In my story today I am taking you back to the very beginning! I want to tell you a little something about the guys in their early years. I will be using excerpt from the book the guys wrote and various interviews they did about the book. This is just a small piece of each man’s story.
We begin by journeying back to Naro, Bologna and Montepagano where it all began, to meet, our guys as little children.
The stories are very sweet and sometimes very sensitive. I found myself in tears reading the beautiful accounts of their special lives. In one of the stories, I had to stop reading and take a breath because it was like I was reading my own story. I had experienced the same thing in my life and I understood where he was coming from and I felt his pain in my heart with every word he spoke! I’ve been there!
In some way I have a connection to each of these guys. In Gianluca’s case we are connected by country, my maternal grandparents where from Abruzzi but the beach we visited when we were in Abruzzi was Pescara. My connection with Piero is his family. He came from the same kind of family I did. Dinners with the entire family and summers in the countryside. As for Ignazio I have an emotional attachment to him. Ignazio sings with passion and, I write with passion. Many people have said when I write about Ignazio I write with the same passion as he has when he sings. I think this is because we are both very sensitive and we are alike in many ways. We have many of the same traits!
Let me begin by saying each one of the guys is unique in how he presents his story. Piero and Gianluca dictated their stories but, Ignazio chose to write his story. He has a writing technique very similar to mine. When he writes he speaks directly to the reader! He comes in and out of the story speaking to the reader and asking questions. He is an excellent writer.
Piero is a great storyteller! In his stories he recalls every detail. He makes you feel like you’re a part of his story. When the story is over you know the event as it happened and there is nothing more for you to know. He’s told it all! He is very serious and emotional when he speaks about his childhood and his family.
Gianluca is very different from Piero and Ignazio. He had a calm and peaceful childhood. He didn’t have the challenges that Ignazio had or the intense classical education that Piero had. No, Gianluca lived a very simple life. Perhaps that explains why Gianluca is a romantic.
So, without further ado, let’s begin with….
All of what is said here was said by Ignazio in his story. I did not change the thoughts or feelings of Ignazio or any of the guys in any of their stories. All the Italics are their own words. You might say I’m relating the story as seen through my eyes. Ignazio as the narrator gives you the facts and I follow him by giving you information that is important to the story.
This is a very, sensitive and sincere story!
“If a life is a story and, if every story needs someone to tell it, here I am to tell you mine, all of it from the beginning.” ~ Ignazio Boschetto
My story is not a fictional story even if it seems to be one of those dreams that you never want to wake up from. My story is sincere. It is the story of my life just as I experienced it before Il Volo and inside Il Volo.
My flight (every reference is purely coincidental) starts with a Christmas Letter.
It seems Ignazio’s mother, Caterina, and his father, Vito, were thinking about expanding their family. It is Christmas time 1993. Ignazio’s sister Antonia, who everyone calls Nina, is at school and the children are told to write a letter to Santa and the Baby Jesus. What Nina writes is a miracle and the beginning of one of the most beautiful and sincere relationships between a brother and sister. Nina, 7 years old, writes:
Dear Santa and Baby Jesus,
I do not want any presents for Christmas. Give my gifts to poor children. I want a baby brother for Christmas.
Ignazio continues, Said and done!
Shortly after New Year’s Caterina discovers she is pregnant. When Nina is told she wants to confirm that her wish has come true. Nina asks her mother if she can join her for her ultrasound. During the checkup, Nina asks the doctor, “May I know what it is?”
“What do you want, honey?” the doctor asks.
“I want a little brother.”
“Then come, I’ll show you the string bean.”
Nina’s first wish is granted but her second wish, not exactly! Nina wants her brother to be born on October 1st, her birthday. It seems Ignazio had another idea.
My name is Ignazio Boschetto. I was born on October 4th, 1994 in Bologna, Italy.
No, I didn’t make it for Nina’s birthday. I was wrong. What can I tell you? When they brought me home, I was better than any doll to Nina. Everyone was happy but soon, there are some worries. During the first visit, the doctor found that I had a strange kidney malfunction. After several checkups, they found I was born with a single kidney, but the one kidney I had was larger than normal and it works as if it were two kidneys.
And, as if that wasn’t enough, I was born with the squint of Venus, but I was fine, a Bolognese, brand new. The truth is, I could have been born Sicilian – Sienese. How would you see me with a Tuscan accent?
Ignazio continues his story always keeping in mind that his life is possible because of the sacrifices of his parents.
Is it the same if the images that I will never forget are … the memories of my parents? It’s not that I’m crazy or strange, it’s right that my story would never have existed without my parents.
In 1990, Ignazio’s parents made the decision to leave Marsala. They left with the hope of a better life for their family. As Ignazio says, “The family they had only begun to create.” Within a few years they managed to achieve economic stability and were able move into a house. Ignazio says, “The house was very small, but it was my first house, the one in which I was born.”
Of all the houses I lived in, one particular address remains in my mind: Via Marconi 94 in Molinella. It was a big and very beautiful house. We moved there just before I started elementary school. I do not remember the first day of school, but I certainly did not take long to get noticed. If you’re thinking of scenes of me being put in the middle of the class to sing, forget it. I had a passion for music but, I had an even greater passion for pranks. I tell you, since I started talking and walking, mine was an escalation of agitation. But it was official I was not the most mischievous in class that would be my friend Nicholas. I was second.
Now I would not want you to get the wrong idea of me as a child. A saint I was not, mind you, but thinking about it now if I was mischievous at school, maybe there was a reason.
In 1998, when Ignazio was four years old his mom was diagnosed with facial cancer. For a child of Ignazio’s age, it was hard to understand what was happening.
Mom did something she always did with us, for as long as I can remember, she explained the situation to us, speaking openly. This is a great merit that I must acknowledge about my family, but perhaps a little more to mom, because the fact of speaking clearly with us children and telling us the truth about things that affected our family and life in general taught us to face up to early adult conversations.
Now, I’m going to step out of the story because there are no words that I can say that will express the emotion and the sensitivity of Ignazio words.
I do not even have to tell you that since my mother’s conversation, my life has changed. I was small, but I could not afford to think like the other children of my age. As for my sister the situation was even more complicated because since 1998, the year of our mother’s first hospitalization, until 2003, the year when all the bad story is over, my mother has become Nina. For the first two years of elementary school, I have not often seen mom, a little because I went to school, a little because she had to return frequently to the hospital and stay there for long periods. Dad worked and my sister, despite her twelve years, had to be a housewife. She has become my biggest reference point. We had to grow both of us very quickly, without thinking about toys and different entertainment, and not so to speak, but really. The truth is that we were not interested in anything that usually affects two children of that age, because the only thing we wanted was to have mom at home.
It is difficult to say what was the worst moment because her absence was always felt. For sure, however, I was particularly impressed by a quarrel with my sister. I was four and she was twelve and I was playing with a toy, she was fed up because I made noise, she took the toy and, we had a fight. After responding badly to her, I immediately repented. For me Nina was very important, really like a mother. In the end I did not sleep for a week. But I never told her, at least until now.
After five surgeries and one hundred and fifty points in the face, mom has returned home. Too bad they did not leave me much time to enjoy her. I wanted to sit her on the sofa and, I wanted all the kisses, hugs and everything I haven’t had in those years. Mom is mine and woe to those who touch her! And instead, a few years earlier, mom had started working in a pizzeria and, not even the time to leave the hospital, she rightly started working again. What could I do?
Let’s move on to Montepagano!
With Gianluca, everything is about passion! Actually, four passions! Family, Country, Music, Soccer! Not necessarily in that order! He takes his passion for Abruzzo around the world. On tour he always speaks about Abruzzo. He loves his country and, he wants others to love it too!
My name is Gianluca Ginoble. I was born on February 11th, 1995 at the Atri hospital.
“I am from the town of Montepagano, Abruzzo. To be precise, I grew up in Montepagano, on a hill two hundred meters as the crow flies and ten minutes by road from the sea, and Roseto degli Abruzzi.” ~ Gianluca Ginoble
The accents are beautiful, the dialects are beautiful, but I can say that what I prefer is the Abruzzese? I am, very, proud to be from Abruzzo. I love everything about this region. And I like to bring Abruzzo around the world and keep it high.
My life as a child seems so far away. I remember, very, little of my childhood! It’s like twenty years have passed but, only five have passed. I’m not like Ignazio, I was born and raised in Montepagano. I was traveling only with dreams. What made me dream? Music naturally.
Dad, Ercole and mom, Eleanora realized that I had something special in my voice when I started to sing at the age of three or four years. They tell me, when I was three years old, I sang ‘O Sole Mio’ in the town square in front of all the elderly gentlemen friends of my grandfather who were sitting around in the square.
This was Gianluca’s first audience but, of course he doesn’t remember it.
Because Eleanora worked, Gianluca went to after-school session with the nuns. He had a teacher named Gabriella. One afternoon, while Gianluca was doing homework, he suddenly got up and started singing “Time to Say Goodbye.” The teacher was speechless. “What a voice you have, what a wonderful voice,” she told Gianluca. “But do you know Andrea Bocelli?” She could not believe how it was possible for such a small child to have such a voice and to know a singer of that kind. “Of course, I know him,” Gianluca said, “He’s my idol, my favorite singer,” Gianluca said this with a certain pride. “Only I do not have his CD yet.” “I’ll bring it to you tomorrow, I’ll gift it to you,” was the teacher’s answer.”
I was seven, maybe eight years old and thanks to Gabriella I was able to start listening to Andrea Bocelli as often as I wanted.
Are you wondering why I suddenly sang ‘Time to Say Goodbye?’ The answer is simple: because it made me feel good. Usually, I would sing at home or in situations where I felt protected as if I were at home. I did not care to make myself heard by others. It also happened that at school the teacher knew my particular voice and she would make me sing in the classroom. “Gianluca, let us hear your voice, guys, let’s listen to Gianluca sing.” Do you know how I reacted? I sang, of course, because it was the teacher who asked, but first I went to hide behind the blackboard and put myself face to the wall. I was ashamed to die. I still remember that feeling of being hidden, while I sang, without seeing anyone. Also, because I was already singing with this voice that tended to the baritone, it was really special. I understood that it was a beautiful thing, which everyone liked, but I was still ashamed. Dad says I also did it at home to turn my face to the wall while I was singing. What could I do? I was very shy and a little insecure.
But now, the shyness is over. Gianluca considered this a defect when he was a child but now, he has overcome the shyness. What hasn’t changed is the constant need for confirmation. On social networks, you see his selfies and people think he is vain, but in reality, he needs constant fan approval. He needs to know that they support him. Gianluca has been this way since he was a child. He always needed reassurances. If he only knew how much his fans love him, he would need no reassurances!
Time to move on to Naro.
Let’s join Piero in the courtyard of the town square of Naro.
The heat of the day has passed, the time of rest is over and it’s time for people to come out into the square. On the bench nearby are old men. Piero is playing soccer with his friends. They are playing with his SUPER TELE (a plastic football). The ball flies off in the direction of the old men and they shout, “Slow with the ball or we will cut it.” The old men frighten Piero with their threat.
My name is Piero Barone. I was born on June 24th, 1993 in the Sicilian city of Naro.
(Francesco and Piero Barone)
What can I tell you about Naro? For me, it is the most beautiful city in the world! There are dozens of baroque churches and above the city the Chiaramonte castle. Below the castle is the beautiful Valle del Paradiso with its green pastures and the green sea that separates Naro from the real sea… and there’s the Spring Festival Narese!
I would gather with my friends in the afternoon and usually we played until ten in the evening but there was always the fear that the old men would pierce the ball.
Five or six years have passed since the old men scared me. The old men are still on the bench but now when they see me, they come to meet me, to greet me. Before, they scared me, and now they hug me and have that look of being proud and moved. It’s too strong for me! Yet, I still can’t explain why I become ‘weak inside’ when I see them.
“The truth is, I’m still that kid with his SUPER TELE.” ~ Piero Barone
For Piero life is all about Naro and the family and his fondest memories are of his childhood and his family….
I think it is an effort to remember when we were young. We were young the day before yesterday. In fact, all three of us, feel that time has run too fast. Yesterday we were children, and, in a moment, we found ourselves grown up with a great job to carry on. It’s the most beautiful job in the world, what we dreamed and desired, but the truth is that none of us really imagined what would happen.
I remember in detail the years from one to fourteen…. I recall for a few months, during the summer, when I was nine years old, I went to work in my father’s body shop but because I had bad allergies and asthma I was not able to deal with the paints and powders so, the decision was made that I would go to work in my uncle Angelo’s (my mother’s brother) mechanic shop which was just in front of my father’s shop. I clearly recall, at half past ten, on time, my uncle gave me two euros and I went to buy a sandwich at the supermarket. The sandwich was ham and provolone. ‘How good was that sandwich!’
What I’ve done in the last five or six years, I tend to forget. Not because I’m not happy to have done it, on the contrary, I am, very, happy. It’s to have the life I have and have a dream come true: living with music was all I wanted.
When I was a child, I visited my father’s body shop. The shop was, very, big and was full of cars and lots of noise. This was my “first stage.” I was not yet four years old, and I was starting to sing. My father lifted me up and placed me on the hood of a car that was jacked up and I immediately began to sing. The people in front of the shop looked out. Slowly one after another, they came out. I remember them, they stood there listening to me, their heads popping out of the door and, I sang and, it was the most natural thing in the world for me!
But what remains in Piero’s heart is what he calls the “campaign” of his grandparents.
How do I explain this campaign? I think “campaign” and I think “family” a couple that cannot be divided.
Piero compares this campaign to his mother, Elenora, and his father, Gaetano. He sees their marriage as an example of love that he hopes to one day share with someone. Piero says,
I want someone with whom I can carry on that love that is so great even in times of difficulty.
And part of that love, Piero explains, comes from the closeness of his family.
I am proud to say mine is a real Sicilian family, one of those that on Sundays reunites at the grand house, the grandparents’ house. Together we are mom and dad with me and my brother and my sister, my grandfather, my grandmother and my uncle, my great-grandmother, my grandmother’s sister, her husband and their three children, who are the same age as us and for me they are like another brother and two other sisters.And there were great lunches from the first to the sweets, things so good that you cannot even imagine them. And the saga continues, when summer arrives and, everyone moves to the countryside.
Piero’s fondly remembers a family tradition…
I could not wait for it to be Saturday morning when we lit the wood burning oven. I went to collect wood around the ground, I helped to light the fire, and I helped to take out the pizza. In addition to pizza, we did “u pani impurnatu”, which is bread baked in the oven. How good it was! It kept that good taste all week. The week passed and the next Saturday we started over again. The bread was beautiful, warm and fragrant. We also made the “impanate”, which are rolls of pizza dough with vegetables inside, a typical dish of my area. In short, I ate a lot of good things and, it was visible (I was really fat).
We have now met the guys at the very beginning of their lives. What have we learned from each boy? We learned they come from very simple, very humble families. Hard working families. Not unlike the other children they grew up with. Their days were spent playing, being mischievous and singing on impulse. The one thing everyone comes back to in their story is their music. Piero tells us living with music was all he wanted. Ignazio tells us between the mischief, there was always the passion for music. And Gianluca says he sang because it made him feel good.
It seems for these young men not much has changed over the years. In the Beginning There was Music and not much has changed over the years except that now they share it with us!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
Saturday 19 June, on RAI 2, a beautiful interview made with Il Volo, in the FELICITÀ (Happiness) program conducted by Pascal Vicedomini, was broadcast.
The RAI press office only notified us the day before this interview, so few knew, but surely the videos have already been published on all Facebook pages (what we fans can do) and therefore, I bet you’re wondering what our guys said, so here’s the video and the translation.🤗
I warn you that it is a very long interview, but very interesting, and therefore I will proceed by dividing it into two parts.
So here’s the first part, up to 27:03.
PIERO = Happiness for me is every day. Because I found that inner balance. In the particular year we lived, I took advantage of it, thanks to the people who support me, like my family and friends, and I found that inner balance that makes me enjoy life. I enjoy life every day.
PV = What is happiness for you? (to Gianluca)
GIANLUCA = I believe this certainly – the support of the family, do what you love, live from your passion, make it a job, and be serene, feel good about yourself.
Happiness is a moment. The moments of pain help you to face life, to form that armor that allows you to face life in the best way. That inner serenity is surrounding yourself with people that allow you to be a better person.
PV = For you, Ignazio?
IGNAZIO = Happiness, in the end, is just a word.
Surely as they say, feeling good about yourself can be a cause for happiness, but the most important thing is to create it, and it’s very subjective, I think.
(start the theme song of the program)
PV = Happiness. But who is happier than me today, who are together with three ex-kids, whom I met who were really at the beginning and have become international stars: Ignazio, Pietro and Gianluca.
PIERO = Piero, Piero (Pascal said Pietro).
PV = Piero, sorry, sometimes I make a mistake.
PIERO = Pascal, we are very happy anyway.
GIAN= But the grandfather’s name is Pietro, so you paid him a compliment anyway.
PV = (to Piero) But do you celebrate St. Peter and Paul? (the name day).
PIERO = Yes, of course.
PV = So, it was a little mistake.
GIAN = You knew us as children, now we are almost men … almost men.
PV = And what guys, three young music legends, three seducers …
GIAN = Indeed ….. but all these compliments ….
PV = I almost feel like an intruder in your world
IGNAZIO = We met, really at the beginning of our journey. (career)
In Los Angeles, right?
PV = How not !!
IGNAZIO = We shared those moments, even a little strange for fourteen-fifteen-year-olds, being in parties with the biggest stars in the world.
PV = I remember, guys, they arrived in Los Angeles and were immediately catapulted into a mega galactic party, greeted by: Schwarzenegger, Sean Penn, Puff Daddy, Quincy Jones, Beyoncé, Cindy Crawford …
IGNAZIO = Cindy Crawford I remember her well!
GIAN = I remember her too ….
PIERO = The particular thing, do you know what Pascal was? To go home and tell our friends what we had experienced, and it was impossible (because they would not believe).
PV = Those are the first moments when you begin to understand that something is changing.
(the video of the Sanremo victory starts)
PV = (voice) Gianluca Ginoble, Piero Barone, Ignazio Boschetto, aka IL VOLO, three young excellences of contemporary bel canto in the world, three constantly evolving talents, who have already seduced the audiences of many countries far and wide for the planet.
Three guys put together to break through the myth of the three tenors par excellence: Pavarotti, Carreras and Domingo and who in some way are keeping up with the expectations of the many people who believed in them, from the very beginning.
Three brilliant witnesses of pure Italianness that strikes, fascinates and seduces, so much so that it gradually becomes a global phenomenon.
Three witnesses of the restart of the music industry and of the Italian live entertainment, and who recently seduced the national television audience with the record concert at the Verona Arena, in homage to maestro Ennio Morricone. Event that arranged them in a good mood, on the occasion of our “reunion” between friends.
PV = Ignazio, when did you realize that your life was changing?
IGNAZIO = But maybe we haven’t noticed today yet, because fortunately, and I say fortunately, we live things with simplicity, always trying to put music, our passion, in the foreground.
Then, it is normal, there are many responsibilities, we are no longer kids, where there is the novelty of three kids who have an important voice, an adult voice, so now is the time to work, to develop new ideas. With our manager Michele Torpedine, we always try to renew ourselves, we lock ourselves in a room for days to understand what is the best thing, the next step to take.
There was the Arena di Verona, and we are already thinking about another project, so we must never stop.
PV = About the Arena, a great recent triumph, we will talk very soon, but let’s go back a little to the beginning.
(the video of O Sole Mio, starts)
PV = (voice) It was 2009 when three provincial kids, with an extraordinary voice, two Sicilians, Piero and Ignazio and one from Abruzzo, Gianluca, made their debut on the RAI stage in “TI LASCIO UNA CANZONE,” a program by Antonella Clerici, directed by Roberto Cenci, who, in meeting the three “child prodigies”, immediately came up with the brilliant idea of putting them together.
R. CENCI = I followed the casting directly and in this second edition, I found these three guys and took them individually, because I got Ginoble because he had a voice very similar to Bocelli, not as a tenor, but when he sang normally. Ignazio had what I called “canna” (high tones) and Piero was the only one I had doubts about, whether to take it or not, because he was really a “tenorino” (small tenor) and the year before I had already had a boy with the tenor voice.
In the end, after two or three episodes, I spoke with Bibi (Bibi Ballandi, Italian TV producer) and I said: “Look, I have an idea, I want to bring them together and call them – Tenorini – to make the beautiful songs, the Italian bel canto.”
It was an immediate, incredible success.
He called Tony Renis and said, “Guys, but these three are very strong, in my opinion in America, they could win,” and I said, “In my opinion, the only one who can help them in this sense is you, if you want I can put you in contact with the families,” and in short, from there, let’s say that he accompanied them in what is their journey under full sail.
(the video of THE WORLD begins)
PV = (voice) Launching three very young Italian tenors into the world seemed an impossible mission, but considering the previous successes of producer Tony Renis, who for the occasion wanted, at all costs, at his side, the former manager of Bocelli, Michele Torpedine, the operation was a challenge to attempt.
Especially since together with the lawyer Peter Lopez, mister “Quando Quando” (Tony Renis) , he convinced the legendary Italian-American colleague Jimmy Lovine, to make an album with the Italian “tenorini”, very different from the rappers he launched, as a tribute to its Ischian origins.
And so it was that the three boys found themselves in Hollywood, among the elite of showbiz.
It was February 2010, on the eve of the Grammy Awards, or the Oscars of music.
PV = Gianluca: this first experience in America.
GIAN = It is a great emotion, we hope it is a starting point, because it is an incredible thing to be in America.
PV = Ignazio: in the footsteps of the great masters who made the history of world music, here in Los Angeles.
IGNAZIO = Being with Tony is beautiful, we have fun, we spend beautiful days together.
PV = (to Piero) You are already preparing an album, which will soon be released, also made with Umberto Gatica, therefore: Tony Renis, Umberto Gatica, Torpedine, one team …..
PIERO = Really strong, we get along very well with them, we communicate with them and we express ourselves well with them.
(start the video of UN AMORE COSÌ GRANDE – Live The Americana)
T. RENIS = Very strong, they are conquering the United States. The Americans are going crazy for these three kids, who are phenomena. They sing, they sing, really, they know how to sing.
(start the video WE ARE THE WORLD 25 FOR HAITI)
PV = (voice) That trip to Los Angeles, with their uncle Tony Renis in 2010, marked the turning point for Gianluca, Ignazio and Piero, in fact, the famous producer, also managed to convince his old friend-colleague Quincy Jones to let his three new ones enter as pupils, in the video in favor of Haiti, which re-proposed WE ARE THE WORLD by Michael Jackson and Lionel Richie.
TORPEDINE = It was a great dream, also because I came from a long experience of Andrea Bocelli, after 16 years, let’s say it was easier for me to continue this discussion.
PV = What place do Il Volo occupy in international music today?
TORPEDINE = I believe that after Andrea Bocelli, who clearly today we are talking about a monument, we are no longer talking only about an artist, immediately afterwards, they are there, because they are present in all countries of the world, as a publication, as a live, as a performance . Today Il Volo, together with Andrea, clearly Andrea becomes almost unattainable, because the recording market today is almost infinite, in general, but on the live part, they have the same capacities, in some countries, in others they don’t, but let’s say they occupy a huge space.
GIAN = Let’s say that, certainly the novelty was that, as Ignazio said, of three children singing pop-lyric, because it was the first time, so let’s say that from this point of view, we have always tried to be unique, and to propose to the public, to the people who follow us, something different.
Then, it is clear that over time, it is necessary to demonstrate and consolidate success, because being the novelty, it is also easy to be a meteor, therefore, as Ignazio said, sorry if I repeat myself, we must renew ourselves, with hard work, with constancy, with sacrifices and always staying on track, this is important. I must say that there is not only a working relationship, but also our friendship has been consolidated over time, and this helps us to be cohesive, strong and to develop ideas that allow us to renew ourselves.
RED RONNIE = I want for them, a good of the soul, because even if they joined almost by chance, Piero, Ignazio and Gianluca, they have three totally different personalities, who together have a crazy cohesion, so much so that they have invaded the world.
I hope they enjoy the happiness they deserve and are experiencing, because …… because they are still spontaneous, they still have the desire to see with their eyes what happens and, this is important, also with the heart. They are perfect when they are elegant, at the Verona Arena or on an important stage, or when they are like this, a little “discarded” when they come into my programs and let themselves go. Because they are three guys, very lucky, and very alive.
PV = (voice) Red Ronnie says well, three very different guys, who complement each other on stage, three particular characters, united by their common talent and love for music: Piero the professor, Ignazio the philosopher and Gianluca the seducer, two Sicilians and an Abruzzese.
After all, they are three young people of today with the ancient passion for opera, to be merged with pop, a characteristic that makes them fascinating in a transversal way to the different civilizations crossed in their first twelve years of common career in the world.
The result of the intelligence of the Italian province, which over the years has established itself, not only in music, but in every sector of society, as the journalist and writer points out: Pierangelo Buttafuoco.
P. BUTTAFUOCO = It is up to the village boy to “take flight”. If that of IL Volo is the story, or rather the novel, or better still the epic, of those who, like the guys, know how to go away.
Because the commandment given to the country guys is always the same, and it is this: “Who goes out, succeeds” (pun to say that whoever leaves the country, succeeds, that is, is successful, in life), and said in Sicilian it becomes: “cu nesci, arriesci”.
ANTONELLA BORALEVI(writer-journalist) = What is special about Il Volo?
Meanwhile, this name, because already hearing it, this name, takes you somewhere else, and then the fact that, we never say Il Volo, but we say “the boys of Il Volo”. I think that the three members of Il Volo group will have to get used to being called “boys” even when they are 70 years old.
But above all I would like to thank them, the guys from Il Volo, because they have the characteristic of giving joy. The guys from Il Volo put you in a good mood. The guys from Il Volo, you look at them and you feel better, you listen to them and you hum them and you feel better. So, as they say: go go go, guys from Il Volo and thank you for the joy you give us.
PV = (voice) All mad per Il Volo, it could be the title of a docu-film about the life of the three boys who continue to reap successes and attract fans of all ages, especially women, in the many countries already visited by three young people, they enchant the spectators and seduce, in particular, the fair sex, with their typical Italian charm. That’s right, it was for Pavarotti, it is for Andrea Bocelli, it is for Gianluca, Ignazio and Piero, of whom also three collaborators of Milly Carlucci have an excellent opinion and who had the pleasure of training Il Volo, for a special episode of Dancing with the stars.
OB = (dance teacher). Piero dancer mmmmhhh. Piero dancer, determined, very stubborn, I remember that he always wanted to try the steps, always perfect the rhythm. Obviously: he Sicilian and I Sicilian, we had a great time, I have wonderful memories, both of Piero and of the whole group. We had a lot of fun in our beautiful tango.
LL = (dance teacher) Gianluca dancer was a real discovery. But I think that in the tango, it was really exceptional, because in reality it represents it a little. Tango is very technical, and in my opinion Gianluca is precise, like tango, like all professionals, on the other hand. He is sensual, mysterious, captivating and intriguing, but above all, tango is elegance, and he is a very, very elegant person, and this is a gift that few people have, and that distinguishes him above all.
MG = (dance teacher). Ignazio was a great revelation and certainly as a dancer he was exceptional that evening at Dancing under the stars, when we did the tango together and I must say that it was really nice to see how, in a short time, this guy really learned the main things, of this dance, which was the tango. He tried to really express himself 100% and I was really very proud and proud and happy to have danced this dance with him.
R. RONNIE = Happiness could be …. such a wonderful place, surrounded by nature, relaxation. But you are missing something, you miss sharing it with the person you love, and then happiness is not living a beautiful thing, but sharing it.
Happiness is giving to others, it is giving, making people feel good. For me, happiness is giving space to artists, emerging groups, giving a voice to those who don’t have it.
In the end, we remain, for what we have given, not for what we have had, so happiness is giving.
(There are some scenes with Pavarotti)
PV = (voice) The myth of Luciano Pavarotti, after the docu-masterpiece of the Oscar winner Ron Howard, hovers in the dreams of all of us and above all in those of Piero Barone, Ignazio Boschetto and Gianluca Ginoble, alias Il Volo, who during the years they also managed to make friends with the friends and colleagues of a thousand adventures of Big Luciano (Pavarotti), the Spanish tenors Josè Carreras and Plácido Domingo. Especially with the latter who, as an indomitable lion, has also granted his three grandchildren (Il Volo) the honor of stepping on the same stage.
But what does it feel like to follow in the footsteps of three legends, who started the history of opera-pop? Feel the thought of Il Volo about it.
PIERO = The three tenors, Pavarotti, Domingo and Carreras, were the three who cleared opera, classical music, outside the theater and brought it to the general public.
Let’s say that we are trying to follow, humbly, without emulating the three tenors, we are trying not to let this music die, which will never end, because classical music, the classical term, is synonymous with eternal. We were in Florence, in Piazza Santa Croce, it was not a normal evening, it was a Magic Night, in fact it was the title of that project that we have taken on tour everywhere.
Clearly when we conceive a project, if there is no trust on the part of someone, there is no encouragement. When the idea of doing the Tribute to the Three Tenors was born, there was the foundation of Pavarotti who supported this idea, many messages with Josè Carreras, but the maestro Plácido Domingo did us the honor …..
IGNAZIO = Besides, he is a great friend of ours!
PIERO = ……he did us the honor of accepting our invitation, coming to Florence, conducting and singing that repertoire with us, so having his support gave us so much strength.
GIAN = I would also like to add that we have just done the concert at the Arena di Verona, the Tribute to Morricone, and there too, as Piero said, there was support, and of course it continues to be there for this recording project that will be released soon, by maestro Andrea Morricone and the whole Morricone family.
So this gives us that encouragement Piero was talking about.
PV = I must tell you that at this moment I am having a bit of the chills, because the first part of my artistic career began in the myth of Luciano Pavarotti, Josè Carreras, and Placido Domingo, I have followed them, ever since in 1990, together with maestro Zubin Mehta, they trod the Caracalla stage for a concert on the occasion of the Italia 90 World Cup, and from that moment, I understood the power of Luciano Pavarotti, and his two Spanish friends, to go and communicate the great international music, but above all Italian.
Finding myself today, with three very young friends, Italians, who are on that road, frankly, gives me, on the one hand, the feeling that I am getting a little old, on the other hand the joy of seeing that Maestro Pavarotti has drawn a really important road that you guys are following very well, isn’t it Ignazio?
IGNAZIO = Look, I tell you the truth, even with this Morricone project, we never wanted to be a copy of something, we want to try to be the means, to ensure that this music is never forgotten.
We are moving towards an era where the music changes every year, the charts change.
GIAN = (says in English) This legacy will never die, you know?
PV = You understand, the boy from Abruzzo who now speaks with an English slang!
PV = Piero, at this moment I have a flash, I remember a magnificent summer evening, in Piazza del Popolo (Rome) with the master Ennio Morricone who directed you in that wonderful song E PIÙ TI PENSO . In those days we celebrated the 150th anniversary of the unification of Italy, it was your first great performance, face to face with the legend of legends, the master Morricone.
PIERO = The first meeting with master Morricone, took place in the FORUM studios in Rome, in 2010 during the recording of our first album.
We were just recording E PIÙ TI PENSO and the master was passing through the studios and came in to listen, so he was the first to listen to our work.
We, fourteen, fifteen, still did not realize the importance, the greatness of the master. When he listened to E PIÙ TI PENSO, he decided to conduct this song live, on the occasion of a concert in Piazza del Popolo …
IGNAZIO = 150 years of the Unification of Italy.
PIERO = ….. 150 years of the Unification of Italy.
Today, we are not ashamed to say it, we have realized the importance and prestige of that event.
PV= In fact, Ignazio, having reached personal success, having arrived at a personal encounter with the legends, you so young, did not immediately make you understand what magnificent world you had entered.
How do you relive the memory of these events today? We talked about We Are The World and then 150 years, and in any case you are still at the beginning of a prestigious career.
How do you relive those passages that have taken place in the international arena and that seemed so unimaginable?
IGNAZIO = Look, I try to be brief. I think they will be indelible memories, which we will never forget, perhaps in those times, thanks to naivety, we lived everything more serenely. But they will be memories that we cannot help but take with us, tell them to our children, our grandchildren. Surely a very important thing is that we have learned a lot from them, the experience with Barbra Streisand has taught us a lot. In the end, when you relate to artists and people, because they are mainly people, you learn humanity, you learn humility, you learn how much dedication they put into their work, how much effort, how many sacrifices, and therefore we only learned from them.
GIAN = And then, these experiences that we have lived, we feel three privileged, those experiences that, like pieces, form the personality and that give sensitivity, empathy. These strong emotions that we have lived together have been a continuous personal growth, which has allowed us, really, to experience these things at a young age, with a naivety and a beauty, with a purity and we are truly proud to have lived them together.
Being on stage together, knowing that there are companions … I look at them (Piero and Ignazio) and they have experienced things that not even our brothers or our parents can understand, because there is this union between us, which makes these things truly special.
I wanted to translate this long interview, because it seemed interesting to me.
I’m halfway through the work, there are still many interesting things.
Tell me if you want to find out what will be said in the second part and, with a little patience, that too will come.
Over the past week I have been thinking about where it all began for the guys. As you know, I have written excerpts from their story but, I thought it might be nice for some of the new fans to hear about where it all began for the guys. Three different stories but all with the same ending! This is the story of how they were discovered and of course their journey to Ti Lascio una Canzone.
Piero: The Beginning of the Journey
Most of you know that Piero was discovered by his grandfather. In the garden of his grandparents’ house there is a mulberry tree and hanging on that tree is an old-fashioned swing. Piero was swinging on that swing when his grandfather heard him sing for the first time! He was about four years old at the time. The following day Pietro had a recording made of Piero singing “Un Amore Così Grande.”
The evening of the recording would be the beginning of Piero’sjourney to stardom. As always, Piero’s entire family ate dinner together. The family consisted of his great grandmother, all the aunts, uncles and cousins who were like sisters and brothers to him. After dinner all the kids played soccer while the adults went outside to chat and enjoy the cool of the evening on the terrace. But this evening would be a little different because just one day earlier, Piero’s grandfather Pietro discovered that Piero had an amazing voice.
They had just finished dinner when *Pietro called his wife. “Rina, get the recorder.” Rina brought in the recorder and placed it in front of Pietro. The recorder was already prepared with the cassette that had the recording of Piero’s voice. Pietro turns to Piero’s dad and says, “Listen to this voice, Gaetano.” He pushes play and starts the recording of “Un Amore Così Grande.” Gaetano is amazed like he has just heard a good thing, and he says, “It’s beautiful, who is it daddy?” (He calls his father-in-law daddy.) Pietro says, “Piero.” Silence. Gaetano has a questioning looking on his face “How did Piero?” Pietro says, “So?”
On that night Piero’s life changed! His father did everything he could think of to start him on a musical journey. He wanted Piero to start the festivals but, he was too young. He needed to “put in a base” because the voice alone was not enough. Gaetano asked himself: “What must Piero start to do?” And the answer was: “Piero must start playing the piano”.
Piero began to study piano at the age of eight but, economically the family could not afford the costs of the lessons. So, Piero’s grandfather paid for everything, and not just from the material point of view. Stefano Tesè was Piero’s first piano teacher. The mother of Piero’s teacher lived on the floor below in his grandfather’s house and the master came to see his mother every Monday. Pietro made an agreement with Mr. Tesè to give Piero lessons every Monday at six o’clock.
Piero says, “The road was very short to my grandfather’s house, I could even go there alone, but here was the problem, to get there I had to face a dog that was going around in that neighborhood, that dog would approach and bark furiously. And I had a fear of dogs. Squeezed under my grandfather’s arm, he who being blind needed to be guided, I felt protected as behind a shield: when the dog approached, Pietro shouted: “Passa arrassu!” (fast pass), go away, and the dog went away.”
Piero confesses there was another problem, “Every Monday at six in the afternoon was a nightmare for me, because I did not like going to the piano lesson. Or rather, I liked it only when the lessons were good, when I could play, but at the beginning I was bored a lot with the hammers, solfeggios and all the things that you rightly have to learn to play the piano. Maestro Tesè was a tough guy and, I was always worried that he would scold me. After a while I started to understand how the piano worked and the lessons started to please me.”
The advice everyone gave Piero was that he should join the choir that met in the church of Santo Spirito in Agrigento. Originally Gaetano objected to this saying they would “break my sons voice,” but, eventually he came to the reality that this was the right thing to do. And so it was that Piero joined the Little Singers of the Philharmonic Association – Santa Cecilia of Agrigento.
And so it was that Piero started his classical musical education that would end at Ti Lascio Una Canzone.
Of the three, Piero is the only one who said, “…. if there is one thing I want to do in life, it is singing, living for and with music.”
The original story I wrote about Piero’s beginnings I called **The Mulberry Tree because Piero was swinging on a swing which hung from a mulberry tree in his grandfather garden. Around the time of this event, I was at home in New York busy writing a screenplay. The name screenplay was “The Mulberry Tree!”
Ignazio: The Beginning of the Journey
In this story, Ignazio leaves his friends and his school in Bologna and starts all over again in Marsala. He fought this move every step of the way but this move would bring him to the start of his journey to stardom!All the What if’s, come into play! What if the family didn’t return to Marsala? What if Caterina didn’t open the pizzeria? What if that customer didn’t hear Ignazio sing? What if Ignazio decided not to take singing lessons? Ignazio’s story begins shortly after his arrival in Marsala
In 2004 there was a great change for Ignazio’s family. Ignazio’s mom had regained her health and finally the family was financially stable so, they returned to Marsala.
Ignazio’s story of the building of the pizzeria was so inspiring that I called my original story, “A Slice of Pizza with Ignazio on the Side.”
During the first year they were back in Marsala, Ignazio’s mom had gone back and forth every day to the center of Marsala to be able to secure her great dream: to open a pizzeria of her own. In order to open the pizzeria, she needed to do certain things. First thing: she had to get the permits and all the bureaucratic things that she needed to do. Second thing: she used the ovens of friends and made pizzas. Ignazio said: “I remember it very well. She went from one oven to another and tried so many types of flour, she tried the dough, she tried so many types of mozzarellas so, when she finally opened the pizzeria, she already knew how to prepare the right dough. It is different to make pizza in Bologna than making it in Marsala, take the word of a son and brother of a pizza maker: it is different because it depends on the humidity, the temperature and the type of flour. It’s not a simple matter to make a really good pizza.”
While Caterina was preparing permits and trying different kinds of pizza, it was left for the men to build the pizzeria. With the savings Vito accumulated over the years he began the work on the pizzeria. He was now working in a company that built wooden structures and being an experienced bricklayer, the dream could be realized, and the pizzeria could be built in front of the house.
Ignazio said: “For a whole year, in every free moment, my father dedicated himself to building the pizzeria for my mother and I loved to help him, so much so that when there were a few days of school vacation, I went to work with him.”
Ignazio continues; “You will think that I tell you about the pizzeria under construction, but I am not a pizza maker. Of course, if there had not been the pizzeria, perhaps I would never have started singing seriously.
While the pizzeria grew, a passion grew within me. It was a passion for electronics and music. I had started to be part of the elementary school choir and my dad, who was more passionate about electronics than me, had bought me a mixer, a microphone and two speakers, with which we started doing the easiest thing that could be done with those instruments: karaoke.”
Finally, in 2005 the pizzeria was completed and, Caterina opened the Pizzeria dei Desideri.
Within a few months Caterina already had regular customers and since the pizzeria was right in front of the house, when Ignazio was singing at home, even the customers heard him. One day a gentleman said to Caterina, ‘You know, my daughter is studying singing, why don’t you come with your son once? Even just to try.”
Ignazio said: “Like everything else, we talked it over within my family and everyone was enthusiastic about it. It was decided, I would go and see what these singing lessona were like.
I remember it as if it were yesterday! I was eleven. I wore a yellow shirt with green stripes, fashion was never my strong point. Arianna, the daughter of the pizzeria customer, who had heard me sing, and her mother and I waited, in front of the school for more than twenty minutes for Liliana Andreanò, the singing teacher.
Lilliana Adreanò, arrived in a grey Opel Astra. She got out of the car and immediately entered the school.
I was worried, almost embarrassed. Hard to believe, right? Even as a child I’ve never been the type to be speechless.
Lilliana begins to talk about music, what kind of songs do I like to sing. It was already a strange thing because usually I just sang, no one asked me why and how. You know, Liliana, I said, I like to sing Giorgia’s songs.”
Lilliana said: “Strange for a kid to sing this kind of song.” She asked, “And which song of Giorgia would you like to make me listen to?” “Gocce Di Memoria (Drops of Memory),” I said. “I didn’t even have a doubt. I start singing and Liliana was amazed by my extension but asks me to try a male song too.”
Ignazio thought a little bit and then he said he sometimes sang Con Te Partirò by Andrea Bocelli. He started singing and, when he finished Liliana told him: “Ignazio, this is your musical direction”.
From that first lesson Ignazio began to study songs like “Il Mare Calmo Della Sera,” “Un Amore Così Grande” and all those that came to mind, and he liked it. The songs approached that genre that was not lyrical, it was modern music but with something classic.
Ignazio was very comfortable with Lilliana and they understood each other immediately because she was a sociable person, simple, as are all of Ignazio’s family.
After several lessons, Lilliana proposed that Ignazio take part in a competition organized in Paolini. Ignazio wasn’t completely convinced that he wanted to go on a stage. Until that moment he had only thought about singing, but he never seriously thought that all his singing one day could bring him into the spotlight. In short, he was afraid. Fear of making mistakes. Fear of not being able to face the stage, but just to gain mastery on stage, Liliana urged him to participate, and so in the end he decided to do it.
Ignazio said: “I was about to get on the stage. My legs were trembling, the butterflies in my stomach were no longer butterflies but crazy swallows.
I decided to participate with Bocelli’s “Con te partirò” (Time to Say Goodbye), a song that I had studied and re-studied with Liliana, but as soon as the music started, I had a terrible fear of forgetting the words. So, what did I do? I looked down all the time. So, the audience, the place, what happened around me while I was singing, it’s not that I do not remember anything, I just do not know because I only saw the tips of my feet.
Fortunately, however, I remembered all the words and it is not so obvious because sometimes it happens that I forget the words even today now that I have become professional, the emotion continues to take us despite everything and.… I came in third.”
Once the ice was broken and the stage panic was over, that ended up being just the first of many competitions for Ignazio.
After two and a half years, three that he was studying with Liliana, one day Lilliana told him that for the genre that he was going to sing another teacher was better suited to give lyrical singing lessons. So, Ignazio was convinced and started to follow another singing teacher, Roberta Caly.
So now his life became complicated. He went to Lilliana for singing lessons and interpretation. He went to Roberta for lyric singing. And he took a diction course from Lilliana and Roberta. He also went to a diction course with Lilliana and a diction course with Roberta but taught by other teachers in the school. And he also attended a jazz workshop.
Ignazio went to class every day except Sunday when he went to see Nina’s soccer matches. Nina was now playing in Serie B.
Between the school, the singing lessons, the piano lessons and diction Ignazio was always busy, so much so that he was forced to leave the school of soccer.
Ignazio could not do everything because of the economic conditions of his family. At this time Ignazio found another thing to do: an extracurricular musical laboratory. Ignazio was so busy but, he did not want to give up that workshop, it was about setting up musicals. Ignazio said, “It was one of the most beautiful experiences of my life.”
In 2007, Ignazio stopped studying with Roberta. He met Giovanna Collica, a very good soprano, who gave lessons in Siracusa. Even though Giovanna was in Siracusa, which was a long journey from Ignazio’s home, she was too important to give up. She was a very good soprano, she had even sung a duet with Luciano Pavarotti.
Ignazio concludes, “It took a lot of money to cover the travel expenses, the lessons and the registration for competitions that in many cases were not free. So, it was at a certain point, mom and dad found themselves not having enough money to send me forward. They were more hurt than me. Having always worked and being accustomed to face sacrifices for the family, they did not want to surrender to this obstacle but at the same time they did not know what to do. In the end, it was necessary to make a decision. The decision was to ask a person dear to us for a loan that, as soon as mom and dad had settled a little, would be returned.
This person has helped us with great generosity, so as, to allow me to continue to pursue this dream.” Next stop Ti Lascio una Canzone!
Gianluca: The Beginning of the Journey
So, finally, we come to Gianluca. I must tell you Gianluca’s journey to stardomwas different from Ignazio and Piero. The end result was the same but, the beginnings were different. Gianluca says: “Yes, we were lucky all three to have the families we had. Ignazio and Piero were able to study music thanks to the sacrifices, big sacrifices, of their families. I’ve never studied it, if I have to tell the truth, but the music at home has always been there.
Mom and dad tell me, when I was three years old, I sang ‘O Sole Mio’ in the town square in front of all the elderly gentlemen friends of my grandfather who were sitting around in the square.”
This was the beginning of Gianluca’sjourney to stardom.
Gianluca says, when he sings, he “doesn’t forget instinct.” What does that mean? Gianluca has never studied singing. He learned to ‘use’ his voice only thanks to his musical ear. He listens to the music and, it transmits everything he knows. And, for this, he is especially thankful to the Little Choir of Roses.
When Gianluca was about eight or nine, all those who knew him gave him the same advice: go sing in a choir. In Roseto there was the Piccolo Choir of Roses directed by the master Susy Paola Rizzo. They sang the songs of the “Zecchino D’oro” or other famous songs with arrangements in that style, with music for children. The Mago Zurlì, that was the presenter of the situation, was Gianluca’s dad, Ercole.
The choir was nice because they studied the technique of singing, the songs. It was different, because they did not study the notes and how to do them, rather they studied instinctively, following what the teacher said and what their ear heard.
Gianluca said: “If I think of 2009, the year in which I met Piero and Ignazio at Ti Lascio Una Canzone, it seems to me like yesterday.
Ignazio’s story shows that things come and you do not have to force them to arrive. It is not different from mine. Maybe, a little bit different because, apart from the Little Choir of Roses and those modest performances with my father’s theater company, I’ve never done anything else, no competitions, no festivals. I did not want to do them, I never thought about it.”
Gianluca participated in the Festival of the Adriatic, in 2006, and he won it. In 2007 he participated in Ascoli Piceno, for young talents. He sang at weddings, that’s it. He recalls, “I sang Schubert’s ‘Ave Maria’ and they paid me. My first money earned with music. And for fun, in 2007 I recorded a CD in a studio in Roseto degli Abruzzi, it was called “Start from Here.” It was a study by Vincenzo Irelli, a very good musician.” Verilli heard Gianluca sing, probably in one of the Little Rose Choir’s performances, and he said to Mr. Ginoble, “Bring him to me.” Gianluca recalls, “We spent a couple of weeks recording the CD and then we gave it to all the relatives. If I think about it today, it makes me smile. Never, never would I have thought that it would not be the only one, that I could make music my life. I tell you I only sang because it made me feel good, I was happy.”
Then what happened? In his story, Gianluca said: ‘I do not know exactly, what happened, because everything happened very quickly. If I think of 2009, the year in which I met Piero and Ignazio, it seems like yesterday. Instead, six years have passed. To tell you the truth, seven years passed from the casting sessions because it was 2008 when my father received a call from Licia Giunco.
Who is Licia Giunco. She’s an incredible woman, known throughout Italy for being the creator of an annual event called Sport for life, a great international ice-skating gala. For the gala, skating champions come from all over Europe to participate. The reason for Mrs. Giunco’s phone call was Gianluca’s performances with the choir. “We have a great talent here in Roseto,” Mrs. Guinco told Mr. Ginoble. “I would like to bring him to RAI (Italian TV Station).” Gianluca says, “My father had never thought about it. My parents had never even imagined that I would participate in competitions, let alone send me for an audition for television.”
“Let’s try,” Mr. Ginoble replied, “It would be a great opportunity.” “Dad thought it was just a different experience something that could make me have fun. Mrs. Giunco made available her contacts, we talked to Franco Fasano, whom Licia knew, and he would take us to audition with Roberto Cenci for the broadcast of RAI. Maybe this is what I liked, the idea that it was only a life experience to do, an experience that would allow me to sing for a while. My parents, as they had always been until then, did not force me in the least. They left the decision to me. I had not the slightest idea of what awaited me, but I decided instinctively, with my belly, that yes, that audition I really wanted to do it.
At the studio, when they called my name, I entered the recording room. Roberto Cenci was there. It was the first time I saw him. The impact was big because he has a very tough character and, he did not convey much sympathy at the first meeting. But the essential thing is that I start to sing: I wanted to be a little alone to think, you know. I had chosen ‘The Voice of Silence.’ I remember it perfectly. I was thirteen, the first audition was in November 2008 and, I already had this deep, baritone voice.”
And so, we have arrived at “Ti Lascio una Canzone.”
These were the guys’ beginnings, but the real beginning was when they stepped on the stage and sang “O Sole Mio,” and began their real Journey to Stardom.
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
This beautiful picture of Andrea Bocelli’s son Matteo, Gianluca, Andrea andErcole,made me think of this meaningful quote by Wilma Rudolph, a famous American track and field sprinter.
“Never underestimate the power of dreams and the influence of the human spirit. We are all the same in this notion: The potential for greatness lives within each of us.”
We all know that Andrea Bocelli has been an idolof Gianluca’s since he was very young. Who can forget the heart warming reaction Gianluca had when Andrea congratulated him on winning the Ti Lascio Una Canzone competition? Gianluca was not the only one shedding tears during that beautiful moment.
Seeing this photo of the two of them together made me think of the “greatness”they both possess, the power of Gianluca’sdreams and the important influence this person had in Gianluca’s life.
Born with poor eyesight, Andreabecame permanently blind at the age of 12 following a football accident. As a young boy he showed great passion for music. At the age of six,he started piano lessons, and later, also learned to play the flute, saxophone, trumpet, trombone, guitar and drums. Then, when his nanny, Oriana, gave him the first record of Franco Corelli, he realized that pursuing the career of a tenor was his destiny. By the age of seven,he was able to recognize the famous voices of the time and tried to emulate the great interpreters.
Like Gianluca, Bocelli also spent timesinging during his childhood. He gave his first concert in a small village not far from where he was born. At the age of 14,he won his firstsong competition, the Margherita d’Oro in Viareggio with “O Sole Mio.” Does this not sort of parallel what we know of Gianluca’s start in singing?
Andrea has gone on to show the world his greatness not only in music, but in philanthropy and charitable work.Gianluca has been doing the samegiving of his time and talent to various charitable organizationsand important causesclose by his home town.
I see Gianluca being sopositively influenced by not only his extraordinary parents and family, but by watching and learningfrom this great man as well. Andrea gave him powerful words of advice upon winning that memorable competition...“Always think with the mind, Sing with yourvoiceand listen to your heart.” Look where the power of his dreams has brought him to this day.
When introducing Andrea Bocelli during one of her Christmas specials, Celine Dion said, “if God would have a singing voice, he must sound a lot likeAndrea Bocelli.” I think it’s safe to say the same when talking about the voices of the men of Il Volo.