All posts by Jane

~Notte Magica~ July 8 and 9, 2017, Palmanova and Padova Concerts Review

 

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After a relaxing week off the guys are back in Italy for the next segment of their Notte Magica World Tour!  They look well rested and are having fun on and off the stage.  I know it’s very warm where they are currently performing as is evidenced by them foregoing wearing their suit jackets on stage.  Comfort is the name of the game in  warm summer temps.

I hope you enjoy the collage of the two concerts in Palmanova and Padova.

 

 

 

 

 

 

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Piero gets a marriage proposal from a young Il Volo lover.

 

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They sing a beautiful rendition of Tanti Auguri to an Il Volo team member, Eliana.

 

 

Ignazio doing his Happy Dance!

 

 

 

 

 

 

 

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These Meet and Greets are getting more fun by the minute!  Ladies, remember to request a pose like this at YOUR next M&G!

 

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And now it’s on to the southern most area of the “boot” of Italy, Catanzaro, for the next concert!

Credit to all owners of videos and photos.

~~Jane~~

 

 

 

 

 

 

 

 

 

~~Interview With Symphonic Orchestra of Asti~~

As sent from Daniela,
A few days ago I read three good articles about the collaboration between IL VOLO and Symphonic Orchestra of Asti that followed IL VOLO on the Italian tour.
In particular, to the members of the orchestra are asked their opinion on IL VOLO.
The articles are published on the Facebook page TORINO ASPETTA VOLO E POI, I thought they were interesting to you and I asked the permission to condense the articles to summarize the content.
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WHAT ABOUT A TOUR YOU DO NOT WRITE…..
With “Magic Night – Tribute to the Three Tenors”, we’ve got to know and appreciate even more in depth the Orchestra that accompanied the guys on this Italian tour. We are talking about the Asti Symphonic Orchestra, made up of young professionals, with some of whom we had the chance to talk in the Veronese weekend …
Working with them was fun, because they are boys in the hand, always with the ready-made joke, behind the scenes and during the tests…..working in a professional way, but it is done in a serene and relaxed manner.
RAFFAELE
“I had several ideas about them before meeting them: for example, you see them on tv, they are VIPs and you think they will keep distances. Instead, on the first day I meet Piero, I am astonished at how he came to me, that I was sitting in the theater during a break, to come forward, telling me: we will surely enjoy this tour together! I was amazed by his humility, he is a famous character that many people know by fame, and thus addresses me. An idea that has remained unchanged, is precisely their popularity and fame they have around the world. “
AMANDA
“I was pleasantly surprised, the concerts have an incredible success and I appreciated that they have exploited their previous fame to open to the public a music that has always been considered” niche “. In mid-applauding concert halls is forbidden, but in a more casual context, it’s nice to hear that listeners appreciate what you do! “
NICCOLO’ RICCIARDO
The guys of Il Volo did not know them personally, but for their successes, especially after the victory of Sanremo, I knew, in fact, Grande Amore and I knew that they sang songs of Italian tradition. I thought they had a great success because they were able to bring back songs, arias and a way of singing that had been a bit lost and that he therefore loved a lot of people. For me, the most beautiful song to play was Grande Amore, for the atmosphere that was created while playing.
I would work with them again because I had a lot of fun and everything went smoothly, always worked with the smile. The most beautiful thing was the atmosphere at concerts: it does not often play in places where there are maybe 18,000 people in Turin, and in an atmosphere of a pop concert with lots of fans. It’s also great to see how three guys often bind three generations and are also very good at interplaying the concert with comic sketches.
GIULIA MASIELLO
My mom followed “TI LASCIO UNA CANZONE”, so I heard them in  some songs and I always thought they had a good voice, I had heard about it later and I knew they had made a great success in America. Following the Festival of Sanremo , I was curious about the song they would bring. I like Grande Amore, text is cute and music I found perfect for Sanremo, it does a lot of effect, especially singing by them three. Before we played together, I had mixed ideas about them: I knew the repertoire was “classic”, but I also knew that they had never studied opera, so I was wondering how to do it. I was very curious to know them and try to really understand what and how to sing.
My favorite air is Una Furtiva Lagrima, I really enjoy it!
They are very nice and helpful guys, even though they have a world renown … ready to make a chat, funny photos and videos … I think they’ve been fine with the orchestra … in the end are guys like us! It was a wonderful experience, we played in wonderful places and could, I would gladly do it again! I’m happy with this tour because I’ve heard in person what they think and can be “witness” to the fact that they know what they are doing (or do not). They know they do not work in theaters, but they want to make this kind of thing known to a different user. I really can not wait to hear them sing a little pop! In my opinion, they can really do great things!
DANIELE LERCARA
I had heard about the guys at TLUC, but I later met them in Sanremo, so in their repertoire I knew only Grande Amore, a song I think built on their three voices to win them … given to others it would have been almost trivial, instead of them it works. One thing that I really liked them is to stand in front of the opera airs: not presumptuously, but with a lot of humility, arguing that it is a field they do not quite consone and that for them is a challenge, a test, not Certainly their main feature. Among my favorite tracks, in addition to GrandeAmore, I must quote Ave Maria Mater Misericordiae, which I find truly gorgeous, both vocally and harmonically for the accompanying, great impact. According to the production, they were very pleased with the Asti Symphonic Orchestra, so there should be other occasions, I would gladly work with them. After about a month, a good relationship, some joke, an exchange of views, both in evidence and before the concerts behind the scenes. The atmosphere of the concerts is very beautiful, but I think more about them … know that 18,000 people are there only for three guys, on a stage where no commercial music will be offered, but “classical” music, opera and popular songs is very much beautiful. One thing that struck me is the variety of the public: from little girls to adults, to old gentlemen. I think they are very lucky to have such a large and very important target.
ROBERTA (harp)
On stage they feel totally at ease, it’s as if it were, and probably we can say is, their second home! I did not know them a lot, but now they have surely gained one  fan in addition, because I learned to know them, both as people and professionally, and will follow them even in their future plans!
Grazie Mille a TORINO ASPETTA IL VOLO E POI.
Questo invece è quanto ha pubblicato l’ORCHESTRA DI ASTI a fine tour.
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With the date of Naples it ended the NIGHT MAGIC TOUR that saw us playing alongside Il Volo. We thank the superb Maestro Marcello Rota, Gianluca, Piero and Ignazio for their sympathy, availability and great talent, Michele Torpedine, all the staff who worked with extreme professionalism and all the fans who followed us with great enthusiasm during all dates. We return home with a load of unusual experiences and emotions. Thank you all!
As luck would have it, Penina sent in a fantastic video taken during a sound check   before the final concert in  Naples with this very orchestra!  It is easy to see why these young people enjoyed working with IL VOLO!   I just had to add it on  here as I know you all will love it!  Thanks Penina!!  (Jane)
First published on Torino Aspetta Il Volo E Poi and shared with their permission.
Credit to all owners of photos and video.
~~Jane~~

Royal Albert Hall, May 23, 2017 ~ Personal Review by Patrizia Ciava

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STAGE FOR THE BEST IN THE WORLD

Only seven Italian artists have performed on the most important stage in the United Kingdom, the Royal Albert Hall. Now it is Il Volo’s turn.

For most of the international artists, a performance at the Royal Albert Hall in London represents an unreachable dream.

Since its inauguration in 1871, the Royal Albert Hall has carefully built an impeccable reputation. The most famous orchestra directors in the world, such as Leonard Bernstein and Herbert von Karajan, have performed there and it has hosted performances from legendary groups such as the Beatles, Rolling Stones and more recently Coldplay and Stereophonics. The fortunate artists, who are able to enter the imposing Victorian Theatre as protagonists, normally arrive there at the height of their artistic careers, after decades of international success.

This is not the case of the three members of the pop-opera group Il Volo, who, with their ages of just over twenty years, are amongst the youngest artists who have ever performed there. Before them only the Beatles and Bob Dylan, who was 23 years old when he first stepped on that prestigious stage for the first time, managed to achieve such a planetary success as to be admitted by the demanding Royal Albert Hall committee.

From 1871 until today, only seven Italian artists have had this privilege: Pavarotti, the great pianist e composer Ludovico Einaudi, Zucchero who with seven concerts from 2004 until today, holds the record of presences for an Italian singer, Umberto Tozzi in 1988, Claudio Baglioni in 2010, Laura Pausini in 2013 and Luciano Ligabue in 2012 and 2013.

On 23 May 2017, Il Volo was the eighth Italian artist to perform on the “stage for the best in the world”, one of the legs of their “Notte Magica – a Tribute to the Three Tenors” tour, thus completing the series of triumphant, sold-out concerts in the United States, including the equally prestigious Radio City Music Hall in New York and those of the Italian tour that will see them perform next, on three dates, in the splendid setting of the Greek Theatre in Taormina, Sicily.

The “ Notte Magica” project was supported by the “original three tenors” to whom the tribute is dedicated, Jose Carreras, the Pavarotti Foundation and Placido Domingo, ideally considered the “musical godfather” of the three young singers, whom he has directed in the Florence concert debut and in Los Angeles, during the American tour.

The official site of the RAH reads: “The multi-award-winning pop opera group Il Volo is one of the biggest names in the classic crossover genre, with a sound that combines traditional opera, pop and classical symphonic music. In 2017 they landed at the Royal Albert Hall in London, making their debut in this historic site on Tuesday, May 23. Within a few years, Volo has continued to amaze the public all over the world with their vocal talent and their stage presence, becoming multi-platinum artists worldwide. “

The former “enfans prodiges” of “Ti lascio una canzone” have turned into three outstanding artists who thanks to their undeniable talent but also to hard work and professionalism have bewitched millions of fans all over the world. Il Volo is in fact the only Italian reality not only to collect sold-out concerts in every part of the world but also to reach an extremely heterogeneous audience whose age ranges from 5 to 80 years and beyond. For this reason they are a unique phenomenon in the international music scene.

 

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Transcribed by Susan J. Ambrosini

This review has previously been published on All About Il Volo.

~~Jane~~

 

 

 

 

~~Ignazio Boschetto Into Words~~

Our dear Daniela found another article on Torino Aspetta Il Volo E Poi, written and translated by Laura,  about another favorite subject of ours, Ignazio!  I have left the story  in it’s original form for your enjoyment and added the photos.

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When Ignazio sings I can feel the blood flowing warmer through my veins.

His voice makes vibrate the strings of my heart.

I can still remember the very first time I listened to Grande Amore on the stereo in my car,  as I was going to work.
I will never forget the sweet,  deep print he left.
It was like a tattoo on the skin that cannot actually or totally be erased or removed.
I realized that Ignazio is exactly as I had pictured him to be.
This guy,  you can meet him 1, 10 or 20 times and he will just give you a feeling that will embrace you and never leave you.
It’s almost impossible not to perceive his emotions when he performs and how he knows to give them to the audience.
You can feel how much commitment is in his heart and  soul.  He concentrates  when he’s on stage and off stage too.
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I traveled also abroad to see Il Volo.
I love when he says that one must respect all the artists and any musical taste,  whatever it is or it might be…
That makes him sound both a tender mature young man.
Ignazio is a priceless guy and nevertheless a huge tenor.
Many compare him to Luciano Pavarotti, the Maestro.
I agree about this,  because Ignazio inherited the sun he spread when he  lived and sang.
When I heard first the song Il Mondo,  performed by Il Volo,  through a video watched online of  April 2014,  they were guests of a concert by Toto Cotugno at Crocus City Hall in Moscow.  I noticed that light that shined in Ignazio’s  eyes and that he was actually listening to his mates carefully and emotionally involved,  waiting for his time to contribute to that three men performance.
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Ignazio is a gorgeous guy with a spectacular nature.
He is so incredible how he never does truly put you down.
 
Nobody, I guess,  is perfect but one thing I’m pretty sure about,  Ignazio,  Gianluca and Piero are pure and genuine people.
 
Il Volo are clever men and they love what they do and it shows in how each one of them appreciate their fans.
Ignazio often behaves like a little funny crazy boy on stage and that’s how he disguises: his being shy and his tiny fears.
He rarely speaks in interviews: but when he talks, you can see how true he is and his eyes say it all.
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His eyes,  the stories hard to be written down.
They make an echoing sound.
His eyes you won’t forget.
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He is all the emotions in the world,  the charm,  the laugh.
He has no facades…
Ignazio is Life and he makes you realize that are the simple things that make it more beautiful.
He’s imperfect perfection: this guy belongs the most precious smile!
It just shines and you can see the whole world inside!

He is energy!

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He loves pets.
He cares for those who stick close to his heart.
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If I think back at Il Volo in their last summer, A tribute The three Tenors night in Florence I can only thank God I got that ticket and if I had a magic wand I would like again and again their Notte magica,  their emotions that are perfectly painted in great shots,  but having felt that musical and human event is something that would be insane to try to explain.
I just cannot.
It’s not easy to describe a person you actually don’t know, but one thing to take for granted:  meeting Ignazio is a blessing,  something I wish to everybody,  you may be fans,  Ilvolovers or not.
Laura
 
 Published with permission from
TorinoAspettaIlVoloePoi
 
Credit to all owners of photos.
~~Jane~~

~~ Simply, Piero Barone ~~

Daniela sent us this article from Torino Aspetta Il Volo E Poi, translated by Federica.

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Piero is the tenor with glasses, the guy who has mostly changed through years, and I’m not only talking about his physical aspect.

In interviews, he seems looser and more confident. He knows how to achieve his goals. Being only 24 years old, he’s very mature and determined, dedicated to study and work.

It’s hard to meet someone like him. Despite of his self-defensive mechanism, he is definitely humble, sensitive and sweet. Piero is a good friend, indeed: the one person you can count on for a lifetime.

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He loves listening to his mates as he needs them too. This guy doesn’t seem to trust anyone easily, but once he feels he can do it, he lets himself go.

As a son, as a brother, he’s very close to his family and he has a special regard to. Piero says that is more important the quality than the amount of time he spends with his relatives.

It’s wonderful to listen to him talking about his job. He does really believe in what he and his brothers built together since 2009 and counting. The three guys of Il Volo are truly amazing people with golden voices. Even today, after several years, Piero seems to be amazed by all the road they have made.

Singing for him is not just a job, it’s a lifestyle! When he’s on stage, he totally shows what he’s about and he gets really moved by every single smile, any glance of approval, any standing ovation. He knows how to give his audience 100%.

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After Il Volo Notte Magica in Florence, he admits it was the very time he has really enjoyed his performance, he’s very self-critical, then. After Sanremo, he explained how he had changed O’ Sole Mio: at the beginning some notes were quite impossible to reach, but he studied hard and he made it. Piero always seems to face exams in his job.

However, you cannot listen to a single Il Volo performance without being impressed by his voice. Every time, you are about to experience something truly magical, there’s nothing like the Bel Canto, their voices and all the emotions you feel.

After several concerts, if you ask me to choose a single Piero’s song I love, I don’t know which to pick. He’s so perfect when he sings, moving from opera to pop lirico, from duets to solos and all the wonderful music performed together.

The best gift is probably being able to get to listen to how he sings: close your eyes and get overwhelmed.

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I just want to thank him and his amazing friends for what they’re doing … they have really begun a fantastic journey and I won’t ever be tired of being part of it.

 published by TORINO ASPETTA ILVOLO E POI, and translated by Federica.

Credit to all owners of photos.

~~Jane~~