Tag Archives: Ron Fair

The Epitome of Success by Susan

Last year I wrote a story about everything that happened after the guys won Ti Lascio Una Canzone. One of the things I loved about the story was a wonderful video I found that showed the guys coming together musically! Usually, I end each story with an amazing video, I will do that in this story, but this week I need to start with a wonderful video of our three teenagers when they started on the road to success and proved they were The Epitome of Success.

Now tell me these are not the three most amazing young men, the three most talented young men, some of the most handsome teenagers and now very handsome young men, you have ever met!
Over the last few weeks, we heard about how they got to Ti Lascio Una Canzone and then we started to see them branch out in America.
So now we leave behind the individual stories of the guys, and we begin to see the guys together and we listen to their conversations. It’s so exciting to watch them grow and mature!
In their many interviews, they talked about their lives in the beginning of their career, and we begin to see how they interact with one another to form a powerful team. From a very young age they were very intelligent, and they were always courteous. They always had the right answer at the right time! This is a big achievement for such young boys who were thrown together into an adult’s world without any way of knowing what to expect. This says a lot about their integrity.
The video below is truly the beginning of Il Volo. I’m sure you have all seen this video a hundred times before but what I love about this video is what Tony Renis, Humberto Gatica, Ron Fair, and Michele Torpedine have to say about the guys. These four men, who are the crème de la crème in their industry, explain who these three teenagers are in a most amazing way! Michele sums it all up by saying, “They are just in a different dimension!” I certainly couldn’t have said it better. Can you imagine saying such things about any other teenagers? No, because there has never been a group of teenagers or adults who could compare with these three. Never! They are a once in a lifetime event. La Forza del Destino!

Let’s talk about destiny for a moment! For me, I see the day they sang together for the first time as the day their destiny was sealed. La Forza del Destino (the force of destiny). I call it as I see it! This was God’s plan! His hand was always guiding each of these boys. How else would you explain how they happened to be in the same place at the same time? We’re not just talking about three teenage boys with nice voices, we’re talking about three teenage boys with phenomenal voices. Very unique voices! Truly one-of-a-kind voices! Their voices are like no other voices in the world. Am I saying they are the greatest singers in the world? Yes! They are touched by the hand of God!
It wasn’t just that the voices were extraordinary, no, it was that they complemented one another. It was natural and it was apparent from the very first note that these voices worked well together and that their voices are in tune with one another. The first time they walked out on the stage, their fate was sealed. Their voices were a perfect fit for one another! What are the chances this would happen?

So how is this possible? No doubt it was God’s plan! But how do you explain it! For me, there is only one way to explain it!  So, bear with me and I will tell you a little tale about how I think these three amazing boys came to be!
Before the Lord sent these three amazing boys to earth, He said what this world needs are three voices that can bring joy to my people. So, he chose three loving couples and one by one he sent them a son. Not just any son! A special son! One that God would choose from His Choir of Angels!

First there was Gaetano and Elenora Barone. The Lord called in his Choir of Angels and chose a Spinto Tenor to send to this couple because he wanted a strong voice to share with the world! When their boy arrived, the Barones thought, what should we name him. They decided he was solid like a rock, so they called him Piero which means rock!

The Lord waited and watched and liked what he saw and decided it was time to send another amazing boy to earth. He sent this son to Vito and Caterina Boschetto. Not just any son. No, the Lord thought about it and said what this world needs is a Lyrical Tenor. Not just any lyrical tenor, no, one that could sing from the lowest to the highest note on the scale and bring High C to another level. When he arrived the Boschettos noticed that he was a spitfire, so they named him Ignazio which means “fiery.”

The Lord waited and saw this was good then he thought, what we need to round this out is a Baritone! So, he went back to His Choir of Angels and found a Baritone who he knew would capture the world with his amazing voice. He sent him to Elenora and Ercole Ginoble who the Lord felt needed some light in their life. Gianluca is a combination of two names, Gian and Luca. Luca means light and the two names together mean A Gift of God born under the sunrise. Well, I think we can all agree that Gianluca is a ray of sunlight!
The Lord completed His task and rested because He had achieved His goal of sending three phenomenal boys to earth and He knew the world would be in total awe of these three boys. Without a doubt, they have spread their joy around the world!

What was the goal of the Lord? He wanted three voices that alone were phenomenal and together were a symphony! Listen to their voices when they sing. Their voices come from every direction like a symphony orchestra that is forming the music around you!
Maybe my story is a little silly, but the results are not! The Lord in fact sent three phenomenal singers to earth for our listening pleasure and what pleasure they give us!
I talked about their individual discoveries many times. Usually when you talk about someone being discovered it goes something like, “I was standing on a street corner singing when….” No that isn’t what happened here. The reason they are so unique is because they were discovered as children. Very small children! Three, four years old. They really had those intense unmistakable voices very early on.  A voice that makes you stop in your tracks and say, “Am I really hearing that voice coming from that child?”  They were born with those voices. If their coming together isn’t destiny, I don’t know what is!
After Ti Lascio Una Canzone, as we begin to listen to their interviews and read through their stories, we can see how the boys begin to bond with one another. We all have our good days and our bad days but, at the end of the day they have what’s most important, “each other.”

What we see in their story is how they begin to achieve success in American. From their first performance on TV on American Idol, they took America by storm. Every TV Show wanted them as guests. After the show they hit the top 10 on the “Billboard” charts.
Success doesn’t come easy in America. Why were they successful? Certainly, those voices helped but there was more.
One of the things I noticed from the beginning was they had confidence because they all enjoyed what they were doing. But the flip side was there was a certain lack of confidence because of their young age. It was the things they had in common that made them special! They all had phenomenal voices, all three were fighters, and from when they were on Ti Lascio Una Canzone, they all were out there to win.  And winners they were.
Piero was always confident. When he got on stage, he was going to do what he did right along in his competitions. His idea was, I got this, I’m going out there and I’m going to do what I know works! It didn’t matter that he was in the real world now. No, the stage was still the stage no matter who is in front of you.
Ignazio was always the big draw card because he had that stage presence, and of the three he was never afraid to take chances; well maybe with Sanremo he hesitated a little! On the rare occasions that you see him quiet, there’s no need to worry, it just means he’s thinking. His mind is always working! He’s always preparing! Even at 14 when he was competing, he had it all together.  Maybe he wasn’t as polished as he is today, but he certainly had it all together. He’s very personable and that has always been his key.
In the beginning, Gianluca was a little laid-back. He was a little less confident than the others. The fact that he had never competed before added to this lack of confidence.  I will say he was sassy in the beginning but that changed as he gained confidence and began to feel a part of the three. He was too young to even understand all that was going on when he competed in Ti Lascio Una Canzone. As the three began to sing together Gianluca’s sassiness began to go away and he started to appreciate the value of being one of three. This gave him the confidence he needed.

They were very different from one another!  But who they were and what they were, got them to where they are and so that’s where the story begins. 
Each boy had a dream and that dream got him to the stage he needed to be on to show the world who he was and what he was about!
In the beginning it was a little rough. For Ignazio and Piero, a quick friendship developed and since both had stage experience it was a little easier for them to acclimate. Not so much for Gianluca.
Gianluca was too young and didn’t have the stage presence the other two had. This created a problem because he needed to find his stage presence. He always imagined that the stage was his alone.  This was not a bad thing, even though it did cause problems, but going forward it needed to be resolved before their future could be sealed. As with all teenage boys they had their arguments, their disagreements, but when reality hit, Gianluca understood, he wasn’t the ONE they were the THREE ~ Il Volo.
But before they became one, they needed to do something that teenage boys don’t have to do. They had to grow up overnight and take on the role of adults when they were only 15 and 16 years old.
You can’t even get your 15-year-old to clean his room. Imagine telling him it’s time to say goodbye to your teenage years and start working. How could they even understand what this was all about. The fact is they really didn’t understand. Let’s listen to what the guys had to say about their beginnings….

Piero said….
In short, a little impression, however, we had when we started to hear about America. And who knew us, there? Nobody. So, what happened? We discover what it means to have a manager.
Thanks to an American lawyer, Peter Lopez, a contact from Tony Renis, one of our auditions arrives at Interscope Records in the United States. It is a label of music production that is part of the Universal Music Group America, the largest record company in the States.
Imagine the desk of Jimmy Iovine, the president of Interscope, a large desk in a large American office. They take a laptop, put it in front of it, start O Sole Miorecorded by TI LASCIO UNA CANZONE. When it arrives at the “Ma n’aaaatu sole!”, Iovine closes the computer and exclaims: ‘We got it!.’ All right, we do it. And we signed a millionaire contract.
At the beginning it was really a dream, even if I do not like repeating it, because you find yourself traveling the world and doing it, from one day to the next. However, I repeat, always without realizing the importance of the thing, without fully understanding what was happening. 

Ignazio responds to Piero….
A dream that Piero, in the clouds, has forgotten to say the most important thing: that it was the first time that Italian singers signed a contract directly with an American record company.
For us today there are seven takes to sing, back then there were thirty or forty…. So, a take is the recording of the single phrases that each of us sing when we record a song. We continue to redo until we get to the best version. In 2009, on our first recording, it took almost two days to record a song, until it was good. I remember that I made the absolute record of takes in “Smile”: I repeated my part fifty-seven times.
We were small and inexperienced, the English language did not help, Tony Renis and Humberto Gatica – one of the best-known producers and sound technicians in the world, who worked with Andrea Bocelli, Eros Ramazzotti, Pino Daniele, Barbra Streisand, Celine Dion – if they were not satisfied, they would tell it to us clearly.

Gianluca interrupts….
Piero forgot to mention that ours was the first contract signed directly by Italian singers with an American label, but Ignazio forgot to mention that the first recording studio in which we entered all three together for our great adventure it was called Forum and it was in Rome.
I remember, and it is one of the few things that I have very clear in mind of that period, that we have compiled the lineup of the tracks with Tony Renis, and most were the ones we had sung at Ti Lascio Una Canzone, plus five other American songs.
But the first time in front of the microphone was still in Rome in the studio where we had done the auditions before the program began. Roberto Cenci had assigned the songs to all the children, he had arranged the arrangements, and we had recorded the compilation that came out in May after the end of the program and immediately entered in the rankings.
But that was the first time alone in front of a microphone, and it was (Gianluca addresses Piero) … What are you looking at? Do you want to say it?
Piero interrupts….
… it was nice because it was the first experience.
We did not sing well because we had no technique, so it was as Ignazio said: we took a take in sixty, seventy times.
At that time, when we arrived in the studio, we found everything ready: the songs to sing, the subdivisions, the arrangement, this and the other. Now, instead, after the third album, we do everything together, we create everything with Celso Valli, our producer.
Those first times we did not have this freedom to do it, everything was imposed because we did not yet have the skills to do it.
Now we have them, and we share the parts, we know each other better and, in the studio, we help each other. It is also nice to see that each of us now has his way to enter the recording room. Gianluca and I sing with the light on in the recording room. Ignazio, on the other hand, enters and the first thing he does is turn off the light. They are small details, but they mean that we have grown, and we have our own way of working.
Between the three of us, we have split up the roles. Ignazio if there is a problem with the mixer, consults the producer to fix things. Gianluca is the one who listens to the songs from morning to night and offers: ‘Guys, I discovered this songwriter.’ ‘Guys, I discovered this artist, what do you think?’ I like the managerial part, I like managing, I like to contact people, I like to propose new things to Michele, ‘Why do we not do that?’ ‘Why do we not try to do that?’ ‘How can we get to this person?’ I like this: we put our heads together and think how we can improve it.
There is a complete professional balance: we have grown physically, but also professionally. So even if we get a producer we do not know, we do not have any problems, we know how to talk to him and tell him what we want. This is the most important aspect: being at the same level. Which is the reason why for some months now I have this big black leather folder, that I always carry with me. If I have to tell the truth, Torpedine lent it to me and, as  it brought good luck, I stole it from him and, as I told you, I always carry it with me, with the pieces we have to do, the notes, the notes of what is lacking to be fixed, what is not lacking, the notes to do: everything is much more professional.
Now we are working with Celso, one of the most important record producers we have in Italy.
We have had great luck: we can afford to deal with the older ones, it is not easy. It’s something that put Torpedine in my mind: you must always invest for your future. Celso has agreed to bet with us on our future and we worked together on the last album, Love Moves (L’amore si Muove) which came out in September. It is a pleasure working with him because he lets you talk, lets you express your ideas, lets you try, and this is a fundamental thing, the most important thing when you want to improve, to grow.

Talking about “L’amore si Muove,” let’s take a moment to talk about this wonderful album….

“Musica” is the album that proved that great can get greater. This album is representative of where these young men were in 2018, nine years after they got together. The album is beautiful, it’s sensitive, it’s romantic. It’s about love. It’s about them being ready for love. It comes from deep within them. All the sweetness and humility of these guys is in this album. It moves your senses. What I am saying is they have evolved, and their voices have evolved. They’ve grown into their voices. Their voices are mature and have expanded in such an amazing way. There’s an intriguing balance in their voices. To experience this amazing evolution in voice and song you need go no further than “Be My Love.” 

 

Gianluca’s voice vibrates and expands to realms I’ve never heard before.
Ignazio makes your heart stop as you journey along his notes which lead to absolute ecstasy. Where do those notes come from? 
Piero fills all your senses and brings you to such heights he takes your breath away!
Just spectacular! Phenomenal voices!!!

Yes they really made some major moves over those first nine years. Most singers start out slowly and gradually get it together. Not our guys! They put everything on the table from day one and ran with it. You might say they took a chance but there was never a doubt, at least not in my mind, that they would succeed. They always were and always will be phenomenal!
We will leave the guys realizing for them success never stops! Every song, every concert, is a new adventure. The path always was and always will be open for them because they are The Epitome of Success!
I think I promised you a spectacular ending. Let’s stay in 2018 and see if this works….

Rehearsal

I think the guys had a great time Dancing with the Stars ~ Italian Style! They all danced well but who do you think danced the best?

And a special concert for your listening pleasure Il Volo Un’avventura Straordinaria.

Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at http://www.ilvoloflightcrw.com

Let the Concerts Begin

In the beginning the guys were called “awesome opera singers!” That’s how they described them. No, not in Italy! Here in America!
I love looking back at the beginning of their career and watching how they grew! One of the nice things about living in New York is you get all the interviews and promos firsthand!
In the late summer of 2011, the guys were getting ready for their first North American Tour. This involved a lot of preparation and a lot of appearances on TV talk shows to pave the way! I remember watching them on “Good Morning America” and thinking this is going to be an amazing journey for them. They have so much going for them but above all they had their youth which was an asset! Their voices were enticing and, they were adorable! Every teenage girl was going to fall in love with them. So would their mothers, and above all the grandmothers! It was the beginning of a journey that was going to take them to every corner of the earth. They would steal the hearts of all who came into contact with them. And, given their age, we could count on their music being around for a long time. That was the thing about their music, it came from the past and fit right into the present and would go well into the future. Everyone would come to love it! Yes, there were others who sang the same songs but, they were not Il Volo! Only Il Volo could pierce our hearts with their beautiful voices and leave us memories that would grow with age and expand with every new song!

During the last days of summer in September of 2011, the guys were taping the “Today” show. They were teenagers and they were belting out their favorite song “O Sole Mio” in front of projections of stained-glass windows. Their appearance capped a few months that brought them from “American Idol” to the morning talk shows to the final episode of “Entourage.” The idea was carefully designed to expose them to both mothers and daughters, before their first North American tour, which included theaters like the Beacon Theater in Manhattan.

In the NBC studio at Rockefeller Center, a sleepy-eyed Gianluca, 16, crooned the opening verse, and Piero, 18, and Ignazio, who was turning 17 the following Tuesday, released ringing high notes. Hoda Kotb, “Today’s” co-host, put her hand on her heart and smiled wistfully behind the cameras.
“We are Il Volo,” Ignazio said at the end with a heavy accent and a dimpled grin. “It means ‘flight.’ Thank you for flying with us!
After the taping Hoda said, “Believe me, everyone’s going to come running. They’re going to beat down the door.” How right she was!
The theory, Arias for teenagers, the crossover dream was being masterminded by some of the most savvy executives in the music business: Jimmy Iovine, who helped turn Eminem and Lady Gaga into superstars; Ron Fair, who nurtured the careers of Christina Aguilera and the Black Eyed Peas; and Steve Leber, a management legend who worked with the Rolling Stones, Aerosmith and AC/DC and has come out of pop retirement to try to make Il Volo explode. And explode they did!
The group was introducing the same Italian pop standards and power ballads that performers like Bocelli used to rocket to superstardom. The difference, of course, is age: theirs, and that of their potential audience.

“In the beginning all of us thought that because of their kind of music, the audience would be from 35 and up,” said producer Tony Renis. “But now we realize that they can conquer the kids. The younger generation all over the world. The kids are used to rap but they never had the chance to listen to this kind of music. But now Il Volo is spreading a new kind of feeling. They are conquering every age.”
The group caught Mr. Renis’s eye in the spring of 2009, when the three boys were competing individually on “Ti Lascio una Canzone,” an Italian version of “American Idol.” A shrewd producer on the show, Roberto Cenci, suggested they combine forces, and their renditions of modern classics were hits.
“These kids were singing ‘O Sole Mio,’ and I heard such amazing, beautiful voices that I didn’t believe it,” Mr. Renis said. “I thought it was fake. They were singing with such mature voices, like men of 50 or 60 years.”

Left to right: A young Piero, Gianluca and Ignazio walking through an airport

Mr. Iovine and Mr. Fair signed the guys to Geffen Records after hearing a clip that Mr. Renis played for them. Their debut album, “Il Volo,” a mélange of songs in Italian, English and Spanish calibrated for the widest possible appeal, was assembled over the next year and released in Italy in November 2010.
The label’s connections landed the guys a spot on “American Idol.” They also did a cameo on the final episode of “Entourage,” with their song “Un Amore Così Grande.”
Meanwhile, when Anthony Rugiero heard Il Volo sing, he was struck by the group’s similarity to both opera’s The Three Tenors and the pop music world’s Jonas Brothers.
“I was amazed,” said Rugiero. “It was, like wow! They are treating these kids like the Jonas Brothers in Italy and they’re singing opera, like The Three Tenors. You look at them and it’s like, these guys have it all. It’s too good to be true.”
Rugiero, who heard the group sing in Italy, knew Il Volo could help his charitable endeavors. He had been looking for a way to raise funds for Boys’ Town of Italy, Italian Language Inter-Cultural Alliance and the Volterra-Detroit.
“I was thinking, how can I get a group together that’s big enough that it would reach all age levels? I thought about singing groups and was trying to think of who I could get, when I see these young kids in Italy,” Rugiero recalled. “They take classical music and put a little something into it. These kids are wonderful.”
Rugiero, who also is a board member of the Detroit Opera House, was determined to bring the group to Detroit as a fundraiser for three organizations and began working on a plan to produce the concert himself. After Live Nation bought the group’s North American concert tour, Rugiero suggested a benefit dinner that would be held in conjunction with the show on Sunday, October 16. Concert promoters liked the idea.
This video is the best example of how they were able to steal the hearts of the American people. The video shows them on a simple stage with limit musicians and their voices shine!

“I purchased the first 20 rows, center section, all premium seats,” Rugiero said, describing seats at the Fox Theatre. “We hope to have a great evening.”
Fiat was the sponsor of the event, along with several Italian-American business leaders including Tom Celani and Anthony Soave.
The Volterra-Detroit Foundation supports The University of Detroit Mercy School of Architecture and Comune di Volterra, which had formed a partnership to provide a new educational opportunity in the City of Volterra, Italy, for students in metro Detroit. Through the partnership, U.S. students can study in Italy for no additional fee, after paying their regular college tuition.
“I love programs that bridge the gap between Italy and the U.S.,” Rugiero said.
Rugiero didn’t get to produce the concert but he was able to use it as a fundraiser for three worthy organizations.
Back in New York, the “Today Show” was not their only talk-show appearance. They were on “The Tonight Show,” “Good Morning America,” “The Ellen DeGeneres Show” and CBS’s “Early Show” in May, when their album was released in the United States. And they were preparing for a PBS special.
In the meantime, their album made its debut on the Billboard 100 chart at No. 10. The Italian and American management teams butted heads about where, when and how to spend the boys’ time. Should they stay in America a full year and play smallish clubs? Make one-off appearances all over the world? Play theaters seating 1,000 or 3,000?
“No one had a real game plan,” said Mr. Leber, who persuaded the families to bring him and his son, Jordan, on to help manage the group as it rolled out. “They need to tour, tour, tour, tour. The kids and the parents were nervous about going on the road. But the most important thing was to go on the road.”

Left to right: A young Piero, Gianluca and Ignazio singing on stage

So, on the road they were. Each of the boys was accompanied by one parent, a substantial sacrifice, since all three left their jobs to join their sons, and none are wealthy: Piero’s father is an auto-body mechanic, Gianluca’s a truck driver, and Ignazio’s mother owned a pizzeria that her 25-year-old daughter was running in her absence. None of the three spoke English.
The group had already been to Singapore, New Zealand, Sydney, Miami, jumping on the red carpet at the Venice Film Festival. With the upcoming North American Tour, it was necessary to get a new wardrobe. The guys were taken to Dolce & Gabbana on Madison Avenue to shop for a tour wardrobe. When they arrived at the store, Barbara Vitali told the sales associate, “We have to balance the repertory they are performing with the teenagers that they are.”
The scene in D & G was confusing! A series of slim blazers failed to fit Ignazio, who has lost more than 30 pounds but remains wide in the shoulders. Ignazio sang “All Nylon” to the tune of “All Night Long.” Gianluca emerged from the dressing room in tight black velvet pants and a shiny black blazer. Piero ended up with boots spattered Pollock style.
“They’re very, very different from one another,” Mr. Fair said. “Gianluca’s like a young Tony Curtis or a Mario Lanza, almost a Presley character, handsome and dark and Italian with fabulous hair. Ignazio is a crowd pleaser and a people person, adorable and funny. Piero is more studious, very serious.”
Three hours and well into five figures’ worth of clothing later, the group headed to the Borgata Hotel Casino & Spa in Atlantic City, site of the tour’s first performance of the guys first full concert ever. They allotted two days for preparation.

Left to right: Gianluca, Piero and Ignazio sitting on a sofa during an interview

The following morning’s rehearsal began well. The boys sounded fresh as they warmed up; the echo of one of Ignazio’s high notes stayed in the ice-cold air of the theater for five full seconds. But Gianluca missed an entrance — he had, as usual, been on his cellphone with his girlfriend — and things quickly dissolved into backstage shouting.
The next day was the opening show, and the boys had still not run a single song all the way through. Mr. Leber arrived, doling out hugs. “This is not music,” he said. “This is a happening. This is an event.”
And it was. It got off to a rough start. The lighting careened from darkness to glare. The sound mix, including the vocal track augmenting some of the group’s harmonies, was murky; the video projections — a mixture of slow-motion Italian film clips and animations — were distracting. The boys seemed unsure of exactly where to stand and how to move.
Then they opened their mouths. The first song was “Il Mondo,” a sweeping heart tugger. Like many of the numbers in Il Volo’s playbook, it started quietly, with a verse from Gianluca. It built and built, until Ignazio, oozing delight at being onstage, let loose a startlingly full and mature high note.
A girl literally screamed with delight!
Gianluca glanced at Piero with relief in his eyes. The audience gave standing ovation after standing ovation.
Next stop, Toronto. In contrast to the Borgata show — which, like much of the tour, was organized by the American concert-promotion monolith Live Nation — the Toronto appearance was the work of a local promoter, Mimmo Pellegrino. It was at Roy Thomson Hall, where the Toronto Symphony Orchestra plays and, which is about three times the size of the Borgata theater.
The Borgata show had, as Mr. Leber had predicted, the feel of an event – sold out, electric. In Toronto about a quarter of the seats remained empty. Some odd scenic elements had been added, like three enormous white masks that were revealed at the end to be swivel chairs. The audience response was warm, but it was hard for even the loudest of the recorded string arrangements to fill the big space.
The audience at both shows was mostly older, but there were the seeds of what could become a classic boy-band phenomenon: that girl screaming in the audience at the Borgata, high-pitched shrieks of “We love you!” in Toronto, a high school senior who asked Piero to be her date for homecoming. (He said yes.) And maybe, just maybe, they will inspire young people to try “real” opera. The thought was, if Il Volo can persuade teenagers to notice and care about vocal production in a classical — or at least classic — style, who knows?

“By January they could sell 1.5 million records around the world,” predicted Mr. Fair, who arrived at the theater in Toronto just as the boys were exiting the stage. “Everyone will know who Il Volo is. It’s going to be a gigantic live act. Tickets are going to sell like crazy. And then a song will come along, like a Coldplay-type song, a pop record that’s introspective and beautiful, and everyone on the more pop end of things will know them.”
But before everyone knew them there was a degree of fame and it was pleasant and inviting. There was some discussion after the Borgata show about whether the boys should exit through a back door. They decided instead to greet the public, and as they walked into the lobby, what can only be called a polite mob ensued, just the right size and just the right amount of enthusiasm. The boys thanked everyone graciously as they signed autographs and posed for photos.
Earlier in the day Ignazio was doing a sound check onstage with the band. Steve Leber watched from the seats. As if on cue, Ignazio hit one of his shining high notes. Mr. Leber smiled. “Our game plan is working,” he said.
And it certainly worked well. The crowds grew and, the enthusiasm grew and, it has never stopped working since then. The 2011 North American Tour was just the beginning of their success in America. A success that ten years later continues not just in North American but around the world.
And over the last year the call from our guys and the world was Let the Concerts Begin.
2022 should prove to be the best year yet! Welcome Back guys! You have really given us great pleasure with your Tribute to Ennio Morricone and we look forward to its arrival in North America and around the world!

Left to right: Piero, Gianluca and Ignazio singing on the Verona Arenastage

Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
Excerpts from an article in the New York Times by Zachary Woolfe on Sept. 29, 2011
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com

 

Today I would like to share a letter with you from a lady named Marilyn Andrews in Seattle.
In 2020, at the height of the covid pandemic, my husband passed away from a long illness. I had been caring for him for several years prior to his passing. I loved him so deeply, but yet, after many months, I had been unable to grieve for him. Let me describe my husband, and you may be able to make an association with someone else:
Professional singer; glorious baritone voice; a repertoire of thousands of songs; offered a chance at fame on national TV (but turned it down over concerns for impact on the family); opened a show for Tony Bennett; musically inspired by Tony Bennett, Frank Sinatra, Perry Como, Mario Lanza, the Three Tenors, etc.; private in nature but a consummate perfectionist in public performance; intelligent, serious, articulate, a philosopher of the mind; handsome, part time model with a stunning smile; fit and athletic runner and weight lifter; self taught in many things, including guitar and piano; a lover of beautiful clothes (Armani in particular); a lover of all things Italian – culture, art, history, wine. Above all, lover of family.  The list could go on….
In the fall of 2020, I happened to hear a televised concert of Il Volo on TV. I loved the music and began to follow the group online and joined the fan club – my first and only one ever. As I read more about Piero, Ignazio and Gianluca individually, I was startled by the many things Gianluca and, my husband had in common. “How odd”, I thought. The more I learned, the more things I found they had in common, the stranger it became, and so the more I followed.
Sometime in the winter of 2020, I viewed and heard Gianluca’s performance of “Mi Mancherai” in Rome on YouTube. At that time, I knew virtually no Italian words, and so had no idea of the song’s meaning. But upon hearing it, something inside me just broke. It was such a jolt that I actually felt it physically. The timbre of the song, the sadness and the passion with which it was delivered instantly touched my soul at such a deep level that I cannot even describe it. I wept, and wept and wept, and realized that I was finally, finally grieving for my lost husband. Two days later, I searched online for an English translation of the song. And the tears came all over again, as I learned that the song is about losing someone so very close to you that you are overwhelmed with the “missing” and the sense of loss. It was quite literally a musical expression of grief – my grief. Without realizing it, I had been led, seemingly step by step, to the music of Il Volo, then to the character of Gianluca, then to his song, then to the expression of my grief. How could this even be possible – that a complete stranger helped me begin to overcome my deepest loss? I have no idea. But I somehow need to thank Il Volo and specifically Gianluca for the gift that he gave me, even without his knowledge of it.
Over time, I am healing. And I have begun the process of reinventing myself. Hesse says that “the true profession of man is finding his way to himself.” That is what I am doing. With my previous background in international business, I am learning Italian, working remotely here in Seattle for an Italian company in Vicenza, and planning a different life for myself. I may not stay in the U.S.; it is possible I may choose – Italy? Spain? Portugal?  All of these changes involve a great deal of new thinking, new learning, and a lot of courage, but as I heal, I am becoming a true lioness!
Today the music of Il Volo brings me no tears, only incomparable joy. I have never had the opportunity or pleasure of seeing and hearing Il Volo in concert, but I hope to do so in the future, in Italy or somewhere in the world. It is highly unlikely that I will ever meet Gianluca in person. But if I did, I would shake his hand, thank him, and let him know that he has helped me more than he will ever know. “All things are possible.”

Credit to owners of all photos and videos.

THANK YOU MR. RENIS ~ Mary Bohling

L to R - Tony Renis, Gianluca, Piero, Jimmy Lovine, Ron Fair, Ignazio, Steve Leber
L to R – Tony Renis, Gianluca, Piero, Jimmy Lovine, Ron Fair, Ignazio, Steve Leber
Watching the video of the guys coming into the airport in Malta made me think of what Ron Fair, the executive producer of Il Volo Takes Flight, said back in 2011 about their future:  “when we come to the part where we have the screaming girls and then, you know, women fainting….I think so, but in the meantime we will make a lot of great music.”  His prediction has come true, maybe even more than he expected.  We have seen it over and over…the adulation of the crowds of fans wherever they go….from such humble beginnings to this level of fan adoration.
But back to Mr. Renis.  When he discovered them while flipping through the channels, he was amazed at what he was hearing.  He called Michele Torpedine and said that he had found something extraordinary and wondered if he would do a great project with him.  Of course, he did.  He said, “everything started on these late nights in front of the TV where Tony Renis and I realized that this was another important moment for music.”  And so it began, and now we have come to the moment that Mr. Fair said would come.
Tony Renis and the Guy's (Babies).
Tony Renis and the Guy’s (Babies). Don’t know what the heck that orange art thing is.
How do celebrities manage it?  Can they receive this outpouring of adoration wherever they go without its having a significant effect on them?  Other celebs have reacted in various ways….often negatively.  But negative is not in Il Volo vocabulary.
Only time will tell what the long term results will be, but we are confident that our guys intrinsic values will be maintained.  It will be a challenge to be sure.  Will they retain the humility that they have shown….the patience in greeting and interacting with the fans?…..the kindness they show to all from the very young to the very old?  Can they keep up with the pace physically and emotionally?  Being young helps, but there has to be more to it.  They seem to take their physical health seriously as shown in the workouts at the gyms wherever they go.  And we have seen evidence of attention to healthy diets.  (Provided that too much Nutella isn’t detrimental.)  They all have strong emotional ties to their families, who have been so faithful in staying up front in the boys’ lives, giving them support and continuing to be a positive influence.  These things are important, but what really counts is who they basically are…what are they made of?  What have they shown us in regard to that?
~They have proven to be adaptable to any situation into which they have been placed….they cope, they handle it admirably and they come up smiling (and singing.)
~They are devoted to their craft, continuing to study with their voice coach, because they want to be the best that they can be.  Michele Torpedine: “They are three very willing individuals who work really hard.  They are willing to face any type of sacrifice, because they want to make it.”
~They have had to be emotionally strong in order to survive the fast pace and variety of the situations into which they have been placed.
~They are ever optimistic.  They have displayed joy and anticipation in doing whatever has been expected of them regardless of wherever in the world it might be.
These things don’t even include the degree of talent that they possess.  They sing, they dance, they act—there seems to be no limit to what they are capable of.
So Tony, it would seem that your expectation of what they could accomplish was spot on.  We can’t thank you enough for getting these wonderful young men on the way to a fabulous career.  And we do mean “wonderful”….they fill us full of wonder every time we see and hear them.  You got them started, and they have continued to grow and flourish just because of who they are...the meravigliosi men of Il Volo.

~Jane