington Hills, MI and Farmington, MI (technically our sister city) just recently became a sister city to Vacri, a city in the Abruzzo region.  Being that Gianluca was “Man of the Year” for Abruzzo, I thought it was a really cool connection to Gianluca and Il Volo. So, Sharon did her best and was able to get the Mayor of Farmington, Joseph LaRussa (very active in the local Italian community and strongly promoted this concert), wrote a beautiful letter to give to the guys.  See photo…hope you can read it.  If you click on the picture, it will make it bigger. Sharon was able to snag a last-minute meet/greet and gave it to the guys.  They were so touched and thrilled and they actually asked Sharon, “Can we keep this?”  😊  Like, no, we’re taking it back.  Lol!

Oh yeah, I had to go to the mayor’s office that morning and pick it up! 😊  No, didn’t get to meet the mayor, but the City Manager, a very nice lady, had it all ready and she said, he had “just signed it!”  We had gotten there about 11a or so.  On Saturday, I messaged the mayor on FaceBook and told him the letter was a success and thanked him for doing it.  He said, “I’m so glad!”

Most of the pictures here are mine, but a few are from Rose Marie and Magdalena, and the OMGVIP pic with Sharon and the certificate.  Thank you, ladies!  No videos…. I noticed there didn’t seem to be a lot of videos surfacing from the Detroit concert…?  Maybe the Gestapo was sneakier than I thought?! 😉

Til we meet again!

 

 

The Passing of Myron Heaton by Jeanette Giglio

Our friend and fellow Flight Crew member, Jeanette Giglio, sent us this sad news.
With sadness I write this post…
Myron Heaton passed on Tuesday 04/28/26 at 10:55pm. He was 79 years old.
Myron was a long-time member of the Flight Crew and an important contributor to this blog site.
I met Myron in 2014 at an Il Volo concert in Griffith Park outdoor theater in Los Angeles.
It was my first Il Volo concert and I saw there was a group of people chatting waiting for the gate to open to the outside theater. I walked over to the group of people that were from the Flight Crew, and Myron was sharing his good fortune of meeting Il Volo at previous concerts.
I introduced myself to the group and said I was from Las Vegas.
Myron introduced himself to me and said he was also from Las Vegas and then asked me if I was interested in working with him to put a fanfare together in Las Vegas.
The rest is history!!!
I lost a good friend.
Please say a prayer for Myron and his family.
GOD bless you Myron, you were a kind and wonderful friend. You will be missed by all who knew you.
❤️❤️❤️

Il Volo Flies a Mile High by Giovanna

Il Volo Flies a Mile High
By Giovanna

All the years I’ve followed Il Volo, I’ve never heard them perform where I live in Denver, Colorado.  I’ve gone as far as Taormina, Sicily, and Lecce, Italia and stateside in NY and NJ, to hear them, but they have not come here.  If I’m not mistaken, I think they have not performed here since March 2016, when they played the Paramount Theater, near the 16th Street Mall.  That’s back when they looked like little boys, Piero didn’t tuck his shirt in, he was still wearing those very red eyeglasses, Gian wore his hair sticking way up, and the group didn’t book a very large venue.  This time they used the Boettcher Concert Hall.
2011 to 2016 era: Mamma mia, quanto erano giovani!
(Wow, how young they were!)

Il Volo in volo (Il Volo in Flight)

I’ve read the horror-stories/rumors on various web pages about Il Volo landing in Denver years ago in a snowstorm, having problems breathing at mile high altitude, and having Piero’s wheeled case full of eyeglasses get lost at our DIA airport.  I have no idea if any of it is true or not. [By the way, Piero explained on Denver Fox 31 a few days ago that singing is Denver is no problem after singing in places like Mexico City or Bogota.  “Just run 5 kilometers and you’re fine.”] However, after years of using Denver’s airports (old and new), I’m not particularly surprised about lost luggage.  On stage this week, Ignazio added a Piero story to the DIA narrative.  Igna says he doesn’t mind traveling on their big tour bus, because he gets a kitchen to himself.  He says he’s a good “cooker”. He explained that during one tour season, when he and Gian were traveling by bus from the previous show to a Las Vegas show, “Prince Piero” chose to fly.  They didn’t mention whether something happened with his volo (flight) or collegamenti (connections) or our strange weather, but he promptly got himself stuck in Denver.  Piero protested it was still better to sleep in a hotel room than a bus bunk.
There were lots of rumors running around the auditorium lobby, including:
  • Piero got married.
  • All three guys are married.
  • Gianluca’s been divorced.
  • A group of concertgoers knew someone in Colorado Springs who claims she talks on the phone daily to all three guys to help them with their English.
I have no patience for that kind of stuff.  In any case, I’m glad the guys started the US leg of the 2026 tour in the Mile-High City.  Denver’s Boettcher Concert Hall, designed for opera and classical programs, has wonderful sound.  It’s also shaped in the round, so most seats are close to the stage.
Although I’ve been to many Il Volo concerts, I’ve never been to a Meet and Greet, so I finally bought a VIP ticket that included Meet and Greet, along with the pre-show soundcheck.  Soundcheck was cancelled, and like the cancellation in New York, I got different reasons from different people. The fan page standard text message always says cancellation was due to the venue.  The Meet and Greet photographer/director, John shown here, said the guys were still working out this season’s new program and wanted rehearsal time without interruptions.  That made sense.
John (more about him later)

On to the Boettcher Hall

It’s amazing how far people come to hear Il Volo live. Even though the Boettcher Hall (sadly) was not full, some people had come as much as 1,000 miles to this concert.  The first person waiting at the entrance was Mary Ann Weaver, shown here, who had driven all the way from Shelby, Montana, had gone through major difficulties getting the right ticket, and ended up attending alone.  She had photo gifts for the guys and a special one for Gianluca.
The next one I walked up to, Candice Wood, came all the way from Portland, Oregon.  I thought she might have come the farthest.  David and Sigifredo came from Albuquerque, NM.  Like me, they had tried to attend the concert in Las Vegas at the start of COVID in 2020. Unlike me, they found out the concert was cancelled before they travelled. They’ve been waiting for a show in the mountain states ever since.  I was hoping Il Volo would do some songs in Español for them.
Joice Dougherty, a long-time fan shown here, flew from Phoenix and drove with her daughter from Colorado Springs.  Joice, a paesana Siciliana née Venuti, had one daughter with her and another daughter riding horses on the beach at Taormina, Sicily as we spoke.  I’m so jealous and homesick for that place!

Molte Surprese (Many Surprises)

I waited to see Giampiero Grani seat himself at the piano just before the guys came out.  However, there was a new young pianist on the bench.  To my surprise, Giampiero walked across the stage and stood in the maestro/conductor spot.  It was wonderful to see him with the baton in hand.  Il Volo started by describing their respect and trust for him in that new role.
As always, an Il Volo concert has splendidly powerful young men’s voices, and uplifting, polished instrumental musicianship.  Yet this one was different – more mature, more classical, more themed.  This time it was also much more serious: not much scherzi e buffonate (joking and horseplay). Piero explained they have changed because they are always pushing themselves to improve.  As Ignazio explained, you should “Never finish to study.”  Some changes:
  • No appliquéd suit jackets or sparkle shoes.
  • It was the first time I’ve heard them perform Granada, the Great Caruso, or Funiculi, Funicula live, although many of you have. Since we were in the Spanish-speaking downtown of Denver I was happy they sang Granada but I had hoped for Cielito Lindo, too.  Someone else was yelling for El Triste.
  • In honor of being in the American west, they added an aria from Puccini’s La Fanciulla del West (that one is sort of a spaghetti western opera style).
  • They added a medley of American classical/show melodies and no pop songs.
  • They did many more of my favorites, Mattinata, Libiamo ne’ Liete Calici from La Traviata, Nessun Dorma, along with some they’ve done for two or three seasons now, La Donna è Mobile from Rigoletto and Ennio Morricone’s Se from Cinema Paradiso.
  • When they did an old stand-by like “My Way”, Ignazio wanted it to be a sing-along.
  • Although Igna and Piero each did Puccini solos, Gianluca didn’t do a full solo. People more observant than me commented that it looked like he wasn’t feeling well and hurried off the stage at least once.
  • Many of the arrangements were shortened, but that may have been in deference to Gianluca. These guys pour out everything they have, and give a high energy performance every show, so it’s not surprising if any one of them wears themselves out or gets sick on occasion.  I forgot what song it was on, but I did notice that Gian took his breath for his last high note, couldn’t do it, quickly rephrased, and skipped the sustain.  It sounded fine (not flat) but, clearly, he was struggling with something, poverino (poor thing). When he spoke to me later, he seemed to be doing better.
As always, Ignazio introduced Leonard Cohen’s Hallelujah as a prayer in honor of the many loved ones who over the recent years no longer stand alive next to them (Barbara Vitali, Igna’s father, and some Il Volo grandparents), reminding the audience we could share in the prayer to honor our own lost loved ones.  I always like it when he introduces it that way.
They do have at least one new battuta (joke).  Piero reminds the audience that Ignazio is now a father. Then he adds, “The best things about his son, is that he has the best uncles.”  Ignazio cracks back, “Yes, because they’re rich.”  I don’t know if that means Uncle Piero and Uncle Gianluca have been spoiling baby Gabriele with expensive giocattoli e regali (toys and gifts).  Maybe or maybe not.  This isn’t the first time I’ve heard Igna tease Piero for being rich.
Dopo (Afterwards)
I had been forewarned by Flight Crew staff and other fans what a Meet and Greet is like.  John, the photographer and Meet and Greet director, explained that the guys had just performed for 2 hours, they had to travel early the next morning, they don’t want to get infected with anything, etc.  Predictably, he planned to run a brief waiting line followed by a rush through.  The rules were: no hugging or kissing (germs), no grabbing or handling, no long conversations, just a hello, a quick handshake, a picture, and move on. Well, it didn’t go exactly like that, but it wasn’t my fault.
To save time, as I walked up, I told the guys in Italian that despite writing for Flight Crew for some years, I had never met them, and this was my first Meet and Greet.  Ignazio asked in Italian where my family was from, and when he heard Regione di Palermo, he started telling me in Sicilian all about having some relatives there. (Didn’t he know there’s no chiacchiere (chitchat) allowed!)
Il mio paesano (my paesano)
Piero reached over to tap me politely, also acknowledging that we were paesani (countrymen). (Didn’t he know there’s no touching allowed!)
Il mio altro paesano (my other paesano)
I was going to kid Gianluca, but he beat me to it.  I was going to tell him (in Italian) “Don’t make fun of me for being so short. It makes everybody who stands next to me look tall, except Ignazio, who is already tall enough.”   I never said it.  Instead, Gian still had my hand and arm while he shook his head and started telling me how he notices that conversations with Igna and Piero always seem to switch from the guest being Italian to being Sicilian and always default to Sicilian dialect.  He told me, “I’m amazed how all of you [Sicilians] slide automatically from Italian to ‘Siciliana sugno,’ like you just did. It happens every time.”  (Didn’t Gianluca know he was making more chiacchiere that’s not allowed!)
Apparently, there are not that many Abruzzezi-Americani who switch the conversation to Gianluca’s dialect for him.  If you are an Abruzzeso-Americano at a Meet and Greet at one of their American shows, please speak in your dialect to Gianluca. He’d appreciate it. (Even though there’s no chiacchiere allowed!)
I was facing the guys while they were still talking to me. At some point Ignazio spun me around to face the camera and get the pictures done.  He could see over my shoulder that John, the photographer, was losing patience with the chiacchiere and was about to complain. But it was Igna’s fault.  He started it.
So, if at another Il Volo concert you get to attend a “Meet and Greet”, and the photographer gets even stricter with the rules, don’t blame me.

 

Credit to owners of all photos.

NEW TOUR DATES AND MORE by Daniela

And here they are, so many of you have been waiting for them, the new dates for the November U.S. tour. How wonderful!
Our beloved guys announced them with this beautiful video:

CLICK HERE to view the Facebook reel

And here are the dates:
USA TODAY ENTERTAINMENT published this article:

CLICK HERE to view the article

Il Volo adds 2026 tour dates, bringing operatic pop to more cities – Exclusive

The Italian operatic pop trio Il Volo will be figuratively running it back in North America and for two of the members, literally running back through the States this fall. USA TODAY can exclusively reveal the group of Piero Barone, Ignazio Boschetto and Gianluca Ginoble will extend their world tour with additional North American dates. The eight-city trek kicks off Nov. 10 in Hollywood, Florida and wraps Nov. 21 in Hamilton, Ontario, Canada. Tickets go on sale April 17 at 10 a.m. ET on the group’s website. The announcement comes as Il Volo prepares for its spring trek in the States, which runs April 15 through May 2.
For Barone, 32, and Ginoble, 31, that will mean another chance to lace up their running shoes and explore. The singers reveal over a recent Zoom interview with USA TODAY that when they visit New York, a Central Park run is a must. The trio will play the Infosys Theater at Madison Square Garden Nov. 17, so hopefully they pack their cold-weather gear. Barone ran the TCS New York City Marathon in 2023 and calls it “the best experience of my life.”
“We are used to emotional feelings on stage,” Barone says, noting it’s a privilege to have that experience with their audience. “But the feelings of the marathon, it’s something that I suggest to all my closest friends because it’s something you will never forget in your life.”
You could call Il Volo’s journey a marathon in its own right, although the group’s name translates to “the flight.” The singers met as teenagers in 2009 while competing on the Italian TV show “Ti Lascio una Canzone” (“Leavin’ You a Song” in English). They signed to Geffen Records shortly after and released their self-titled debut album internationally in 2011.
In 2015, the trio represented Italy in the Eurovision Song Contest, placing third but earned the top vote from both the accredited press at the event and the telephone fan vote. Since inception, the group has toured every continent and racked up hundreds of millions of Spotify streams.
As far as the extended North American tour, Boschetto, 31, teases that the group “loves Christmas,” and with the additional dates near the holidays, that will change the setlist.
“Most of our repertoire is inspired by The Three Tenors,” Ginoble adds, referencing the trio of Luciano Pavarotti, Placido Domingo and José Carreras. “So that’s our goal, especially in the States and all around the world, to keep bringing bel canto (beautiful singing) to those people who used to listen to it and lived ‘The Three Tenors’ and (Andrea) Bocelli, but of course to the new generation.”
Yesterday, April 9th, Gianluca, Ignazio and Piero were with you and will participated in the Today Show!! 
They sang the theme song from The Gladiator – Nelle Tue Mani.What a powerful performance it was! 🎤🎵🎶
Here’s the Today Show video.

Furthermore, for the last episode of the program SUPERNOVA hosted by Alessandro Cattelan, a funny interview was aired, recorded before the departure of the South American tour. (Turn on subtitles.)

And finally….
Before the World Tour kicked off, I told you that several articles had been written announcing the tour. I’ve already shared some of them with you, but there was one that really caught my attention. I told you I’d translate it later because it deserved the attention for the depth of the words reported. It was written by Progetto Radici.
Radici (with its website Progetto Radici.it), “The newspaper of Italians from around the world,” is an independent newspaper founded in 2018, which offers daily in-depth journalistic columns on cultural events affecting Italy and Italian communities around the world.
Il Volo World Tour 2026: Italian music around the world

Il Volo on a world tour: the Italian voice that crosses continents

Il Volo World Tour 2026: a journey through community and roots

Italian music continues to speak to the world through one of the most recognizable bands of recent years.
Il Volo’s 2026 World Tour will kick off outside Italy, with an international schedule that will visit Latin America, the United States, and Europe before focusing on Italy.

This is no coincidence: starting abroad means immediately encountering Italian communities living far from the peninsula, transforming every concert into a moment of collective belonging. Not just musical performances, but true cultural gatherings where language, emotion, and shared memory take center stage.

CLICK HERE to view the video

Latin America: the heart of the Italian diaspora
March 2026 will see the trio perform in Latin America, an area with a historically strong presence of Italians and their descendants.
Here, the concert takes on a value that goes beyond music: it’s a call to one’s origins, a way to feel close to one’s homeland through songs.
Each stop represents a different story of Italian emigration, made up of generations who have kept alive the bond with their culture of origin.
United States: A Meeting of Tradition and New Generations

In April and early May 2026, the tour will continue in the United States, another key territory for Italy’s global presence. The audience here will consist not only of long-time emigrants, but also of young professionals, students, and second-generation Italians who often rediscover the Italian language and music through artists like Il Volo.
In these cities, the concert often becomes a family event, where several generations meet under the same melodies.
Europe: Summer 2026 and a Look to 2027
After the American leg, the tour will arrive in Europe. A highly anticipated summer date has already been confirmed:
These European stops strengthen the bond with the Italian communities living on the continent, offering a meeting opportunity that combines language, music, and a sense of belonging.
Beyond Music: Identity and Cultural Continuity
Il Volo’s 2026 World Tour confirms how Italian music continues to play a central role in the lives of Italians abroad. Each concert becomes a small, symbolic return home, a moment when geographical distance and cultural differences fade.
It’s not just a show: it’s a collective celebration of identity, memory, and continuity. Different stories meet in the audience, yet united by the same musical language, capable of crossing borders and generations without losing its essence.
How exciting to see the November dates released!!!
The tour is definitely turning into a long journey around the world!!
Please don’t buy tickets from unofficial sites, and don’t be fooled by the sweet talk of fake Piero, Ignazio, and Gianluca.
See you soon: Daniela 🤗

 Credit to owners of all photos and videos.

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