Tag Archives: Verona Arena

BEHIND THE SCENES by Daniela

On Saturday 9 October, Il Volo was interviewed by Andrea Spinelli for Quotidiano Nazionale, in the beautiful Royal Palace of Monza, (near Milan), for the event  – “Born again: Behind the Scenes, The Arts Beyond the Emergency” –  dedicated to the difficulty of the total reopening after the Covid pandemic.

It’s a beautiful interview, very long with interesting questions and as many honest answers.

It will enrich you a lot to read what has been said.

Here is the video, and the translation.

 

SPINELLI = Good afternoon, welcome. Welcome to Il Volo, which we will now have here on stage.

With Il Volo we will talk about live music, the sector, at least economically, most damaged by this pandemic, and the one that, we never tire of saying, the first sector that closed, and probably the last that will reopen.

So I would invite Il Volo on stage. (applause)

PIERO = Hi

GIANLUCA = Good evening everyone.

PIERO = Andrea!

GIAN = That is, good afternoon.

SPINELLI = Welcome Piero, welcome Gianluca ….

GIAN = We’re not the only ones excited are we?

SPINELLI = No, no ….. Ignazio, welcome.

IGNAZIO = Thanks, hello.

IL VOLO walking onto the stage

PIERO = You must know that Andrea Spinelli, for us, is a particular journalist, because we are very fond of Andrea, and every time we do a press conference of a tour, of an album, we always ask for his presence, with the awareness that ……

IGNAZIO = He is the baddest.

PIERO = ….. with the most uncomfortable questions.
So today, for us, to accept this interview it’s really a big challenge, so Andrea, you have a lot of vent with us today!

SPINELLI = Thanks, but we will keep that for the presentation of the album on Morricone at the beginning of November.
Today we are talking about something related to concerts.

IGNAZIO = I can only ask one thing, if you can increase the audio in the microphone, on the stage, in the monitors, on the microphone of Andrea, because I don’t hear you.

SPINELLI = Can you hear me now?

IGNAZIO = Yes.

SPINELLI = Here.

IGNAZIO = Ok better, thanks.

IL VOLO sitting in chairs on stage with Spinelli

SPINELLI = So, let’s start with a decade, which was to be celebrated in 2020, then 2020 + 1, 2020 + 2. How did you live it?

IGNAZIO = We are reaching 15 years. 😁

SPINELLI = That is?

IGNAZIO = Soon we are celebrating 15 years!
Well, there were two difficult years for everyone, here, more or less, we were was struck by something new to everyone.

Speaking of our sector, we have been at a standstill since 2020, since March 2020, we are not working, and we are more than happy to restart next year from America, which fortunately has started to reopen with full capacities.

So we will start in March 2022, (hesitant to say the year), I have lost the count of the years.

SPINELLI = March 18, 2022, Radio City Music Hall.

IGNAZIO = Yes, March 2022, we will start with a two-month tour of America at full capacity.

It is a fortune, but it is also something that makes us reflect: why in America yes, and in Italy, still today we are unable to have the confirmation of a 100% opening?

PIERO = More than anything else, today we have a great responsibility, because we try to represent all the artists.

Because today we read in the newspapers “100% theaters will open”, theaters, cinemas, but there is a lot of vagueness, because not all artists perform concerts in theaters.

There are artists who do concerts in clubs, there are artists who do concerts in stadiums, so in stadiums, how much percentage of the public can enter ??

We must regain the trust of the public, and give them the certainty of what they are buying, because today, a person is not sure to buy a ticket, because he does not know what he is buying.

In the sports halls nothing is known about the capacity yet. Yes, the theaters ok, for those who perform concerts in theaters, 100% capacity is fine, but there is still too much vagueness.

SPINELLI = Yes.
What does it mean to go on stage?
What is the meaning of music for you, of live music?

PIERO = I have read the biography of a great artist: Beniamino Gigli, a journalist asks him “What is music for him?” and his answer was:
“For me music is the fulfillment of a need, and at the same time, the maximum expression of our deepest joy”.

Today, reopening, returning to the stage, is not only an economic necessity, because many people clearly lack work, but it is a need, a need for those who make music, because they go on stage and sing, but also for those who listen.

I miss concerts, not as an artist, not as a singer, but as a spectator, I miss, going to a concert with friends, and clearly behind us (to those who perform concerts), behind the scenes ….. we have to thank whoever organized, (he refers to who organized this interview to talk about the people behind the scenes), thank you very much indeed it is a very nice event what you are doing …. behind the scenes there is a lot people, many people who do not work for us, but work with us, because behind a concert there is a team of many, many people and in recent months, we have clearly tried to turn on the spotlight for these people who are not seen, but they are human beings, many working families, and what are they doing today?

We must not hide, it is clear that an artist can survive two years without a job, if he has behaved well (if he has saved the money), but there are many people who work concert, for concert, and can only live if they work week by week, so it is no longer possible today not to give certainties.

Piero answering a question with his hand up

SPINELLI = Well, I would like to ask you: “You give us an idea of how many people are following you on tour, who are working for you, on the square, because there is a world, behind you three.

IGNAZIO = It is difficult to count them.

For example, with us in March, from Italy, we will bring about ten people with us, even 15 people and in America there will be other people, so it is a group of people with a question mark. But I can tell you that behind a tour there are about 50 people, even 60 people, who work during the tour, before the tour, and in any case there are people who work even months before the tour, to prepare the production, the logistics. So the “behind the scenes” is a way of saying, because they move everything, and then allow us to go on stage on March 18th.

SPINELLI = Sure.
I put on my glasses because I would like to read some figures, because you reopened the road on June 5 with a great concert at the Verona Arena, and with live television with an amazing figure: 4 million 702 thousand spectators, with a very high share: 25 , 7%, and that means, to be clear, 1 million more than Amadeus did who won the next night (with another show), even better than the WIND (Seat Music Awards), so surely there was a lot of anticipation , for you, and perhaps also for this reopening.

What do you remember of the evening and what it meant in your year, to go back on stage and sing for a real audience, for an audience that was there in the stands.

GIAN = Yes Andrea, let’s say it was a breath of fresh air, we needed it, as Ignazio and Piero said before, as all of us who do concerts need it.

People were there in the Arena, happy to be able to return to the big events after a year and a half of practically silence.

Then on that occasion, we presented a very ambitious project, which is this tribute to the soundtracks of Ennio Morricone, which we will then take on tour from March.

It is clear that, after a year and a half, returning to the Verona Arena, live on RAI1, for us was a moment of great joy and in my opinion, one of the most beautiful concerts we have done, because it was really felt, there was the great thrill of looking the audience in the face, and finally being able to sing for all of them, after all this time.

This is the best thing for us.

SPINELLI = By the way, you have also won the “tyranny of capacity and curfew”.
You submitted a 55-page health protocol, but in the end you won. (Because that very evening for the Arena, the capacity was increased from 3000 to 5000 people and the curfew, moved beyond midnight to give way to who was at the concert to go home)

IGNAZIO = It was a tug-of-war between Salzano …

SPINELLI = Producer (of the concert)

IGNAZIO = Yes, it was a great tug-of-war, but we succeeded.
We often have many meetings with Ferdinando (Salzano) and the main topic is to give confidence to the citizen, because they are the ones who come to concerts, just as we go to other concerts and therefore we must have faith, we must start from something, we cannot always stay with the doubt “will everyone abide by the rules?” . We have to trust.

GIAN = It is clear that people are afraid, they are scared, as we said before, they do not have the certainty of entering a place, both outdoors and indoors, with various gatherings, even if there is a green pass (certification of the double dose of vaccine), and even with all the certainties, let’s call them that, it is a very delicate moment, but we must start again.

Now we have seen that the situation seems to have improved, it’s not like last year, so … let’s be confident.

IGNAZIO = Otherwise the solution could be, instead of writing Il Volo concert, let’s have a political meeting , so there are no problems …. no come on it was just a subtle controversy!

PIero answering a question with Spinelli, Gianluca and Ignazio

SPINELLI = Another thing, you have done 3 concerts around Europe this summer, I would like to ask you how you found each other, and the difference you found compared to the very, very strict regime that existed in Italy.

GIAN = I don’t know if you can say, but maybe Covid didn’t exist there, I don’t know, maybe it didn’t exist in those countries.

PIERO = We can be honest ….. we did two concerts in Croatia, and one in Bulgaria, and at the beginning we asked for restrictions, and the distance, but maybe it was the bull’s eye that didn’t show me .. ….. but there was no distance. (in fact in Italy there was a full place and an empty one, but, from them, all the places were full).

IGNAZIO = But there is a truth behind it, in those countries, unfortunately, the government does not pass the vaccine to everyone and the vaccine costs a lot of money and not everyone can afford it. This is the great and sad truth of those countries.

GIAN = The amazing thing is that it was a 5000 seat outdoor arena and all of them were ….

PIERO = The gates were opened 5 hours before the concert started, they had to have a proof of a negative nasal swab for COVID, those who did not have it, had a nasal swab at the time, so they found a solution, that’s the key, you have to find a solution, we must not stay there waiting in the vagueness of what to do, we must find a solution and I repeat, the news 100% of the theaters is not enough, and I say this on behalf of those who perform concerts in stadiums.

Why if I were to ask you now: did stadiums reopen them at 60-65%, (for sports competitions) and stadium concerts? Who can answer this question? And the concerts in the sports hall? Who responds to this?

SPINELLI = Reopenings have been indicated, certainly reopening for sport, they are valid for concerts up to a certain point, because clearly the context is different.

PIERO = But even in the outdoor arenas, we for next year in June, it is clear that our Italian tour will be around the summer-autumn of next year, however many of our colleagues have dates in February, January, March , and therefore they must know something.

We will perform concerts at the Ancient Theater of Taormina (in June 2022) and today with Salzano, he did not know how to give us an answer for the people, for how many people can come.

IGNAZIO = I would like to say something to make it clear to those who come to our concerts.

Many think “okay, you will get a little less but do the concerts”, but it is not really like that, because it is all a chain.

The chain consists of: ok the capacity, the cost of the ticket which varies from concert to concert, is given by the sum of production costs and logistics costs. Unfortunately, after Covid, we are realizing now that we are closing the budget for the tour in America, the costs have doubled. The price of the porterage cost that was after the concerts has doubled, so the costs have become double. If we fail to have a full capacity, even in the stadiums, the costs of the stadiums are unimaginable …

SPINELLI = Very tall …

IGNAZIO = If you can’t already make 100% capacity, it means that I have to increase the ticket to cover the costs, right? The problem is that the citizen, the boy, the girl, who comes to a concert, has to pay a ticket 150 euros, 200 euros (it refers to the cost of tickets for a stadium), how does he do it?

So it’s all a chain and that’s why we have to be able, in one way or another, to find a solution to reopen at concerts and not to make an artist earn, but to ensure that art, art that one person does, you get to more people. To make sure that the normality we had will gradually return, even if it will be difficult because it is all a process of trust. But for me, going to 100% can be the beginning of a return to normalcy and trust above all.

Ignazio answering a question with Piero, Spinelli and Gianluca on stage.

SPINELLI = Well, I’m starting from this, because yesterday on this stage it was said “normality?”, But we don’t want to go back to normality as it was before.

PIERO = Better than before.

SPINELLI = A normality in which we ran, we ran, sometimes without paying too much attention to the direction we were taking. How do you see this thing, what do you think?

PIERO = Objectively, this stoppage that took place allowed us …. we tried to look on the bright side, it was difficult, but we succeeded. We went to the recording studio and made an album, time allowed us to dedicate a lot of time to this, to make a fairly studied selection, in this case for Morricone’s album, so we had more time to work on the details, while before we could not. Before, it was too many concerts and too much work and little time to work on a project.

So when we say: “let’s go back as before”, we can’t wait to go back, but we will be back better than before, because the work has been much more painstaking, so give us the opportunity, just this.

SPINELLI = …. and about running ….

IGNAZIO = I let Piero run, he trains in the morning …. every morning he runs 10 km, I prefer to run in my dreams in the long prairies!

SPINELLI = Running, understood as doing many things ….

GIAN = That, don’t run as a run ….

IGNAZIO = I understood, I was joking !!!😁

GIAN = Ah

SPINELLI = All of you have been running for 12 years …

IGNAZIO = Exactly, we are a group, we are guys who run and we never stopped …

GIAN = …. flying …😁

IGNAZIO = Yes, we are guys who fly. Although, sometimes it took a break, we never took it. Calculate that we did the first 8 years in a row, we never stopped a month, to say, ok, we stop for ourselves. For 8 years we have never stopped. Running is good, it helps you to be active, but I think it is also important to stop. It is a little like Maestro Morricone used to say: “Silences are not a missing part of a music, of a composition, but they are that part that helps you, silence is music”, so it can also be stopping in life of each one, it can be that moment that makes you reflect on what you want from life, on the steps you are going to take, and I can tell you that this year and a half, personally, I do not speak as a group, personally it has served me a lot, as personal growth, how to get to know my family more, to be together with my origins, also made me understand how grateful I am to music, how good music does me, how much company it has made me in these two years. So stopping every now and then is good. We must not get used to stopping, but stopping is good.

Closeup of Ignazio from the side

SPINELLI = You have also become a producer, therefore, in short, you have also approached music from another side.

IGNAZIO = Yes, I’ve always liked it. Do you think that we, within the group, have our tasks, because if we all three did the same thing, three different ideas ….

SPINELLI = In fact, you are like POOH (another Italian group), everyone has their own role within the group, then maybe you explain them to us.

IGNAZIO = I personally prefer to take care of the studio part. Which means talking to the producers, the work that takes place inside the studio.

Gianluca is very grasped on the choices of the songs, on the ratings, on the intuitions of the songs and Piero does public relations, he is a born PR. (Piero laughs) He breaks the boxes guys, though ….

SPINELLI = I would like to ask another thing to the man of public relations, I would like to focus on your success which is an Italian success exported to the world. I am reminded of Madonna’s birthday (a couple of months ago) made in Salento (Puglia), and in the end they were all English, but she wanted AlBano (singer who presented the night of the Taranta), and AlBano told me that Madonna asked him to sing that Italian song “Caruso”, to understand what is the attachment that there is to our melody, also on the part of great international artists. Two days ago we were in connection from Berlin with the Maneskin (another italian group who won Eurovision this year) who said, obviously jokingly “our success is because we are beautiful, we are good and above all we are Italian”.

Here, how much is Italianness worth?

PIERO = We are aware that the results obtained, these long tours, are the result of patient work …. but our results are thanks to Italy, to the music we sing. We sing bel canto, the songs that are part of our culture.

When we go to America and sing the Nessun Dorma, O Sole Mio, but also Grande Amore, and we sing in Italian, people want to hear us sing in Italian, because already in America there are already those who do rock, rock was born in America, but bel canto was born in Italy, that’s why Italianness is the strength, it is our being, it is what we are, and when people hear Italy, but starting from music, fashion, food , Italy is the icing on the world, everyone dreams of coming to Italy, and we are aware that our strength is the music we sing, as it did in the past for maestro Luciano Pavarotti, as did Andrea Bocelli and continues to do, and we’re trying to follow that trail there.

GIAN = Then it is clear that it depends, we are talking about how Italianness is perceived abroad, because it is clear, if we talk about how Italians perceive Italianness, it is clear that it is different, because I who am, but all of us who are lovers of De Andrè, Guccini or Gaber (they are all Italian songwriters), surely, paradoxically AlBano is better known abroad than they who sing wonderful poems that have made the history of Italian music, is how we are perceived, at the certainly abroad. This is why Italianness is the melody, from this point of view, it is that, as Piero said, bel canto, this great strength that is appreciated by all.

Closeup of Gianluca answering a question

SPINELLI = And that’s why it doesn’t exist, only RCMH on March 18th, but there are 29 more dates …

PIERO = Where?

SPINELLI = In America ….

PIERO = Yes, there are 30 dates in the U.S.

SPINELLI = Well, I mean, there are not only Italians who come, there it means that you have “taken” the American public, and this is the big difference with many other artists, who perform concerts abroad, but do not have the possibility to organize, to plan long and articulated tours like yours.

In Japan, it seems to me that you have something like 20 dates in play ….

IGNAZIO = We have often talked about this, we have also talked about it this morning and you know my thoughts well.

For me the Italianness, this word, is on a razor’s edge, on the one hand you fall from the chic (elegant) ….. sorry kich (tacky) and on the other you are cool, the Italianness famous all over the world .

Unfortunately, this obstacle is put up by people. I try to give you an example: if Italy wins the Europeans (football), we are all cool we are all proud, if Italy is “out” from the World Cup qualifiers, we have something to say.

I think that Italianness is something you feel, and I can tell you the truth, I discovered it when we participated in Eurovision. I have learned to love our flag, there hasn’t been a moment where I was more proud of being Italian, and I tell you sincerely.

The experience of Eurovision is a competition, and you are there to give prestige to your country, because in the end you are talking about Italy, you are representing Italy, and this Italianness is often mistaken for “pizza and mandolin” and singers who they sing Italian brigades, and there is nothing wrong, in the end, because if I think of all the greatest Italian immigrants in America, I feel like saying Dean Martin, I feel like saying Frank Sinatra, I feel like saying Perry Como, and Tony Bennet, so so be it !!

We are very fond of Italy and we will always be proud to sing the Italian repertoire, we will do it, now anyway with Morricone, we are proud to be Italian, because Morricone is an Italian and he is the greatest, and everyone knows him, in cinema he is a crazy thing. We also had the opportunity to meet at the film festival (Venice), Antonio Banderas, Tom Hanks passed by and when you talk about Morricone … and also recently we have collaborated with the maestro Storaro ….. they are names that: how do you don’t be proud of being Italian?

SPINELLI = Even to make you proud, to be Italian, just think of Eurovision, I still remember, arrived at the airport, in the taxi, while I was coming to the State Hall (Vienna 2015, Il Volo was in the race), the driver tells me:
“You are italian? “,
Yes,
“are you coming for Eurovision?”,
Yes,
“this year you win” (ie Il Volo), because it was clear that in any case, that was the feeling.
You collided with the prejudice of the juries (they gave low marks to Il Volo), which happened a little this year too, a little less than you, in fact we saw the result (the Maneskin won).

I mean this, the prejudice, there has always been, because in any case the winner creates some stomach ache, we have seen it in sport, we have seen it in music … the Maneskin win and take drugs (he refers to the fact that on the evening of the Maneskin victory, the foreign newspapers said they were addicted, the usual negative press), Jacobs wins and gets doped (Italian athlete first in the 100 meters Olympics and the press wrote that he was doped, always bad press ).

This also happened with you, when you went to America for the first time, if I’m not mistaken, everyone said: “Yes ok, this is the record, but then they won’t be able to keep that level”, and then you, on the other hand, during the various television broadcasts, you kept it.

IGNAZIO = Just a little thing, the answers are given with time and with facts, and we, as a group, have always tried to keep quiet about provocations and demonstrate, and we did it from the first Sanremo up to …. .before, from the beginning, then Sanremo and until today.

This is a thought that all three of us have, and thank you that we have this common thought, the desire to work, head down, and prove with facts. And then, frankly, when one is fine, with what he does and is satisfied, but we never stop, but we are satisfied, proud of what we are able to do together, the criticisms, people talk, but they will always talk, of everything.

Ignazio answering a question on stage with Piero, Spinelli and Gianlua

PIERO = An artist, if he decides to do this profession, renounces his own “comfort zone” directly, so he puts himself on display and clearly, the others give an opinion.

Participation in Sanremo in 2015, we were a little doubtful, hesitant, and we have to thank Bruno Vespa, during a dinner he said: “Sorry guys, why do you have the doubt of participating in the Sanremo festival? You are not famous in Italy” … because we sang only abroad and in Italy everyone had forgotten our name …. “you have nothing to lose . If you finish last, you haven’t lost anything, you can only gain something. “ We are grateful to Bruno Vespa for his great advice.

SPINELLI = I would like to ask you something, if I can, if you like, could you give a hint to what you were doing in broadcasting in America, to show that in fact you were really harmonizers, people who knew what they were doing and those songs were truly made without artifice.

PIERO = Also because in America you can’t lip-sync, so you should know that in America, the “morning show” is fashionable, people wake up early in the morning, and the morning show is at 6 in the morning, the soundcheck at 5.30, you don’t wake up and go singing, you also have to warm up your voice. So my next door neighbor at 3.30am in New York, when I started vocalizing, 8 times out of 10, he would hit the wall saying “shut up, shut up” 😁😁😁 and I kept warming up my voice!

But in the morning shows, if you want to go back to your request, what do you want …..

IGNAZIO = What are you asking us? Sing or …..

SPINELLI = A harmony.

PIERO = Usually there are three of us. What is harmony? They may be wondering what harmony is ?? ….

GIAN = Everyone knows!

PIERO = Not everyone knows … (to the audience) do you know what harmony is?

IGNAZIO = When we are well together there is harmony.

PIERO = That’s right, that’s the one there. We have three voices, two tenors and a baritone. One makes the melodic line, the one everyone knows, the other makes the upper harmony and the other the lower one.

(turning to Ignazio and Gian) Can I make the melody ?? OK !

(Ignazio begins to sing the refrain of Il Mondo)  (applause)

IGNAZIO = This isn’t just what we did on TV shows. I have memories, crazy images at the beginning, in the vans, which took us from the hotel to the television stations, in Germany, rather than in Holland. Do you remember? (he turns to Piero and Gian) we were doing the harmonies on Christmas songs, we were little ones and we were arguing “No, you have to do that, I have to do this” (he laughs), they are good memories.

PIERO = In 12 years, it’s amazing how our relationship has strengthened, day after day, you know, usually in groups, there are those who want to be the leader, those who want to be the first woman, in our group, this thing doesn’t exists.

As with any team, there is always a commander. We must say that our greatest fortune in life, the most beautiful, greatest thing my parents taught me, is to be grateful. We are grateful to a person who follows us from the first day we met, until a minute ago, at lunch, is our greatest advisor, our backbone. We often say this in interviews, but we will never stop thanking him, because he is the fourth member of Il Volo, he is the fourth artist and he is Michele Torpedine. (applause)

(Piero turns to Michele) I wanted to thank you in public, ….. we wanted, in the name of all three, to thank you in public.

IGNAZIO = Well, only he thanks you, not us, that is, let’s be clear …. (but then Piero corrected himself).

GIAN = I apologize if I speak little, but I have a headache that is breaking out. I apologize that maybe, I seem unpleasant, but I wanted to say it …..

IGNAZIO = It’s not like you look … we know … (he jokes)

GIAN = ….. I wanted to say this, because I don’t want to seem what I am not.

SPINELLI = No, Gianluca!

IGNAZIO = In fact, he first got out of tune, I don’t know if you noticed. (laughs)

SPINELLI = Another thing, in 10 years, thanks to this success, American success, you have met many people, here, I would like to ask you what were your encounters with extraordinary men that you have found along the way, famous and less famous. I would like a memory each.

IGNAZIO = I have an indelible memory, perhaps the greatest birthday present, I’ve ever had, and it was the first sound rehearsals with Barbra Streisand, when we toured with her. I want to tell you something, I don’t know if it can be told, but I always make a fool of myself, so I tell it.

When we were contacted to tour with her, we signed a contract, where we couldn’t look her in the eye, get too close, all these things here, these safety things.

In the end we didn’t respect anything, but not because we didn’t respect it, but it was she who didn’t respect it, she was the one who came up on stage and said: “Guys I cut my hair, you should too, cut a little here “, then we were talking about bra straps, do you understand? We talked about a lot of things, it’s incredible how, we so young, we knew by name Barbra Streisand, but in that period we documented ourselves on everything she did, as an actress, as a singer, as a director, we informed ourselves, we “discovered” her.

Touring with her, knowing who she was, who she is, and who she will be, because she will remain in history, you look at her differently on stage, and it is something that will always remain in our hearts, in our minds, all performances, all the time spent together, the rehearsals, the concerts, her saying “shut your mouth”, when maybe we were doing a high pitch, (he refers to their phrase during the tour), are things that I personally will not forget.

Closeup of Ignazio answering a question

GIAN = But then we were little, and then we went through the most delicate period which is adolescence, the period of youth bewilderment, of kids who may not know what role they will play in life or what they will do. We recognized this vocation, which is the passion for singing that made us feel good. The support of our parents, who have always encouraged us to pursue this goal, which then came naturally, that of singing, because it made us feel good.
And then the luck of having met on a television program, in the same year, in the same edition, and then a series of lucky events, which then led us to reach these goals, with a great team, as Piero said, and therefore we are also privileged because we take nothing for granted, and this great privilege, as I said, is this of bringing this great musical cultural heritage that is bel canto, following in the footsteps of great idols like Andrea Bocelli, like Mario Lanza, that it all began at the time of del Monaco, it is a music that can certainly be said, an eternal music, and now we demonstrate, with this project with the music of Morricone, that we may pass from O Sole Mio, to the first sung version of  The Ecstasy of Gold, with the music of The Good, the Bad, the Ugly, so this is also an artistic upgrade, which we try to have every time, project after project. And so we work hard for that too.

IGNAZIO = Beautiful …… but the question was: “Who is left to you ……”😁

GIAN = Yes, I wanted to get there ….

SPINELLI = (answering to Ignazio) I would have done it again later (the question)

GIAN = …… I also wanted to connect to your speech, which is also nice that we have this great relationship, and we have this passion in common …..

IGNAZIO = This was the preface ….😁

GIAN = One of my best experiences, I can say that is the one where I celebrated my 16th birthday with Paul Anka and we sang together “Put Your Head on My Shoulder” in Los Angeles, you realize, with the great Paul Anka, we were there in a restaurant in Los Angeles, who was friends with Michele and the whole team from the first album, so we were sixteen, we were little, actually I didn’t even know who he was, (Paul Anka), then oh well, they explained to me …. (laughter) …. but today I can tell you it was Paul Anka!

SPINELLI = Damn!

GIAN = And then, a memorable thing, when we were all three, we were singing in Panama, I get up, because at a certain point we were having lunch with the Pope: “Can we take a selfie like young people do?”, And the Pope : “Sure, yes yes, with pleasure, let’s take a selfie” (Gian imitates the voice of Pope Francis). So we can say that we also took a selfie with the Pope two years ago. 

IL VOLO selfie with Pope Francis

IGNAZIO = But I did the worst one, actually I should be ashamed, I called Woody Allen a saxophonist (laughter).

GIAN = This happens, you understand (addressed to the audience), when you pick up three children from school desks and put them on the other side of the world, rightly, from Marsala you ask yourself: “Who is Woody Allen?”

IGNAZIO = But wait, a sensational gaffe, but I didn’t tell him, I asked: “Is that the saxophonist?”, but no, but he plays the clarinet very well …

GIAN = No, the sax, so you got confused …

IGNAZIO = So I wasn’t very wrong.

SPINELLI = Now I ask the question to him (to Piero), but first about gaffe (he turns to Gianluca), “kid don’t worry …..”

GIAN = Ah, yes, that’s nice, because in 2011, we were working on the first record, and there was also a Morricone medley, made by Once Upon a Time in America and Malena, the medley is called “E più ti penso”.

We had to sing in Piazza del Popolo (Rome), with the Sinfonietta, the great orchestra of Maestro Morricone, there were rehearsals the day before and we arrive at this hotel, in this giant room, there were all the orchestra elements , with maestro Morricone who welcomes us.

You, imagine, we sixteen, fifteen, we arrive, with short legs, which then remained so ….

IGNAZIO = I’ve never had short legs! 😁

GIAN = ….. mine, I talk about me, not about you (laughs) at some point we arrive, the song starts with a note mmmmm, the double basses, and I was supposed to start “and the more I think of you .. . “and I don’t start, so the teacher does this, he gives the attack to the orchestra and I don’t start. I look at it and say “Ah, but you give me the attack?” (laughs). The first violin like this (imitates the surprised face). He (Morricone) turns and says: “Don’t worry kid, I’ll take care of it, I’ll give you the attack”.

This will remain in the annals …..

Closeup of Gianluca answering a question

PIERO = If this is the effect that his headache has on him ….. I hope you have a headache every day.

GIAN = I have recovered, I have recovered, just take a look.

PIERO = I have two memories.

IGNAZIO = The first is Barbara D’Urso !! (Italian presenter)

PIERO = No, the first memory is in 2010 We Are The Word for Haiti, after 25 years they remake Michael Jackson’s We Are The Word, produced by Quincy Jones and Lionel Ritchie.
They chose many artists, including Barbra Streisand, Celin Dion, there were all, and as Italians, only us in the midst of the choir.

It was nice that day, because we found ourselves with many artists, you consider that we started from three small towns, two Sicilians and one from Abruzzo, catapulted in front of Quincy Jones ….. we had Barbara Vitali, where is (and points to her in the room) she is, I don’t know, who you are to us ….

IGNAZIO = Shadow.

PIERO = … has been with us for 12 years ….

GIAN = She is our shadow.

PIERO = She is with us every day.
Have you seen “The Devil Wears Prada” (film), when the manager walks alongside and points, this does what … she (Barbara Vitali) does this to us, she did this, because today, perhaps, we learned a little bit. However that day she pointed out to us: “That’s Barbra Streisand, that’s Quincy Jones, that Lionel Ritchie,” … and so on.

The second memory, the experience, for me, was the collaboration with Maestro Placido Domingo, in 2016.

SPINELLI = In Florence.

PIERO = (nods) The fact that he agreed to direct the orchestra on stage, and duet with us, was a great gesture, a gesture of trust on the part of Maestro Plácido Domingo and the beautiful relationship that was born with all his family.

And I, that project, I link it to a great meeting, which I had in my life, meeting with a great person that we will all carry (he puts his hand on his heart), who has a comfortable place in our heart. (applause).

Closeup of Piero answering a question

SPINELLI = Question: How do you see yourself in 10 years.

IGNAZIO = Gianluca certainly hopes to see himself taller. I thinner…

GIAN = No, oh well !!
However, as we said before, we are three simple guys, from this point of view, we also try to give an example of responsible people, who have a certain lifestyle, who love what they do, are 100% dedicated to work, that have goals.

It is clear that today the “bad boys” has more effect, it comes more immediately, let’s say.

Many young people, even our age, get lost, because they do not give priority to study and many other things, but they give priority to easy things, which do not require sacrifices.

IGNAZIO = Or they are satisfied with the “citizenship income”, unfortunately.

GIAN = We want to give this example of guys who, thanks to perseverance and great ambition, we were able to obtain ….. also thanks to our team and especially to the family, to have the support of a large family, we are happy with education that they have given us, since we were little, and we always try to give this great example, of responsibility, of humility, we hope to be, and even in 10 years, we want to try to remain what we are, what we were also from children, and to always reach the goals and to always carry the name of our music, through our voices, our culture.

SPINELLI = We are in the pipeline, I would like to ask you another question: “Would you have sung in Sanremo without an audience, like the one celebrated in March?”

PIERO = This year, the fact that we were hosted in Sanremo was particular, unpublished to all of us, but I want to say one important thing, this year we sang in Sanremo without an audience….

SPINELLI = Singing yes, but being in the race is another thing ….

PIERO = But it’s the same thing ….

GIAN = There is the awareness of millions of home viewers …..

View of the stage from the back of the room

PIERO = In the events, it is clear that the public makes the difference, it gives you more energy, there is more adrenaline, but it was not lacking, and this year I must tell you that, it was a Sanremo without an audience, but it made us understand how strong Ignazio is, because this year was a special year for him, and he stayed on stage with us singing, despite the great loss…

GIAN = The audience was there, there was a special person who was there with us that evening.

PIERO = And this does us, does you (looks at Ignazio), great honor. (appaluse) 

SPINELLI = This is professionalism, this is a reason to be on stage to honor it, in any situation, even the most difficult.

IGNAZIO = If I can afford to say one thing. Often … we think about the people we no longer have, and unfortunately one thing, when it happens, you cannot control it, but I have learned in recent months that it is better not to have a person physically and feel them, than to have them and not feel them. Sure it will always be missing, but I feel it every day, it is with me every day and so, that’s okay. ❤

PIERO = To conclude, we thank you for having turned on the spotlight again for those who work in the field of entertainment, on behalf of all our colleagues.

We hope that everything will be resolved soon. Thanks.

SPINELLI = Thanks to Il Volo, thanks. (applause)

Spinelli and IL VOLO on stage posing for photographers

And finally, Il Volo has released this little video-clip from IL GIORNO.

And here is the translation:

PIERO = We read in the news, 100% open.

It seems that the world is back to the way it was before and instead it is not, because not everyone sings in theaters. We are here today to represent our colleagues, all the artists who perform concerts in stadiums, in sports halls, in clubs.

So we seek and demand a clearer answer.

IGNAZIO = We can’t wait to try again that emotion that only some spaces can give, and to finally return to being able to have fun, to be able to spend a carefree evening, without problems, without work.

GIAN = But we are confident optimists by nature.
Clear that the situation is improving and we are realizing it.

IGNAZIO = But, I’m a bit more controversial. We hope to have some answers as soon as possible, not only for us, but also on behalf of all the people who work alongside us and behind us.

PIERO = And also for the people who buy tickets, because we have to regain people’s trust, give certainty to what they are buying.

Left to right: Closeup of Piero, Ignazio and Gianluca

After such a long but articulated interview, where very beautiful things and very profound concepts were expressed, what can I say ….. I have the impression that journalists have understood that, when they want to have interesting interlocutors, never banal , deep and sincere, if they call Il Volo, they know they will get all this.

Gianluca, Ignazio, Piero, I am deeply proud to be a fan of yours, not only from an artistic point of view, but also from a human one.

Thank you for being who you are!

Daniela

And now, to finish, this beautiful video. ❤️

Credit to owners of all photos and videos.

 

Credit to owners of all photos and videos.

LET’S HAVE FUN by Daniela

A couple of funny and interesting videos of Il Volo have been published a few days ago.
I know you were expecting my translation, so here it is.
The first video was made during rehearsals for Seat Music Awards.
NEK = Ah, here, but I was looking for you! Hello!!
P + I + G = Hi, how are you?
NEK = Well, well.
Happy to find you here at this special called DISCO ESTATE, because we are remembering the summer through music. (Nek during the afternoon of the Seat Music Awards, presented an event called Disco Estate).
In the meantime, congratulations, because you have inaugurated this summer, with the great concert here at the Verona Arena, a tribute to the great Ennio Morricone.
But in addition to singing pieces of classical music, you have a song that you usually sing, perhaps a past summer catchphrase, which you still find yourself singing like this today, even casually.
IGNAZIO = When I’m in a good mood I sing SEPTEMBER of Earth, Wind & Fire.  (he briefly mentions the beautiful song)
NEK = Wow, and when are you in a bad mood ??
THE POTEMKIN ARMOR (it is a joke that is often heard in Italian films to say that it is a heavy thing).
GIANLUCA = You know we have a common passion that are THE POLICE (rock band), by the great STING (frontman of The Police), we were listening to I Am An Englishman in New York, a few hours ago.
(Gianluca, Ignazio and Piero begin singing I Am An Englishman in New York acappella).
NEK = Thank you (send kisses for everyone) Good luck for everything. (in Italian: in the mouth of the wolf)
IGNAZIO = Crepi (is the usual answer to those who say in the mouth of the wolf).
NEK = I recommend it to you. Never give up.

NEK talking with IL VOLO

NEK talking with IL VOLO

The second video, on the other hand, concerns the third clip of a short video-interview made at Il Volo before the concert.
I remind you that these are questions and answers made and assembled in a sincere, but also ironic way!!
In the lower part of the video, some words appear in Italian, which the children have to comment on.
WORD = The most touchy?
GIAN = Me
PIERO = (replies to Gian) NO!
(and he marks Ignazio with his finger, meaning that Ignazio is the most touchy).😉
IGNAZIO = Him (pointing to Gian and tries to motivate but falls silent)😊
GIAN = There is a big difference between the three of us and it is the reaction after the event that we handle differently.
WORD= The most serious?
GIAN = Piero.
PIERO = No, I am not the most serious.😉
GIAN = It depends on the situation. We know how to adapt, we have a spirit of adaptation.
WORD = The most accurate?
GIAN = It’s a good battle between me and Piero.😉
PIERO = Maybe at work …. me.  In life, I am the most accurate.
WORD = The most vain?
GIAN = Me 🤗
PIERO = Why are you asked this extra question?
GIAN = You must know that behind the camera there is a mirror …
IGNAZIO = (says in dialect) He has been looking at himself for half an hour. 😁
GIAN = …. and I, for half an hour, have been taking a look at you and a look in the mirror 😁😁😁
Left to right: Gianluca, Piero and Ignazio
Directly from Radio Italia, this short video was recorded during the Seat Music Awards.
We also received this short but intense amateur video that portrays Ignatius singing the Hallelujah during a wedding, very good Ignazio.
And Arena Live Official, publishes this beautiful photo with this inscription:
Three enchanting voices for an eternal Diva.
At the Seat Music Awards 2021 Il Volo was awarded the Diva – Arena di Verona Official Award for its special relationship with the Arena
Congratulations to @ gianginoble11 @barone_piero and @ignazioboschetto !!!!!!!

Left to right: Gianluca, Piero and Ignaziio with their DIVA award

And the official page of Il Volo reminds us that on Sunday 19th on RAI 1 there will be the new program DA GRANDE, presented by Cattelan.

19 September event advertissement

In short, many good things have happened, and many more to happen, so see you soon !!
Last nice thing, the new Il Volo card arrived today !!  Wonderful. ❤️❤️❤️
Daniela 🤗

IL VOLO membership card

 

Credit to owners of all photos and videos.

Melpignano to Verona and Beyond!

This has been an amazing week. How often over the last year have we said we missed the guys. Well they sure made up for it this week. One spectacular event after another.
So let’s start in the beautiful region of Apulia, Italy.
La Notte della Taranta”, is one of the largest Festivals in Italy and one of the most significant manifestations of popular culture in Europe. The final concert of La Notte della Taranta, has had as many as one hundred and fifty thousand spectators in the past. It takes place in Salento, in the municipality of Melpignano, at the esplanade of the former Augustinian Convent specifically for the rediscovery and the enhancement of traditional Salento music. It is not limited to traditional music. It also allows for rock, jazz and symphonic music.  This year’s host was Albano.
Listen to the voices of our guys coming alive backstage! It’s a calling! “Who sells olives.”

IL VOLO with Albano on stage

Meanwhile Albano awaits their arrival on stage. He tells us about the song. It is from the region of Apulia, the region where  he was born. He says, “It reminds me of the autumn song. It is the November song.”
November is the time of the olive harvest and a man would always pass with a cart of olives to sell to the people. Albano and Ignazio sing a phrase in the Apulian dialect (“Who has olives, I have to buy them.”) Albano said when Modugno sang in the Apulian dialect he was very proud of him. Ignazio said, “So let’s hope, with this next song we will sing, to make you even more proud of your land.”
Albano tells the guys, “You know that I am proud to have you here beside me…”
Gianluca responded,  “and we are happy ….”
Albano (continues) “…simply because I baptized these two..”
Albano is referring to Ignazio and Piero who he performed with on Ti Lascio Una Canzone.  I remember those performances and that Albano was in awe of both of them. Then Albano continues about Gianluca who he didn’t perform with at Ti Lascio una Canzone.
Albano says, “And to you, (Gianluca) you I baptize this evening.”
Gianluca responds, “One day, sooner or later, we will sing together. But it is nice, I can say, that these events make it possible to spread a musical culture like this of the Taranta, and it is right that young people are attached to the roots of these great events. We must not lose this desire to carry on traditions, we too, as young people, are proud to be here tonight.
Ignazio elaborates on this thought in one of their interviews…
“It is certainly one of the most important cultural events in Italy, and welcome, because I always say that Italy is a nation full of different cultures and traditions and certainly these events give space to make known their own traditions and culture, and therefore we are honored to be part of it, alongside Albano, an Apulian DOC, who has never forgotten his origins and there is also Madame (she is a singer) who is a young woman, like us. Hence the importance of carrying the roots, ALWAYS, in any situation, in any place.”

When the music begins our guys sing the National Anthem of the region in Griko which is a mixture of Italian and Greek. Another language to add to their list!

Notte della Taranta stage from the audience

Performers on the Notte della Taranta stage

Griko is unique to this region but there are other regions, in Italy, that speak languages other than Italian. In many Arberesh villages where the people are Italian, Albanian and Greek they have their own languages. My grandfathers’ town Vaccarizzo Albanese is an Aberesh town and they have retained the archaic features of both Gheg and Tosk dialects. Many of the words they spoke at the festival, I understood. It was a beautiful experience for me.

IL VOLO performing on the Notte della Taranta stage

The guys performance was magnificent. From the first larilò larilò lallero to the last, the whole stage was alive with their voices and a rhythm and beat that I can’t get out of mind! You could see how much the guys were enjoying it. Their interpretation of this beautiful song was awesome! Festivals are at the heart of the Italian people. They love them! This song is so full of joy and happiness.

Dancers performing on the Notte della Taranta stage

The dancers were wonderful! Through the dance, they told the story of the people, of their labors and, their joys. The hardship of life and the happiness of home and family! Their singing and the dancing was very uplifting.  And the guys’ interaction with the dancers and musicians on stage brought the whole story together. They brought the audience into the song and together they presented the history and culture of the people. This was very unique and the guys helped us to see another culture within their Italian culture. A magnificent delivery of the beautiful Anthem of the Griko people! Truly an amazing event!
Next stop Venezia! Talk about an exciting event!
Where do I begin…

IL VOLO being given their Film Italy Movie Award by Tiziana Rocca

In the afternoon the guys attended the award presentations where they were presented as winners of the 78th Film Italy Movie Awards. Upon exiting the building, they were interviewed by an unknown man…
Man: This is not Sanremo, this is the cinema exhibition!
Piero: But it seems a little like Sanremo, we meet, all familiar faces.
Gianluca: We are preparing a very ambitious recording project which is a tribute to maestro Ennio Morricone. We had the opportunity to collaborate with Vittorio Storaro in a music video, so we are here in the company of a great master of cinema, Vittorio Storaro.
Ignazio: He chose our voices for a tribute of the video of “Your Love,” which is shot in the Frasassi Caves, and therefore it is beautiful, this is not the first time we come here. It is always a beautiful atmosphere. Venice is a place that is stupendous.

IL VOLO riding in their water taxi

Later in the day, the guys appeared in their transport to Lido. What do we see here? We see three elegant young men who are on the brink of a new direction in their lives. Not leaving all that they are and all they always will be, we know they will never leave the concert stage, but taking the next step on their road to greatness!
What we’ve been watching these last few months, every time we see the video of the Frasassi Caves, is the guys embarkation on a new and wonderful experience in their lives. They are the stars of this Short Film. They are what makes this film possible. Vittorio Storaro’s genius and the presence and voice of Il Volo have made this movie an award winning production.
To help you understand this better let me tell you what Storaro had to say about this…
The idea actually comes from what we have been through all this last year, the disgrace that has happened to us from the pandemic, which has closed all the arts a little.
But then there was an idea which came from Pirandello, who said: One, Nobody, One Hundred Thousand (the title of a Pirandello novel), and in this case becomes a Once Upon a Time, as the project of Il Volo and the music of Ennio Morricone, start from Once Upon a Time in the West, directed by a great director, Sergio Leone, with the music of Morricone, the subject of Bernardo Bertolucci and Dario Argento, so there is a whole series of characters that carry some new message.
A message that also becomes a hope, not only in the present, but also in the future, because if before, once upon a time there was Nobody, where art enters, in this case Music and Singing, which is represented by Il Volo, the song with the music of Ennio Morricone “Your Love,” brings a new energy, energy that practically becomes: Once upon a time there was no one, and now Il Volo ~ over and over!
So we will see that Gianluca, Piero and Ignazio multiply.
When they descend from that blessed rope where the first boys went down here in the caves many years ago (50 years ago), it is a little like entering a seed into mother earth and thus forming a new generation, which is the generation of the future.
Il Volo, in this case becomes a symbol, as, not only does it enter the womb of the earth, it first regenerates the energy of life, but it can do it in all the squares, in all the theaters, in all the places of the world, and that, certainly is what music is, nevertheless it carries a great message of love.
Storaro was so right that carrying their music around the world will revive the music industry through this project. Through it the music will be alive again.
So that also sums up where our guys are headed! A part of their new direction. Presenting this movie throughout the world. It is our guys bringing a message to the world. A message of hope and love for all people and all nations!

Left to right: Gianluca, Piero and Ignazio in Dolce & Gabbana tuxedos Photo of IL VOLO posing with the Storaro family

So let’s rejoin the guys on the red carpet.
Along with the Storaro family we find Storaro’s newly adopted family Il Volo.
These guys certainly lit up the red carpet. Elegant in their Dolce & Gabbana tuxedos there was no lack of interest in their presence.
How did the guys feel in this moment? Perhaps the words of Ignazio in a Rappler interview sums it up. “It was amazing working with Maestro Vittorio Storaro, remembering all the most beautiful moments that he spent with the Maestro Morricone….It is our dream. The three of us will be on the red carpet with Vittorio Storaro.”
Of course Ignazio was referring to, Vittorio Storaro, their director, the veteran director who won three Oscars, including one for Francis Ford Coppola’s masterpiece, Apocalypse Now, which he and the director shot in the Philippines.
The new short, dedicated by Storaro to the master composer, Morricone, who passed away in 2020. A clip of the movie was premiered at the fourth edition of Filming Italy Best Movie Award on the occasion of the 78th Venice Film Festival.  And as you know Storaro won a Best Italian Film award and so did our guys for their starring role and their song “Your Love.”
Next the cocktail party…
Did you notice where all the women flocked to? Our guys! Who could resist these gorgeous guys. They grace the room with their presence. When they enter a room it lights up.
Italy what have you to say about your guys now. You have got to be so proud of them. Look at how they shine in the world! But there was never a problem in recognition. We in America have always been proud of them and called them our own. I hope this project will allow them to spend more time in the US! Maybe at the Academy Awards. Although we will only see the film for the first time on September 25th at the premier at the Frasassi Caves we already know how important this project is and how beautiful this film is.
Let them lose on the red carpet again! Our red carpet in America!!!
From this project we can see so many more projects like this on the horizon.

IL VOLO with their Film Italy Movie Award

We are so proud of the award they won at the 78th Venice Film Festival, but that was only the beginning!
Next stop Verona…
Do you ever feel when they’re in Verona, they are home? I certainly do. To me they own the Verona Arena. Every performance there is phenomenal!
They returned to the Seat Music Awards to sing their beautiful song, “Your Love” and to pick up their second award for the week!
While writing this I remembered a year ago when they were at the SMA. It was to restart the music industry.
I’m going to go back to the story I wrote about the event last year. “Turn on the Lights”
I know we will never forget the night before the performance when the guys went to the Arena to check out the lights. It was beautiful and funny at the same time. Let’s pop in to listen to the guys conversation:

Ignazio to Piero: What are you doing?
Piero: What are you looking at?
Ignazio: The light that is there.
Gianluca: It’s Beautiful.
Ignazio: The gorgeous light. Gorgeous! Gorgeous!
Of course, Piero pulled out his phone and started to video.
But what was it about the lights that got Ignazio’s attention? Well they were as Ignazio said, “La Luce Stupenda! “The lights were gorgeous,” but I think he was thinking about the last lights that he saw on stage. When they turned off the lights at their last performance in the US and went home to a country in pain from a pandemic!
When the guys arrived on stage, they had a message for the world and all people in the industry:

Ignazio: 2020 will be remembered as the year where the world would be constrained to be turned off.
Gianluca: For the music employees the verb “turn off’ means the end of the show, when the curtains close and it is the waiting moment for the next show, but this time the waiting lasted more than expected, the silence was unavoidable.
Piero: Now, the world is getting ready to start again! Now the moment has arrived to raise the curtain! Now, we will turn on the music!”
This beautiful statement was followed by the performance of the evening. Their choice of “Nessun Dorma” sent an even stronger message. It’s says we may have to perform under these new world conditions, but we don’t have to change who we are or why we’re here. In this ancient Arena we look to the past while following the path to the future.
From their first note the whole arena lit up. Their voices were clean and crisp. Their presence was illuminating. Their notes rose above the Arena into the night sky to let the world know music is back! The final note of their song sent the final statement. All three voices rose in unison and their voices sent forth a note that took our breaths away! It said We Have Returned! ”Turn on the Lights.”
Isn’t it ironic that one year later they win an award for the short film Frasassi Caves for which they are represented as regenerating the energy of life? Music is their energy!
They so deserve this award.
So let’s get back to this weeks’ performance at the Arena.
Prior to the guys performance, the stage was set up with multi color lights but when the guys arrived on stage, I think they were even surprised. The stage was lit as it was for last years performance. Very simple, very plain but what was going on in the audience was a totally different story. All phones were lit up. It was magic.
They stepped on stage in their beautiful but informal all black attire. Elegant in its simplicity!
As they come face to face with the audience, I could see the emotion in their faces.
Look at how these people love them and how they love their fans!
And then it begins. …
This song is slowly becoming a signature song! A song that reminds us of sadness but brings us to a new and exciting time in the lives of our guys! It’s as if Vito left them a final gift, a new and exciting adventure in their lives.  It is the song that will lead the way in their new tour around the world. Always before them will be this song and the movie which has already and continues to make its mark in history!

Left to right: Gianluca, with Ignazio gesturing toward heaven Piero on stage after they sang Your Love

At the end of the song, Vanessa Incontrada and Carlo Conti spoke with the guys about the Tribute to Ennio Morricone at the Verona Arena.
Gianluca greets everyone, “Good evening!”
Carlo: “Il Volo, to start these SEAT Music Awards in the best way.”
Vanessa: “And what an atmosphere they created for you (the audience), with all the mobile phones on, great emotion I saw in your faces.”
Gianluca: “We are happy to see you again.”
Vanessa: “Us too.”
Carlo: Us too, us too.
Gianluca: Finally in the Arena.
Vanessa: Finally, but it has now become your home.
Carlo: In short, I mean, you did an extraordinary event on RAI1 just dedicated as a tribute to Maestro Morricone.
Piero: We had the honor of paying homage to Maestro Morricone here at the Arena of Verona, for us, the audience, for an artist, for a singer, it is oxygen. It was an evening full of guests, but for us, the biggest guest was the audience. After a year and a half, to see them again, sing for them!
Vanessa: We understand these words well, but will you take this event to the world? I guess so.
Ignazio: Yes, we start in March 2022, we finally start with the world tour and we finish in September – October, from America, we end up in Japan and then New Zealand, so beautiful.
Vanessa: You have many things to do, let’s say.
Ignazio: Yes, but it is wonderful, after almost two years, to start singing again. I remember that a year ago, in this same program, we said …. let’s hope it starts again, the music can’t stop and meet again after a year and see that the music has never stopped, it’s beautiful!
Vanessa: Seeing them (the audience), as you said, involved with you, is nice.
Carlo: A beautiful concert, a beautiful television event, but there is a tribute album to Ennio Morricone, when will this album be released?
Gianluca: Let’s say that it is a very ambitious project, that with great responsibility, right on tiptoe and a lot of humility, we decided to undertake this path which is a musical project that is a tribute to all the most beautiful soundtracks of the maestro Morricone.
Piero: And tonight we announce the date.
Gianluca: Yes, because this record will be released on November 5th, from Cinema Paradiso, to Once Upon a Time in the West, to the Good, the Ugly, the Bad.
Vanessa: His greatest songs, let’s say.
Gianluca: And we can’t wait to start the tour.
Carlo: Well a great album and therefore it will be released on November 5th.
Then Carlo presented the guys with their DIVA award…
IL VOLO with their DIVA award
Carlo: I seriously read the inscription: Arena di Verona Award for Il Volo, for the tribute project to Ennio Morricone, represented with great success right here at the Verona Arena, live on RAI1, and for the over 10 years of career, which led them to be known and appreciated representatives of Italian music in the world.
And so we come to the end of the events of the last week. But….
We’ve gone from Melpignano to Verona but what about Beyond. I said the end of the events, not the end of the story. So we follow the guys no matter where they go from Melpignano to Verona and Beyond but, where beyond?
Let’s listen to what Gianluca had to say about their future….
“Our dream is to see The Ecstasy of Gold performed at the Academy Awards.”
That works for me! Onward to the Academy Awards! Hope to see you there!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com.

 

Credit to owners of all photos and videos.

SEAT MUSIC AWARDS 2021 by Daniela

And here is another of the events of this hot September that has arrived: the SEAT Music Awards.
Il Volo participated and received a special award.
Do you remember, during the press conference that Il Volo had before the concert in Verona, the mayor had said that Il Volo would be rewarded with a specially made statue, which represents a woman with the Arena on her head as a crown.
This award was presented to them last evening.
Rehearsals for the show began in the afternoon at the Verona Arena.

IL VOLO on stage at rehearsal

Gianluca at rehearsal

Ignazio at rehearsal

Piero at rehearsal

Here is a short video of the singing rehearsals.
Even if very short, you have certainly recognized Your Love.
Too bad there will only be one song.
They were briefly interviewed by RAI Radio 2.
Click the photo below to view the video.

IL VOLO being interviewd on RAI Radio 2

NEK = Here we are guys.
PIERO = Good evening gentlemen, welcome. (Piero pretends to be the one running the program) 😁
GIANLUCA = But it’s not you …..
NEK = You can’t steal the show ….
IGNAZIO = He had also prepared the sheet !! 😁
NEK = What should you have said ???
PIERO = (pretends to read) And now we have Il Volo, Arena of Verona special award ….
WOMAN = Guys, you were really, really good, when you  were conducting (the concert), because you conducted in every sense, we have to say it, really in a very nice way, this is my opinion and I wanted to tell you ….
IGNAZIO + GIAN = Thank you
PIERO = Are you sure you have watched the whole program?
WOMAN = I watched it and I did all the live coverage on RAI2.
PIERO = OK
WOMAN = I was commenting on the live broadcast, so I followed it all.
PIERO = Thanks
WOMAN = Because you have kept the freshness of your years, if I may say my opinion.
IGNAZIO = Look, if you want I can tell you a little anecdote from that evening.
WOMAN = You’re welcome
IGNAZIO = We were preparing the show and, as is done in all TV shows, the spoken words were all written.
The day before, during the dress rehearsal, we eliminated everything and said “let’s go free” (he means without reading the hunchback) , because it’s not us, we are three guys who like it ….☺😉
NEK = Therefore you should have read the hunchback ….
IGNAZIO = Yes, instead we only read the institutional things, and I also got them wrong ….
WOMAN = No, that’s not true, you did well
IGNAZIO = Like the Legambiente ad with the turtle Carella, Casella …
WOMAN = Caretta Caretta, he didn’t even learn it later …
GIANLUCA = Yes, he didn’t even learn it later (laughter)
IGNAZIO = So I screwed up, but we had fun.
WOMAN = This is very nice and above all it was nice to do it in that context, when you had “a giant” to deal with. (I think she means live RAI)
NEK = Now, what do you do ?? A trip around the world, always ??
IGNAZIO = Now we start in March of next year, finally with the concerts, we start from America, then there is all of Europe, Japan, New Zealand …. we have fun.
NEK = Ohhh, good luck then.
WOMAN = Guys, then have a good trip. What can I tell you now, have a good trip and a good concert.
GIANLUCA = Good flight, because we will take so many planes.
WOMAN = It is usually better not to say it (for superstition)
IGNAZIO = No, you can say it, we go against everything.
NEK = Bring me a present.
WOMAN = Thanks guys, thanks to Il Volo.
IGNAZIO = November 5th !!!
IL VOLO being interviewed by Radio Italia
They were interviewed by Radio Italia (for now there is only the photo).
Before the evening!
GIANLUCA = Please, don’t miss the SEAT Music Awards tonight.
I’ll show you how beautiful the Arena is.
IL VOLO with an unidentified man
And here we are at the evening.
What thrills this song, what poignant memories it evokes. Always beautiful the execution by Gianluca, Piero and Ignazio.
The three of them, good, beautiful, dressed with informal elegance.
The response of the audience was very nice, slowly turning on the Arena with thousands of lights, a gesture that surprised even the boys.
Only one song, unfortunately, but what a song.
Here is the interview after the song.
IL VOLO with VANESSA INCONTRADA and CARLO CONTI
GIANLUCA = Good evening everyone.
CARLO CONTI = Il Volo, to start these SEAT Music Awards in the best way.
VANESSA INCONTRADA = And what an atmosphere they (the audience) created for you, with all the mobile phones on, great emotion I saw in your faces.
GIANLUCA = We are happy to see you again.
VANESSA = Us too
CARLO = Us too, us too.
GIANLUCA = Finally in the Arena.
VANESSA = Finally,  but it has now become your home.
CARLO = In short, I mean, you did an extraordinary event on RAI1 just dedicated as a tribute to Maestro Morricone.
PIERO = We had the honor of paying homage to Maestro Morricone here at the Arena di Verona, for us, the audience, for an artist, for a singer, it is oxygen.
It was an evening full of guests, but for us, the biggest guest was the audience.
After a year and a half, see them again, sing for them!
Closeup of Piero singing
VANESSA = We understand these words well, but will you take this event to the world? I guess so.
IGNAZIO = Yes, we start in March 2022, we finally start with the world tour and we finish in September – October, from America, we end up in Japan and then New Zealand, so beautiful.
VANESSA = You have few things to do, let’s say. 😉
IGNAZIO = Yes, but it is wonderful, after almost two years, to start singing again.
I remember that a year ago, in this same program, we said …. let’s hope it starts again, the music can’t stop …. and meet again after a year and see that the music has never stopped, it’s beautiful! 😘❤
Closeup of Ignazio singing
VANESSA = Seeing them (the audience), as you said, involved with you, is nice.
CONTI = A beautiful concert, a beautiful television event, but there is a tribute album to Ennio Morricone, when will this album be released?
GIANLUCA = Let’s say that it is a very ambitious project, that with great responsibility, right on tiptoe and a lot of humility, we decided to undertake this path which is a musical project that is a tribute to all the most beautiful soundtracks of the maestro Morricone.
PIERO = And tonight we announce the date.
GIANLUCA = Yes, because this record will be released on November 5th, from Cinema Paradiso, to Once Upon a Time in the West, to the Good, the Ugly, the Bad.
VANESSA = His greatest songs, let’s say. (of Morricone)
GIANLUCA = And we can’t wait to leave (to start the tour).
Closeup of Gianluca singing
CARLO = Well a great album and therefore it will be released on November 5th.
The ARENA DI VERONA award, depicting a diva, a wonderful diva who has a crown on her head that has the shape of the Verona Arena, and was made by the sculptor Rudy Capatta, is delivered by two champions:
Marco Giallini and Giorgio Panariello.
(after the greetings, Carlo Conti reads the inscription)
CARLO = I seriously read the inscription:
Arena di Verona Award at Il Volo, for the tribute project to Ennio Morricone, represented with great success right here at the Verona Arena, live on RAI1, and for the over 10 years of career, which led them to be known and appreciated representatives of Italian music in the world.
(final thanks)
IL VOLO on stage singing
Many beautiful photos:
Ignazio closeup on left with photo of the Morricone tribute concert on the right
IL VOLO singing on stage
Piero closeup on left with photo of the Morricone tribute concert on the right
IL VOLO on stage
Closeup of Gianluca singing
IL VOLO with their award
Piero, Gianluca and Ignazio with the Arena award. ❤❤❤

 

But certainly and undoubtedly, this is the most beautiful photo. ❤
IL VOLO on stage with Ignazio gesturing upward toward heaven
A gesture full of meaning, which we can all understand.
A direct line with those who are no longer there, a silent dedication.
The two friends who hold him close and a look up there.
Also this time a well deserved prize !!
Daniela 
Other beautiful images:
IL VOLO backstage walking down steps

IL VOLO with VANESSA INCONTRADA, CARLO CONTI, Marco Giallini and Giorgio Panariello

IL VOLO singing on stage

IL VOLO singing on stage

IL VOLO singing on stage

IL VOLO smiling on stage after their song is done

IL VOLO backstage with Antonella Clerici

IL VOLO with their award and with their manager Michele Torpedine

Credit to owners of all photos and videos.

How Strangers Became Brothers

Today’s story is about the guys meeting, ironing out the wrinkles, developing a friendship and becoming Brothers!
When these three young men started out, they were 15 and 16 years old. Think of being 15 or 16 years old and you have a dream, and someone tells you that that dream, needs to be shared. To fulfill that dream you have to leave your family, your friends, your home, you have to go to another country and, you have to share this journey with two people who you really know nothing about except that they had the same dream you did. You have to trust that the decision that was made by you and your family, was the right decision. If not, it’s back to square one! You’re going to be lonely and, you have to learn to survive without the people you love. So, you learn to lean on one another. That dependence turns into a friendship and that friendship into a brotherhood. It enabled them to trust enough to collaborate and perfect something truly amazing. Something that revolutionized the music industry. Let me go further by showing you a collaboration by these three amazing, very, very talented, young men that is so unreal that it boggles your mind. This is a collaboration of love. You will notice that the whole Orchestra is in awe and Giampiero Grani can’t stop smiling. Stop and listen to this performance of “Por Una Cabeza”.

Look at how they smile at one another during the performance. A smile that says yes that’s it! Their faces are ablaze! Their expressions let one another know that it works. And, finally, when it’s over, they are so excited they can hardly contain themselves. Look at how their faces are lit up! Their joy is shown in their amazing, smiles and their embraces! This says it all! They are brothers who love one another!
To help you understand this relationship better, I am including an article from October 10, 2019, which was translated by Daniela and, explains in the guys’ own words how they grew together.
The well-known Italian magazine SORRISI E CANZONI TV, dedicated the cover photo and presented a beautiful interview of Il Volo by Solange Savagnone.  But before we begin, let’s see what the guys were up to!
Budapest! The stained-glass window of the room overlooks a square in the historic center. Inside, in a secluded area, a group of people are in tears from laughing. Ignazio has just hit the center, on the third attempt, throwing a cap with his thumb into a mug of beer on the opposite side of the table.
Left to right: Piero (sitting on wall), Gianluca (standing) and Ignazio (sitting on wall) in Budapest
Gianluca, between a miso soup and shrimp in tempura, interrupts the jokes to greet a young Greek tourist who approaches to ask for a selfie. And while Ignazio sings the tune of a robiola commercial and Piero chats with his friend Priscilla Presley, Michele Torpedine uses his chopsticks from his Japanese dinner to present his first career in life, that of a drummer.
The scene seems crazy to us but it’s perfectly normal for the guys.
“We like to say that it is ten years of friendship! Music and loyalty are the most important thing,” explains Gianluca. “We are three leaders and sometimes it is not easy to live together, but we have grown together and, we have helped each other, both professionally and humanly. We are like brothers.” And that sums it up but it’s only the beginning of my article.
Gianluca, Piero and Ignazio in front of a wall in Budapest
The exact day in which their partnership was born was April 25th, 2009, the third episode of Ti Lascio Una Canzone. But of course, this is the part of the story that everyone knows. So, without delay let us go to the interview.
How have you changed since then?
Ignazio: In addition to changing physically, we have grown professionally. On stage, however, we feel the same adrenaline of the early days. Singing for us is not a job, but a passion, a fun, a way to feel complete.
The first time you met, what did you think of each other?
Piero: Ignazio was unpleasant to me. I remember him on the bus he was singing, but he was also the first one I tied with. Gianluca, instead, was in the group of dudes ……
Ignazio: I never thought about this, Gianluca was on the sidelines, but then it was natural to be together.
Gianluca: When you’re small and you’re on Rai1, you do everything they tell you. The program lasted nine weeks and we were rivals, a bit of envy was created and, in those days we exchanged only a few words. But the success we received was incredible.
What’s left of those kids?
Piero: Everything. We are always us and we have fun at every concert. We have the same passion and spontaneity of those times. Before going on stage, we laugh about everything. We do not follow a script. We help each other and we get excited a little. We are not spoiled. We have certain needs, just because we need them to stay healthy and do concerts well. The responsibility we have towards those who work with us, and the public, is enormous. If one of us gets sick and misses two or three concerts, it’s a disaster. So, to avoid the risk, maybe we avoid going to the disco.
Ignazio: Also, because we always sing live. This summer, for example, after the concert in Palermo, I didn’t go out with friends, because the next day we had another concert in Taormina.
Gianluca: Musically speaking, we are always in search of perfection, and we strive to grow and make people understand who we are.
Piero, Gianluca and Ignazio looking up inside a building
How can you grow as brothers without being brothers?
Piero: It was difficult, but lately our relationship has improved. Before, we were spiteful, now we openly say to each other, what is wrong. There is no grudge between us.
Gianluca: There is a difference between being together for work, or by choice. In the first case there is a little tension, when instead we are together to have fun, it is another thing, indeed we should do it more often.
You have very different characters. What is your way of living love, family, friendship and social media?
Ignazio: I am the least social of the three. I know it’s important to keep my private for myself. A little privacy, it takes. My character is particular, I am sensitive, but very strong and hard. I do everything, but you must respect me.
Gianluca: I am a little narcissistic because I need confirmation. In kindergarten, I always asked the teacher twice if I was good. And this insecurity, I brought it with me, until today.
Every day I speak to my parents, my dearest ones, my girlfriend. I vent with them, as well as with Piero and Ignazio. We love each other. On social media, if I put lots of photos, the fans are happy, the haters are a little less, but I continue to be myself.
Piero: We can’t hide anything between us. If I lie, they notice it. With the people I know and choose, I am very generous, open, sunny. But I only trust my best friend, my brother and my sister. I have a big flaw: for me, either it’s white or it’s black, I give you my heart, but if you do me a wrong, you’re dead.
Gianluca: I have learned that we must try to understand why a person behaves in a certain way. I never hold a grudge. Piero instead gets angry, for the criticisms and the free offenses.
Piero: In fact, before I used social media so much, now only for work things.
Left to right: Gianluca, Ignazio and PIero standing on a rooftop in Budapest
The secrets of your success?
Piero: The first is that we study a lot. The second is our manager, Torpedine, who has been following us for years. The third is the music we sing.
Gianluca: But talent and work alone are not enough, sometimes timing counts. To be recognized, you have to be special, and we were the first to perform at a very young age, in bel canto: this struck people’s hearts.
Who are the hottest fans?
Gianluca: Perhaps the South Americans. (Torpedine told us that in Mexico, fans broke through the window of the hotel where they were staying.)
Piero: But even in Bulgaria, they showed us unexpected affection. And the Japanese, apparently so rigid, go wild during the concerts and come to the front of the stage.
Gianluca: Let’s say that with our performances, we help the public to free themselves. We tend to make a very engaging event, not a serious concert.
How can you not let this go to your head?
Gianluca: With intelligence you cannot get carried away by the wave of success, but the people who follow you and the support of the family matter a lot. Staying attached to the origins is the most important thing. If you let it go to your head, then people will notice it.
What are you missing when you’re on tour?
Gianluca: Normal life.
Ignazio: Waking up at home, carrying the dog around, everyday life.
Piero: After the concert at the Arena di Verona, I went home one day and enjoyed that moment, like never before. I felt an immense pleasure in going to the laundry and to the yogurt shop: it was how I did it for the first time.
Left to right: Piero, Ignazio and Gianluca sitting on a wall with the river behind them
Do you want to try your hand at some other musical genre?
Gianluca: If we changed genre, we would no longer be us and people would no longer recognize our music.
In ten years, how do you see yourself?
Ignazio: Ten years ago, they asked us the same thing and we didn’t know what to answer. Our way of thinking has changed: so, I would have answered married, with children, today not. Situations change.
Piero: I don’t know, new artists are born every day, the future is a question mark. We hope not to disappoint the fans.
Who do you want to thank for what you are now?
Piero: If today we celebrate ten years of career it is thanks to the fans, we have grown together and we hope to celebrate with them 50 years of career!
Gianluca: We thank the musical heritage we have, the bel canto, which has allowed us to travel around the world.
Ignazio: Words are not enough to thank all those who deserve it. I say thanks to those who believed in us, Michele Torpedine, our manager, and those who work closely with us. And thanks to life, for what he has given us: voice and luck (words that are tattooed on Ignazio’s arm).
Piero: And thanks to Sorrisi for this cover and for having always supported us.
IL VOLO on the cover of Sorrisi e Canzoni TV magazine
How about when you are on tour or in your hotel rooms etc.
Piero: In the room I always ask that they cover the carpet with sheets, because I am allergic and, I must preserve the voice. I always have two suitcases, a big one with all the clothes and things I need (including Sicilian vacuum-packed almonds and natural tuna in a can) and an emergency trolley, with a second dress for the concert, for safety. And an agenda on which I record the commitments. Including this interview for Sorrisi.
Ignazio: When I’m on tour, in Italy, I always carry my guitar with me, abroad, unfortunately not. I go to the gym in fact we only choose hotels with a fitness area. In the room I relax as much as possible, maybe watching a soccer game on my mobile (I support Juventus). I also play football, as an offensive midfielder, and I’m pretty good. In fact, when I’m at home, every Wednesday, I go to play with friends. And when I can, I make two tennis matches with Piero.
Gianluca: I have no special requests and I adapt easily. I am very tidy, almost maniacal, I keep everything perfectly folded and, I even line up my slippers. I am lactose intolerant and pay attention to what I eat: rice, fish, vegetables, protein snacks and for breakfast pancakes with egg whites and peanut butter. Once a week we “go” with a pizza. I don’t smoke, I don’t drink and, I have never been drunk in my life, because I don’t like losing control. I train early in the morning and go for a run. Sport has changed my character. I have become more willing and disciplined.
Left to right: Ignazio Piero and Gianluca standing in from of a wall with columns with the river behind them
In the final chapter of their book, Un’avventura straordinario, La nostra storia (An Extraordinary Adventure, Our Story) the guys sum of their life story. I can’t think of a better way to sum up my story than by having them sum up their story as they did in their book where….
…. the true and only secret of the success of our three lives is told.
When they asked us to write this book, our first thought was, “Finally,” finally we can tell the truth.” In a three-minute interview you cannot tell a life, but in a book yes.  And that’s what we tried to do in these pages: tell our true story.
Which is a normal story, of three guys like many who had a great passion and were lucky enough to be able to transform that passion into what today makes them live and makes them famous.
Being successful is beautiful, it would be stupid to say no after we have so dreamed and desired, but you need to quickly understand something, and that is, that it is not only our merit.
The people who follow us have a large part of that merit.
And knowing it is what gratifies us the most.
It is wonderful to know that we have shared our emotions with those who listen to us.
That’s why we work, and that’s why we try to give everything when we sing, we live in a concert or recording studio. And that’s why we do our work always with the maximum of passion, so that we can create what for us is magic, the magic of emotion that passes from our voices to people.
Fans are the reason, the only real explanation of what happened to us from 2009 till today, the records, the tours around the world, the victory at Sanremo, what we are finally living in Italy.
During a concert we would like to embrace all the people before us, one by one, we would like to be able to say: “Thank you!” with our voices to all. And we want to thank them if we are in the studio to record, if we fill the halls in concerts, if we are in the charts, if we go around the world.
Our “fans” are everything!
…. for all we have done so far, let’s say thanks to those who have followed us. And we will continue our great adventure together!
I think their interview and the book have come together to show How Strangers Became Brothers!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
Staying in Hungry, today I would like to share with you a letter from Adrienn Gyorffy who lives in Hungry.
Gianluca, Ignazio and Piero on a rooftop with the city of Budapest in the background
Dear Ladies, Il Volo Flight Crew!
I have been reading your newsletter for a few months now, and first of all I would like to thank you for all the news and information you share.  I am a new fan of the guys, and thanks to Il Volo Flight Crew I have learnt a lot from them.
I am not an extroverted person so, I have not commented on the articles, news. But now I have felt an urge to share my story with you and to start a little diary of my last and next couple of days, just for fun, for myself. So, I share my story with you.  It might be interesting for you. A small piece from the other end of the world, from Hungary 🙂
Good to have you, hope you will enjoy my story.
Love, Adrienn

 

My journey to the land of Il Volo ~ Love at first sight
It happened sometime during the pandemic, when people lost their hope, and the well-known world of ours turned upside down. I was looking for something which is stable, predictable, comforting. And it was my childhood, the lovely memories of my first holiday in Italy…
I was about 8 in 1982, when for the first time, I stepped into the land of the “Poisonous WEST” over the Iron Curtain. To a child brought up in communist Hungary, it was like the Garden of Eden. The sun, the sea, oranges straight from the tree (we could get oranges and bananas only a few times of the year if my mom was lucky enough to get a few after hours of queuing, strictly for us, for the children. Even if she was yearning for a bite, she would never eat one as it was a great treasure), and of course Italian music.
So going back to my original story when I started losing my hope during the pandemic, I started listening to the music of my childhood, the music that my parents were listening to, Al Bano and Romina Power, Toto Cutugno, Ricchi e Poveri etc. It brought back all the lovely memories. I was searching on the web for all the old and new appearances of them, when I encountered this:

I was enchanted by the voice of the young guy. He was so cute, still his voice was a miracle. I could feel goose bumps all over my arms. So, I wrote a name into my browser: Ignazio Boschetto…… and I was lost or saved forever!
As I learned, he was not a little boy anymore, but a handsome young man, with two other remarkable young artists, Piero Barone, Gianluca Ginoble – Il Volo.
I have never been a fan type of girl. I learnt musical instruments and loved music and was listening to music all the time, when I was younger, but never had anybody I was rajong (crazy about). But now at the age of 47 it struck me, and specially the impact of their music on me. It brought back the energy, the hope, the love of life, the dreams one tends to lose as time goes by. It pulled me out from the egyszínű (solid) weekdays when I was operating as Mom only. I found my ego and have my dreams and desires back again. Their music has filled me up with vitality and it still does. When I am tired, feeling down or just lost, I listen to Il Volo and I am back to normal, or when I am feeling gracious for my life I also listen to the guys and, I get even closer to the One I have to say thank you for my wonderful life.
So here I was the new fan of Il Volo, reading all the news I could find about them, especially Il Volo Flight Crew, where I learnt their history as well. I was listening to all the interviews. Luckily the English ones were not a problem, but the Italian interviews shows their real personalities, so I decided to start learning Italian to understand them J And I also started to look for the concert venues to be able to see them live. You can imagine how furious I was when I found out at the spring of 2021 that they were in Hungary in 2019. But as a real fan (sometimes I feel like a teenager, they should be fans, not Moms with two children) I didn’t give up. Then the next obstacle was, that during Covid you cannot travel and besides all the concerts were cancelled, but miracles DO happen…
I was at Lake Balaton with my 10-year-old when scrolling the social media, I read somewhere that the only European concert which is not postponed is the one in Croatia. It is 5 hours driving from here…
I am not a spontaneous woman, especially not since I have had my children, but it struck me. I called my husband, saying that I have to go, sorted out the children with the help of my mom and bought the ticket 2 days before the concert. And YES, here I am, I am going to Il Volo concert to Opatija tomorrow!!! Whish me luck and will come back with the details of the concert soon.
The Concert in Opatija 4th July 2021
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com

Credit to owners of all photos and videos.