Finalmente il Primo (e il Secondo) Concerto (Finally, the First and Second Live Concert)
After Italy and our planet recover from the current viral onslaught, the world may be different. As Gianluca said in his live videocast last week, when this is over, it may be hard for many people and many things to go back to the way they were. But we can still look forward to the fact that music and laughter are universal and unstoppable.
In my last submittal, I promised to describe my first Il Volo concert(s) from 2019. But first, I wanted to recount a funny story from my 2018 trip to Sicily. That was my fourth hiking or cycling trip in Italy. Due to the travel dates, I knew I would not be able to hear any Il Volo concerts. I spent the time becoming addicted to the Mediterranean and Ionian coasts of Sicily.
When we first arrived a few days before the start of our hike, I had trouble calling our bed-and-breakfast host near the Palermo Vucceria. So I ended up pressing the citofono and climbing stairs looking for his suite. A middle-aged guy in the street, who was a friend of his, called him on the telefonino (cell phone). While on the phone this buddy was ribbing me in Sicilian, telling Claudio that he better come down quick, because his guests “si stanno impazzendo” (are going crazy) and every other tease he could think of, winking the whole time. My helper was a typical Sicilian – extraordinarily courteous and kind on the one hand, and ‘nu sperto (smart aleck) on the other. Then he hugs us and tells us his name is Piero. I burst out laughing. Of course, it is. What else would it be? (But it’s a common name, right?)
Even wilder was the historian/guide at Segesta a few days later. He was a little bantam rooster of an athlete in his 20’s. Black jeans, dark curls, trim beard, soft eyes, deep dark voice, movie actor face. He announced his name was Gianluca.
I was in tears laughing at this point, and just had to ask him if he sang tenor or baritone. He pulled me aside and we promptly got into an argument (‘na schariatina) in Sicilian. Two Sicilians arguing – what else is new? He insisted that our driver, Maurizio, lied when he said we were Americans. As short as I am, and with my left hand in the air for every other word, I had to be Italian. I also learned that this particular Gianluca refers to himself as “Sicilianissimo” (ultimate Sicilian) and considers himself an expert in recognizing his own kind.
I’ve had this happen in a number of places in Italy over the years, where Italians sometimes confuse me for an Italian, not an American. A few examples:
Near Catania: “Si pare dalla faccia” (It shows on your face).
Rome: “L’accento si senti” (I hear your accent).
Giardini, Sicily after two days of swimming in the Ionian Sea: “Una verissima Siciliana – nera, nera come ‘na magrebina” (A real Sicilian – dark as the rest of us Mediterraneans.)
Storekeeper in a negozio in Florence: “You remind me of my mother in Calabria. I’ll take off 40 euros if you come in the back with me for an espresso e una chiacchierata” (some conversation).” I told him the last thing I wanted to hear from a handsome young Italian is that I looked like his mother.
Our driver outside Cefalu: “How long since you emigrated from here to the States?” My answer, “Non ho mai messo piede qua!” (I’ve never set foot here!).
Near Milano: If you’re a ciclista, you’ll know who the great designer Ernesto Colnago is. He refused to make me a custom road racing frame years ago. “Sei Italiana, ma sei troppo bassa. La bici uscira brutta!” (You’re Italian but you’re too short. The bicycle will come out ugly.)
Eventually I gave up arguing.
I didn’t meet any Ignazios in 2018, but I didn’t need to. I have two Sicilian-American cousins called Ignazio. One’s tall, one’s funny.
Despite following Il Volo for years, and even going back and forth to Italy, I never attended a live concert until 2019. As I mentioned, I returned to Italia to hear them on their home turf in Taormina, Sicily and Lecce, Puglia, both shows in July. It gave me an excuse to be around the beaches, the white marble architecture, the restored synagogues, and the marketplaces of eastern Sicily and southern Italy for a month. Americans haven’t discovered these areas, but the northern Italians flock there for vacanze and ferragosto. I was delighted not to hear a word of English for a month. Siracusa and Ortigia, with exotic fruit, baking hot sunshine, blinding white marble, noisy markets, singing in the stalls, street signs in Greek and Hebrew, the sparkling Adriatic visible at every turn, make me ubriaca di gioia (drunk with pleasure). I finally found a place I feel really at home.
Besides, there’s nothing like Sicilian pasta al salmone, and the Pugliese really know how to roll their dark bread dough in black sesame seeds. And where else do the vending machines along the beach have bottles of Inzolia Sicilian white and Nero d’Avola red instead of Coca Cola? Antonio, one my limo drivers, told me that Italians have a name for a meal without wine. They call it colazione (breakfast). E magari, a volte… (Even then, sometimes, too). Using wine all day is not the case for every Italian since, for example, Piero Barone, and even my landlord in Giardini, sono astemi (don’t drink at all).
Ora Arriviamo al Dunque (Now We Get to the Point)
Jana, Daniela, Pat and others in the Flight Crew reviewed last year’s concerts as they occurred. I wanted to tell you about some things that didn’t make the web pages or the blogs. These things will not change, even if the Meet and Greets, Wine and Dines, and whatever else they’re called, come to an end. I’ve never been to any of those things, anyway.
Aside from their voices and their stage presence, in the short time I was around the Il Volo concert setting, I was most impressed with the humanity and grace of these young men, and what veri gentiluomini (real gentlemen) they can be, when they choose to. Non fraintendermi! Don’t get me wrong! I raised an Italian Jewish son exactly their age. With young guys, including mine, sometimes they are delightfully charming, and other times “it gets real.” I suppose these three guys are the same as mine. Here are some examples of what they can be:
First, my all-time favorite, and Sicily’s greatest mystery writer, Andrea Camilleri, died the Thursday before the Il Volo Taormina concert. If you’ve ever read Il Commissario Montalbano Mysteries or watched them on TV (starring Luca Zingaretti, Cesare Bocci and Peppino Mazzotta), you know who Camilleri is. I didn’t hear the news until I went up to Taormina that Friday to buy some paperbacks in the tabbacheria and catch the local gossip in the cafés on Corso Umberto. Those of us who are Sicilians were still lamenting his death a few nights later at the Il Volo concert. (Sicilians are really good at that). During the concert, Piero and Ignazio, Sicilians both, had the extraordinary sensitivity to ask for a few minutes to honor the memory of our Sicilian hero with a farewell aria in the middle of the show. Lots of hugging and swaying in the audience – but well deserved.
Second, some of you may have seen the 2019 Taormina concert photo of Piero holding a teenaged girl at the left side of the stage, late in the show. I think I even saw the picture on the Flight Crew page. What wasn’t obvious is that this very disabled young lady, in her prettiest summer dress and barely able to walk on her brace supports, spent the length of two songs being held by Piero, while he sang his parts. To take care of this young lady who had trouble standing, Piero had to crouch and sit at the edge of the stage to hold her so she wouldn’t fall, as her caregivers temporarily took her walking equipment away, and he stayed that way a long time. This brave young lady didn’t want any crutches in her arms; she wanted Piero in her arms, and he obliged her. I was really touched by the look on his face afterwards, as he sighed with compassion, moved by what this young girl went through to get near him, and watching her struggle on her supports as she left him with her helpers around her. I didn’t expect a young star to be that human. In Yiddish we would say What a mentsh! and in Italian Che persona! (What a person he is!) But of course, if he’s like his coetani (guys his age) there are probably other sides to him.
These are Flashes of Memory and a Few Things to Look Forward to When Italy Recovers
Snapshots from Taormina Concert
Ignazio teasing that every time Gianluca tries to speak Sicilian, he growls like a Mafiusu.
Ignazio doing a fake Italian TV commercial with a dial-in phone number to raise money to save Piero’s home village of Naro. Every time the other two interrupt him, he starts the “tape” over.
Piero charging up the center aisle to sing at the back of the amphitheater, then unable to get back to the stage because he’s nearly covered in girls.
Gianluca completely cranked up, running victory laps back and forth at the front of the stage hand-slapping all the young kids, while everyone in the audience is standing and singing “Volare.”
Late night after the concert, people singing Il Volo songs up and down Corso Umberto, even those who didn’t go to the show.
Snapshots from Lecce Concert
After centuries of never having public entertainment in the Piazza del Duomo, watching as the stage was being built up each day across from the archbishop’s palace – for Il Volo,
Gianluca accidently delaying the show because he left his stage clothes at the hotel. Ignazio joking that they decided to wait for Gianluca’s clothes because it didn’t seem right to make him do an entire concert in front of the Archbishop of Lecce in mutande (in his underwear).
Gianluca personally thanking Archbishop Michele Seccia “chi mi ha dato la crisma” (who gave him the oil of anointing at his confirmation 12 years ago), because look what happened to his life since then.
Folks watching the show for free from the roof of their apartment building above the piazza teasing Ignazio. Ignazio, always in fine form, yelling at them to go buy a ticket.
Gianluca doing a goofy American accent to make fun of how badly Americans pronounce “Arriverderci Roma.”
People in front of me betting on whether Gianluca could make it to the end of the show without climbing off the stage to play with a small boy down front. (He didn’t make it to the end).
Piero describing how ten years ago they were so young that they were this short . . . except Ignazio, who was this wide . . .
Che Dio vi benedica tutti voi, e anche i ragazzi e le loro famiglie.
May God bless you all, and the guys and their families, too, during this time.
It’s been over a year since my last post due to my crazy work schedule, my new photography hobby, spending time in Colombia, South America and in Yorkshire, England. Now I finally have the time to get back into full “Il Volo” mode. Needless to say, the boys have been with me every day, safely tucked in the playlists of my iPhone, constantly at my side through all my adventures, the endless late nights at the office, providing joy and comfort during all the great times and some pretty difficult ones as well. Before I go on to review the two concerts that I recently had the great privilege of attending, I’d like to mention a few other topics that have been on my mind.
Music Makes The World Go ‘Round
I was born in 1961. As a kid I was always surrounded by music at home. I grew up with The Beatles. I SO wanted to BE Paul McCartney. I worshipped John Lennon. My late teens and 20’s found me dancing to the beats of Blondie and The Pretenders in the new wave rock clubs of downtown New York City. Then it Was Springsteen and Billy Joel. World music. Latin Music. Colombian Folk. I even went through a country music phase as well. As a “grownup”, my tastes moved towards adult contemporary culminating with an absolute love for Adele. My 50th birthday surprisingly brought me to an appreciation of some classical music. I’ve been through them all. Every genre, every stage of my life zigging from this and zagging to that. And then on the morning of February 15, 2015, it happened. My Italian language study group accidentally stumbled upon the YouTube video of the boys singing “O Sole Mio.” Everything stopped. Who were these guys? Was there more? We discovered all their songs. This was very different – for me personally, they made an instant and profound impact. Those voices. The harmonies. The melodies. The lyrics. Their personalities. I had to hear ALL their songs. I had to STUDY them. I had to translate them. I had to dissect every word they said and every note they sang. At the same time, my interest in European travel and Italian cuisine and culture were at its peak. Every aspect of my life was starting to weave itself around Italia. Then came the irony of ironies: “Notte Magica” and Florence. Opera. John listening to opera! And then– “Musica che resta” – Music that remains. Music that lasts. They say in life they save the best for last. I am so grateful that during my life’s journey I had all this music to follow me around. You should be too. Music is wonderful. Music is important. And if this is the music that will matter to me for the rest of my life, then I’m happy. Very happy.
“Amame” and the Spanish market
As soon as most of us heard the songs on the Spanish language “Amame” album, many of us probably scratched our heads and thought of only one thing: “Why?” As a native Spanish speaker, I’ll tell you why. There are 400 million native Spanish speakers in the world. Figure out how many are female and how many are under the age of 20. That group just became an instant audience for Il Volo. Ever see the videos of screaming girls at the airports in Mexico City and Buenos Aires and Santo Domingo waiting for the boys to arrive? Instant audience. The modern reality is that musical artists generate a large portion of their income form touring. And more song sales generate more ticket sales. And to generate those song sales you need larger audiences. Do you think the “business” of Il Volo is going to survive with only traditional Italian “Bel Canto” songs and “Pop Opera” hits? It can’t. It won’t. This was pure marketing genius. And I proved it to myself with my Spanish speaking friends and relatives. I played “Amame” for them. They immediately acknowledged it sounded “different.” And the difference became clear. The voices. The talent. The arrangements were catchy and fun, the boys stood out even when their voices were submerged in the tropical Latin rhythms. While today much of this genre of music is laced with negative themes and/or sex, the boys did it with thought-provoking, positive ideas such as dedication, romance, love, overcoming life’s difficulties etc. I introduced them to their other music. My “audience” expanded their musical horizons just like Il Volo expanded ours. They were hooked. If this is what it takes to maintain their commercial success and longevity, I’m all for it and we should all appreciate it.
Five Years for John. Ten Years for the boys.
My five years with the boys brought me to concerts in Connecticut in 2016 and 2017, Verona in 2017, and Rome in 2019. Finally, “The Best of 10 Years” tour had arrived with two concerts for me, the first on Feb. 1 at Foxwoods Casino in Connecticut (Row 2 Orchestra) and the second as a gift at the Wang Theater in Boston on Feb. 3. (Row 1 Orchestra).
A reminder of some of my previous “Il Volo Concert Rules”: #1. Buy the best tickets you can possibly afford. Start saving NOW for the next concert. The reality is that not everyone can afford a $500+ Meet & Greet Row 1 or Row 2 seat, but believe me, it is worth it. Seeing them 10 feet away from you – seeing every movement, every expression, every twinkle in their eyes is an experience you will never forget. #2. Don’t waste time holding up a smartphone trying to record it all. You will miss out on a lot. Concentrate on each individual word and the sounds you are hearing. #3. Learn some Italian. It will add a new dimension to what you are experiencing. #4. If you are doing the Meet & Greet, prepare! After all these years I still see fans walking up sheepishly to the boys shaking their hands, taking the official photo, and slink away in disappointment. Practice what you are going to say. Don’t waste valuable time convincing them that your grandmother’s house in Italy was in the village right next to theirs. Instead, thank them for the joy they’ve brought into your lives. Tell them which is your favorite song. Give them a big hug. They are so friendly and approachable. Your time with them is about 30 seconds. Make it memorable!
New rule for 2020: Register with the Official Fan Club and go to the soundcheck. This is a MUST. The modest yearly fee is worth it and you also get to meet other fans from around the world online. I met a couple of lovely ladies from the club in the lobby and we had a great time in advance of the concert. The Boston soundcheck started at 5:20pm when they escorted us into the empty theater and we got to sit in the tenth row and take it all in. There were about 20 fan club participants and the check lasted about 20 minutes. They rehearsed different passages from a variety of songs to be performed. They adjust the system volumes and the lighting and the orchestra members get to prepare and adjust their instruments. It is so cool to watch. And then, when they were done, the boys jumped off the stage and came down to hang out with the fans for about 10 minutes. Think about it. 20 fans. 3 Il Volos. 10 minutes. Everyone had plenty of time to joke around and chat and hug and take selfies and ask them questions. It was incredible! And it is basically FREE! They do announce at the beginning that there is no guarantee that you will have time to interact with the boys depending on their time restraints but I think it’s worth taking the chance. Afterwards, we were allowed to exit the theater into the lobby until the 715pm-730pm door opening. Use the time to mingle. I met the Mintons and others. Share your stories.
It is important to note that the current tour is comparable to a “Greatest Hits” record, spanning their entire career. Although I would have loved to hear more selections from their recent “Musica” album, I feel the setlist was a good selection of older and recent, classic and modern, Italian and English (plus two in Spanish), dramatic and sentimental, calm and vibrant. Each show lasted approximately 2hrs 5min without any intermissions.
The setlist of 26 songs was as follows, with a slightly different mix between Connecticut & Boston: Nessum Dorma, Granada, Il Mondo, Un Amore Cosi’ Grande, Surrender, Memories, Bridge Over Troubled Water, No Puede Ser, Arriverderci Roma, My Way, Caruso, Maria, Mattinata, O’Paese d’o Sole, Delilah, Core ‘ngrato, People, Smile, ‘O Surdato ‘nnamurato, Tonight, She’s Always A Woman, Where do I begin (Love Story), Mamma, Libiamo ne’lieti calici, O Sole Mio, Volare, and finally, a triple long Grande Amore while they jump around the stage waving at everyone until the climactic end.
I’ve said this before and I’ll say it again. They get better year after year. Just when you think they’ve reached new heights, they top themselves each time. Their voices have matured. Their performances are nearly flawless (except when Ignazio fumbled the opening to Grande Amore and burst out laughing). They are a joy to watch as they joke and chat between songs. Jump up and give them the standing ovations they deserve; they will acknowledge them and they do appreciate them. Yell out “Bravo” at the top of your lungs, or “Bravi” if more than one is on stage. They love that stuff and they will deserve it. They are the same humble, down-to-earth, professional, enchanting group of guys that we all know and love.
And finally, as fast as it came, it all passed by, and came to an end. The lights come back on, and your head is shaking back and forth not believing what you just heard and saw. “The Best of 10 Years”. Oh yes. It was.
This year is also the tenth anniversary of another event, but very sad, that concerned Italy at that time – the Aquila earthquake – a series of seismic shocks that destroyed most of the villages of Abruzzo in the province of Aquila and claimed 309 victims.
We all know that Gianluca Ginoble is a native of Abruzzo, and we know his sensitivity to his homeland, which he loves so much. Several times I heard from Gianluca that he wanted to do something, really useful for this land.
I am sure that Gianluca will have pushed a lot for this event and, knowing the sensibility of Ignazio and Piero, surely he will not have done much to convince them.
The event was announced by TG ROSETO, with this article from which I translate the most important parts.
On 26 August at 9.30 pm at the Teatro del Perdono, Piazzale di Collemaggio, the Music Show, stories and emotions entitled “Il Volo per L’Aquila” will be held, which will be accompanied by the Grand Symphony Orchestra of the Italian Conservatories, conducted by master Leonardo De Amicis.
The musical group of Il Volo, Gianluca Ginoble, Ignazio Boschetto, Piero Barone and have decided to pay homage to the city of L’Aquila on the occasion of the tenth anniversary of the earthquake giving up their compensation, lending their voices and their talent for free with the will of leave something beautiful and real to the city.
Places on the Prato are free. The 1500 chairs are paid and everyone will pay, even the authorities. The proceeds of the tickets will be used to support boys who will be trained at the conservatory.
(photo during the rehearsals of the concert)
Really a beautiful initiative, thanks to the great heart and the availability of Gianluca, Piero and Ignazio, very commendable.
I liked a passage on the article, it was written that everyone, including personalities, will pay for the ticket (only 15 euros). Yes, because here, in the various concerts, often the celebrities or at least the personalities, enter without paying. Unseemly.
With the boys, on the stage, there will also be Alessandro Quarta.
Another thing that pleased me to read about the article, is that the orchestra conductor will be Leonardo De Amicis, the one who directed them in TI LASCIO UNA CANZONE, remember?
Here they are, together in this photo.
Gianluca, 10 years ago, sang for the L’Aquila earthquake, you remember a little child who was singing Gounod’s “AVE MARIA”, also this year IL VOLO, will dedicate a particular song, during this event and it will be “AVE MARIA MATER MISERICORDIAE”.
Guys, there is no song more beautiful and suitable than this one. You will sing it with all your heart and we will listen to you with great affection.
It rained in the afternoon, big clouds are still in the sky, and now the show begins.
And here’s to the TGR Abruzzo news, what they said about them.
PR = Waiting in L’Aquila for the IL VOLO concert.
Full of appointments, the PERDONANCE program, many tourists in the city.
We connect live with L’Aquila, where the 725th edition of the PERDONANCE is going on, tonight there will be the IL VOLO concert, live for you with Gianluca Ginoble interviewed by Daniela Senepa.
DS= I’m here on the stage of Collemaggio, where there is rehelase of IL VOLO that is trying the AVE MARIA. Sorry everyone, we are the TGR of Abruzzo, turn to the camera, excuse yourself guys from the orchestra. IL VOLO, for AQUILA, you are trying the Ave Maria, there is truly your embrace for this city, which is trying to re-rise.
P = We are very close to this city, also because 10 years ago, when the tragedy happened, we were at TI LASCIO UNA CANZONE, the program where we met, we lived fully that moment, there was also the maestro De Amicis, maestro , come here beside us.
DS= Here behind me, on the other hand, there is an extraordinary violin, we listened to the tests and I assure you that my heart beats fast, then when it sings IL VOLO, accompanied by these orchestral boys is a very important moment, (she he turns to Ignazio), because it’s not just your art, but also what you dedicate it to, so it’s a very important moment.
I= Absolutely, we are honored to be here and to be able to sing for all the Aquilans, and above all for all the people who came here to give a symbol of solidarity, for what happened 10 years ago, all united together, music, art, and that’s what we do every day. We must say thank you, certainly to Leonardo De Amicis, who invited us, and we could not say no, but thanks also to Alessandro Quarta, he too, like us, came to help, to spend an evening in music, all together.
DS = Gianluca, I’ll call you by name, because you were born here, you’re from Abruzzo, born in Roseto. Teramo has suffered a lot from the earthquakes of central Italy, I know that for you, it is a strong emotion, every time.
G= Yes, I’m not from L’Aquila, but I feel a little for Aquila, because 10 years ago, immediately after the earthquake, in the following months, they moved many Aquilans to the coast, so many were boys of my age, I made friends with them, but then, I never saw them again. Maybe tonight they will be here and we will sing for them and for all the inhabitants of the Aquila who are here to spend moments of joy and happiness.
Is evening, the tickets are all sold out, people arrive with great traffic difficulties and parking.
But then it all begins, and “it is music, the real one that remains.”
“MUSICA CHE RESTA”
At the beginning this next video, the master De Amicis, says that he has known the boys since they were really small, and he finds them again, after 10 years, grown up, sensitive and immensely artistically, a gift to the Aquila and to all the people.
Then he calls the mayor, to offer the boys a little recognition.
The mayor says that they have seen so many concerts in L’Aquila, but they have rarely seen so many people, so much emotion, for such an event, which has joyfully paralyzed Aquila. “You have given us indescribable emotions, I thank you from the bottom of my heart.”
(in the photo the boys with the maestro De Amicis and the mayor of L’Aquila)
Here is another short video by a fan:
“MUSICA CHE RESTA”
“A CHI MI DICE”
In this photo, during their stay in L’Aquila, Gianluca, Ignazio and Piero also had time to visit a summer camp for small children.
But still, a series of beautiful shots of the event.
Guys, I have no more words and I want to conclude with these shared by Gianluca. Mr. Ercole Ginoble shared it with the maestro De Amicis.
“Abruzzo is a wonderful land for many reasons. The biggest reason is the emotion that provokes seeing a city wounded in the depths, like L’Aquila, react to one of the most disconcerting tragedies that nature can unleash with such great strength! At 10 years from that earthquake, seeing 20 thousand people warm a square there made you more proud to be there last night! ” ❤️
And here is the report of the concert in Matera, lived by Crystal Dawn, member of Flight Crew.
Ciao Flight Crew! I have arrived in Japan after a 30 hour travel day by my wristwatch.
I had little sleep— only 3 hours after the end of the Matera concert and my departure from Matera to make all my connection (bus, two trains, and two planes) prior to my arrival in Japan where I am visiting my son and meeting my one year old granddaughter Fiorina. Now for the highly desired concert details……
The signs we were holding up had written on them “Grazie Ragazzi” with a heart. We were instructed by Matera fan club members to raise the papers and wave them when Piero entered the stage for their first song. The guys were clearly touched from this gesture.
This Cava de Sole concert was another beautiful setting in Matera with a lovely sunset as the backdrop prior to the beginning. The sound quality much better for me here than at the PBS concert.
My front row seat was directly center. I was very close and when Piero sat on the edge of the stage near the end of the concert. I was the first to reach his side with Antonia a few paces behind me. I was able to hear the power of his voice as it entered the microphone. Quite a thrill. I was also first to reach Gianluca when he stood on the speakers (he did not sit). Such a beautiful smile as he acknowledged fans below him.
The banter near the middle of the concert when Gianluca acknowledged the inclusion of several songs in English and any Americans present— I had my hand raised and he pointed to me and asked where I was from and I said, “Oregon.”
Security was very heavy at both concerts, with local police, military, and hired security people—not necessarily staff. I do not know if this is usual, or new. But when fans approached the stage at the Sunday concert security pushed in and quickly pushed us back. Several times I felt it was a bit over the top as we were being very respectful of the guys.
The guys delivered an amazing concert. More relaxed than the PBS concert. Ignazio wore a black shirt and no jacket. Piero white shirt and jacket, and Gianluca in all black—always very stylish.
This concert was also fairly intimate with only about 500 seats—I overheard someone state that number and looking around I would agree. The evening warm, the lighting and sound breathtaking.
When the drums beat for the opening of “Musica Che Resta” I felt the vibration throughout my body. Alessandro Quarta delivered a passionate accompaniment. It is a sublime mixture of the guys and Alessandro. I was very happy to learn of his partnership in this tour.
This Musica concert was more in keeping with my concert expectations. I do feel that as this was their first one, that as they continue throughout Italia that they will be even more relaxed and have more fun on stage with each other and their audiences. By the time they reach America they will have a finely honed mixture of songs and banter.
My one GREAT disappointment was not having the opportunity to enjoy a meet and greet with the guys. Yes, prior to the PBS sound check I was able snatch a quick photo with only Gianluca and Piero—but no conversation in the few seconds exchange as they literally ran past me. Matera was considered a “Zero” concert by the promoters (why I do not understand). In any case, I had made great effort to attend. I extended my travels by two weeks to attend this concert—which gifted me with the extra days to visit their home villages (Roseto degli Abruzzi, Montepagano, Naro, Marsala (eating at Nina’s pizzeria), and Bologna). Prior to my travels in Italia, I was praying in 10 churches (along the Camino de Santiago during my 800 kilometers pilgrimage walk) for for IL VOLO’s continued success, well-being, prosperity, and joy. I traveled for 100 days with often an IL VOLO focus. To literally come to the end of my trip and not achieve that goal of spending a few minutes chatting with guys was honestly depressing for me. I was literally soooo close to them physically for the two concerts, yet also so far away with regards to meaningful conversation.
The guys always deliver a spectacular professional performance, are engaging with their audience, appreciate their band and orchestra members, and acknowledge their management. They are humble, sweet, gorgeous young men.
I was very honored to be able to attend both concerts in the historic Matera. It is now a cherished memory of a lifetime.
Once again, thank you so much Crystal Dawn for your report.
I have to correct a number.
You say there were 500 people, newspapers say 1,500.
I feel satisfied with what you saw, and I think you could interact with the guys.
You also did a beautiful spiritual journey.
It is true, you did not have the opportunity to exchange a few words with Piero, Ignazio and Gianluca, but you must believe me, do you know how many would have liked to have been in your place, attached them to the stage where Piero was sitting and close to Gian?
Thanks again for this report.
Our other crew member also sent me her impressions, here they are:
It was really extraordinary, I don’t know what to tell you what I liked most. For me the solo of Ignazio and also that of Piero and then the duet between all is three. But I didn’t make the video.
It was really nice when Piero said … “Now we have to sing a song in English for our fans who came from the United States.” I don’t know if it is possible but I always fall in love with them a little more every time I go there I see them in concert . It was really an exciting night.
I also thank you for your impressions.
Of course you were also in magnificent places, front row, you witnessed a beautiful concert during a beautiful sunset in an immortal city.
What can I say …… jealousy …. no, we are happy for you !!!!
And here we are with the first day of Musica Tour concert.
What an emotion!
Everything is ready…..
We immediately see the beautiful photos posted by Ercole Ginoble, and we immediately enter the atmosphere of the concert.
But who do I see in the front row? Our two friends from the Flight Crew.
Damn, what luck first row, right in the middle, fantastic places.
I’m really happy for them.
Tonight it will certainly be a more pop program, this is my feeling. But let’s start seeing the first videos.
“IL MONDO”, and look at that beautiful public participation.
Now live videos, forgive the quality of the videos, but we thank Mr. Trombetta for the live broadcast.
A splendid solo by Ignazio that sings “E PENSO A TE” by Lucio Battisti, written by Battisti and Mogol.
“MY WAY”, “MARIA”, “CORE N’GRATO”
“MUSICA CHE RESTA”, Alessadro Quarta, solo.
“ANCORA”, “MERAVIGLIOSA CREATURA”, “IO CHE NON VIVO”, “VOLARE”
“ALMENO TU NELL’UNIVERSO”, beautiful Ignazio’s solo.
“A CHI MI DICE”
“GRANDE AMORE”(sometimes the video is not heard)
“LOVE STORY”(Piero’s solo)
I don’t think we’ll have an immediate report from Crystal Dawn because she came back after the concert (she wasn’t very close to where she slept) and after only five hours of sleep (if she could do it) she caught the plane for Japan and then a 24-hour blackout.
We will hear your comment in a few days.
But this message came to me in the middle of the night, after the concert (which seems to have been very long).
It was sent to me by the other member of our crew:
Had a lot of FUN… It was Awesome 😘😘😘
Of course you will already have noticed that Maestro Giampiero Grani is back, I am happy with this return.
He published this video on his Facebook page:
The audience at the end of the concert was literally crazy, Piero asks: “Can we leave?”
So, after seeing all these videos and photos, what is your opinion ??
I would say that there will be a lot to interact with them and have fun.
We can’t wait for our concert to come !!
Credit to owners of all photos and videos.
Come in and share the love of life, friends and Il Volo!