In a number of articles, I’ve mentioned the Amadè-Boschetto concert which was organized through the Cultural and Artistic Center “Ignazio Boschetto,” with the support of The Town Hall of Marsala.The Teatro Impero Archipelago hall has long applauded this initiative which brought together several artists from Marsala. This concert was held in February 2014.
This was a wonderful collaboration between Ignazio Boschetto and Roberto Amadè to help young people in their careers. In February 2014, Katya Pantaleo, a young singer from Marsala, won the Premio della Critica at Sanremo with the song “Come in Paradiso” music, lyrics and arrangement by Ignazio.
Many of you have asked me who Roberto Amadè is and how this collaboration came about with Ignazio?
Roberto Amadè is an Italian singer and songwriter. He was born in Vercelli, Italy on April 3, 1982. He is the son of Claudio Chapel bassist in the Orchestra of the Teatro alla Scala of Milan since 1979. Like Ignazio, Roberto plays multiple instruments. He graduated from the Albertina Academy of Fine Arts of Turin. One of his works entitled “Abbado”(dedicated to the conductor Claudio Abbado) is on exhibition at the Teatro alla Scala Foundation.
Roberto was very fascinated by music for cinema and in 2008 he composed the soundtrack for the film “La terra nelanque”(The Land in the Blood).
In December 2010, Roberto was the winner of Arena Sanremo with the song “Come Poggia,”(Like Rain) and thus was admitted to the 2011 Sanremo Festival where he won third place in the “Young” category. The song “Come Poggia” is arranged by Roberto Amadè together with Celso Valli. (We know the name Celso Valli, he was also one of the producers of Il Volo.)
With his participation in 2011 Sanremo Festival, his debut album “Tutti gli incanti della vita”(All the Charms of Life) was re-released on February 16, 2011, with the new title “Come Poggia,” by Universal Music Group and Roberto, at the time, came under contract with Michele Torpedine. And so, the friendship with Ignazio begins.
Two amazing entertainers and one smart manager!
But Roberto’s talent doesn’t stop there! I would like to turn your attention to a special project that Roberto has been working on. It’s called Leri Cavour. As I mentioned, Roberto was born in Vercelli and he has been married for nine years to Marianna Fusilli, who was also born in Vercelli. They have three children, Amelie Grace, Isabel and Xavier.
This is what Roberto wrote about the founding of the Leri Cavour Foundation. “Thanks to my father, I discovered my love for Music and Art and I have always pursued both disciplines with passion and dedication.
So, after graduating in painting at the Albertina Academy of Fine Arts of Turin, I met Michele Torpedine and signed a contract with Universal Music Group.
In 2011, I participated in the 61st Sanremo Festival qualifying third in the young proposals category. In 2014, I did a live in-theater with Ignazio Boschetto of the opera trio “Il Volo” with whom a great friendship was born and is still alive today.”
The Abandoned Village of Leri Cavour
“On November 1st, 2018, during a visit to the Borgo di Leri with my wife, Marianna, our lives changed. We were enchanted by a wonder of history that was left incredibly alone like a diamond in the desert. We understand that Leri’s rebirth can be concrete and we can see for a few seconds, in front of our eyes, the project already completed. Thus, we began a journey made of research, sharing and discoveries that animate our daily life, deeply convinced that the history of all of us Italians must be preserved and not lost.”
Roberto and his wife Marianna along with Luciano Vigani took on the project of restoring Leri Cavour. The great love for the history of Leri and the deep conviction in its rebirth pushes Luciano to be strongly present in every activity of protection and recovery of the Borgo.
The area that is now known as Leri Cavour has long been an example of agricultural growth. Having been the site of a religious order as far back as the 15th century, the land was used to grow grain and other crops as the farmers’ processes evolved. The rural production thrived until the land was acquired by Napoleon who then sold it off to help pay a debt, which is how it found its way into the hands of the Marquis Michele Benso di Cavour. The property changed hands many times and by the late 1960s, Leri Cavour was abandoned.
On November 1st, 2020 Roberto said, “Today is an important day, to celebrate, despite everything and despite the serious moment we are living in the world. Today marks exactly two years…. Two years full of dreams, projects, friendships. It was November 1st, 2018 and in that very moment Marianna and I decided to dedicate our lives to Leri Cavour. For a short moment, before our eyes, everything was clear, precise; there was no hesitation about what we should have done. I remember it was windy. We looked at Cavour’s house, we looked at each other…. it was there, in that precise moment, that it all started.
The first flame was born that day two years ago, it’s true, but that same fire today is inside many people, men and women who became friends, who became a big family for us. It’s an incredible emotion to see them every day in the village so full of passion. I still cannot express how proud I am of them. Do you know what drives us apart from the initial flame? PERSEVERANCE! The only attitude so strong that we can always carry on, even when at first, we were crazy, even when we found the abusive campers who started the fire or the French who wanted to run us off the road or when we found the Gypsies in the church or the nutrient hunter…. perseverance leads us to keep taking care of Leri every day, find a broken window and fix it…. find it broken and keep fixing it because if it’s true that Leri is an ambitious and immense project, so should our vision and our feelings. Because in the end Perseverance is an act of love, a love the World will always need!”
We thank Ignazio for introducing us to this amazing man.
We wish Roberto, Marianna and Luciano much success in this wonderful project.
This is one of many projects that are going on in Italy today. Many feel as Roberto does that Italy’s history must be preserved!
To learn more about the Leri Cavour project visit their website:
My choice for Best Photo of 2020 is the picture of Ignazio and Fabio embracing at Fabio and Maria’s Baby Reveal Party! Take that picture, put it in a dictionary under the word “friendship” and no other explanation is necessary!
My story today is about the man behind the picture, Fabio Ingrassia! His life, his art, his music and his friendship with Ignazio and Il Volo.
Fabio Ingrassia was born on June 6, 1989 in Marsala, Sicily. He is a contemporary artist. He attended the Mazara del Vallo Institute of Art and the Fine Arts Academy of Palermo. He continued his studies at the Academy of Fine Arts in Palermo but without finishing his studies, thus embarking on a path full of obstacles and difficulty, at least in the eyes of the artist, but certainly not in the eyes of the public!
From an early age Fabio showed a love for art and colors. He is always looking for new stimuli and new artistic expressions. He says, “Art is the desire to live, to communicate, to discover and to admire… I live art in the shadows, in black and white between colors.”
The Il Volo fans know Fabio as a long-time friend of Ignazio and Il Volo but what they do not know is Fabio is a world-renowned artist. His works can be found in North America, South America, Japan, Russia, Mexico, Germany, Belgium and of course Italy.
Fabio’s journey took him from the small city of Marsala to the stages of America where he truly lived the American dream. He joined Il Volo on the Grande Amore World Tour with three performances in Florida.
In March 2019, in Miami, Fabio created one of the most important, music recording studio works “Latin Harmony” – a mural representing the singers who recorded in the studio of Emilio and Gloria Estefan.
Trivia: Did you know Fabio was in the “Noche Sin Dia” video with the guys? See if you can find him!
Fabio says, “Italy is my first source of inspiration. I love the Renaissance and I am lucky enough to be able to admire these masterpieces whenever I would like.” He says these masters are a source of inspiration for him however, among all the sources of inspiration, music is the one that most excites him.
Fabio has a strong admiration for Il Volo. One of the paintings that is a major part of his collection is “The Power of the Genius” where he represents Il Volo, “Three Voices One Soul.”
On September 16, 2018 together with the comedian Roberto Lipari, Fabio performed in front of 200,000 people on the occasion of the Pope’s visit to Palermo.
On August 19, 2020 Fabio and Alessandro Quarta performed at the Noto Music Festival. Fabio said, “We ‘created’ together a concert on stage, a carnal relationship with his violin, between sensuality, nostalgia and – sometimes – sadness.”
Fabio works in so many different art forms it would take not just a story but a book to write about all of it. From his sand paintings in which he is not just painting a picture but telling a story to his tattoo art.
The work of art that most of you have seen and which I truly admire is the painting he did for Domenico Dolce for 62nd birthday. It was magnificent. The painting is Fabio’s interpretation of the Moment of Creation for Domenico Dolce! In the tradition of the renaissance, he included himself and Maria in it.
He presented the painting on Instagram and asked the question, “What do you see in this painting?” Most people answered that they saw Fabio. But what he was referring to was Caravaggio’s technique of chiaroscuro. The use of light and dark to give bold effects to the painting.
Not only did he use this technique but, he incorporated baroque pieces into the painting, like the detail on the chair that Domenico is sitting on. Most artists consider these old techniques and don’t use them in their painting anymore. He has taken Contemporary art and incorporated these old elements and created a new art form.
Now I want to talk about his relationship with Ignazio and Il Volo.
Fabio and Nina Boschetto were classmates at art school and this is how he met Ignazio. He was a regular at the pizzeria.
In an interview, Fabio said, “I had the chance to see Ignazio’s passion growing, year after year. I remember the moment in which it became clear to me that success would be his path, and that it couldn’t be otherwise. When Ignazio, enthusiastically, showed me the video of the musicalStreetlight, to which he took part in, it was like a hurricane. He managed to draw everyone into his passion for music. One day you could find him studying singing techniques, another one playing the piano, and yet another one playing drums. As a friend and as a Marsala citizen I am very proud of his artistic path and of his successes.”
Let me tell you how I see their friendship. I see not just as a friendship but two brilliant minds that think alike. I think of Ignazio as not just a singer but as a whole production and I think of Fabio as not just an artist but as art itself.
What do I mean by this? Ignazio and Fabio are constantly creating. Constantly going to the next dimension. There is nothing Ignazio can’t do musically and there is nothing that Fabio can’t do artistically!
Before I move on to the part of the story, I know you are all waiting for, I would like to mention the incident when Ignazio broke his arm in Tampa.
The stage was narrow and Ignazio picked up a child and took him in his arms to take him to the center of the stage where Piero, Gianluca and the other two children were.
There were electrical cables on the ground and Ignazio tried to avoid them, but he tripped and fell holding the child. To protect the child, Ignazio twisted his body, so that his left arm hit the ground taking the full brunt of the fall while raising the child above his head to protect him.
Ignazio got up right away still holding the child in his arms and finished the song. At the next song it was clear that Ignazio had a broken shoulder but he managed to finish the concert. He left before the meet and greet. Barbara Vitali immediately took him to the hospital. In the next concert he had a sling on his arm and it remained on for two concerts. The most important thing was he needed to rest.
At that time, Fabio was in Miami and he immediately left to be with his friend. Ignazio’s spirits were low and Fabio kept him company and supported him until he was able to appear at his next performance. That’s a friend!
And now it’s time to talk about Verona! I know both of you and I wonder how Fabio does his magic in Concert. Fabio’s aim has always been to combine musical art with pictorial art… He says, “The combination of pictorial art and that of music is one of the ways to reach the viewer on a deeper emotional level.”
On September 24, 2019, Fabio performed at the Verona Arena during Il Volo’s concert. While the guys sang “Smile,” Fabio painted Charlie Chaplin.
This is when you meet the real Fabio! So, let’s listen to Fabio in his own words . . . .
“I was painting in my studio. Pongo and Peggy my dogs as usual were watching me from the glass door, ready for dinner. I was very nervous. I still had some panic attacks and the more I tried not to think about it the more I thought about it.
It was 7:00 pm and Ignazio called me and asked me to be a guest of Il Volo at the concert in Verona. I can’t express my happiness but in the best of my expression I said WOW!
From that moment on I immediately concentrated on the realization of my performance. What to do, on what support, easel, color.
After choosing the song and the character to present with Il Volo, I had to try and try again until I got the time and the result I wanted. I had to create a story, not a simple painting . . . a story that had a beginning and an end . . . The song was ‘Smile’ and I had to represent Charlie Chaplin. I liked the idea so much! I had read everything about Chaplin because one evening at dinner Valentino Picone made me fall in love with him by telling me of his importance in the world of cinema.
After days and sleepless nights, I found what I liked . . . I would start with the horizontal canvas by painting a Chaplin from behind in a countryside landscape, then I would turn the canvas, spin it and continue the painting until the face was blown up.
Time was short for such a large and complex canvas. I asked for more time but there was not much that could be done.
I tried the painting only once, in my parents’ living room. The proof was beautiful but, I was out with the time, I could not fit it within the four minutes I had available.
I did mental training on distances, movements and dimensions to maintain and I tried closing my eyes trying to simulate the realization of the painting, making it several times would have been too expensive.
I get the canvas, the easel and the suitcases in the car and Maria and I leave for Verona.
The next day I immediately went to the arena to set everything up and do a test, but the arena is outdoors so we couldn’t try the lights. I was worried, for my way of working I have to have everything 100% and that uncertainty gave me anxiety.
The evening comes, we are in the dressing rooms, Piero, Ignazio and Gianluca were rehearsing and I was getting paranoid about the lighting issue, I wanted to give 100% and not having control over that, it made me question myself. Ignazio calmed me by telling me that we should have fun and do nothing else. The concert begins, it’s freezing cold but, I go up on stage in short sleeves, the adrenaline rushing, I looked at the full Arena and for two hours I had goosebumps. Really incredible . . . indescribable . . . then my moment arrives ”Smile” begins. They place a light on me on the right of the stage and the magic begins. I forget about the 14,000 people behind me. My mental exercise was now real . . . the brush slips on canvas creating shapes, but the light is too strong and reflects my eyes, so I close them trying not to lose control and I create Charlie’s hat with my eyes closed. Three minutes are few but, in that context, they become even less, the canvas turns and my race against time becomes more and more fierce.
When the song ends and I turn the painting, the crowd is euphoric, Ignazio makes a speech that leaves me speechless, I hug the guys and leave the stage. I immediately run to the dressing room and lock myself in. I’m always very demanding with myself. I can’t enjoy the moment because I would like to do more, but then I check the phone and I had thousands of notifications, photos, videos, I see myself again and I understood that my message had reached everyone.
So, I ran through the backstage corridors of the arena and went to look at what I had done, look where I did it and for a few seconds I was satisfied. I took the brush and defined it with details.
Behind the scenes it was a competition to see who wanted to take the painting but, in the end, together with Ignazio, we decided I would take it home becauseit represented how two friends can share a dream together, having fun and thrilling the public.”
This brings me back to where my story began, The Baby Reveal Party!
If a picture is worth a thousand words, this would be the picture. The look on Ignazio’s face, the smile, the absolute joy he is feeling for his friends. I said this picture should be the picture of the year because it tells me that their relationship goes beyond a friendship. These two men have shared some very important moments together! On stage and off! They have both become Super Stars since their first meeting at the pizzeria and to me, they are more than friends, they are brothers!
But on January 5 Fabio cheered us up with this good news: “With great joy and emotion we announce the birth of
💙 NOAH INGRASSIA💙 3,650 kg (8 lbs.) of pure love 😍
Thanks to all.” 🙏🏻💙
Congratulations Fabio and Maria on the birth of your beautiful baby boy, Noah! God bless your beautiful family!
Note: To read more about Fabio, to see his, magnificent, artwork, videos and prints, visit his website atwww.fabioingrassia.com
What I liked about Nico from the first time I saw him was his energy! The way he draws in his audience. He says, “he chooses songs that make him move.” I say, he makes the songs move. Nico first came to my attention when he won the 2017 Festival Show in Verona. Afterwards I started to follow him never knowing that his path would cross with Ignazio’s. Ignazio what did you see in this young man? Probably what I saw. A fresh approach. A freedom of expression that goes deep and is apparent in the songs he writes. Nico writes much of his own music and what he writes is really about who he is.
In a recent interview with Nico Donvito, an Italian Music Blogger, I saw another side of Nico. This is the side, in my opinion, that resembles Ignazio. We hear this young man talk about his music. His place in the music industry. How he got there and all the people who are responsible for his journey.
I heard a, very, intelligent and, responsible young man who has worked hard to get to where he is. He talks about, who he is, where he came from and how he sees his future.
Right out the gate, Nico impressed me with his insight. Nico sees Gorilla as a means of escape from where we are in our world today and an expression of where he finds himself in the world. Nico says, “Gorilla has a fresh taste, because in the last few months we have been a bit obliged to heavy thoughts, to stop and reflect on important things, to close ourselves in ourselves. At a certain point the moment comes when you need a beer on the beach with your friends, ‘Gorilla’ is just that, something not at all thick which and, in certain situations, can be essential.”
That’s pretty deep and right on. It was almost as if he was saying I wrote this song two years ago, but this was its’ moment. Its’ when it was needed. To say that the Gorilla is that moment in time when you need to kick back or as Nico put it when you need a beer on the beach with your friends, yes, that’s exactly what Gorilla is. Its’ light and intriguing and it brought us away from all the madness that preceded it. Perhaps, that’s what Ignazio was saying the day Gorilla was released. Let’s take the weight of the world and toss it aside. You had your way and now, we’re going to have ours!
Nico said he had Gorilla “in the drawer for a few years, in some ways it had become something unheard of for me, even if I understood the potential of the recording. So , I decided to rewrite the verses, to work again on the musical aspect, to represent in some way my growth. In addition, the team that work ed with me has changed . The head of everything Ignazio and the great boss Michele are two people that I will never stop thanking for they believed in something, then took that something from nothing to something so beautiful. Something wonderful to invest in, something that is not yet, is not for everyone, they took it and had the courage to go with it. This is the way we have known since November. We are side by side where we breathe when the boys are just a bomb and you can fell joy.”
When asked how he perceived Gorilla Nico said, “when they ask me what genre, the only word I can come up with is ‘Groove’ because it represents a constant in my music. ‘Ignorance’ because I consider it the most appropriate term, even if the most elegant one could be light-heartedness, but if we want to bring it among people to the language of children, we can speak of good and healthy ignorance. ‘Mustard,’ finally, because it is not clear if you like it or not, if it is spicy or not, if you go to analyze a few sentences of the piece there is also a pinch of political criticism, deliberately proposed in a subtle and veiled way”.
Gorilla is indeed a statement. Nico sees all the worth of it. He realizes where it needs to go and who it needs to touch. In reworking the song, he has opened a door to who he is. He is the groove, the spice and the mustard all rolled into one. The good and healthy ignorance is the selling point of the song. It appeals to children because they understand the language of the Gorilla and they look for him.
Nico was asked if he has achieved a specific artistic identity or, is he simply looking for it?
Nico explains, “it is certainly better than before and it will always be like this, a crescendo. Initially I had difficulties, because you need to find your own pen, otherwise you will remain an interpreter basing everything on your stamp. Today I think I have reached a good textual point, I can still improve on a musical and melodic level, some nuances can be added to make it even more personal. ”Gorilla” is a piece written more than two years ago, a mix between what has been and what is now, the next songs will be part of the next phase, I hope people will notice this growth, because originality is the most important element for an artist.”
What an amazing insight. Listen to how Ignazio summed up Nico in an article from Quotiano.net. “This is the moment Nico has been waiting for, for two and a half years. We could have anticipated the times, but I think we did the right thing to wait. Nico needed to grow calmly in writing. And he’s doing it very well.”
When asked about going to Sanremo again, Nico gives us a look into the future. ”I am working on many new things, little is known about me, there has been ‘Volo’ and ‘Gorilla’ but I have even more personal songs in store. The thing that fascinates me most about the pieces I’ve written, in these years, is that they highlight my character, they tell me in detail. A strange place is certainly to be expected, where there are, particular thoughts, all accompanied by the ‘groove’ that characterizes me. Regarding Sanremo Giovani, I confess that I have a song that I like so much, but that I don’t yet consider perfect. Surely in the future there will be a third test, I can’t tell you if it will be this year, next year or the other, but it is an experience that I would like to repeat with the right piece.”
In a recent article I wrote, I stated, “Nico has a lot of passion when he writes. His songs go deep and, they leave you with a lasting impression! You can feel the depth of who Nico is. So young and so wise. It’s no wonder that Ignazio noticed him. He’s all feeling. He can be crazy, calm and tenacious all at the same time! He can be so funny and so serious in a split second!”
One of the songs Nico has in store for us is “Passanti.” On the night Gorilla was released, Nico gave us a preview of some of his upcoming songs. Listen to my words about the night Gorilla was released.” I hope you noticed that little gem that was slipped in there, Passanti.” Coming soon!
How does Nico see his future? “It seems trivial,” Nico says, “but I would like my music to reach everyone. I don’t care who listens to it, the important thing is that anyone who wants to do it will take care of it, enter my head and don’t make too much mess.”
After the cycle of concerts in the US, I noticed many new names following our site, and I believe some are new fans, who have joined us, after having heard Il Volo sing live in the last concerts.
Maybe not all of them are updated on Il Volo, like us who follow them daily, and so I wanted to go back a little bit in time when Piero, Ignazio and Gianluca were not yet IL VOLO, indeed they didn’t know each other at all …… the inspiration was given during that television broadcast: TI LASCIO UNA CANZONE – year 2009.
Piero, Ignazio and Gianluca, have been presented in this transmission, as solo singers. And here they are in some of their performances:
Piero Baronesings “PIOVE” by Domenico Modugno.
Oh my God, Piero, you were 15 years old, I would say rather plump, and those ears …… but you already showed security, and we want to talk about the voice? An enchantment, even then, surprised us and was a contrast between you, with childlike features and this adult voice.
Really very particular, I would say a kid to keep in observation !!!
And here is Ignazio Boschettosinging“È LA MIA VITA”by Al Bano.
Wow Ignazio, what a difficult song, but I had no doubt that you could do it very well. Al Bano is known for having a very high tone of voice but you have not been less than him, quite the contrary.
Your voice had no problems, and you immediately enchanted everyone.
But let’s talk about you, a still clumsy child, forced to wear sizes of adult clothes because of the weight, but those dimples, what to say have fascinated everyone, as much as your voice.
This kid, to be taken into consideration!!!
And now Gianluca Ginoble sings AVE MARIA.
Gianluca, what a sweetness, your voice is so caressing and so deep, that it touches us in our soul.
The deep admiration for Bocelli’s style is felt in the execution.
14 years old, good and handsome. You seem shy but so terribly sure of your voice.
What a great power. Another one to keep definitely observed!!!
Three really promising children.
In the various stages of the broadcast, the director decides to create duets, and the result is not at all disappointing.
Piero Barone and Simona Collura sing CU’MMÈ , beautiful Neapolitan song.
Gianluca Ginoble and Sara Pischedda sing L’ABITUDINE.
Ignazio Boschetto and Massimo Ranieri sing QUANDO L’AMORE DIVENTA POESIA.
I did not understand why in Piero and Gianluca, in the duets joined small girls, also participating in the transmission, while instead Ignazio, in the duets was associated with already famous singers, guests of the evening.
However, our three guys even in the duets have pointed out their skills and then ………… why not try to make a song in a trio:
And so Roberto Cenci the director of “Ti Lascio una canzone”, thought well of trying to unite these three children with powerful voices in a trio, and make them sing O Sole Mio.
O SOLE MIO, the first time sung by Piero, Gianluca and Ignazio, 25 April 2009.
Wow, what strength, what power, these children could make a fortune ……. but someone at that exact moment, a great manager of famous singers, Michele Torpedine, was watching television while on the phone with his friend Tony Renis ……….. this is the beginning of IL VOLO, and everything else is history !!
Sometimes I think of the extraordinary randomness, which made Piero, Ginaluca and Ignazio, coming from different places, be registered in the same year for this show.
The randomness of the director who wanted to try to combine their voices.
The coincidence that Torpedine was watching TV on the phone with Tony Renis.
A long series of fortuitous circumstances, which made the project take shape in a short time, was April 25, 2009, this year has been 11 years and we are still enjoying these beautiful voices …… and it’s not over yet !!
A few days ago there was the Billboard Interview with Ignazio, I will translate roughly for you.
At the beginning they talk about the video of “VIVO PER LEI” that Ignazio made the day before (and which I will post after the interview).
Stefano asks Ignazio how he spends his daysand Ignazio shows an overview of his small studio where he plays and where he can record, and where he also has a speed simulator for virtual racing with cars.
Stefano asks if when Ignazio was in Indianapolis he tried the race with the cars, but Ignazio says that when they are on tour they avoid any kind of danger, because they must be responsible.
The game begins, of Italian pop songs, sung in a lyrical tone, also done with Gian and Piero, and Ignazio admits, sincerely, that he has not seen their connections with Billboard.
Greet the fans connected by: Brazil, El Salvador, Bulgaria, Colombia, Argentina.
Stefano asks to sing two verses of a success of Il Volo and Ignazio sings “The Best Day of My Life”.
Ignazio says that often he forgets the words of the songs before the concerts. Stefano says if they use the teleprompter in concert, and Ignazio says absolutely not. But he says that when he goes on stage, immediately all the lyrics of the songs come back to him.
So Stefano immediately brings up the story of the song “Tous les Visage de Amour” whose words they had forgotten, but Ignazio says that he had remembered his part, when instead he had to sing Piero, he remembered nothing and he continued to say the same sentence, then Gianluca had to sing and he too did not remember and then he passed the microphone to Ignazio, but Ignazio did not know the words that Gian had to sing, in short, all laughing!
Stefano asks the time they were more embarrassed at a dinner (he wants to understand if Ignazio will say the same things already said by Gian and Piero).Eventually Ignazio says they were young and still didn’t know each other well, and he and Gianluca had had a squabble, and so Gian threw the fish into the air.
Live questions begin.
A fan asks how she feels about singing songs by important artists such as Mia Martini, Mina, Battisti (Italian singers).
Ignazio says he paid tribute to Mia Martini(Almeno tu nell’Universo) because he saw the story about the life of the singer and wanted to remember it, and for him it was a great honor.
Ignazio also says that his first tribute was for Pino Daniele whom he greatly admires.
Another fan asks what nationality the most affectionate fans are in the world.
Ignazio replies that they are all affectionate, maybe there are people of some nationalities who are temperamentally inclined to do more absurd things, like chasing their cars.
Then he says that a love relationship is created between the fan and the artist even without knowing each other and he says that during concerts, wherever they are they have so much affection.
Then Ignazio compares the behavior of French fans, like girls from northern Italy and girls from Brazil like girls from southern Italy.
A girl asks what madness he would do for a woman.
Ignazio admits that he made many, because he is a very romantic type. He says he has traveled many miles for a woman and that he likes to see the smile on the woman’s face, for what he has given her. He likes to make the other person happy.
Stefano asks if he likes romantic films and Ignazio says that his favorite is Ghost and then he likes Titanic.
Another fan asks Ignazio what he likes to cook.
He replies that he likes to invent in the kitchen, but when friends are around, he prefers sushi or pizza.
Another question, Ignazio is asked what TV series he is watching
He replies “Game of Thrones”. Stefano asks if he is also a Harry Potter lover and he confirms and says that he bought the whole series and saw it in two and a half days.
Then he asks Ignazio for a cartoon that he watched as a child and Ignazio answers “Spirit”(it’s a wild horse) and then Pokemon and Dragon Ball.
A question, asks him why he became vegan.
Ignazio replies that he does not do it only for animals, even if he loves them very much, but because he has seen that it is actually a healthier eating, and therefore it is also a personal thing.
Another question, which character of a musical work or play would he like to be.
Ignazio answers Rodolfo of la Boheme.
A good question: Stefano asks Ignazio for a quality and a defect of Gianluca and Piero.
Ignazio immediately says that the three of them complete each other, because Piero is very good in public relations and often makes meetings with Torpedine.
Gianluca has great intuitions with the musical choices. Ignazio is interested in the study-music part. However Ignazio says that every decision they make, they do it together and for the good of the group, he also says that Torpedine taught them, first of all, to manage themselves.
Ignazio doesn’t want to say flaws, on the contrary he says a beautiful phrase “Love me with my strengths and live with my flaws.”
Stefano asks if Ignazio has tattoos and he replies as many as 13, the first did it at 17, and is on the wrist, has tattooed the wind rose but on the tips he has put the initial of his family, because wherever he goes he always remembers his important point of reference, his family.
The fans’ questions continue.
What would he change about himself.
Many things, but in particular the fact that he does not have half measures, if he starts something he wants to complete it at all costs, even if physically he is tired, but he cannot postpone and finish later.
The best moments spent in Latin America.
In addition to the concerts, traveling from one place to another, because we created a very nice group with the troupe and they all had a lot of fun together.
What gives you the charge before a concert?
Before a concert he is very relaxed, then as soon as he goes on stage, he gets a lot of adrenaline.
With which international singer would you like to duet?
Lady Gaga, Ariana Grande, among males, Ed Sheeran and John Mayer. Ignazio says that in Los Angeles they met John Mayer, he is a very funny and special person.
Stefano asks Ignazio to give everyone the message of staying at home and Ignazio says it is time to be responsible to others so we must stay at home, above all to save others. We must be responsible and valid for the whole world, because the virus is a worldwide problem.
It is a difficult time for everyone.
Ignazio says he has prepared two short songs and Stefano tells him to sing them.
Ignazio performs on guitar: “Ain’t No Sunshine”.
At the end of the song, Stefano invites Ignazio, Piero and Gianluca to Billboard’s birthday, then asks Ignazio to show how he washes his hands, performing a song and he does it humming “Fatti mandare dalla mamma”(an old Italian song from the 60’s).
So Ignazio sings “Halleluia”.
Stefano thanks Ignazio so much for his skill and availability.
This is the video Ignazio and Stefano talk about at the beginning.
Ignazio sings “VIVO PER LEI”, with the duo of comedians from “I soldi spicci”.
Very nice. 😁
Well Ignazio, you gave some nice answers, and you revealed some sides of your romantic character.
You always give a lot of fun and you can give the impression of a light-hearted and thoughtless boy. Instead prove that you are a mature man and with your family in your heart.
A great gift.
Credit to owners of all photos and videos.
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