Tag Archives: Michele Torpedine


The time is 21:10… and the doors at Teatro Arcimboldi are still open but the light slightly dimmed. The audience starts clapping their hands and making noises for the third time. A certain tension has arisen.
At 21:15 sharp, however, the lights are turned off, the curtain slowly pulls aside and bathed in a spotlight, three young men appear.
Dressed in black suits and shirts, standing completely still in the silence. A roar arose from the audience. A single voice is heard. No music. No lightshow. A pitch black stage.
Gianluca’s honey-like voice has softly started up the first lines of Leonard Cohen’s “Hallelujah” but is soon joined by Ignazio’s emotional interpretation of the words and Piero’s warm and strong emphasizes of the highlights. IL VOLO has taken the stage! The audience is brought in an instant awe with this a cappella version of the legendary song.
We are spellbound and in their hands from the very first note! The audience goes crazy. Standing ovations.
What an opening – and so unexpected! Actually, I had just told my husband that I was ready for a bet that they would start up individually in each corner of the hall with their new version of “Granada” – in similarity with the openings of the TV-shows in Verona. So much for that! Those guys understand to surprise us, so what now to expect?

Coincidences happen and opportunities arise…

It wasn’t planned at all. I wasn’t going to attend yet an Il Volo concert this summer.
Having enjoyed the “rainy” concert in Verona with Daniela on May 1st , well, I figured that it would have to do for a while.
So I had tried to ignore and forget all about the upcoming Italian concerts. However… when with only a few weeks’ notice it was suddenly decided that my husband and I would do a European self-drive holiday at the end of August/primo September – and I sat down to plan the itinerary in detail – an unexpected “door” opened.
I needed an overnight stop somewhere between Austria and Umbria (mid Italy) as too far to drive in one day.
I looked at the date – Sunday, September the 3rd – uh wasn’t it one of the days of the IL VOLO concerts?
And Milan – uh wasn’t it just more or less right along the planned route? Yes! OMG it could work!
My husband needed a bit of persuasion but had to admit that it wasn’t too bad an idea 😊.
Only, what about concert tickets?
At first glance the concert was all sold out – oh NO – but yet again, if we were willing to sit not exactly next to each other, we could find acceptable seats – at least we thought.
And voila – we were going to enjoy one of the “Tutti per Uno” Concerts in Milan! 😁😉☺. And here we are!

Trees do not grow into the sky though…

and everything did not exactly turn out as we had hoped for with this concert arrangement.
Reaching the theatre and finding our seats we realized that the lack of understanding the Italian language had given us an incorrect impression of the location of the same. Not only were we not going to sit together, but apparently these seats were not in the back of the floor on an elevation nor on the front row of same, as we had understood – but actually on the first balcony! So absolutely not the same as being on the floor with the opportunity of having the guys pass by when mingling with the audience and furthermore, my seat was neither near the middle of the hall as thought but rather almost at the very end to the left with my husband even further away. Hence, we went to the ticket office trying to explain the situation hoping that they might have received some last minute cancellations that we could upgrade to. Nope. Absolutely no mercy here. We were told that we could purchase new tickets (at a totally sold out concert?) and then try to sell the original ones by the door (half an hour before the start of the concert?).
Disappointed, we walked back to our seats pondering about what a study of the word “service” could have done in this connection… In spite of a totally sold out concert we did, however, quickly noticed none the less than a section of some 15-20 empty seats in a rounding just in front of us… When the doors closed and the guys had finished their opening song these seats were still not occupied… We signalized each other: Let’s make a go for them.
So we did end up sitting next to each other – still on the balcony – but now kind of in the front row with better views, while the theatre lost out on the income of the difference in ticket prices and not the least happy clients!

Sound Check…

Another point of disappointment relates to the “Sound Check” – or rather the cancelled one. Actually, having heard nothing from the official FanClub as to the possibilities of a sound check arrangement before we left Denmark, I did not anticipate that there would be any at all and had come to terms with that. But a few days before the concert I received an email gladly announcing sound check invitations to all the European concerts. Jihaaa – and a few minutes later I held a confirmation on my iPhone. YES, we were accepted to attend the sound check prior to our concert. My heart did beat a little harder – being the very best chance of meeting the guys. But not for long as shortly after I received yet another mail now telling me that all the sound checks in Milan but the very first one would not be carried through… for some rather unclear reason. My heart stopped beating for a bit. Oh no – why? Even worse, the next day I got a new email telling me that there would be a sound check in connection with the very last concert on the 9th of September to which we were welcome to attend… But on the 9th we would be far away from Milan without the slightest chance of attending. It was like a kick in the belly and a much bigger disappointment than if no invitations had been offered at all. I don’t know about that official FanClub… sorry to say. When in Rome at X-mas the sound check ended up with us standing for more than 1 hr. outside in the cold being let in only for the very last 10 minutes or so and with no following special “Meet & Greet” about the new book as clearly stated in the invitation. That did simply not occur nor did we get any info or explanation. And now we get an invitation – a confirmation – then it gets all cancelled followed by a “but you can attend another day”… I lack to understand what could possibly be a difference in technical conditions that could lead to a cancellation some days but functioning on the 2nd and the 9th of September?
Well, apparently it is just not for me to succeed in experiencing a well-functioning sound check. And for once I had ample time to take part and staying in a convenient hotel, just at 3 min. walk from the concert hall. Alas, one cannot win all battles, but I must admit, I was truly disappointed and sad at the time.

Back to the concert

As you do all know by now the concert was in many ways built up in the very same way as the big ditto ones in Verona, however, without guest stars. Each guy did about 5 solos, I think, and then a nice amount of their original repertoire together. Having some 60 songs to choose among, apparently the repertoire has varied from evening to evening. Daniela has most kindly made up and previously posted a list with all the songs performed during these 6 concerts – you can look them up. I must admit that my concentration was more on the show and performances than what songs were actually performed on my night particularly… sorry, so I did not make notes. But I recall some of those that I enjoyed the most.
Don’t get me wrong, I love all songs by IL VOLO but, of course, I have my favorites. All guys had a good evening and did great – but I recall particularly Ignazio in the good old Aretha Franklin song: “A natural woman”. In Verona he did it as a duet with one of the guest stars, but this evening he did it all by himself while likewise playing the piano. That song suits him well and he performed it with a lot of soul, emotion and the right amount of Motown ambiance. I loved it – and so did the audience.
Gianluca gave us his new Beatles medley, which likewise fits his soft voice really well and brings back good memories to me and my husband being big Beatles fans. He did also perform the old Freddy Mercury rock-´n-roll song and Elvis tribute “This crazy little thing” that seems to be his own favorite for the time being. It worked better for him than I recall from Verona and he is visually happy singing and performing it. His very embodied and emotional interpretation of the love song “Cura” did, however, capture the audience the most.
As anticipated Piero had chosen a selection of opera arias the names of which I do, unfortunately, not know or recall. One was, however, “Mamma quel vino è generoso”. But he is happy as a lark performing these songs that are all concluded with big wall-to-wall smiles clearly indicating that he has succeeded to his own satisfaction. One of the highlights to me was an operatic duet between him and Ignazio: “Miserere”. That duet he did with a rock singer in Verona – but Ignazio did a fabulous job taking over here – kudos to him. Ignazio has an incredible span in his voice and seems to be able to embrace almost any kind of musical genre.
Personally, I love when the guys sing together the most though – creating those awesome and beautiful harmonies that define the IL VOLO sound – and we were blessed with their core songs such as “Il Mondo”, “My Way” and, of course, “Grande Amore”.

Mingling with the audience

Is no doubt something the guys enjoy themselves tremendously – hence their choice of the smaller Teatro Arcimboldi according to themselves – giving them the opportunity to get close to the audience and their fans.
Therefore, to the tunes of the traditional Bel Canto song “Volare” they climbed down from the stage, opened the gate to the hall and wandered singing out among the audience who were lucky to get handshakes, selfies and even hugs while they sang their hearts out. The audience on the floor went crazy and embraced them standing, while we could only watch the fun from our closed balcony seats (said the sour grape being truly jealous of those having been able to obtain orchestra seats on the floor).
But there can no longer be any doubt to anyone that these guys are highly loved by the audience and their fans!
There was an incredible atmosphere in the hall – a true party – and lots of fans must have returned home with great memories of close encounters with the guys.
Due to our seating I was generally not able to take any good photos or videos – too far a distance for my old iPhone camera to deal with – but in spite of same I did try anyway to capture these emotions.
On top the attached little video from the same clip shows – apart from roof, floor and other uninteresting objects – that in the very back of the hall you do actually find Michele Torpedine and Barbara Vitali standing, enjoying it all.
The easiest guy to follow was Gianluca due to his white suit at this stage – I caught a glimpse of him getting up to them to say hi, and back again into the mass of people – while at the very end of the clip a split second Piero among the fans at the first row appears. Sorry for the quality and mess in this clip, but I thought you might enjoy seeing it anyhow.

Piero takes it all – almost…

It has been interesting to follow Piero over the last 3 years or so as he seems to evolve technically and artistically from concert to concert – this time no difference. In Verona he proved that he was ready for the bigger opera scenes and this he repeated this evening. His arias seemed flawless and he delivered them with great confidence.
And this did not pass unnoticed! The audience loved him and gave him one big standing ovation following the next. Kind of interesting to note as no doubt only few in the audience are true opera fans, but Piero understands to capture everyone’s heart. I myself am neither much into opera – but I do most certainly appreciate the efforts and the perfection with which Piero performs his songs.
Hence, it is not incorrect to say that Piero did take most of the praises home this evening – in fact so much that my husband at a stage, after Gianluca had performed “La Cura” and earned a big standing ovation, commented: “Phew, I am glad that – finally – he did likewise get a huge recognition”.
My husband did actually feel a bit sorry for both Gianluca and Ignazio for not receiving the same overwhelming appreciations as Piero. Or in other words, he found all three equally worthy of standing ovations. 😊

and then it was all over…

All good things come to an end and in no time 2 hrs. and 10 min. had vanished and it was time for the guys to bid us good-bye which they did in their traditional way by singing “Grande Amore” while thanking the conductor, the orchestra, their own musicians etc. etc. and Ignazio doing his backwards countdown “3-2-1” and taking a big jump and away they were without the audience being able to bring them back to stage for “extras” in spite of long lasting standing ovations. I always find myself in an awesome vacuum following such an intense and much looked forward to experience and I need time to digest it all.
Luckily, we had a lovely little balcony to our hotel apartment so husband and I had the opportunity to sit down in the warm, mild Italian summer night and enjoy a glass of wine and take it all a bit better before calling it a day.
Teatro Arcimboldi, Milan
The guys have clearly expressed their excitement about Theatro Arcimboldi – based on the intimacy and possibility to get closer to their audience – and I can follow their thinking to a certain degree.
At the concert Ignazio did highlight another positive angle – no worries for rain 😁.
Having said this I do, however, find that there are pros and cons at all venues and in this case – apart from being stock if seated on one of the balconies and hence not able to join in the “fun” when they mingle with the audience (read, if you go be sure to purchase seats on the floor) well, then I missed thoroughly “big screens”. I didn’t realize until then how much they add to the experience. Seated high on my balcony I could hardly see who was whom – just 3 little “ants” moving about – and I had no idea as to whether Ignazio was having a big beard or a goatee only; what kind of glasses Piero was wearing nor if Gianluca did still have his signature curl or… Even worse, I could not see and enjoy their gorgeous smiles nor perceive their little sweet antics such as giving each other a high five, a caring hug or a kiss on the cheek… – these things that are so special for the IL VOLO guys.
I do now realize how much more I enjoy their music being able to watch their facial expressions and hence, admittedly, you get more out of watching a video or TV-transmission than being present at a live concert – unless you are seated in the very front rows and/or big screens are provided for. Add to that the difficulties of getting to/from Teatro Arcimboldi. It is located in a suburban area next to a University some 25 minutes by Metro from downtown Milan and with few hotels in the close vicinity only. Ignazio mentions in a video that you can easily access the theatre by train – that is true, but he forgets to mention that there are few or no trains leaving from this regional station after midnight, so no way of getting back home the same evening by this means of transportation. The Metro runs a little later but personally we do not feel comfortable using it late at night – after all Milan is a big city – and getting hold of a taxi could be difficult, so we ended up purchasing the most expensive accommodation on our entire trip just in order to be within close walking distance of this venue. And without the big screens… I am not sure that we will choose Milan for our next IL VOLO experience. Verona seems like a much more attractive venue in a lovely environment with many accommodation options and easy access – so in spite of the possibility of rain, well, I think – as a foreigner and tourist – that I will prefer to go there. (in Arena)

In the footsteps of IL VOLO.

Luckily, the concert in Milan was only the very beginning of our 2-weeks long holiday in Italy, so albeit having to leave Milan and IL VOLO behind the following morning, we were having some great and lovely experiences to look forward to. Having visited the major Italian tourist areas several times before we had decided to do something new – and inspired by the IL VOLO guys – I had planned an out of the ordinary Italian holiday itinerary including among others a visit to The Frasassi Caves (where they filmed the Storaro documentary singing Morricone),  we enjoyed refreshments at the town square in the lovely town of Ascoli di Piceno, (where they performed a fantastic al fresco concert this summer and Gianluca un-announced appeared on his own at a special event), enjoyed swimming and lounging at the inviting sandy beach of Roseto as well as explored the beautiful and awesome landscapes and hidden medieval towns in Abruzzo (Gianluca’s home base).
So IL VOLO was not out of mind in spite of out of sight, the following weeks and we learned a lot new about Italy. Next time we must explore Sicily – a region we have yet to visit too. The IL VOLO guys ought to receive a price of honor – namely the one of being fantastic ambassadors of their country!
Prior to the Milan concert my husband and I did likewise have the opportunity to meet up with Daniela for a very lovely evening in Brescia. Only sad that she could not join us at the concert the following evening, but it is always great to meet up with fellow fans. The IL VOLO guys most certainly connect us regardless of nationality, age or social backgrounds. This is exercising international understanding in the very best way. 😉
Thank you so very much for taking the time to read my story – I hope you have enjoyed my comments and reflections. Warmest greetings – KIRSTEN 


The evening before the concert in Ascoli Piceno, there was also another engagement for Gianluca, Ignazio and Piero, the “Partita del cuore”.
The event does not have a competitive response, everyone wins, but the aim is something else, solidarity, in fact the proceeds will go to charity.
Ignazio, Piero and Gianluca were part of the singers’ team, which won the match.

Moments of physiotherapy before taking the field.


In the locker room before starting.
Here is the beginning and the entry of our boys.


As you have noticed, Ignazio was missing the child in front of him and he jokingly knelt down. 😁
A few moments before the start.
Muscle warm-up.
Now a few moments during the match.


Interview with Piero.

These small pitchside interviews are done to get people watching from home to send in a small contribution by calling a pre-set phone number.
SPEAKER= Match of the Heart for Romagna, we are with Piero Barone, already hot!
PIERO= We seem almost serious, don’t we? (He means they look like real footballers).
SPEAKER= You are very sweaty. (like real football players)
PIERO= Already sweaty before starting, water, we are loaded. But I have to tell you that there is great professionalism and I like this a lot, indeed, they are making me too anxious, I have more anxiety here than….
SPEAKER= Do you think you are a football player?
 PIERO= But no, I’m a tennis fan, the sport I practice is tennis, but I repeat, a lot of anxiety before entering the court because I see that there’s a lot of competitive spirit. I’m loaded.
SPEAKER= Of course you’re energetic, do you think you sweat more in tennis or football, since you’re trying it?
PIERO= Tennis maybe, but with this heat, everywhere ….. but tonight we’re all here for a simple reason, you know someone says it to remember this number (for donations), so the goal we have to score today is common to all, it’s a common goal which is solidarity. Some more, some less, were affected by what happened (flood in Emilia Romagna), but I like running and this morning I ran and here they are very pragmatic, here they get up immediately, they give little space to words but much to deeds. (Piero means that after the flood the tourist places were devastated and he, going for a run, realized that people worked very hard to quickly bring everything back to how it was).
SPEAKER= I’ll ask you a question, what is your favorite thing about Romagna?
PIERO= I really like the optimism and personality here in Romagna, they give you a smile and make you forget about life’s problems.
SPEAKER= And it’s a beautiful thing!
PIERO= I think everyone agrees with me, and it’s true, it can’t be hidden.
SPEAKER= Yes, after everything they’ve been through, they’re off to a great start right away.
PIERO= Did you see how they immediately got back on their feet? Chapeau, congratulations!
SPEAKER= Great. Good game!
PIERO = Thank you!
PIERO= What should I say, that we are here at the Partita del Cuore. Tonight we all have a common purpose, solidarity.
We take the field with a smile, without great pretensions of scoring or not, but it’s nice, we need to stay united in these moments and we’re all here.

Interview with Ignazio

(Ignazio was called by the speaker to do the interview, then the team goalkeeper arrived)
IGNAZIO= I want to tell you something, she (the speaker) went to the coolest, the most beautiful to interview them then she said, ok let’s do the interview with you.
Then you came (the goalkeeper is a nice guy), it’s over! 😁
GOALKEEPER = (laughs) It’s better thanks, come on it was a moment of fear, every now and then the blows on the head also create something positive (he refers to the fact that at the beginning of the match, in the action which also involved Gianluca, the goalkeeper received a knee on the head).
SPEAKER= Did they update you on the result, on the score? (His team lost)
GOALKEEPER = Unfortunately yes, we also taken a goal from Moreno (partially from him in the video).
MORENO= You would have taken my goal.
SPEAKER= I’m noticing that there are three of you here, Ignazio are you trying to change your partners?
IGNAZIO= No, absolutely not, I adore them two (goalkeeper and Moreno), but I love my partners (Piero and Gianluca) too much, and then he raps (Moreno is a rapper).  NO, I keep my mates!
SPEAKER= Piero (he can’t be seen in the video) he wanted to replace you….no, I asked him if he wanted to make a change but he said he doesn’t change his two partners.
PIERO= Do you want a serious interview? Do it to me, tell me.
SPEAKER= Free theme.
IGNAZIO= Guys, I speak for everyone, 45597 (it’s the telephone number for donations), today we are all united for a great cause, for Emilia Romagna, I live in Bologna, I don’t know if you know, so it’s something that has touched me closely, and it’s nice that in music there are no barriers, we know it, we are 28 players, we all play different music, and there are no barriers, and that’s the same in football. We are therefore all happy to be together, send a message, donate to 45597. Thank you all so much for your support of the National Singers team and Romagna.
Now I’ll leave you the microphone, you can interview the cool ones! 😁
SPEAKER= There could be no better closure than this.

Interview with Gianluca

SPEAKER= Gianluca, nice to see you, among other things in an almost new guise.
GIANLUCA= Almost, the last time with the National Singers team it’s already been 5 years, but this time its for an important cause, we need to make everyone aware, especially the youngest, not to be indifferent to whats happening, but to make a contribution, this is the most important thing right now.
SPEAKER= Also because you dont live so far from Romagna, so its a situation youve experienced.
GIANLUCA= Yes, we were out, unfortunately (Il Volo was on tour) and this hurts even more, when you know that friends or loved ones are experiencing a period of difficulty and you are distant and you are powerless and this happens because we are often travelling, so I am really close to everyone, it was a difficult moment, but I see that there are so many events that are needed to make a contribution to revive this great region.
SPEAKER= As for Il Volo, Arena di Verona was extraordinary, now there will be a very special concert in Ascoli Piceno and then at the Arcimboldi.
GIANLUCA= There are many projects. Next year its 15 years of career and well come out with something new and youll really see Il Volo in a new guise, maybe like youve never seen before.
SPEAKER= Its a music that remains, what you sang four years ago.
GIANLUCA= But it is also true that we have changed over time, what we would like to show is that we are not just one thing, because we are not three tenors, we can really show something else, building a new repertoire which I believe is the most important thing at this point in an artists career, that of building ones own repertoire, and this will be the “keystone” which we hope will bring us many more years of career.
SPEAKER= What you did in the Arena, we will also see in Milan, thank you very much Gianluca.
GIANLUCA= Thank you.

So, in summary, Il Volo took part in the Partita del Cuore on Thursday evening, on Friday they had the concert in Ascoli…………..but that’s not all!!!!
Saturday they were at the VIP Master!!

But what is the VIP MASTER?

It is a summer event, this year it is the 32nd event (our boys have already participated in 2017), it is a tennis tournament between VIPs. It usually starts on Friday evening at a beach facility, where attendees can take selfies with people in attendance.
There is also a lunch on the beach, where the tables of the VIPs will be separated only by a simple rope, so that people can easily photograph them.
On Saturday  the real tournament begins at the Tennis Club in Milano Marittima (a seaside resort in Emilia Romagna). So people can see their VIP darlings having a real game of tennis and maybe take pictures with them.
This year the organizers also wanted to think about solidarity, joining the fundraising for the flood victims.
Among the various VIPs, this year there will also be Piero, Ignazio and Gianluca.
Access to the grandstands of the central field is – as per tradition – free admission. An important appendix will then be the one in a solidarity key, with a fundraiser for the flood victims.
(Gianluca with Patrick, one of the organizers of the event)
PATRICK= Here, Gianluca from Il Volo is here.
GIANLUCA= A third, but the other two will soon arrive too. Great Patrick.
PATRICK= How are you?
PATRICK= You got some sun!
GIANLUCA= A little, not as much as you.
PATRICK= My goodness, guys!
GIANLUCA= Bye everyone!
PATRICK= Here we are, Ignazio from Il Volo has also arrived.
IGNAZIO= Bye, see you tonight!


(in this video Gianluca is interviewed together with Antonio Razzi ex politician)
SPEAKER= The protagonist is the music, also this time I promised you that I would bring you beautiful music. Antonio has already done the interview with us yesterday as well ….. are there also neighbors Antonio?
ANTONIO= Yes, Gianluca is my great friend from Abruzzo, from Roseto. He often comes to Pescara (it’s Antonio’s city), we’ve been friends for some time.
GIANLUCA= We share the love for our region which is Abruzzo and we try, each in his own field, to take it higher and higher, because Abruzzo is a great land and we must always promote it to the maximum.
ANTONIO= And Gianluca and I always do it, because we are two well-known people, he in music and I in other things, but we always do good for our Abruzzo.
In this case you also have tennis in common. Greetings to the studio.
GIANLUCA= Greetings to the studio, obviously these are events where we have fun, we are together, but the goal is always important to remember that it has not been a peaceful period for many people, who are continuing to suffer and make their economic contribution and not only it is an important thing to support the towns and all the cities that have been affected by the flood.
ANTONIO= And then I was able to see my friend Gianluca, a great footballer (Partita del Cuore), I saw him play and technically he can play in Serie A easily.
SPEAKER= Now let’s go collect the prizes, you’re the line!
Michele Torpedine with Valeria Marini (Italian actress), Eleonora and Gianluca.
Some moments of the tournament.
And here are some photos from the evening.

Il Volo VIP Master 2023 and 2017.

Again guys, I was speechless.
It was a really intense weekend, which started with the Partita del Cuore, continued with the concert in Ascoli and finished with the VIP Master tournament, and two of these events were done for charity.
I am really very proud of everything you do and also of the fact that you always think of people in need.
Thank you guys!!! ❤❤❤
Daniela 🤗



……in fact it didn’t end here, Il Volo has just announced that on August 3rd there will be a concert at the wonderful Royal Palace of Caserta (near Naples) and there will also be Placido Domingo and the soprano Daria Rybak in the event A NIGHT FOR KINGS.

See you soon!!



Credit to owners of all photos and videos.

IL VOLO TO AIDA by Daniela

We fans like seeing Il Volo very much, it makes us feel good, it puts us in a good mood, it cheers up the evening, and therefore every occasion is excellent.
This time it is the opening event of the operatic year at the Arena di Verona, which turns 100 this year and therefore an appointment that will be broadcast live Instagram worldwide, and the chosen opera will be AIDA from Giuseppe Verdi.
An important event for which many excellent invitations have been made, who are expected on the red carpet for a brief interview, among the guests also Piero, Ignazio and Gianluca, here they are on their arrival on the red carpet.
What can I say …. what a vision, what elegance ….. beautiful, natural, elegant, they advance on the red carpet, they are immediately joined by Gigliola Cinquetti, a well-known singer, now 75 years old, who won the Eurovision Song Contest in 1964 . They are interviewed by Milly Carlucci.
MILLY= But I see some guys that we all know, here they are, they are Il Volo.
PIERO= Good evening.
MILLY= And there is also Gigliola Cinquetti.
MILLY= Here we talk about music, the music that takes our hearts, and then I must say that over the years the Arena has become a symbol of Italian culture in the world, a bit like all our music, let’s say “high” music in the world, it is the one that acts as a forerunner and you have felt the affection of many different countries, when you arrive perhaps bringing Italian romances, you are the example of the crossover between pop and opera.
IGNAZIO= We try to make many understand that music has no limits, and how the Arena has broken down the barriers of opera, it has broken down the barriers of the small audience and has reached the general public, opening the doors of the Arena also to popular music and pop music, we are very happy about this, because it has given the opportunity to make this temple of music known to more people. (Ignazio says this because years ago the Arena was only for opera, now there are also pop shows).
MILLY= You have been here many times for pop reasons, in the sense that you have sung here many times on non-opera occasions, but have you never seen an opera here?
PIERO= Never at the Arena di Verona, this is our first time.
MILLY= Then we have a debut.
PIERO= First opera at the Arena di Verona, we are honored to be present on such an important evening, and to see an opera that has marked the culture of our Italy. We are very happy and honoured.
MILLY= All right, do you have a sheet music with you to follow along? You don’t have it, now we’ll give you the sheet music, but you need the ear, Gigliola is right.
PIERO= But I advise the public to go and look for the curiosities of Aida on the internet, they are 5 beautiful curiosities.
MILLY= Really beautiful. I’ll let you go and take your places.
PIERO= Thank you, thank you very much.

Michele Torpedine was also present at the event.

As for the opera, it started 10 minutes late because a light rain fell at the beginning, but nothing to do with the pouring rain of the Il Volo concert.
The show began with the Frecce Tricolori passing through the Arena and the Italian national anthem sung by a choir wearing long dresses in the three colors of the Italian flag.
Here is the photo posted by Piero.

Very good singers and the whole orchestra, on the representation, the theater director wanted to amaze with a modern effect, very impactful, but let me tell you that I prefer the traditional version, this is obviously my personal opinion.

It was a surprise to see our beloved Gianluca, Ignazio and Piero on television for this event, our eyes widened and what can I say a little vision.
Reserve these beautiful surprises for us again, we are waiting for you.
Daniela 🤗


Credit to owners of all photos and videos.


MOTO GP and MORE by Daniela

A few days ago the news was published that on 11 June, Il Volo would sing the Italian anthem at the start of the Moto GP.

“The very famous Il Volo trio will open the race on Sunday 11 June for the Mugello Grand Prix.
The group made up of Piero Barone, Ignazio Boschetto and Gianluca Ginoble will perform for the first time on the Tuscan circuit, in a show crowned by the passage of the Frecce Tricolori, just before the start of the MotoGP race at 2pm.”
And here is the video of the departure with Il Volo singing the Italian national anthem.
Shortly before the performance, the presenter said:
“We are Italian, Italian pride Il Volo and the Frecce Tricolori!” 




A nice event, and they are always very correct!!
And what can I say, I completely approve of their men’s suits.!!!
Now, I want to offer you the translations of a couple of articles that have been published.
The first was published by IL FATTO QUOTIDIANO before the concerts broadcast on Canale 5. It’s a nice interview in which we discover interesting things.

IL FATTO QUOTIDIANO Article – Click Here

Fifteen years of career and always around the theaters around the world and in Italy with sold outs. Il Volo is a more unique than rare case. Many have attempted a pop-opera career, without however equaling the acknowledgments of Piero Barone, Gianluca Ginoble and Ignazio Boschetto. With each TV show Il Volo grinds excellent ratings and once again they don’t want to disappoint expectations. “Il Volo – Tutti per uno”, with the participation of Federica Panicucci, will be broadcast on Saturday 27 May and 3 June in prime time on Canale 5. The show, recorded at the Arena di Verona, will see guests and friends alternating on stage : Irama, Madame, Fiorella Mannoia, Danilo Rea, Edoardo Leo, Annalisa, Antonello Venditti, Francesca Michielin, Mario Biondi, Gianna Nannini, Pooh, Aida Garifullina and Giorgio Panariello.
What is your balance of these two evenings?
We are very happy for these events despite the persistent downpour, which was suggestive, but made us understand the love and affection of our audience who never got up for three and a half hours of recording. It was magical.
How did you choose the guests, in some cases distant from your world?
We were inspired by the great experience of Pavarotti and Friends with the great teaching of going beyond the barriers of music to demonstrate to the public all three aspects of our artistic expression. This is how the duets on ‘Meravigliosa creatura’ with a rock artist like Gianna Nannini or the beautiful “Ovunque sarai” by Irama were born. But there will also be room for the classical repertoire with one of the most popular sopranos in the world like Aida Garifullina.
What was the result that will be seen on TV?
Very nice especially for the enthusiasm of the guests who came to visit us and immediately accepted our invitation. Our performances took place in a completely natural way.
“All for one” returns to the theater on 2-3-4 September at the Arcimboldi in Milan. What concert will it be?
“The best of” of the two evenings. Obviously it won’t be the 60 songs chosen for Verona, otherwise people will hit us! But we will make sure that people can appreciate three different singers, giving space to our different musical inclinations and tastes.
Fifteen years together, is there still tolerance between you?
There is more resignation. Seriously, we are more mature and respect our spaces, giving weight to the most important things in our lives. This is also the result of events in the personal sphere that have changed us and made us understand what is important in life. And another characteristic of ours is the maximum transparency between the three of us.
In recent years, some have tried your lyrical-pop path, but not with the same result. What are the difficulties?
The music has changed and also a lot compared to when we started. There is an audience of very young people who listen to a totally different musical genre. Furthermore, one is much more ‘influenced’ by social networks and by the fashions and trends of TikTok. These are all elements that can affect the success of a genre or a song. We have been making crazy experiences for fifteen years, proposing a precise musical genre.
The world also seems to have changed since your third place at Eurovision 2015. Mengoni waved the rainbow flag to send a precise message
And Mengoni did very well to do it. Words can hurt or destroy a person’s life. Raising awareness on certain topics is very important. Absurd that you should always judge a person. Just like Mengoni, all of us artists also have a duty to launch precise messages. We need laws for rights, but also against homophobia, and then much more should be invested in education. Education is fundamental to society. If, on the other hand, we continue to invest in totally useless things, change will be difficult.
Is there hope for the future?
Yes. The new generations are different from ours and from the previous one. They are much more open minded and have a different approach.
Would you go back to Sanremo?
The idea of going to the competition does not scare us at all, but if we have a valid song. For us, Sanremo, but also doing events on TV, represent an excellent promotional showcase, since there is a lot of snobbery towards us and around us from the radio stations (which don’t play our pieces, not even with a gun at their temple) to certain press (especially at the beginning of our career). We are, however, working on an unreleased disc with the hope that the radios will support us.
Now it’s not just my words, the guys themselves have admitted that the radio stations never play their songs and that a certain type of press has always hindered them.
Well, what can I say, very harsh words, but it’s the pure truth.
I am very angry about this!!!
And now also this interview of QUOTIDIANO NAZIONALE always published before the concerts.


From Bethlehem to Verona, from the Basilica of the Nativity to the Arena. After the Christmas concert in the Holy Land last December, Il Volo returns to the Canale Cinque screens in prime time with Tutti per uno, a double appointment with the participation of Federica Panicucci broadcast tomorrow and on 3 June. In fact, with that musketeer motto, Piero Barone, Ignazio Boschetto and Gianluca Ginoble consolidate a friendship that sees them once again confront each other in the millenary setting of the hemicycle in Piazza Bra with a crowd of friends and colleagues including Gianna Nannini, the Poohs, Francesca Michielin, Annalisa, Irama, the Russian soprano Aida Garifullina, Madame, Fiorella Mannoia, Danilo Rea, Edoardo Leo, Giorgio Panariello, Mario Biondi, Antonello Venditti.
Where does this new show come from?
Ginoble: “We were born as child prodigies who brought bel canto to the world, then, after the victory in Sanremo, we concentrated on prestigious projects more oriented towards that classical music which certainly represents the soul of the group, but minus ours. All for one tries to tell us both ways, varying from opera to great songwriting, also passing through pop, to reiterate that we are three singers in the round”.
Barone: “We have three different personalities and three vocal styles which, when we harmonize, become one thing. Also focusing on our differences, this project is structured in such a way as to give a 360-degree idea of what Il Volo is”.
Let’s talk about the guests.
Ginoble: “It was interesting to mix voices and genres with others. Piero singing Marvelous creature with Nannini, Ignazio confronting Michielin (in a love monologue written by him, ed.) or me with Madame, these are moments very special. We have taken ourselves a little out of our comfort zone and we are proud of it; Piero is the most theatrical, Ignazio the most televised and I the most social. Three different images, three different communications that become one. The repertoire has been chosen keeping in mind take this into account too”.
Is anyone missing from the guest park?
Boschetto: “We had contacted Sam Ryder, who I consider one of the best singers around today, but he was busy with Eurovision. The others were all there”.
Starting the show with the Straussian Also sprach Zarathustra means winking a little at Elvis who used it as an introduction to his concerts.
Ginoble: “It seemed like a perfect union. An iconic beginning that we wanted to appropriate. Love and theft, as Dylan says”.
What effect does it make for you to come back with your show?
Barone: “The awareness that a television network is entrusting you with two Saturday evenings in prime time charges you with responsibility. On the evening of the broadcast we sing in Krakow, but we won’t sleep from the anxiety of knowing the audience figures. On the best of these television evenings we will build, with guests, the only two live Italian dates we have on the agenda this year, on September 2 and 4 at the Arcimboldi in Milan”.
What’s after the TV show and the concerts?
Barone: “Next year we are therefore celebrating years of career and we are preparing for an album of unreleased songs; we are working with a team of authors on songs conceived especially for our vocality”.
Surprising to discover on the web three young Korean tenors singing Splash! by Colapesce and Dimartino ( Italian singer) as if they were Il Volo.
Barone: “The fact that three people with that vocality arouse in people a comparison with us, it means that we have made ourselves known. And if those three Korean boys ask us for a collaboration, we are ready to say yes”.

Wow, yes you read that right, they’re working on a CD of unreleased tracks written especially for them, I can’t wait to hear it.
And the monologue read by Ignazio and Francesca Michielin before the duet was written by Ignazio and not by Francesca, as I had supposed.
And now this beautiful interview was released by Michele Torpedine immediately after the concerts.


Among the cheering crowds who welcomed their songs in Mexico City, where twelve thousand listened to them, and in Zagreb, to mention just two of the many recent international dates, and the success of their concert at the Verona Arena broadcast on Canale 5, the three singers of Il Volo are certainly the symbol of a singing made in Italy that brings the tradition of ‘bel canto’ to a vast audience. Thanks, of course, to a unique and extraordinary talent and a lot of daily study, but also to the work of Michele Torpedine, their manager who, from Bologna, the city where he lives, launched, before them, to name just a few names, Andrea Bocelli and Sugar. The second part of the show will air tonight.
Torpedine, the fame of Il Volo, Piero Barone, Ignazio Boschetto and Gianluca Ginoble, confirmed by the concert on Canale 5, has an increasingly planetary dimension.
“Yes, because they are the perfect representation of how our traditional repertoire, interpreted by three extraordinary soloists, has no equal in the world. Abroad listeners identify their music with the beauty, the joy and even the pride of being. I am particularly happy with the concert in Verona because perhaps, finally, even in our country, we will stop giving the word ‘national-popular’ a negative meaning”.
You mentioned three soloists.
“The characteristic of the three singers is that they are great artistic individuals, each with their own identity, capable, if they wanted, of a brilliant solo career and with the same level of notoriety as the group. Just to prove it, the TV program was called Tutti per one, because it focused attention on the creative value of individuals, as well as that of the group. Thanks also to the many duets, Il Volo has confirmed that it is a symbol of the best made in Italy, that of good feelings, which makes you dream”.
You were born as an orchestra player, played the drums, before starting your career as a manager. Who were the protagonists of that season?
“It was an unrepeatable season, wonderfully told in the latest book by my friend Andrea Mingardi, Thus we played in Paradise which he recently presented in Bologna and, for work reasons, I was not there. Andrea was the greatest of all, his orchestra was the most beautiful, technically the best, and also the most expensive. All of us orchestral players considered him someone from another planet. A musician unattainable for us. Read the book if you want to rediscover the atmosphere of true musical Bologna . Nothing comparable to today”.
What plans do you have with Il Volo?
“From 2 to 4 September, we will bring Tutti per Uno to the Teatro degli Arcimboldi in Milan. It will be an opportunity to admire Il Volo in a more intimate dimension. Many insiders, journalists, managers, from every corner of the world will come to visit us. we exclude a possible participation in the Sanremo Festival. With the direction of Amadeus, even among the most famous singers the desire to participate in the competition has returned. Obviously everything is linked to having the perfect song. For now there is no decision, but just an interest”.

So could we see Il Volo again in Sanremo? Nothing would make me happier, but I certainly hope that the jury is really objective and the press room is educated and correct, certainly not like Sanremo 2019.
And now let’s take a peek at a beautiful wedding that took place on Saturday 10 June, the wedding of Giuseppe di Stefano, one of the twins, a friend of Gianluca.
If I’m not mistaken Gianluca was also a witness, here’s a shot and a couple of short videos …… What a dream !!! 




…………and finally, a nice photo of Gianluca and Eleonora ❤❤

….one of Ignazio at the hairdresser ❤
……and one beautiful Piero’s photo 

Latest news, Il Volo will give a concert on July 21 in the square of Ascoli Piceno, a town in central Italy. It is completely free and is an initiative of two entrepreneurs of the area, but tickets are needed which will be given by the municipality of Ascoli Piceno only to residents and no more than two to head.
Still, it’s a great initiative.

………..to you the comments on all topics!!
Daniela 🤗


Credit to owners of all photos and videos.

The Epitome of Success by Susan

Last year I wrote a story about everything that happened after the guys won Ti Lascio Una Canzone. One of the things I loved about the story was a wonderful video I found that showed the guys coming together musically! Usually, I end each story with an amazing video, I will do that in this story, but this week I need to start with a wonderful video of our three teenagers when they started on the road to success and proved they were The Epitome of Success.

Now tell me these are not the three most amazing young men, the three most talented young men, some of the most handsome teenagers and now very handsome young men, you have ever met!
Over the last few weeks, we heard about how they got to Ti Lascio Una Canzone and then we started to see them branch out in America.
So now we leave behind the individual stories of the guys, and we begin to see the guys together and we listen to their conversations. It’s so exciting to watch them grow and mature!
In their many interviews, they talked about their lives in the beginning of their career, and we begin to see how they interact with one another to form a powerful team. From a very young age they were very intelligent, and they were always courteous. They always had the right answer at the right time! This is a big achievement for such young boys who were thrown together into an adult’s world without any way of knowing what to expect. This says a lot about their integrity.
The video below is truly the beginning of Il Volo. I’m sure you have all seen this video a hundred times before but what I love about this video is what Tony Renis, Humberto Gatica, Ron Fair, and Michele Torpedine have to say about the guys. These four men, who are the crème de la crème in their industry, explain who these three teenagers are in a most amazing way! Michele sums it all up by saying, “They are just in a different dimension!” I certainly couldn’t have said it better. Can you imagine saying such things about any other teenagers? No, because there has never been a group of teenagers or adults who could compare with these three. Never! They are a once in a lifetime event. La Forza del Destino!

Let’s talk about destiny for a moment! For me, I see the day they sang together for the first time as the day their destiny was sealed. La Forza del Destino (the force of destiny). I call it as I see it! This was God’s plan! His hand was always guiding each of these boys. How else would you explain how they happened to be in the same place at the same time? We’re not just talking about three teenage boys with nice voices, we’re talking about three teenage boys with phenomenal voices. Very unique voices! Truly one-of-a-kind voices! Their voices are like no other voices in the world. Am I saying they are the greatest singers in the world? Yes! They are touched by the hand of God!
It wasn’t just that the voices were extraordinary, no, it was that they complemented one another. It was natural and it was apparent from the very first note that these voices worked well together and that their voices are in tune with one another. The first time they walked out on the stage, their fate was sealed. Their voices were a perfect fit for one another! What are the chances this would happen?

So how is this possible? No doubt it was God’s plan! But how do you explain it! For me, there is only one way to explain it!  So, bear with me and I will tell you a little tale about how I think these three amazing boys came to be!
Before the Lord sent these three amazing boys to earth, He said what this world needs are three voices that can bring joy to my people. So, he chose three loving couples and one by one he sent them a son. Not just any son! A special son! One that God would choose from His Choir of Angels!

First there was Gaetano and Elenora Barone. The Lord called in his Choir of Angels and chose a Spinto Tenor to send to this couple because he wanted a strong voice to share with the world! When their boy arrived, the Barones thought, what should we name him. They decided he was solid like a rock, so they called him Piero which means rock!

The Lord waited and watched and liked what he saw and decided it was time to send another amazing boy to earth. He sent this son to Vito and Caterina Boschetto. Not just any son. No, the Lord thought about it and said what this world needs is a Lyrical Tenor. Not just any lyrical tenor, no, one that could sing from the lowest to the highest note on the scale and bring High C to another level. When he arrived the Boschettos noticed that he was a spitfire, so they named him Ignazio which means “fiery.”

The Lord waited and saw this was good then he thought, what we need to round this out is a Baritone! So, he went back to His Choir of Angels and found a Baritone who he knew would capture the world with his amazing voice. He sent him to Elenora and Ercole Ginoble who the Lord felt needed some light in their life. Gianluca is a combination of two names, Gian and Luca. Luca means light and the two names together mean A Gift of God born under the sunrise. Well, I think we can all agree that Gianluca is a ray of sunlight!
The Lord completed His task and rested because He had achieved His goal of sending three phenomenal boys to earth and He knew the world would be in total awe of these three boys. Without a doubt, they have spread their joy around the world!

What was the goal of the Lord? He wanted three voices that alone were phenomenal and together were a symphony! Listen to their voices when they sing. Their voices come from every direction like a symphony orchestra that is forming the music around you!
Maybe my story is a little silly, but the results are not! The Lord in fact sent three phenomenal singers to earth for our listening pleasure and what pleasure they give us!
I talked about their individual discoveries many times. Usually when you talk about someone being discovered it goes something like, “I was standing on a street corner singing when….” No that isn’t what happened here. The reason they are so unique is because they were discovered as children. Very small children! Three, four years old. They really had those intense unmistakable voices very early on.  A voice that makes you stop in your tracks and say, “Am I really hearing that voice coming from that child?”  They were born with those voices. If their coming together isn’t destiny, I don’t know what is!
After Ti Lascio Una Canzone, as we begin to listen to their interviews and read through their stories, we can see how the boys begin to bond with one another. We all have our good days and our bad days but, at the end of the day they have what’s most important, “each other.”

What we see in their story is how they begin to achieve success in American. From their first performance on TV on American Idol, they took America by storm. Every TV Show wanted them as guests. After the show they hit the top 10 on the “Billboard” charts.
Success doesn’t come easy in America. Why were they successful? Certainly, those voices helped but there was more.
One of the things I noticed from the beginning was they had confidence because they all enjoyed what they were doing. But the flip side was there was a certain lack of confidence because of their young age. It was the things they had in common that made them special! They all had phenomenal voices, all three were fighters, and from when they were on Ti Lascio Una Canzone, they all were out there to win.  And winners they were.
Piero was always confident. When he got on stage, he was going to do what he did right along in his competitions. His idea was, I got this, I’m going out there and I’m going to do what I know works! It didn’t matter that he was in the real world now. No, the stage was still the stage no matter who is in front of you.
Ignazio was always the big draw card because he had that stage presence, and of the three he was never afraid to take chances; well maybe with Sanremo he hesitated a little! On the rare occasions that you see him quiet, there’s no need to worry, it just means he’s thinking. His mind is always working! He’s always preparing! Even at 14 when he was competing, he had it all together.  Maybe he wasn’t as polished as he is today, but he certainly had it all together. He’s very personable and that has always been his key.
In the beginning, Gianluca was a little laid-back. He was a little less confident than the others. The fact that he had never competed before added to this lack of confidence.  I will say he was sassy in the beginning but that changed as he gained confidence and began to feel a part of the three. He was too young to even understand all that was going on when he competed in Ti Lascio Una Canzone. As the three began to sing together Gianluca’s sassiness began to go away and he started to appreciate the value of being one of three. This gave him the confidence he needed.

They were very different from one another!  But who they were and what they were, got them to where they are and so that’s where the story begins. 
Each boy had a dream and that dream got him to the stage he needed to be on to show the world who he was and what he was about!
In the beginning it was a little rough. For Ignazio and Piero, a quick friendship developed and since both had stage experience it was a little easier for them to acclimate. Not so much for Gianluca.
Gianluca was too young and didn’t have the stage presence the other two had. This created a problem because he needed to find his stage presence. He always imagined that the stage was his alone.  This was not a bad thing, even though it did cause problems, but going forward it needed to be resolved before their future could be sealed. As with all teenage boys they had their arguments, their disagreements, but when reality hit, Gianluca understood, he wasn’t the ONE they were the THREE ~ Il Volo.
But before they became one, they needed to do something that teenage boys don’t have to do. They had to grow up overnight and take on the role of adults when they were only 15 and 16 years old.
You can’t even get your 15-year-old to clean his room. Imagine telling him it’s time to say goodbye to your teenage years and start working. How could they even understand what this was all about. The fact is they really didn’t understand. Let’s listen to what the guys had to say about their beginnings….

Piero said….
In short, a little impression, however, we had when we started to hear about America. And who knew us, there? Nobody. So, what happened? We discover what it means to have a manager.
Thanks to an American lawyer, Peter Lopez, a contact from Tony Renis, one of our auditions arrives at Interscope Records in the United States. It is a label of music production that is part of the Universal Music Group America, the largest record company in the States.
Imagine the desk of Jimmy Iovine, the president of Interscope, a large desk in a large American office. They take a laptop, put it in front of it, start O Sole Miorecorded by TI LASCIO UNA CANZONE. When it arrives at the “Ma n’aaaatu sole!”, Iovine closes the computer and exclaims: ‘We got it!.’ All right, we do it. And we signed a millionaire contract.
At the beginning it was really a dream, even if I do not like repeating it, because you find yourself traveling the world and doing it, from one day to the next. However, I repeat, always without realizing the importance of the thing, without fully understanding what was happening. 

Ignazio responds to Piero….
A dream that Piero, in the clouds, has forgotten to say the most important thing: that it was the first time that Italian singers signed a contract directly with an American record company.
For us today there are seven takes to sing, back then there were thirty or forty…. So, a take is the recording of the single phrases that each of us sing when we record a song. We continue to redo until we get to the best version. In 2009, on our first recording, it took almost two days to record a song, until it was good. I remember that I made the absolute record of takes in “Smile”: I repeated my part fifty-seven times.
We were small and inexperienced, the English language did not help, Tony Renis and Humberto Gatica – one of the best-known producers and sound technicians in the world, who worked with Andrea Bocelli, Eros Ramazzotti, Pino Daniele, Barbra Streisand, Celine Dion – if they were not satisfied, they would tell it to us clearly.

Gianluca interrupts….
Piero forgot to mention that ours was the first contract signed directly by Italian singers with an American label, but Ignazio forgot to mention that the first recording studio in which we entered all three together for our great adventure it was called Forum and it was in Rome.
I remember, and it is one of the few things that I have very clear in mind of that period, that we have compiled the lineup of the tracks with Tony Renis, and most were the ones we had sung at Ti Lascio Una Canzone, plus five other American songs.
But the first time in front of the microphone was still in Rome in the studio where we had done the auditions before the program began. Roberto Cenci had assigned the songs to all the children, he had arranged the arrangements, and we had recorded the compilation that came out in May after the end of the program and immediately entered in the rankings.
But that was the first time alone in front of a microphone, and it was (Gianluca addresses Piero) … What are you looking at? Do you want to say it?
Piero interrupts….
… it was nice because it was the first experience.
We did not sing well because we had no technique, so it was as Ignazio said: we took a take in sixty, seventy times.
At that time, when we arrived in the studio, we found everything ready: the songs to sing, the subdivisions, the arrangement, this and the other. Now, instead, after the third album, we do everything together, we create everything with Celso Valli, our producer.
Those first times we did not have this freedom to do it, everything was imposed because we did not yet have the skills to do it.
Now we have them, and we share the parts, we know each other better and, in the studio, we help each other. It is also nice to see that each of us now has his way to enter the recording room. Gianluca and I sing with the light on in the recording room. Ignazio, on the other hand, enters and the first thing he does is turn off the light. They are small details, but they mean that we have grown, and we have our own way of working.
Between the three of us, we have split up the roles. Ignazio if there is a problem with the mixer, consults the producer to fix things. Gianluca is the one who listens to the songs from morning to night and offers: ‘Guys, I discovered this songwriter.’ ‘Guys, I discovered this artist, what do you think?’ I like the managerial part, I like managing, I like to contact people, I like to propose new things to Michele, ‘Why do we not do that?’ ‘Why do we not try to do that?’ ‘How can we get to this person?’ I like this: we put our heads together and think how we can improve it.
There is a complete professional balance: we have grown physically, but also professionally. So even if we get a producer we do not know, we do not have any problems, we know how to talk to him and tell him what we want. This is the most important aspect: being at the same level. Which is the reason why for some months now I have this big black leather folder, that I always carry with me. If I have to tell the truth, Torpedine lent it to me and, as  it brought good luck, I stole it from him and, as I told you, I always carry it with me, with the pieces we have to do, the notes, the notes of what is lacking to be fixed, what is not lacking, the notes to do: everything is much more professional.
Now we are working with Celso, one of the most important record producers we have in Italy.
We have had great luck: we can afford to deal with the older ones, it is not easy. It’s something that put Torpedine in my mind: you must always invest for your future. Celso has agreed to bet with us on our future and we worked together on the last album, Love Moves (L’amore si Muove) which came out in September. It is a pleasure working with him because he lets you talk, lets you express your ideas, lets you try, and this is a fundamental thing, the most important thing when you want to improve, to grow.

Talking about “L’amore si Muove,” let’s take a moment to talk about this wonderful album….

“Musica” is the album that proved that great can get greater. This album is representative of where these young men were in 2018, nine years after they got together. The album is beautiful, it’s sensitive, it’s romantic. It’s about love. It’s about them being ready for love. It comes from deep within them. All the sweetness and humility of these guys is in this album. It moves your senses. What I am saying is they have evolved, and their voices have evolved. They’ve grown into their voices. Their voices are mature and have expanded in such an amazing way. There’s an intriguing balance in their voices. To experience this amazing evolution in voice and song you need go no further than “Be My Love.” 


Gianluca’s voice vibrates and expands to realms I’ve never heard before.
Ignazio makes your heart stop as you journey along his notes which lead to absolute ecstasy. Where do those notes come from? 
Piero fills all your senses and brings you to such heights he takes your breath away!
Just spectacular! Phenomenal voices!!!

Yes they really made some major moves over those first nine years. Most singers start out slowly and gradually get it together. Not our guys! They put everything on the table from day one and ran with it. You might say they took a chance but there was never a doubt, at least not in my mind, that they would succeed. They always were and always will be phenomenal!
We will leave the guys realizing for them success never stops! Every song, every concert, is a new adventure. The path always was and always will be open for them because they are The Epitome of Success!
I think I promised you a spectacular ending. Let’s stay in 2018 and see if this works….


I think the guys had a great time Dancing with the Stars ~ Italian Style! They all danced well but who do you think danced the best?

And a special concert for your listening pleasure Il Volo Un’avventura Straordinaria.

Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at http://www.ilvoloflightcrw.com