Tag Archives: Il Volo

TOGETHER AGAIN by Daniela

And finally, after four months the moment has arrived. The occasion was the Dolce & Gabbana fashion show in Milan.

IL VOLO, as guests, sang together again. Piero, Ignazio and Gianluca sang the beautiful, sweet Italian songs.

D&G 01

In times of pandemic, the parade was held outdoors, on the “university campus” in Milan. Few people admitted, unfortunately.

A men’s fashion show, many models  ……….. but how beautiful our boys were, elegant, in blue suits, but with a touch of sportiness in the white sneakers.

D&G 02

They are in excellent shape, beautiful and with perfect voices and finally together again.

They started by singing “Torna a  Sorrento”.

I want to remind you, that the D&G fashion show is inspired by the colors and geometries of the Amalfi coast, which find their uniqueness also in the architecture of the beautiful Parco dei Principi Hotel in Sorrento.

D&G 03

The parade has started and while the models paraded with the D&G creations, Il Volo accompanied with:

Grande Amore

O Sole Mio

Un Amore così Grande

‘O surdato ‘nnammurato

Nel blu dipinto di blu – Volare

 

Here is the video of the parade. 😁😁😁

Really a mini concert.

As good as ever and perhaps even more, because the voices, rested from the long run, were magnificent and Ignazio performed all the high notes at the end! ️🎶

Congratulations guys, it is a great pleasure to see you again and hear your voices together!

While Il Volo sang Volare, Dolce & Gabbana entered, wearing masks, they went on stage where the boys were singing.

There was a short speech from Alberto Mantovani, head of immunology at Humanitas University.

In the end Dolce and Gabbana thanked Il Volo and everyone present.

The event was also published in newspapers, including the New York Times.

A very nice article of the show was published online by The Impression.

The Impression article – Click Here

The Italian RAI 2 news broadcast a short video of the show parade. and in the comments they said that all the participants, including the guys from Il Volo, gave up their fees by evolving them for research.

D&G 04

And here are the guys in the backstage of the parade, together with the people who work so that everything goes well !!

D&G 05

But that’s not all, there is other good news!

Yesterday it was announced that Saturday 18 July, at the Ancient Theater of Taormina, Dolce & Gabbana will present the film by Giuseppe Tornatore: DEVOTION, with Monica Bellucci and with music by Ennio Morricone.

At the end of the film, there will be a Il Volo performance to close the evening.

Of course in pandemic times, very few places are available due to the distance, but all this means that we are starting again, that things are improving.

Here is the announcement of the event.

D&G 06

How much good news, finally a wave of positivity! 

These are small steps towards the recovery of normalcy. Here everything has started and now everything is normalizing, this time will come to you too, you have to wait and not be in a hurry.

But what about our beloved Gianluca, Ignazio and Piero ?? What a thrill to see them again and hear their splendid voices.

Thanks guys, indirectly you have donated a mini-concert to us too. Thanks also to D&G who allowed all this. 

See you on Saturday…….

Taormina, a dream, how many of you would like to be there?? 😊😍

Daniela

Photos before the show.D&G 07

D&G 08

Credit to owners of all photos and video.

Jana & Lorna’s Italian Adventure – July 4, 2016 – Verona! (Reprise…)

Hello folks!  I hope everyone is having a great 4th of July in the USA!  We are having quite the hot summer here in Michigan, with these past few weeks in the low 90s and this week, all 90s!  Thought I would repost our little adventure from July 4, 2016, for all to enjoy again!  🙂  It was certainly the best 4th of July I will ever remember!!  🙂

Everyone please stay safe and wear a mask, the virus seems to be coming back with a vengeance again in the US! 🙁


Ciao!  Yes, it’s been a little while since my last story of adventure…but I continue!

Ah, Venice Mestre train station. This was our shortest train ride, only about an hour or so to Verona from Venice. We got to the train station very early, since we were only about 10 minutes away. We got there in plenty of time before our departure of 8:32am. We were able 20160704_073915to have a leisurely breakfast and scout out our train track. The Venice train station was not quite as sophisticated as Florence, so we knew we had to go down and up again to find our train. We looked on the schedule, but could not see our train. There were three trains to Verona, but none that left at our exact time. That seemed strange. So, we made our best guestimate and chose the one track. I was still a bit skeptical, but the time was the closest. I was able to ask a lady, in Italian, and she seemed to think we were on the wrong one, we needed to be a few tracks over and the schedule was on the posted sign. I think it was like a regular commuter train, so it didn’t have a special departure scheduled, which is why it wasn’t posted. I went back to Lorna and we discussed it. It kind of made sense, but we stayed where we were anyway. Ok, here comes our train. We get on where we think our car is, but when we boarded, there were no seat numbers on the seats. We had first class tickets with assigned seating! I said aloud, in English, “But there are no numbers on the seats?” A nice, young lady heard me speaking in English and said, “You are on the wrong train!” “What? Dove?,” I said, and showed her our tickets. She pointed to the other track, same track the other lady told us. I looked at my phone – it was 8:27a! We literally had 5 minutes to get down and back up again, and make it to the other train. We literally FLEW off that train and a nice Italian gentleman hefted our suitcases up the long flight of stairs to the other side. We were literally walking/running as fast as we could toward our train. The conductor saw us and asked if we were on this train, we said yes. We started to get on and he said, no, other car. Then he changed his mind and said to go ahead, and we could walk from there. We literally no sooner got on the train and it took off! It was the last train to Verona for that day! Yes, we almost missed the Verona concert! Ok, “dove” the prosecco that morning!

 

We made it to the Verona train station – again, similar to Venice, we had to once again go down the closet-sized elevator and up the other side. Another long wait for the taxi, but we made it. When we got there, it was still quite early and check-in wasn’t until much later in the afternoon. So, we were able to stow our bags in the reception area. The concierge gave 1-veorna-fus a map of the city and we took off, map and Google Maps in hand on our way to find out where the Arena di Verona was. Looked like it was in walking distance from the hotel, so we set off. It reminded me of “following the yellow brick road” except it was a wide 1-verona-gasphalt running/walking path to the main part of the city. We quickly got off the map we were sort of following and I gave up and got out Google again. We got turned around a few times, but I figured it out. On the way to the Arena, Lorna stopped in a shoe shop and bought these really cool flowered tennis shoes. The sun was playing peek-a-boo with the clouds and it looked like it might rain. When we neared the Arena, the sun finally decided it was going to stick around.20160704_115104 I took a few pictures as we were in the surroundings of the arena with a plethora of outdoor restaurants/cafes to choose from for lunch. We had worked up quite the appetite by then.

 

We walked to the arena to see exactly where it was and where the entrances were. After that, we perused the various restaurants and picked out a table. It ended up being a 20160704_121205beautiful afternoon and we splurged on our lunch that day. Lorna had some kind of pasta with seafood. I had a Caprese salad and a pizza and we even had a bottle of Moscato.1-verona-a It was a very leisurely lunch and we just chatted and relaxed and wondered where the guys might be? We finally decided it was time to go. On our way, we passed by this one hotel and there were a herd of girls standing outside. Ok, this must be the place! Lol! Yes, apparently the guys were staying at the hotel aptly called “The Gentleman of Verona.” No, we never saw them, although we strolled by and asked the girls if this was where Il Volo was. Of course they said yes. We kept walking and continued our tour of the city, with the sun playing more peek-a-boo with the clouds. With my faithful companion of Google Maps, we took the long way around, but thankfully made it back to the hotel. It was 1-verona-elate enough by then, so we could check in. Another small elevator, but at least we both fit. We got to our room and it was very nice. The sun decided it was going to stay out at last. We had a tiny, enclosed, little balcony with a window you could open. The view from our room was gorgeous and amazing. You could see over the entire city. Took some more pictures and then we decided to relax a little. We took a nap and decided we’d get ready and take a cab to the Arena. I was still trying to hook up with Betty, but we kept missing each other! When we got downstairs we asked the concierge to call us a cab again, to the Arena. She said had just called one for 2 other ladies and maybe we could 1-verona-bshare it? We thought that would be nice, so we went outside and communicated roughly in Italian, and asked if they were going to Il Volo also and could we share the cab. They said yes. We got in and was happily expecting to share the cab fare and they paid the whole thing! Such nice Italian hospitality! We were still a bit full from lunch, but decided we should eat something. So, we went back to the same restaurant where we had lunch. However, we just ordered dessert. Lorna had Tiramisu and espresso, and I had chocolate torte cake. We also ordered another bottle of Moscato. The cake was good, although a bit on the dry side. As previously mentioned, Lorna graciously let me have the 2nd row seat…but as we were sitting at our table, we were watching the crowd get in line – it was over an hour before the concert started.1-verona-c People were everywhere! It was kind of crazy. We knew we had assigned seats, so we thought we’d just sit and watch everyone instead. We finally gave up and decided to fight our way through the crowds. Lorna went first, as she went through a different entrance. I paid the bill and ventured on to the other side of the Arena. I showed my ticket and they let me in. I bought a few souvenir t-shirts and scarves and found my way to the 2nd row seat. My new friends Veronica, Laura, and Daniela, arrived about 15 minutes later. This was exciting. Before the concert began, we heard the orchestra warming up “Per Te Ci Saro” was playing! Oh, yes, I was finally going to hear them sing it live! Since I reviewed the concert already, a few days after it happened, I won’t go into detail again. Yes, you are welcome. Lol! But a quick recap of starting with “Per Te Ci 20160704_213618-1Saro” and ending with their usual 2 of “Surrender” and “Grande Amore” it was pretty awesome. And I swear it happened just that quickly. Again, I was quite surprised they did the Godfather routine…

Insert actual concert review….

For me, this was the most magical and perfect concert ever.  Not only was it a perfectly beautiful evening weather-wise, I FINALLY got to hear all my favorite songs.  They really picked the best of the best for this finale concert.  The stage and the lighting were magnificent.  They had the monitors and also the videos going for many of the songs.  I thought for sure we were going to be blinded by the lights again, but it was only once or twice.

I finally got my dream come true and into my Il Volo trance I went.  They started with Per te ci saro!!  OMG, I sang the whole thing!  I wanted to stand after every song, but the Italians don’t do that.  They did stand after the solos and duets.  There were few empty seats…Lorna was so awesome, she let me have the 2nd row seat for the entire concert.  I will remember it forever.

Even thought it was second row, we were still quite far from the stage.  Like the orchestra pit area was empty of chairs and unlike the first Verona concert in September last year, the stage did not come out in the middle.

Their voices were of course perfection and Igna added his own to the end of My Piove – a little jazzier riffs and Gian joined him for a few…

Yes, they sang my favorites – Per te, l’more si muove, torne l’amore, canzone per te.  They even did a slight sketch of the Godfather routine.  Igna even sang Allegria and didn’t cry.  No Ancora though….

Gian sang Bridge…and it was incredible.  I remember telling Donna it would get better after we heard it in LA and she said “how could it get better?”  It did!!

I think someone mentioned that they were filming part of that movie where the guys are going to be part of it about opera.  Apparently, the guy who is the star actor was in the front row a few seats down from us. And?!  The guys were cuter!!  Lol!  They did this filming during the concert, but it was no big deal.

The one big shocker was that they did not sing O Sole Mio!  Not disappointed as they left in Surrender!!  Igna and Piero did their thing.

Since I was in the 2nd row, I imagine I’ll be somewhere in the DVD and group shot in the end.  My split second of fame. Lol!  I was in a pink dress to the right of the stage.

I did not see any of the immediate family except for Mary Grace, Piero’s sister and I think Alessio?  Gianluca’s friend.  At the end, Igna went over and gave this older guy a bear hug and picked him up, but no clue who he was.  He looked a little like one of his uncles.

If people want to know what to give Igna at the next m/g I would suggest a belt.  He was pulling up his pants the entire night!

I took some pictures and taped a few songs, but my phone camera and the lights were not friends.

By the time you read this, pictures will be all over everywhere, as well as videos.

Did I say how incredibly awesome it was????  Igna was also playing the piano and a few other instruments.  Gian was wearing tennis shoes and racing across the stage every so often.

Don’t get me wrong, the tenor concert was awesome also, but this was more special and magical for me, as I have been waiting to hear these songs live for as long as most of you!

It was all in Italian except Igna said Thank You.  I did not quite catch what was going on, but something about studying their speech for the next song, etc.  I also had my friend Veronica to translate a few things for me!

I’m still trying to realize I’m in Italy!  I’ve seen the guys 5 times now this year.  You just keep thinking when is the next time?  They are planning another tenor tribute concert in the arena next May 17, but you know, nothing is ever as special as the first time!  My guess is that they might incorporate a few of those songs into their regular concerts next tour.

Ok, it is now a little after 2am!  I really need some sleep if I can, that is.

They really outdid themselves with this one!!

Part of my mission to the Verona concert was to take a few little presents to 2 friends of Sharon’s. They were sitting in the front row, but on the other side. Unfortunately, security would not let me leave my seat, even though it was just a row up. Fortunately, I was able to text her and Veronica communicated in Italian 1-verona-3of my plight. Luckily, we were able to connect after the concert. Lorna and I also quickly met up afterward and Veronica took our pictures. We then made our way to the taxi line and got back to our hotel. I was determined I did not want to forget a thing, so I stayed up til about 2am finishing my post! Was the shortest night on1-verona-d record.   We had to be at the train station very early, as we had a 7a train to Rome and it was a 3-hour trip. After what I believe was about a 3-4 hour “nap” I dragged myself out of bed about 5:30a to take a shower and we were out of there. Again, missing breakfast at the hotel!  Next stop – Roma and the Adriatic Sea!

LISTENING REACTIONS by Daniela

In these days, many fan pages have published a video with the reactions of those who listen to the songs of Il Volo.

I have already made a post with this type of video, but I have done a search and I have seen that many other videos have been made and they are really very instructive, yes, because it is nice to see the reactions, in particular of the faces, of those who listen to the voices of our boys the first time. 😊 

Let’s start with the reaction to listening to GRANDE AMORE (Eurovision).

 

And now, the reaction to listening another beautiful song: EL TRISTE.

 

Let’s continue with MUSICA CHE RESTA.

And finally, this nice video.

It is truly surprising to see the enthusiasm of those who listen to the beautiful voices of Piero, Ignazio and Gianluca.

Everyone particularly appreciates collective harmonies, because when their voices come together, they take us to fantastic places of ideal beauty.

In a world where, unfortunately, there are also many bad things, fly with your imagination where only Il Volo can take you.  ✈ 🌟 ❤️

Daniela 

Credit to owners of all photos and videos.

QUESTION & ANSWER with TORPEDINE by Daniela

Among the many live shows of these days, I saw this video made by the QUESTION & ANSWER program, conducted by Serena and Alessandro asking Michele Torpedine questions of all kinds. I found the answers very interesting and that help us to better understand the manager of our guys.

Enjoy the reading!

S = Guys, Michele Torpedine, manager of Il Volo and author of the book, RICOMINCIO DAI TRE will soon be with us. (she shows the book).

He is a great character in the world of music, he has launched many famous singers and it is an honor to have him here.

(After 10 minutes, Michele connects)

MT = Hi everyone, so what are we talking about today? What should I expect from you Serena? Should I call the lawyer?? (laughs)
But do I have to answer all the questions?

S = Yes, to all questions, and you cannot ask us questions.
Alessandro asked me if I am a little afraid of you, and I am a little afraid of you, because I have read your book and you say you do not have a nice character.

MT = I have a bad temper with those who deserve it, otherwise I am very sweet.
I become grumpy and unpleasant with those who deserve it, but with people who do well I  don’t.

A = Can we also mention names in the questions, or not?

MT = The names yes.

S = My first question is this: is there anything about you that cannot be joked about at all?
(the connection with Michele disappears and when it reappears there is no audio, therefore Michele is asked to exit and return from the live. Michele re-enters, everything is ok.)

MT = No, apart from the physical aspect and the problems of sex, everything can be said about me.

S = But I have all questions about Michele sex!!

MT = I’ll try to answer you.

S = Alessandro ask yourself, the first questions.

Torpedine 01

A = Which is the artist with whom you have had working relationships, who has been the most underrated?

MT = From me or from the audience?

A = The one who didn’t get what he deserved.

MT = There is one in particular, which I brought to Sanremo years ago, his name was Roberto Amadè, he is a great songwriter. We reached the final in Sanremo, but then, the discography and the television viewing did not appreciate him for what he deserved. He is very strong.

A = Because of him or not?

MT = Because the “connoisseurs” did not consider him suitable. You know, you always see the image of those who are doing well (means those who are welcome), of the others not, and with him there was nothing to do, unfortunately, because he was very strong, and he still is because he writes yet . Sometimes there are unexplained things behind success.

A = Instead, what was your most overrated artist? If you can tell….

MT = None of my artists. Just read their names that you understand that they are really good: Gino Paoli, Zucchero, Giorgia, Pino Daniele, Bocelli, Il Volo ….. with these names, you cannot say that they have been overrated, I clearly speak of my artists.
There are many other useless artists, there are names in rap, in trap, in these genres here, which is no longer music, but something else.

Also in women’s discography, there are many voices that are all the same, once there were singers who each had their own musical genre, and a great personality. Today on radio, you can hardly distinguish one from the other species in young people.

Torpedine 02

S = Mine are a little more particular questions, listen carefully to this question.
“Who would manage Il Volo when you retire?”

MT = (he makes a superstitious gesture) …. who will take Il Volo ?? The same happened with Bocelli, after 16 years, his wife and relatives continued the journey and they do it well.

The problem is not to continue, the problem is the initial phase, when they are unknown, it takes the person who senses their talent, afterwards, when the thing has exploded, it is not difficult to manage, as long as you continue on the things already done before.

S = But you think that when you retire, Il Volo will divide, or will always remain: Il Volo?

MT = No, they are too intelligent to divide. I always say that the beautiful part of Il Volo has yet to come, they are still young, they still call them “tenorini”, because they still do not have an age to be considered credible, but vocally, with what they learn on stage, at 28 / 29 years will be great stars, because they sing really well and it will always be better.

A = What artist would you have wanted to manage, which you have not managed?

MT = In Italy I was lucky enough to work with many great artists, I would have liked to have more Pino Daniele, it was the most beautiful production that ever existed on the Italian market. If you talk to me about the international market, that’s another matter.

Pino was the best, his concerts were really all live, he had few recorded sequences.

Torpedine 03

S = Of all the artists you have had, humanly, who is the biggest asshole?

MT = Who has read the book and who follows all my controversies in recent years knows it, is only the artist Zucchero.
The others behaved well, I have nothing to say to Bocelli, to Giorgia, we had a working relationship and then it ended, but I could not say anything about it.

I have been with Il Volo for 11 years, in short, the only one who humanly disappointed me is only Zucchero, luckily like him, there are not many of them, this is an environment where someone still thanks you.

S = In your book you say that no artist has ever thanked you.

MT = It is the vice of the environment, but not everyone is like that, as always, there are intelligent people and others who instead have no sensitivity, or have no memory, because they are greedy of fame.

S = Do you have to say thanks to someone?

MT = Yes. You must know that in the beginning, when I played (he was drummer) I needed money, the whole family was poor, indeed very poor, and when I started playing, my father beat me, because playing, especially in the south, it was not considered a real job, it was wasting time and I had to go to work at 12/13 years of age, otherwise there was no money to eat.

Fortunately then, I started playing for Orietta Berti (Italian singer), and I started to bring home some money. She was the first to trust me, I did a little bit of everything with her and she said that I could be a manager.

Then I went to work for Gino Paoli (Italian singer) and he told me if, in addition to playing, I wanted to take care of him, and with these two characters my life changed.

From a life of total misery, I went to a good time.

(Michele receives a call and the connection jumps, then he reconnects.)

Torpedine 04

A = In fact I thought that, with Gino Paoli, first you only played and then instead you became his manager.

MT = Yes, in fact, I suggested to Gino to take a tour with Vanoni (Italian female singer), at the beginning they didn’t want because there was a love story between them, then they accepted and it was a great success, a very successful tour, and we made a lot of money and my life changed.

A = I personally met Lucio Dalla (author of Caruso) and I think he was one of the few who remained the same, despite the notoriety.

MT = Yes, it’s true, moreover he lived in Bologna like me, and we met often, because we were friends, but also because he lived the city, he didn’t live a retreat, where nobody could meet him, often you met him in the shops, in bars.

S = If you met fifteen year old Michele Torpedine, what would you say to him?

MT = It is a question that many ask me, but, despite those were the most terrifying years for me, because I only took the beating, we ate little and lived five in a room, but it is the period that I remember, as more absolutely beautiful, so I would tell myself to do the same things again, even if I suffered. 

Everything I do, I think back to that first period and for me it is a great victory.

Yesterday on RAI1 the recording of the 2015 IL VOLO concert was broadcast and the boys made high audience, they won the audience of the evening, and for me, this is as if I were doing it for the first time.

S = What you are proud of, but you would never put on your resume.

MT = It is difficult to answer because I am proud of everything I have done and for now everything has gone very well, so there is nothing that I would eliminate.

A = I would like to ask you a question relating to live concerts.
Is there a concert you would like to do in an important location, and with whom?
I remember that with Zucchero you did the concert in the Kremlin.

MT= With Il Volo, next year we will do something for the first time in Piazza S. Pietro (Vaticano).

I was the first to do a concert in the Kremlin with Zucchero, then with Bocelli I did the concert under the Eiffel Tower and the concert in front of the  Twin Towers, and I made the proposal for the Bocelli concert at the Colosseum, then he and I parted, but he did that concert, and the idea was mine.

I could think of a concert on the Chinese Wall, or on the Moon ….. with Il Volo I made Pompeii.

Torpedine 05

A = If you hadn’t become a manager, what would you have done?

MT = I would have continued to play the drums, also because it is the only thing I can do.

I also wrote it in the book, they made us work as children, I practically didn’t see school, so today I would be doing concerts on some cruise ship or in some place, but anyway with that job, I would always have to eat.

S = Once the girls used to say “Come and see my collection of butterflies.” (like a phrase to attract the girls in the house), now what collection would you show?

MT = Unfortunately or fortunately, depending on the case, I am part of an industry, where girls do not need many incentives for certain moments, however it would be sad to think of using those means, when there are serious people who hopefully have other topics to show.

S = Now Michele I have some stupid questions. Nothing is known of your private life, we want to know if you are married, engaged, divorced …. we want to know your facts. Always ask you about the guys from Il Volo, but tell us about yourself. Did you ever say I LOVE YOU?

MT = Very few times.

(Michele reads a message)

A message from the president of Sony has arrived at this moment: “The boys don’t miss a beat.” 

(certainly referring to the consensus of audience that had the concert on RAI1)

Everyone has his point of view with women, I am now elderly and still single, unfortunately I have a negative attitude with women, I have little confidence in them, perhaps because most women in our environment are very “easy”, there are many temptations, and they are unable to be faithful, and I do not respect this type of woman and I am afraid to put such a woman in my house, in fact I was single. I am a southern man and would be very disappointed if my woman cheated on me, I am also jealous, and when I am on tour around the world, I cannot control the situation at home.

Torpedine 06

S = But don’t you miss something in your life?

MT = It is clear, I miss a woman and a son, especially a son.
I miss going home in the evening and finding the family waiting for you.

But I have too many examples near me of unfortunate friends who have not found the right woman or have had divorces and I think it could happen to me too, so I avoid. I have my adventures and then it ends.

S = You like being the sex symbol.

MT = Maybe!! I am a sex symbol for those women who want to start singing or dancing in our environment, but if I were a delivery boy, it would be much harder for me.

 A = How do you see the situation of the concerts, in this moment of virus?

MT = I see it badly, unfortunately, but it is the same for everyone. Luckily in America we only lost 3 concerts, now in August we will have two dates at the Arena and Taormina then Milan, but we will certainly move them to spring 2021. By now this year it will be difficult to do something live.

S = I keep asking you silly questions. Do you watch porn movies?

MT = No, I don’t watch them because they bore me, in the end they are all the same. Look, I always tell the truth and I have to tell you that I have been to Cuba four times and I have never taken advantage of situations, I saw the colleagues who were with me going back and forth from the hotel, I never did it because I didn’t I like to take advantage of this, it’s horrible.

S = How important is sex in a relationship?

MT = A lot and being able to have a person by your side, that involves you is very important.

Final chat and goodbyes!!

Torpedine 07

I enjoyed reading about Michele and I think he really gets “naked” in the interviews.

He has really had very difficult years and surely regrets not having his own child. Maybe that’s why he always said that he considers Ignazio, Gianluca and Piero as his children!!

Did you like the interview?

Daniela

Credit to owners of all photos and video.

IL VOLO: ANALYSIS OF A SUCCESS by Valeria

Valeria Bosch offers us a beautiful analysis of IL VOLO’s success. It is always a pleasure to read and confirm what we all think in our hearts.

Once again, thank you Valeria! ❤️

Daniela

Analysis 01

The last part of the Latin-American tour of  Il Volo, which takes place in Brazil, Argentina and Chile, has begun. Thus comes halfway the long celebration of the trio’s ten-year activity, which started last January with the event in Panama, on the same altar next to Pope Francis, then continued with the participation in Sanremo, the tour in Japan, the  series of concerts in various Italian cities, in Mexico, in Eastern Europe and in Central America

The second part of this event will take place in 2020, with a long tour that will start from Canada and touch the main North American cities, and then with other surprises that the tireless trio preparing for us.

Analysis 02

No music star ever celebrated in such a solemn way an anniversary of their activity, so much so that you get the feeling that the boys want in this way to pay homage to all the public of the world that always support them and have made them of the first-rate stars. If we consider that these artists who after a 10-year career can afford such a celebration, are only 24, 25 and 26 years old, really curiosity deepens about the reasons for such extraordinary success, so inter-generational, so planetary of the guys who, starting as teenagers from three provincial areas of our beautiful Italy, to conquer the world took less than Caesar when, after a battle, could proudly exclaim: “Veni vidi vici!” (I came, I saw, I won!)

Analysis 03

But it’s enough to attend even one of their own concerts to understand all the elements that, together, form that explosive mix called “Il Volo’s success”, which makes people move from one continent to another and makes sold out  continuous, and  makes the public of all latitudes repeatedly stand up in endless standing ovations.

Let us then examine these elements.

Analysis 04

A) THE MUSICAL GENRE – For most of their performances, Il Volo prefers the operatic pop or pop-opera, a genre that results from the contamination between “opera” and pop, an operation brought to worldwide fame especially by Luciano Pavarotti and which now, among a thousand imitations, finds the most famous followers in Andrea Bocelli and precisely in Il Volo. The repertoire is mainly aimed at the tradition of the great classics that are part of the history of Italian, Neapolitan, American and Spanish music. The boys also perform several unreleased songs, which always follow the path of bel canto, of melodious and elegant music. Although there are some critics clinging to the stereotype that this is old and demodé music, which only appeals to the elderly, the truth is that these songs have a great success even among young people, who learn the lyrics by heart and sing them by voice explained during the concerts: therefore this beautiful romantic music, which creates emotions and envelops the heart, always appeals to many people, even very young people, probably tired of the boring and senseless rappers and trappers.

Analysis 05

B) THE VOICES – No one, not even the most convinced haters, will ever deny that Gianluca, Ignazio and  Piero have in their throats not only three beautiful voices, but three golden voices, formidable devices that very few others in the world can boast. Their added value, compared to those who have a beautiful voice, is the set of the three voices, voices different from each other, but equally extraordinary, which complement each other giving rise to a concert in the concert, as if they were three instruments that, played together,  create such a myriad of musical combinations that those who listen to them feel transported immediately to the sky.  Among  them there is no front man: their interventions follow each other in an absolutely equal way, each having its own precise reason to be in that particular musical passage. All that gives rise to a result of a unique excellence, which no one else’s interpretation is able of rendering.

Analysis 06

C) THE FEELING WITH THE AUDIENCE – The three boys of Il Volo don’t limit themselves to appearing on stage and singing, albeit in a formidable way, but give rise to real entertainment with the audience, sometimes moving (as when they dedicate moments of tenderness to their fans and especially to the children), sometimes funny, with a whole series of dialogues and jokes in which Ignazio usually acts as a star, and Gianluca and Piero follow him in a way worthy of the most consummate actors. All that creates moments of great empathy and fun that, combined with the emotion created by the music, transports the audience to a different world, something that you would like to never end, the 2-3 hours of the show pass in a flash and, then, a feeling of loss takes over, that will last for days. In this relationship with the public the three boys are greatly helped by the fact of speaking with fluency both English and Spanish, languages that allow them to talk practically with people from all over the world.

Analysis 07

D) THE ELEGANCE AND BEAUTY – Gian, Ignazio and Piero are undoubtedly three handsome boys, their young age and the care they take in keeping their bodies trained with the practice of sports and gym, make them present at the public, despite the hard efforts caused by concerts and continuous travels, always in the midst of their freshness and vigor. They also possess that natural, typical Italian elegance of attitudes and posture that led them to be models in various photo shoots. This beautiful presence, let us not deny it, also contributes to their success, together with the extraordinary voice and the ease on the stage.

Analysis 08

In conclusion we can say that, although the entertainment world is very hard and these guys have navigated through risks and difficulties, their ship, after 10 years, is in a safer and stronger harbor than ever. The relationship between them, over time, has clearly improved, becoming a friendly, even fraternal relationship; they have continued to study, incredibly maturing their voice and the interpretative ability; they are surrounded by an immense and ever increasing affection of fans from all over the world. Even their relationship with the mass media has improved, despite an Italian press small group surviving that deliberately (and inexplicably) hide their sensational success. In short, if the current ascending curve continues in its direction, we can safely say that in the near future Il Volo will become the first Italian musical reality and will access the Olympus of international music.

Analysis 09

 

Credit to owners of all photos.