They may not have won Sanremo but they are still riding high. After winning Sanremo 2015, the guys were also riding high, and they presented Palasport 2016. In January 2016 and now in January 2025 nine years later, they will again perform concerts at Palasport 2025. The Italian word Palasport is an arena or stadium where sports events take place but more recently, it is also a place where great concerts take place.
At PALASPORT 2016 the guys performed in the following arenas:
ROSETO DEGLI ABRUZZI, PALA MAGGETTI
ANCONA, PALA ROSSIN
PADOVA, ARENA SPETTACOLO PADOVA FIERE
LIVORNO, MODIGLIANI FORUM
FLORENCE, NELSON MANDELA FORUM
ROME, PALALOTTOMATICA
CASERTA, PALA MAGGIÒ
BARI, PALA FLORIO
ACIREALE (CT), PALASPORT
BOLOGNA, UNIPOL ARENA
TURIN, PALA ALPITOUR
MILAN, MEDIOLANUM FORUM
For those of you who are new to Il Volo or have come into the picture after 2016 or after they won Sanremo, I would like to fill you in a little on the event which took place after they won Sanremo.
Palasport 2016 was an exciting event for the guys because now Italy knew them and what they could do, and Italy filled every arena at every performance.
Nine years have passed, and we’ve watched the guys very closely especially these last few months. We’ve noticed how they’ve grown not just in their voices but in their lives. They have new goals, new realities, new dreams! They’ve come into their own and they are experiencing new things in their lives.
Piero aspires to opera and works towards that dream every day. I’m sure he will sing in an opera very soon.
Ignazio dreams of a life with a wife and children, “at least three!” We all know this will come true now that the beautiful Michelle Bertolini has come into his life. And of course, his soulful voice is becoming more and more evident in his performances. His lyrical voice can take him anywhere especially all the way to high C! Is there any song you can’t sing, Ignazio?
And Gianluca has found himself in the voices of Elton John, the Beatles, even Louis Armstrong.
They’ve found their way! Not away from each other! No, Il Volo is Il Volo. But they found a middle road that works for all of them.
After Sanremo 2015 and Eurovision, the guys were riding high! Italy opened its eyes, and their fate was sealed! The Grande Amore Tour had them spinning but perhaps their proudest moments were PALASPORT 2016 at home with the Italian people. I like to go back and watch these videos because I can see how much the guys enjoyed these concerts. I thought about how the guys are preparing for the upcoming World Tour. So, I went back Through the Fields of My Mind, and I pulled some of these videos. Then I remembered an article by Daniela where she wrote about an interview with some of the people behind the scenes and it was very interesting so, I decided to put it all together and relive PALASPORT 2016
These last months have brought the guy’s center stage doing one interview after another. Endless interviews! It was the same after Sanremo 2015. In that period the guys had so many interviews and they had to repeat the same answers over and over again.
I decided to give the guys a break and let someone else do the talking. So, instead of all those questions and answers let’s look at an interview by the technical team from 2016 while we listen to the wonderful voices of Il Volo!
The date is 2016 and the Grande Amore Tour is under way between Italy, Europe and America.
The guys are already into the tour but there is always the fine-tuning for each concert. The crew is together, and they will lead us through the technicalities but without all the long technical parts.
This interview was written for the Sound & Lite newspaper.
IL VOLO – Live Palasport 2016 by Douglas Cole
They call this “Pòpera” a resurgence of opera in the field of popular music and a phenomenon that, in our humble opinion, returns a little faith in the ability of the general public to discern a true capacity for musical performance … because taste apart, the talent and work necessary to develop virtuosity with the lyric voice as an instrument are undeniable. So far, in this latest return of classical singing, the foreign public has been more receptive than the Italians.
Il Volo became the first Italian group in history to directly sign a record deal in America, before they left Italy.
Since the release of the first album, this trio has been almost constantly on tour in North America, South America, Europe and Italy.
In 2012, in addition to a tour in Latin America and the Il Volo Takes Flight tour in the United States, the group also did a very rare (and very successful) tour with Barbra Streisand, which cemented their fame in American pop. Since then, every year they do at least two Il Volo tours on at least two continents.
Having been taken away to America at the very beginning of their career and despite a large number of concerts in Italy, since the beginning of last year with the almost fortuitous victory of “Grande Amore” at the Sanremo Festival and with the consequent representation of Italy in the Eurovision Song Contest (third place, but with the prize of the press), Il Volo was still rather unknown in our country (Italy).
2015, on the other hand, marked the true return to the homeland, with their new album Sanremo Grande Amore which earned a triple platinum record, and a very successful summer tour, culminating in a big event at the Arena di Verona in September, re-transmitted in prime time on RAI 1. Well … better late than never: welcome home, guys!
We crossed this tour more or less halfway, on a date at the Unipol Arena in Bologna, where we found the production manager, Eliana Dalila Biondi.
Elinana: I have been working for Michele Torpedine since 2011. In 2013, during a tour in South America, Michele asked me to follow the production. I am Argentine and, as a matter of language, I was the right person for the role. In that case we did a tour with local productions, 28 dates in 50 days …
This year, instead, it was decided to take the step organizing the tour in the arenas. We have prepared this project together with Francesco de Cave (lights and show-design) for a world tour, which starts from Italy and then goes to the United States and then back to Europe.
Douglas: With the whole production?
Eliana: In Italy and the United States with the entire production, while in Europe we use local production materials, and we bring the direction, with us.
Douglas: Is this production a big leap forward compared to last summer?
Eliana: Yes, because this summer fundamentally focused on natural scenery: Taormina and other picturesque places where there was no need for much. The guys really don’t need much … they do the show. (Truer words were never spoken)
Douglas: The boys already seem very good at working the stage with professionalism!
Eliana: They are very confident of their abilities, in a positive sense, so they are never arrogant. They’ve been doing this job since they were 14, so they grew up on music and the stage. They have security dictated by experience. On stage they create a very nice atmosphere, thanks to their jokes and complicity with the public they have created over time and in many live performances.
Douglas: How many are you on tour?
Eliana: About sixty, and if we add the orchestra of as many as 34 elements in each city … we arrive at a beautiful number.
Douglas: Are the orchestras different at each stage?
Eliana: Unlike last summer, where there was always the same orchestra, this year due to a calendar issue we chose to take local orchestras.
Douglas: Logistically, for orchestral music rehearsals, how do you do it?
Eliana: There is a lot of work that is done upstream. All the material of the repertoire is collected, and our musical director sends it in advance to the orchestras who do the tests independently. Then there were also rehearsals with the Maestro who, whenever possible, anticipated the production to be able to listen and guide the orchestras before the concert … maybe even the morning of the show or, even, in the case of back-to-back long, a few hours before the concert!
Douglas: I ask Alessio Guerrieri, stage director, if it is difficult to manage, such as artists, Piero, Ignazio and Gianluca.
Alessio: Absolutely not! Indeed: they are very good. They are not used to doing great tests … in fact when Francesco De Cave arrived, who was new to the production and was planning the show, he asked me: ‘But how will we explain a show to them in two days?’ I reassured him by telling him that he had to do only the lineup and explain the dynamics of the show: the artists would do exactly what was required of them, every time. In fact, they come from a lyrical musical setting and training, so they have a completely different kind of discipline. Since they have to do a precise warm-up routine, they have to eat and do everything according to a fixed schedule. If the show is at 9pm, for example, you know they have to eat at 6pm, and they do the same things every day. They are very square, and this is our luck. It is also important as a form of respect. If they give me the time of the show, I send the orchestra at 8:55 pm and the artists are on stage at 9:00 pm. To date we have never started a minute late. They are very professional and attentive to these things. And I assure you that it is not at all obvious.
Douglas: (Asked the sound engineer, Enrico Belli.) How much does the show depend on the orchestra?
Enrico: Very much of course for classic songs. They are songs that the singers sing singularly (in fact they don’t always sing in three, but they also make duets and solo pieces) mostly on classical works that almost completely depend on the orchestra and the piano.
Douglas: We also ask the lighting operator, Emanuele Vangelatos, for an opinion.
Emanuele: In the show there is a good balance between the most static scenes, used on classic, beautiful, colored pieces, developed in depth along with the video, and the more dynamic ones of the pop songs, in which we also push a lot, because we have projectors able to move the scene a lot.
The pieces of the solos, which are almost all purely lyrical, are in fact illuminated with very static and intimate, almost theatrical scenes. When there are the pieces in trio, plus pop, there is a director behind them, and the director has also coordinated and agreed about the movements of the artists on stage.
Paradoxically, says the engineer, despite their young age, they have several years of experience on stage. The presence is there, and the public greatly appreciates it. Everywhere we did the full: it is a confirmation of the fact that they are also strong in Italy.”
Despite my personal tastes, I respect the musical talent of any kind without reservation, and I appreciate a majestic performance of any kind. I didn’t know Il Volo before and when I was told what kind of concert it would be, I was very afraid of having to suffer the evening.
Instead, it is a really pleasant concert. It was taken for granted that the boys were good at singing, but the lineup includes so many songs with an almost universal familiarity that the interest never drops – even during the moments of speech, in which the artists show total control of the stage and the audience. I am amazed by the audience, made up equally of teenage girls and elderly men out for an annual evening, often with the two categories combined in groups of grandparents with their grandchildren: universal appeal!
The mix is very well done, with an orchestra that even seems to come from recorded tracks (called as a compliment!) and a very sensitive hand in following the dynamics of that type of voice taken with handheld microphones. The sound in the room is very beautiful, especially in the platea (the central and lower part of the theater). We believe that a couple of delays would not have done any harm to offer a greater direct reflection relationship at the back of the room.
The visual spectacle is truly remarkable. The effect of the video that comes out and incorporates the orchestra is really effective. The inevitable central staircase to the Broadway skyline in LED, immediately imposes the tone of the show, but it is anything but a static set design. Even the light design is very flexible: sometimes it offers bandstand show lighting, with colorful or white scenes combined with graphics and lights, in others it looks like a pop or rock music show with backlight.
That was a very interesting description of how it is all put together. I must say the visuals today are so much more sensational. Technology! These guys just keep getting better each day!
I think Daniela said it best when she said, in the original article, “I was pleased to read the admiration towards our guys, from the technical team that supports them on their travels.
It is a very important thing and makes us understand the harmony in the team, also due to the seriousness of Piero, Ignazio and Gianluca, guys sometimes jokers, but also real professionals.”
Exactly right Daniela!
I want to sum this article up by saying our guys have total control of the stage and the audience. The music in each concert is framed and the setlist is run according to their audience. In some cases, the music in Italy will be different from that of North America or South America but the classics always remain along with all the new music. But above all Italy may have been the last to get on the bandwagon but I’m sure you noticed when they did, they went all out! The trio becomes an auditorium of singers!
I must say I enjoyed reliving PALASPORT 2016 and I hope you enjoyed it too! Now we wait as the guys prepare for Palasport 2025.
This is an interview the guys did while they were touring with Barbara Streisand.
For your listening pleasure Part One and Two of the Palasport 2016 Milan Concert
Join me next week as I go Through the Fields of My Mind and open the door to a new adventure!
To read the original interview by Daniela, go to http://www.ilvoloflightcrw.com and search BIRTH OF A CONCERT AND A TOUR. As always, thank you Daniela for your wonderful translations.
If you would like to share a story with me, please email: susan.flightcrew@yahoo.com
Hi everyone! Sorry I’m on the road again! This time I’m in Las Vegas for a wedding! Not mine! At least not this year!
Between the wedding, my business, my new book, and all the other things and people in my life, I have very little time to spare so I decided since the guys are in Verona, I will repost a story I call Revisiting Verona!
Verona May 2023 the Live Concerts
We all watched intently as each concert was performed live on May 1st and 3rd. So many people were Live Streaming. It didn’t take long before the entire concert was on YouTube.
Then we waited for the concerts on Mediasetinfinity. Of course, there were many people streaming which was good because most people don’t have Italian cable.
Many of you immediately noticed a difference from the live concert to the televised program. People were saying but it was raining and now it’s not. That’s because when it was edited, the two concerts came together and then were split into two programs. They did a great job of editing. They gave us two absolutely amazing programs. Two nights of sheer pleasure! Double the Pleasure!
Let’s move on to the venue ~ the Arena di Verona.
The introduction of the first concert makes us aware of where we are in this vast world. We are small among the treasures of the world that span time and eternity! It’s always amazing to see the Arena di Verona from above. It gives you a sense of time immortal.
The Verona Arena is a Roman amphitheater built in 30 AD. It is one of the best-preserved ancient structures of its kind. In ancient times, the arena’s capacity was nearly 30,000 people. Concerts and operas demand a lot of stage space so for performances today the space has decreased. The maximum capacity today is approximately 22,000.
The voices that rise from this amazing Arena resound throughout the city and pass well into our lives by the videos and programs produced within its walls.
There has never been a moment that the guys were on this stage that we didn’t feel the enormity of their voices. This Arena was meant to be a place where performers like Il Volo could show us their amazing worth, their amazing voices.
There is a gradual crescendo as their voices rise from the stage to the walls of antiquity and encircle the Arena spinning high into the night sky; forever captured in time and space!
Il Volo forever!
On to the Stage
The stage is totally awesome. It’s like watching two concerts. There is so much going on behind the guys that I think they even stop to look once in a while. Lights have become a big part of their production.
The motions in the background produces unbelievably beautiful scenery. It is constantly changing. Using backgrounds that are in motion elevates the experience by creating movement towards and away from the entertainer. It is the means by which the audience is drawn into the production. It adds dimension and life to the presentation.
Of course, the audience also participates in this background production when they join in with the lights of their cell phones. Think of how impressive it is to see a sea of lights before you while singing. A treat for the guys!
The Orchestra
When Marcello Rota walks on the stage the production is ready.
Marcello Rota is an Italian conductor. Some of the famous Orchestras he has conducted are the Asti Symphony Orchestra, Orchestra della Svizzera Italiana, the Orchestra Sinfonica Siciliana, the orchestra of the Munich Staatsoper, the Berlin Philharmonic, the National Symphony Orchestra and the Royal Philharmonic Orchestra, the Moscow Philharmonic, the Buenos Aires Philharmonic, the Melbourne Symphony Orchestra and the Sydney Symphony Orchestra.
Besides Il Volo, he has collaborated with Andrea Bocelli on his numerous world tours.
On September 27, 1997, on the occasion of the 23rd National Eucharistic Congress, Rota participated in the mega-concert at the Caab in Bologna, with Bocelli and several other artists including Bob Dylan. They performed in the presence of Pope John Paul II.
His lyric repertoire includes over 40 titles, notably by Rossini, Bellini, Donizetti, Verdi and Puccini.
Now that’s a repertoire that our guys know well!
The TV Concerts
In both concerts, the guys opened with Granada. The perfect song to open with. Granada adds to the majesty of this amazing arena because it is a song that spans time. It always pleases and the way our guys sing it is amazing. Above all, it was the perfect place to present their new version of this amazing song. They reintroduced us to their three amazing and, so we found out, very different voices. Classical, Soul and Pop!
After singing Grande Amore, the guys introduced their first guests.
The Pooh is an Italian band that came together in 1966 in Bologna. When Il Volo started out, they were the first group to invite them to sing in concert. They are very close friends, and our guys love them and appreciate all of their encouragement over the years. The guys sang a medley of Pooh songs. Tanta Voglia di Lei, Pensiero, Chi Fermerà La Musica, and Uomini Soli.
After the performance, Pooh gave this advice to the guys:
We have never followed trends, don’t do this either and you will always be personal.
My advice instead is this, there are three of you, alone you represent 30%, instead together you represent 3000%, this is the strength of the group, remember this.
I believe that the Pooh’s real success was a little talent and a lot of passion, the same talent and the same passion that I see in your eyes and in your career, and this is a good sign for you.
Beautiful advice from beautiful people. They certainly know Il Volo!
Next we meet the beautiful Frederica Panicucci who will be the presenter of the concert.
Federica explains that during the evening Il Volo will show unpublished moments with solos and duets they never performed before. It will be their way of showing their different personalities.
Yes Federica is right, that night was different because we’ve heard these voices before but not in the way we heard them that night. The guys introduced us to their personal feelings about their music.
A great example of this is in Ignazio’s words before both concerts:
In the first concert Ignazio said, “I’ve always loved great female voices….”
And in the second concert he said, “I will try to take a trip to the most beautiful female songs in the world tonight.
When Ignazio said this, he brought me back to his childhood. If you recall in Ignazio’s story he talks about meeting Lilliana Adreanò, his singing teacher, for the first time. She asked Ignazio what kinds of songs he likes to sing and Ignazio replies, “You know, Liliana, I like to sing Giorgia’s songs.” Lilliana said: “Strange for a kid to sing this kind of song.”
So, it seems Ignazio still enjoys singing these (female) songs. And why wouldn’t he? He is the only one of the three that can sing that kind of song because they are songs that require a strong voice that is very clear, crisp and very lyrical and a lot of passion must be put into each song! I think I just described Ignazio’s voice! Let me add and, “very soulful!”
We meet the real Gianluca in his rock mode and he introduces us to his feelings for Elvis, Sinatra, Dylan and the Beatles.
Piero brings us his perfect operatic voice. Whimsical and joyful. He has a great love and sincerity for this music. Opera is in his soul. He opens up that soul to us in these concerts with arias we have never heard before.
Amid a thousand points of light that sparkled like stars in the night sky, our guys were the brightest stars on the stage. They showed not just their love for one another’s music but their love and appreciation for the music of the other performers.
During their solos, the other two guys sit on the side stage and listen. In these moments, we see the admiration these men have for one another. Truly amazing!
This was a nice way of presenting each of them.
I remember Piero saying, in his story, that when he did a solo he couldn’t wait for it to end when Ignazio and Gianluca would return. He has to love this new arrangement.
These concerts were different. They show a beautiful evolution from where the guys were to where they are now. Their new direction! Their future!
This new arrangement is thrilling because there is a lot of feeling in the music. The songs they have sung from the beginning have always had feeling but in a different way.
Here we feel each man’s thoughts, ideas and mindset. In the soul of each man there is a longing to bring you their music unlike you’ve ever heard it before. It is the movement within their souls when they sing. They were restless to release these feelings and make you feel what they feel. They bring a feeling of sheer bliss to each note in each song. Think about expressing your feelings for someone you love. Put that to music and you have each guy’s mindset.
Of course, they have not departed from their Bel Canto.
What is a concert without Nessun Dorma.
Or, Surrender and O Sole Mio
Now let’s listen to some of the beautiful solos that we have never heard before.
Let’s start with Piero singing Viva il Vino Spumeggiante (Long Live the Sparkling Wine) the beautiful aria from Cavalleria Rusticana. This is one of my favorite operas and every time Piero sings one of the arias, he brings joy to my heart. His voice is so ready for La Scala.
Gianluca choses Bob Dylans song Knockin’ on Heavens Door to express a feeling of loss and grief. It is a very poignant song, and we can feel Gianluca’s heart in it. A very beautiful delivery!
Ignazio sings a Loredana Bertè medley. From the pop of Sei Bellissimo (You are Beautiful) to the very reggae of È Luna Bussò (The Moon Knocked) Ignazio is singing out his soul.
Reggae is a music style that was strongly influenced by American jazz and rhythm and blues. Like Loredana, Ignazio was inspired by jazz and rhythm and blues. Both Loredana and Ignazio were fans of Pino Daniele. In fact, Loredana sang with Pino Daniele. No wonder this was a choice for Ignazio. Loredana is the sister of Mia Martina who Ignazio dedicates Almeno tu Nell’universo to. This is truly the soul of Ignazio!
Ignazio with Fiorella Mannoia accompanied by Danilo Rea on piano sing the very sophiscated pop song Una Ragione di Più (One more reason)
Gianluca and Irama sing the very beautiful La Cura (the Cure) which was written by Italian songwriter Battiato. He wrote the song for his lady when he discovered she had a serious illness. Gianluca and Irama sing this song from depths of their hearts.
Piero and Aida Garifullina sing Libiamo ne, i lieti calici from La Traviata. This is an absolutely delightful and whimsical delivery. Notice how comfortable Piero is on stage with this amazing soprano! The voices blend beautifully!
It’s time for a great comedian, Giorgio Panariello.
Giorgio tells us the plot of the film Nuovo Cinema Paradiso by Giuseppe Tornatore.
This is followed by the guys singing Se Telefonando.
After they sing, Panariello returns to have some fun with the guys!
Panariello tries to convince the boys that being three is not good and proposes himself as the fourth element for Il Volo.
He challenges the guys to sing Nessun Dorma with him to see if he wins the role of the fourth Il Volo. He repeats VINCERÒ and in the highest moment, he doesn’t sing he says, “I will win….a draw is enough for me”.
Of course, Ignazio get hysterical!
The guys and Panariello sing an Italian song Il Pullover and now we can truly witness four amazing entertainers who can sing and joke together.
I am a longtime fan of Panariello and I am happy he was included in this concert!
When Panariello leaves, he says “But we are friends……(it’s true they are)….don’t call me anymore in your concerts!”
Panariello is a very funny man with a very dry sense of humor that makes you laugh out loud!
Over the last few years, the guys have been singing Hallelujah. Before they begin the song, Ignazio explains how the guys feel about this song.
Ignazio:Now is a very emotional moment for us, we have decided to sing this next song to reach all the people who have suffered in these years, to all the people who continue to suffer, and to all those people who unfortunately today, we, they watch from up there. Let’s hope that our song, our thoughts, can reach them up there.
There are no words! One magical moment and people respond by lighting up their hearts through the lights on their cell phones.
This song goes deep and touches everyone’s heart. No need to change voices here, you can feel the guy’s voices in this song.
Let’s go back to some duets!
The guys mix it up with Antonello Venditti. They sing Che Fantastica Storia è La Vita (What a Fantastic Story Life is). They can sing anything with anybody!
Back to two amazing songs L’Amore si move and Musica Che Resta. These are two songs that I love and they never sing in New York. Are you listening guys?
Federica returns to the stage for her next round of questions. She immediately asks Gianluca what gift Piero would like to receive on his birthday. Gianluca replies, “a nice tennis racket,” of course, Ignazio jokingly says that he would have given him “a watering can for the flower on his jacket!”
Next, Federica asks Ignazio what superpower Gianluca would like to have and Ignazio replies “the power to lengthen his legs.”
She then asks Piero to tell some funny story of Ignazio and Piero replies, “In Vienna Ignazio greeted the public saying….‘Good evening Berlin.’ ”
Federica compliments the boys on the tour they just finished and a video of beautiful images starts. Federica asks what is the best memory.
Gianluca:Seeing people’s faces is oxygen for us and a privilege. We are young and we are living the life we have always wanted to live, and it is amazing how this music overcomes the barrier of language, and reaches all ages, and we are proud to be able to give these emotions to all of you.
At this point they do a tribute to Italian singer-songwriter: Sergio Endrigo.
This is just a part of the tribute.
A few solos before I close.
Piero singing Voglio Vivere Così reminds me of Sunday mornings at my grandparents’ house. After church my grandparent would put on all their favorite operas and we would listen to them while we had breakfast. My grandparents loved opera and Neapolitan Songs! They would have loved Il Volo!
Magnificent! I feel Pavaroti in Piero’s voice!
I talked about Ignazio’s tribute to Mia Martina. Now I present it because we all need that moment when Ignazio brings down the house. Oh, excuse me he does that in every solo! God bless his amazing voice!
Gianluca presents a Beatles medley. Gianluca is becoming very comfortable in this new direction! His fondness for 50’s, 60’s and 70’s music seems to be his niche as he is moving forward!
Orietta Berti is a pop and folk singer whose popularity began is the 1960’s. She is revered in the entertainment industry as is evident when she steps on the stage and Ignazio bows and praises her. In 2021 Fedez, Achille Lauro and Orietta Berti published a hit song Mille. In a duet with Ignazio Orietta sings Quando L’amore Diventa Poesia.
I can think of no better way to end these concerts than with an icon in the music industry. The guys were honored to sing with Orietta.
So how do I end this story? I’m finished but it is not over. Two new collaborations came out of these concerts. The guys will sing in concert with Pooh and it seems they are anxious to have Aida Garifullina back in concert. Aida wrote in her story today, “Thank you! There is more to come.” I’m sure with the success of these two concerts there will be more concerts like these in the future!
And where did we leave the guys? With their new Classical, Soul and Pop sounds we will follow them to the ends of the earth in any direction they choose. We always knew that they were phenomenal individuals. We knew they had heart, and we always knew they gave their all but now we know by Revisiting Verona, we can double the pleasure of their performances with their individually and personal feelings in every concert!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
We have been watching the guys for the past fifteen years and we went through many different phases with them.
Back in 2021, we waited with great anticipation for the Morricone album. From the first introduction to Your Love on the stage of the Ariston Theater, which was beautifully presented in a bittersweet moment, to the stage of the ancient Arena of Verona where we witnessed the dawn of Il Volo’s new adventure! We witnessed our guys shaping a new beginning and sharing this amazing moment in time with us. We can always count on the guys to Bring on the Magic.
In my story “Phenomenal,” about the Concert in Verona I said: “If I wrote what I felt, saw, experienced in this concert, I would have to write a book!” That is just the tip of the iceberg to where we are today!
Speaking about the opening of the concert and our introduction to The Ecstasy of Gold, I said, “Listen to the intensity of their voices! What force! Watch their motions. Look at Gianluca! Watch his body react to the music! His fist that comes at you saying this is the punch, just the beginning. Listen to Ignazio ride the note that guides us into the story! Now we’re sailing on the wind! Piero intensifies the moment with his powerful voice that says the journey has begun! Follow us in this new adventure!”
During this period, the guys had some major events which were so exciting!
We were hungry for all we could get. It was a long separation and we all missed them. They actually came out of Covid long before we did, and they gave us all that we were thriving for during the long shut in!
We witnessed the events of the Venice Film Festival and cheered for our guys when they won a Film Italy Movie Award.
And we arrived at the Seat Music Awards where they won a DIVA Award for the tribute project to Ennio Morricone.
The major video for the album needed to be produced so we followed the guys to Sardinia for the videoing of The Ecstasy of Gold which brought back memories of American cinema in 60’s, 1966 to be exact, the year The Good, The Bad and The Ugly was released! Some of the early American Western Films were made in San Salvatore.
The Morricone project in conjunction with the Storaro film opened up so many new avenues for the guys!
Since the Morricone project everything the guys have done have been new projects which have advanced them along their path in the music industry! After they found their place in the Golden Age of Cinema they moved on to bigger and better events.
The album Il Volo Sings Morricone was the genius of Il Volo combined with the genius of Morricone. It was a leap forward and a throwback to the 50’s and 60’s. A time when musical theme songs and scores from movies were produced. When life was simple and, you put the kids to bed on a Saturday night and had a romantic dinner with your honey while listening to beautiful music on the record player. It was date night for parents! Such a romantic time in our American history! Today so much has changed but not romance. These very romantic songs are still shared between lovers but in a very different way, in a very different world.
These are melodies that are very familiar to everyone but with a new energy. When I listen to these songs, I remember that night in Verona when they stepped out on that stage to present the first song of the evening, “The Ecstasy of Gold.” This song went before them on their world tour leading the way to an exciting new experience for all of us. It resonated around the world! Their presentation was the best presentation by far of any song of cinema, EVER! It vibrated and resonated throughout the world! And it will be talked about for many years to come!
This reawakening of Morricone’s music was truly amazing. What was missing from Morricone’s music was the beautiful voices! Each song brought to life the genius of the composer, writer and singer. Unlike any other album this album stood out because it presented a new and different idea! The songs are phenomenal. They’re romantic! And exciting! This was truly a leap in a new direction for our guys. Not a movement away from their music but a movement forward, combining all that makes Il Volo superstars!
Going forward, the name Il Volo will always be attached to Ennio Morricone. They will take their place next to one of the greatest composers of our times! They have taken their place in the Musical History of Cinema and will share their music with a music legend!
All that said, the music and the words are nothing without the voices! This milestone in the life of our guys was realized at an important time in our history! Being forced indoors for so many months provided the opportunity to look to the future and see where their careers were going. There have been so many stages in their lives. We’ve watched teenagers become young men and now we see men who have taken a hold of their careers and catapulted it in a new and interesting direction.
While we were waiting for events to unfold during that terrible period of lockdown, men thought about their lives and where they would be when they emerged in a whole new world. Men thought about how to reinvent themselves! In the case of our guys, they searched for a way to continue their music in a world that wanted the industry shut down!
When they returned to the stage at the Seat Music Awards, they “Turned on the Lights! And Hit the Restart Button.” Making way for the industry to reopen and entertainers to go back on stage.
When the guys arrived on stage, they had a message for the world and all the people in the industry:
Ignazio: 2020 will be remembered as the year where the world would be constrained to be turned off.
Gianluca: For the music employees the verb “turn off” means the end of the show, when the curtains close and it is the waiting moment for the next show, but this time the waiting lasted more than expected, the silence was unavoidable.
Piero: Now, the world is getting ready to start again! Now the moment has arrived to raise the curtain! Now, we will turn on the music!
This beautiful statement was followed by the performance of the evening. Their choice of “Nessun Dorma” sent an even stronger message. It’s says we may have to perform under these new world conditions, but we don’t have to change who we are or why we’re here. In this ancient Arena we look to the past while following the path to the future.
Our guys did anything and everything to try to keep the industry alive. Their concern for their crew was foremost in their minds. Their people needed to work and through their persistence, the crew was back on stage in June at the Tribute to Ennio Morricone.
This led them on the path to their 15th Anniversary together.
I remember writing back then, that perhaps their 15th Anniversary will be marked with a magnificent grand tour to mark the milestone. Perhaps another Notte Magica Tour? I said, “Whatever it is I’m sure it will be magnificent!”
Who could have imagined how magnificent the event would be!
The guys had already presented their new individuality and now they were presenting an album that talked about their past while catapulting them into the future!
An all new album with magnificent songs never heard before. Each song is magnificent! Can you choose which you like best? Impossible! They are all magnificent!
It helps that every song they sing they sing with love! They have a passion for music which drives them to create and recreate themselves time and again. We never know what project is waiting around the corner and what surprises they have in store! Every song they sing they sing for our pleasure. Not a note will advance unless they feel it will please us!
And let’s not forget Sanremo and Capolavoro. I’m sorry but I will continue to say they should have won! They should have been recognized for the great performers they are and for the amazing song they presented! For me they are the greatest singers in the world. Their performances shine!
As I mentioned in my story Sitting on the Edge of the Universe, the songs on this album are the story of their lives. Young boys who left their families to join an adult world where they would have to grow up very quickly. No teenage years! No silly flirtations and a new girlfriend every other week! No! Just recording studios and world stages that would introduce them to a new kind of family! A family that would always be there waiting for them when they arrived in their city. Fans who would become family!
There were many lonely nights and many disappointments when they wanted so much more out of their lives out of their relationships but the concert always came first and they would learn how to adjust their lives to fit the scenario!
Now they are finally finding a way to incorporate all things. They are looking for love and finding it and they are learning how to enjoy their family and home lives more! The new individuality is not just about music. It’s also about their lives. They are learning how to please everyone including themselves. And because of this they will continue to work for us to Bring on the Magic for years to come!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
For your listening pleasure The Verona Concert 2021
I’m on the early morning train to the Cinque Terre and I’m thinking, how do I wrap up the last fifteen years? How do I summarize how these amazing men who came together as teenagers on the Ariston stage, rose to stardom in a short time and remained the success they are today? Maybe the best way to think about it is to think as they think and that would be to summarize it as they did. Their new album says it all. They’re Sitting on the Edge of the Universe.
Just think what they’ve done over the last two years. They’ve changed their style! They’ve changed their music! They introduced their individuality; they’ve shared the songs that are closest to their heart, yet they didn’t leave bel canto behind. They brought it along because, that’s who they are ~ Il Volo.
That’s who they were in the beginning, and that’s who they’ll always be until the end. But it’s important to recognize where they are now. They have all new never been heard before songs, new ideas. A whole new style, that I absolutely love! Let’s take a look at how they took this leap forward. You might call it a leap of fate!
Songs come and songs go but some never leave. Classics! Songs that are and always will be in the repertoire! O Sole Mio, Granada, Nessun Dorma, Il Mundo; these are the songs that they will always bring to the concerts, but the new songs are the ones that tell the truth. The truth about how they got to the edge of the universe where we find them in 2024.
Let’s begin with Frammenti di universo (Fragments of the Universe). To me, this song talks about three teenage boys who set out on a journey for life. What they saw and how they perceived their future! Along the journey they find strength, love and fragments of the universe and the experiences of life.
Now let’s look at how I see the lyrics….
This song evokes a sense of wonder and reflection on the interconnectedness of the universe and human experience. It begins by describing the beauty of the night sky, portraying celestial bodies as “suspended miracles” visible through the eyes of a child. The imagery of waiting in a courtyard hoping for something yet to come.
It explores optimism, likening the individuals to dreams carried by the wind and clouds drifting above. There’s a sense of empowerment in the “signs of the vast expanse.”
The car headlights on the road point to life’s journey where one must trust oneself amidst uncertainty.
It also touches on the enduring nature of love and the significance of fleeting moments in the vastness of time and space.
Let’s talk about Chiara di Luna (Moonlight)….
This song talks about miracles that come about whether by fate of luck. In the case of Il Volo, we know it’s fate. The moonlight is a metaphor for illumination, the guidance that will help them through the dark times. The hope that dispels the fears.
The soul is depicted by a feather which though delicate is very resilient. These guys certainly are resilient. The miracle of fate is certainly God’s hand in their creation and their coming together on the Ariston stage. As they grew, they learned, out there on their own, how to deal with life’s uncertainties and challenges.
In Moonlight, the lyrics seem to express a contemplation on life, love, and the mysterious nature of existence. The speaker reflects on his thoughts while looking at the sea, longing for someone, and pondering the unpredictability of life’s course.
The imagery of waves coming and going reflects the transient nature of life and relationships. Despite uncertainties and challenges, there’s a sense of resilience and hope portrayed, symbolized by the clouds parting and the night becoming a spectacle, dispelling fear.
The moonlight serves as a metaphor for illumination and guidance in dark times, with the soul depicted as a feather, suggesting a delicate yet resilient essence. The idea of being pieces of a miracle, whether by fate or luck, underscores the interconnectedness and wonder of existence.
It also talks about learning and growth through living, with the acknowledgment that sometimes choices are limited, yet there’s still a glimmer of light and possibility. Love is portrayed as a healing force, capable of saving and restoring.
There’s a sense of wonder, resilience, and the enduring power of love and connection, even amidst life’s uncertainties and challenges.
In Saturno & Venere (Saturn & Venus) we get to the heart of what the guys went through every time they left home and the loved ones they left behind. Especially the girls they left behind. As their career grew so did their desire to find love and, in many cases they did, but the difficulty of leaving a loved one behind goes to the heart of this song!
These lyrics seem to express feelings of longing, frustration, and heartbreak in a relationship. The speaker reflects on the inability to fully connect with the other person, despite their efforts to do so.
There’s a sense of distance and separation portrayed, with the speaker on one side and the other person on the other side, unable to bridge the gap between them. Words are held back, promises are made but not kept, and there’s a feeling of being left hanging by the other person.
The metaphor of the other person being like the universe, a big question mark, underscores the mystery and complexity of their relationship. Despite the pain caused by their absence, the speaker still feels a deep longing for them, symbolized by the need for the sun to start again, implying a desire for renewal and hope.
The lyrics depict the tumultuous emotions experienced in the aftermath of a failed relationship, with a mix of resignation, longing, and a reluctant acceptance of the other person’s significance in their life.
To me, Opera talks about their career. Their fifteen years together. You can liken the song to a woman but for me the drama and the multifaceted experiences speaks of their career. The song says, even with all the problems they stood together. In the end the challenges, the ups and downs, are still beautiful, like an opera. Yes, they are saying there is beauty in the music. Well, we all know that. Life is beautiful because of Il Volo!
These lyrics celebrate the beauty and complexity of life, likening it to an opera—a grand, dramatic, and multifaceted experience. The repetition of “opera” emphasizes the significance of life’s unfolding drama.
The speaker reflects on the passage of time, noting that despite the challenges and ups and downs, they have never lost their partner. They attribute this to their ability to make the best of difficult situations and to recognize what truly matters, even with their eyes closed.
The imagery of dodging rain and lightning together, like two boxers, suggests the resilience and unity of facing life’s adversities. I acknowledge that life can be scary at times, but they find comfort in the understanding that it is as beautiful as an opera—a metaphor for the richness and depth of human experience.
The speaker recalls moments of strength and resilience, laughing in the face of fear and surviving despite hardships. They find beauty and meaning in the wrinkles of their mother’s face and in the ordinary moments of everyday life.
Despite the challenges and occasional pain, the speaker concludes that life is still beautiful, like an opera, with its extraordinary songs and moments of illumination. The repetition of the phrase “It’s like poetry, like music” emphasizes the artistic and profound nature of life’s experiences.
It celebrates the richness and complexity of life, acknowledging its challenges while finding beauty, resilience, and meaning in the midst of it all.
Capolavoro, Masterpiece, is truly a masterpiece! When I first heard this song I said, “If I didn’t know better, I would think this song was about Ignazio and Michelle, But, of course, we know the song was written before Ignazio started dating Michelle. I think of Ignazio singing All By Myself, and then there is Michelle. But you have to wonder, how is it these things keep happening to these guys. It’s like a story that plays out every day of their lives. A plan; God’s plan!
This song expresses deep emotions and experiences related to love and connection. The imagery suggests a profound sense of discovery and transformation upon meeting someone special, symbolized by the metaphor of falling from the sky like a masterpiece.
It conveys a sense of awe and gratitude for the presence of this person, describing them as the only light that makes sense and portraying life with them as a masterpiece. There’s a contrast between feelings of being lost and the sudden appearance of this person, bringing clarity and meaning to the speaker’s life.
It celebrates the idea of finding love unexpectedly and the profound impact it has on one’s existence, turning life into a masterpiece of shared experiences and emotions.
So this is how I see some of the new songs. It’s the summation of fifteen years and the prelude to the future. It shows the force that was leading them. The force that led three teenagers to the Ariston stage. The force that took Michele Torpedine to the end of his career only to find himself sitting on a couch looking at a silent TV and finding truth before his eyes. Knowing at once this was what he was looking for his whole life.
Even though the guys did not write the songs, they certainly had some input perhaps this is why these songs can be likened to their lives.
When the forces of fate came together, there was no stopping the wheel!
When we’re born, we step on the wheel of life, and we move forward to our fate!
If you spin the wheel of fortune, where would it land? Would it follow your path in life? It should because that wheel is spun by the hand of God. In the case of our guys, God was always the force behind the guys and obviously behind Michele! On the Ariston stage? On a living room couch? On the edge of the universe?
So, it seems the universe they created is their step into the future! A future that will be as totally amazing as their last fifteen years! The music may be new, and the style may be new, but their hearts remain as always, old hearts that love their fans who have followed them for fifteen years and will follow them into this new universe!
So, let’s take our place Sitting on the Edge of the Universe, and follow the guys to the future!
Happy 15th Anniversary!
For you listening pleasure….
Radio Italia Live Speciale Sanremo su Radio Italia Tv il 14-02-2023
If you would like to share a story with me, please email: susan.flightcrew@yahoo.com
Anyone who follows Il Volo certainly knows their manager, Michele Torpedine. At concerts we see a patch of grey hair and we all say, “There’s Michele.” For those new fans who don’t know Michele, get ready to follow a young boy to the great stages of the world and onward to the White House.
But who is this man? And where did it all begin for him? This is a man who rose from poverty to become one of the most important managers in Italy. Michele Torpedine is A Self-Made Man. If you want to find your way to stardom, you need to catch his eye. Il Volo not only caught his eye they caught his ear, and they brought Michele back to life.
“Ricomincio Dai Tre” is Michele Torpedine’s autobiography. I said this about the guys’ books and, I will say it about Michele’s book, “If you can read Italian, you need to read this book.” It was so good, I read it in one weekend. I will say a lot of the people he talks about, you probably will not know, unless you’re Italian. Having said this, it is a very good read!
Let’s start by first looking at how the guys came to know Michele.
The day the guys came together singing, “O Sole Mio” on Ti Lascio una Canzone, Michele was at the end of his career. For him it was truly over. All he had done for so many now seemed in vain. But with this vision before him, three amazing teenagers, he was able to see a new light. A light that would start the wheels rolling again. A light that would reveal truth. A truth that never before was revealed to him. A truth he searched for his whole life but would only find in his relationship with Il Volo.
What was this truth? For the answer, let’s go back to the beginning, that is the beginning for Michele. Let’s listen to what Michele has to say about his humble beginnings….
In my story, you will find pieces of true stories of artists, such as Andrea Bocelli, Il Volo, or rather, among their stories, you will find mine, that of an Apulian child emigrated to Bologna, the boy who from a studio apartment in a small white house (the Apulian houses are often white), went to the oval room of the White House.
I loved music, I still love it, the world of music, less.
I was born on 12th May 1952 in a small town in northern Puglia. I don’t remember anything about this place, because I moved to Bologna when I was 5 months old.
My father was called Salvatore, he was a tailor, he was severe, hard.
My mother’s name was Titina, I lost her when I was 27 years old. I carried her down in my arms, wrapped in a sheet, to the mortuary chamber. She was 51 years old. Hunger, misery and cancer, this was her life, she struggled like a beast, then from one day to the other she fell ill and flew away in less than a year, I still haven’t managed to forgive her for leaving me so early.
In Bologna, we came in search of work and survival, we were poor, really poor. We lived five people in one room.
At the age of 8, I started to work, with a shoemaker, straightening the nails that were extracted from the soles. At 12 I started working as a bartender, then as a waiter and bellhop.
My brother Nino, at the age of 17, assembled his first battery of drums (drum set), I, who was five years younger than him, began to follow him and learn. I began to work in the evening. I would go to the places where you can play. At the age of 14, I became part of a local orchestra.
At 16, my first dream came true, a friend of mine called me on a Sunday afternoon and tells me that he was given the task of hiring six bands to open the Jimi Hendrix concert and asked me if I wanted to take part. I accepted immediately; I was excited.
Our band is the last one to play before Hendrix enters. Bad fate because people couldn’t wait any longer, so they threw booze and popcorn at us.
Things began to improve they called me more and more often.
One evening, all together, we go to see a concert of musicians playing with Ray Charles, the place is packed, that evening Ray Charles is there too. At a certain point they tell me they don’t have a drummer and they asked me to play. My legs were shaking, I was paralyzed with fear, but then I calmed down and played.
Michele says that the battery (the drums) is his life, not women, nothing for him is as reliable as a drum set. Michele continues…
Everything goes well, time passes, I was good, but not a genius, I understood that it is better to change.
One day someone proposed that I be a road manager, that is the one who contacts the local promoters, pays the musicians, takes the money, checks that everything goes well.
I plan a series of concerts for artists like Paoli-Vanoni, a great success, things are getting better and better, from one day to the next I became a millionaire, and people began to ask for me.
I started a partnership with Zucchero Fornaciari. He is a good soul singer, nobody in Italy sings like that. Time passed and Zucchero became very successful, one day he came to me with a beautiful and sad song: “Miserere”, and he says, “this song should be sung with a tenor … let’s try to ask Pavarotti?”
Pavarotti was in America. I have to bring him a demo of the song so he can listen to it. I contact all the tenors I know but nobody wants to do a demo with Zucchero, join the lyrics, with them pop was not contemplated by the classical tenors.
By pure chance, a friend tells me that in Tuscany, in a club, in the evening, there is a blind boy who plays the piano and is very good, he also sings tenor songs, his name is Andrea Bocelli.
It was the first time I met Bocelli. No one believed in him, not even himself.
Bocelli agreed to do the demo but, he was fearful because Pavarotti would hear it. He is very good and likeable. He sings the demo in a special way. I tell him to persist with music and he replies that he has won a receptionist competition, and that music will remain his passion.
I fly to Philadelphia to give Pavarotti the demo and, he immediately tells me that he will never sing a song of light music. I asked him to at least listen to the demo and he agreed. I explained to him that the boy who sings is not a tenor but a simple boy who plays for passion and Pavarotti asks me if I’m kidding him, because for years he hasn’t heard such a beautiful voice.
I go home and call Bocelli and I incredulously propose a contract to him. Bocelli doesn’t believe it’s all true.
At first it was difficult, nobody wanted Andrea. Too risky! There were always so many bad reviews in American newspapers, but people loved him, that’s the only thing he has always counted on.
The live reaction of the people was a show in the show. Andrea was a great interpreter of emotions he knew how to take on the feelings of ordinary people. This was its added value: to be a common mortal with a divine voice.
As to women, Michele says…
Women, I love them, but I’m afraid of them. I can’t trust the exclusive relationship with a woman. I am not so naive as not understand that beautiful women are with me even for what I do, I am wealthy, I ride in beautiful cars and, I have some power. I never married, but I was almost married. How it ended makes me feel bad today. I was 30, she was from Bologna, beautiful and intelligent. We decided to get married.
I will only say, he cheated and, it was over! Too bad!
As with everything, Michele goes back to his mother….
My mother who I loved very much, left me early, too early, without giving me a way to show all my love for her. My mother could not share with me that little bit of success, of well-being, that I wanted to give her after so many hardships. I had everything from her, and she, she had no way to say with pride “That is my son”. I feel guilty about this.
But there is another woman who has always been important in my life, and it is my sister Liliana, a little friend, a little mother, and always with me even at work, especially in the most important moments.
I must admit that other female figures have been very important in my career. At the beginning, Cristina Gelsi, who followed me in the 16 years with Bocelli. And, now Barbara Vitali, omnipresent in all my activities, almost my alter ego, lives traveling the world to assist Il Volo.
So, let’s talk about the guys and their relationship with Michele.
In an interview with La Vita in Diretta, Michele was asked, “What has changed, Torpedine?”
I have many enemies, which will increase after this book but, I met the right people: Gianluca Ginoble, Ignazio Boschetto and Piero Barone.
Yes, as you can tell from the title of the book, when I met them and put them together as a trio, they were so young… to think that ten years (now fifteen years) have already passed! With them and with their families, good people, a relationship was born that goes far beyond the professional one.
Together we joke and laugh, then we get serious, enjoying worldwide successes: but the human side, their being real and clean, for me is an added value, which is priceless. And, especially in this environment, is a rare commodity.
So true! This is something we always say about the guys. Something we admire! Their integrity and values are priceless! We admire that they are able to remain grounded being in this environment.
Where there is gratitude, there is Il Volo! Michele continues…
It’s so hard to be told ‘thank you.’ For this reason, the boys, Gianluca, Piero and Ignazio are different: grateful, so much so that I had to tell them to stop making my name and thanking me during interviews or at the end of the concerts, everything seems prepared.
But, of course, we know it’s from the heart! That’s who Il Volo is!
Asked about whether or not Michele would “Fancy a family.” He replied….
I have no children or wife, I married music. Perhaps the ugly will come later when I turn around and find no one. But at the moment I’m fine with that!
We wonder what did Michele expect when he signed Il Volo?
Another great story started, a new story at a time when it seemed to me that there was no future for me, for my profession: a breath of oxygen in my environment.
After years of disappointment, loss of trust and gratitude, missing or denied, with Ignazio, Piero and Gianluca, Michele rediscovers the values of gratitude. Michele says….
The boys allowed me to really go back to my job.
So where did Michele begin with the boys? He started in a place where he always wanted to be.
Let’s start with trust because they trust me first of all; the administration of an entire world tour, with important figures to move on which I could take what I want if I were dishonest. But they trusted me and so did their parents, to whom, moreover, I have committed myself to teaching everything, the mechanisms, the things that move, the figures, the relationships. All.
So how does Michele describe this trust?
If I had to define the story of Il Volo with a dominant feeling, I would call it, Un Grande Amore – A Great Love!
Many have arrogated the merit of the success of the three boys, which is certainly the result of great teamwork, but it is above all the result of intelligence, humility and generosity of the three families who have not only never hindered my work as manager, but were supportive in the best way: Ercole and Lenora Ginoble parents of Gianluca, Vito and Caterina Boschetto father and mother of Ignazio, and Gaetano and Eleonora Barone who gave life to Piero.
To sum up his life, Michele says….
Many disappointments, mainly human and partly, even professional.
At some point, I found myself feeling more disappointed than ever with music, with the environment I mean. There was never gratitude around me. I found myself tired, eager for simplicity, for pure things. The horizon seems closed to me. One night I was at home, sitting on the couch, and three boys, fourteen, fifteen, appear on TV. Of course, they are good, and if I tried to really put them together? A trio, here’s what I could do: Il Volo.
I think those three determined boys saved me from depression and from the desire to leave everything. Three teenagers, yes, but already great, in all respects. Already great since I first saw them: Piero, Ignazio and Gianluca.
How do the guys feel about Michele?
Let me answer that by going back a few years when Michele was involved in a lawsuit and the guys were asked about their relationship with Michele over the last ten years. The guys answered with this message about Michele.
We know you well. You have been by our side for more than 10 years. You have defended us from everyone, you have fought for us, you have taught us so much and above all you love us. You always made us understand who we should trust and who preferred to use us for their own interests and for their own personal glory. We are proud to have chosen you and to have renewed our trust, for 10 years, day after day. This is truth that no sentence can hinder. For the rest, just have patience: in the end the truth always comes. In life and in courts.
In concluding Michele said….
I started from a studio apartment in a small white house and passed to the Oval Room of the White House, received by Clinton and Bush. Who knows Ricomincio Dai Tre – I Start Again from Three may become a film!
Maybe it’s time for me to go back to my old career and write the screenplay!
Well Michele maybe I should go back to my old career, and we can write that screenplay together!!!
What did we learn from this story? We learned Michele is a very sensitive man. A determined man! A Self-Made Man!
So, you might ask, why this story this week? Last week I wrote about Fifteen Years of a Lifetime. And for me it seemed appropriate to talk about the man who introduced the world to Il Volo and stands alongside them every day!
The man who looked up at a TV screen, saw three teenagers on the stage of Ti Lascio una canzone and even before he heard them sing, knew he had found his new beginning!
The wheels that turned in Michele’s head that night can only be described as La Forza del Destino (the force of destiny)! The continuation of the same force that was leading Piero, Ignazio and Gianluca! The force that led them to the stage of Ti Lascio una canzone, at the same moment in time!
By the next morning, Michele had already put all the pieces together to lead them down the road to Stardom!
That is the genius of Michele Torpedine!
A phenomenal career for Il Volo and a new life for Michele!
God’s plan completed!
Next week we bring all the stories together to begin the celebration of the fifteen years together.
See you in Milan on Sunday!
For your listening pleasure – Il Volo Takes Flight – Live From the Detroit Opera House 2011
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
Excerpts of this story are from “Ricomincio Dai Tre” by Michele Torpedine. Interviews with La Vita in Diretta, Sabato Italiano, ilsussidiario.it and TV Zoom
Credit to owners of all photos.
Come in and share the love of life, friends and Il Volo!
