Tag Archives: MÀKARI

A Man of Passion and Emotion by Susan

Over the next few weeks, I decided I would write about the guys individually. Usually, when I do this, I start with Piero’s story, then Ignazio and then Gianluca. Sometimes I do it in reverse. And of course, Ignazio is always stuck in the middle. So, I’m going to start this series of stories with Ignazio!

Sometimes I feel like I spend every day of my life writing about Ignazio! In the last two years I’ve written over a hundred stories about the guys and, it seems as if half of them were about Ignazio’s projects. Because of all his projects in 2020, I sometimes wrote two and three stories a week about him, wearing many different hats. Entertainer, Lyricist, Manager, Entrepreneur! The amazing thing about it is, I can’t get enough of him! Ignazio lives in my mind. I have an emotional attachment to him. I guess it comes from writing all those stories. With fictional characters, the writer develops the character but, when you’re writing about real people, you come to a point where you are in their minds and, you feel their passions and emotions! And, Ignazio truly is A Man of Passion and Emotion!
Two years ago, I wrote a story called A Slice of Pizza with Ignazio on the Side! Obviously, it was the story about his mother Caterina opening her pizzeria and Ignazio starting his musical education.  I want to briefly talk about this event and how Ignazio was discovered.
Ignazio tells us his family left Marsala to go north because work opportunities in Marsala were scarce. Nina was just about four and Ignazio wasn’t born yet. By 1992 Ignazio’s parents realized they did not earn enough to keep going so, they made the decision to make another move to San Martino on Agrine near Bologna. And, as Ignazio says, “that’s why I was born in Bologna.”
In 2004, the family decided to move back to Marsala. At first, Ignazio was not happy with the move. He loved his life in Bologna, and he was not open to starting all over in Marsala.  But, like most ten-year olds, the moment you make friends everything changes.
Once the family was settled in it was time for Caterina to follow her dream but, let me let Ignazio tell you about that….

In 2004 there was a great change, the economic stability that mom and dad were looking for had arrived. Mom had regained her health and then what do we do? We return to live in Marsala.
During the first year we were back in Marsala, mom had gone back and forth every day to the center of Marsala to be able to secure her great dream: to open a pizzeria of her own.
In order to open the pizzeria, mom had to do certain things. First thing: she went back and forth to the office for the permits and all the bureaucratic things that she needed to do. Second thing: she used the ovens of friends and made pizzas. I remember it very well. She went from one oven to another and tried so many types of flour, she tried the dough, she tried so many types of mozzarellas so when she finally opened the pizzeria, she already knew how to prepare the right dough. It is different to make pizza in Bologna than making it in Marsala, take the word of a son and brother of a pizza maker: it is different because it depends on the humidity, the temperature and the type of flour. It’s not a simple matter to make a really good pizza.
So, mom did these two things alone, but to build the pizzeria physically the job was for a team and involved the whole family. My father with the savings accumulated over the years began the work. He was now working in a company that built wooden structures and being an experienced bricklayer, the dream could be realized, and the pizzeria could be built in front of the house.
For a whole year, in every free moment, my father dedicated himself to building the pizzeria for my mother and I loved to help him, so much so that when there were a few days of school vacation I went to work with him.

You will think that I tell you about the pizzeria under construction, but I am not a pizza maker.  Of course, but if there had not been a pizzeria, perhaps I would never have started singing seriously.

While the pizzeria grew, a passion grew within me….

It was a passion for electronics and music. I had started to be part of the elementary school choir and my dad, who was more passionate about electronics than me, had bought me a mixer, a microphone and two speakers, with which we started doing the easiest thing that could be done with those instruments: karaoke. I really enjoyed singing the songs of Andrea Bocelli and Giorgia.

Finally, in 2005 the pizzeria was completed and, mom opened the Pizzeria dei Desideri.
Within a few months mom already had regular customers and since the pizzeria was right in front of the house, when I was singing at home, the customers could hear me sing. One day a gentleman said to my mother, ‘You know, my daughter is studying singing, why don’t you come with your son once? Even just to try.’
Like everything else, we talked it over within my family and everyone was enthusiastic about it. It was decided, I would go and see what this singing lesson was like.
I remember it as if it was yesterday, and instead ten years have passed!…. I was eleven. I wore a yellow shirt with green stripes, fashion was never my strong point. Arianna, the daughter of the pizzeria customer, who had heard me sing, and her mother and I waited, in front of the school for more than twenty minutes for Liliana Andreanò, the singing teacher.
Lilliana Adreanò, arrived in a grey Opel Astra. She got out of the car and immediately entered the school.
I was worried, almost embarrassed. Hard to believe, right? Even as a child I’ve never been the type to be speechless.
Lilliana begins to talk about music, what kind of songs I like to sing. It was already a strange thing because usually I just sang, no one asked me why and how.
You know, Liliana, I like to sing Giorgia’s songs. Lilliana said: ‘Strange for a kid to sing this kind of song. She asked, and which song of Giorgia would you like to make me listen to?’ ‘Gocce Di Memoria’ (Drops of Memory), I said. I didn’t even have a doubt. I start singing and Liliana was amazed by my extension but asks me to try a male song too.
I thought a little bit and then I said to her: sometimes I even sing ‘Con Te Partiro’ by Andrea Bocelli. I started singing and, when I finished Liliana told me: ‘Ignazio, this is your musical direction.’

(Ignazio at thirteen years old. What a voice!!!)
From that first lesson I began to study songs like ‘Il Mare Calmo Della Sera,’ ‘Un Amore Così’ Grande’ and all those that came to mind, and I liked it. It approached that genre that was not lyrical, it was modern music but with something classic. With Liliana, I found myself, very, comfortable. We understood each other immediately because she is a sociable person, simple, as are all of us in my family.
After several lessons, Lilliana proposed that I take part in a bullfight (competition) organized in Paolini. I wasn’t completely convinced that I wanted to get on a stage. Until that moment I had only thought about singing, but I had never seriously thought that all that singing one day could bring me into the spotlight. In short, I was afraid. Fear of making mistakes. Fear of not being able to face the stage, but just to gain mastery on stage, Liliana urged me to participate, and so in the end I decided to do it.
I was about to get on the bullfight stage. My legs were trembling, the butterflies in my stomach were no longer butterflies but crazy swallows.
I decided to participate with the song by Bocelli ‘Con te partirò’ (Time to Say Goodbye), a song that I had studied and re-studied with Liliana, but as soon as the music started, I had a terrible fear of forgetting the words. So, what did I do? I looked down all the time. So, the audience, the place, what happened around me while I was singing, it’s not that I do not remember anything, I just do not know because I only saw the tips of my feet.
Fortunately, however, I remembered all the words and it is not so obvious because sometimes it happens that I forget the words even today now that I have become professional, the emotion continues to take us despite everything and.…

I came in third.

So, the great sacrifice by Ignazio’s family begins and would not end until he stepped on the stage at Ti Lascio una Canzone.

The rest of the story is history but, Ignazio’s story doesn’t just end with Il Volo. As I mentioned in the beginning, Ignazio wears many hats.
If Ignazio did nothing more than sing for the rest of his life, he would be remembered as a singer who captured an audience at a very young age and continues to intrigue them with every passing day.

From the first time he stepped on the stage, he was a star. I remember watching him on PBS and thinking if he’s this good now, what will he be like ten years from now. Along with Gianluca and Piero these three, amazing, men have achieved in thirteen years what most men could only dream of achieving in a lifetime!

He is the voice that never ends! The voice that intrigues! The voice that takes your breath away! The voice that leads you to ecstasy!

Let’s pick up our story in March of 2020 when we find ourselves in our homes hoping that this pandemic would end soon.

It seems we all tried to occupy our minds, but Ignazio had the best ideas about how to pass his time. He sang with his friend Lidia Schillaci!

He also sang and joked with his friends Claudio and Annaandrea ~ I Soldi Spicci
And every day he was online talking with us.
In January 2020 Ignazio, at age 25 started his own production company ~ Floki Productions. Does that surprise you?  It doesn’t surprise me. It makes a lot of sense to me.
Floki Productions I’m sure is Ignazio’s dream.
And how did Ignazio come up with the name Floki for his production company? He says….
I took the name of my label from the Viking shipbuilder Hrafna-Floki Vilgerðarson. As a fan of the TV series Vikings, Floki seemed like the right reference for the desire to get involved in this new adventure, because if you want to reach the continent from an island you can jump into the sea at the risk of drowning or invent something.
Working through a small label gives you the opportunity to follow means, believing in people even before the project and following them step by step in their path, discarding logic on the side.

So, where does the dream begin ~ Nico Arezzo!
In many ways Nico reminds me of Ignazio. He knows what he wants and, he goes after it. Nico was the first artist to sign a contract with Ignazio under Floki Productions.

You will remember that Ignazio released Nico’s song “Gorilla” on June 30, 2020 (in the middle of the pandemic) in a “Live on Instagram.”
How did I describe this event, Perfect Audio! 4 Cameras! A Crazy Band and, it was all LIVE ON INSTAGRAM!
Let’s listen to what Ignazio had to say about the event:
On Thursday night we were the first to do a high-quality sound live on Instagram.
People wouldn’t dream of doing what Ignazio did. What a spectacular show! While the music world was trying to restart, Ignazio, at age 25, made his debut as a producer.
And what a phenomenal production it was!
Ignazio tells us….Production has always been my dream. It started with an idea to give a chance to those who deserve a break. And Ignazio reminds us….as it happened 11 years ago to me, Gianluca and Piero.

Of course, Ignazio did not stop at Nico. In October 2021, Ignazio signed, Giada Luppi. You might say that name is familiar. That is correct because Giada won the Junior World Figure Skating Championships in Asuncion, Paraguay. Giada is not only a Championship skater, but also a singer!
Giada has a very clear idea about her future. “I will compete a few more years because I think I have already dedicated so much of my life to skating and then I would like to devote myself completely to music.”

With her debut single, in collaboration with Ignazio and manager Michele Torpedine, she entered what she hoped would become her career in the entertainment world.

In the video of her first single, La Rotta (The Route), Giada proves skating and singing are not incompatible activities. And the song Giada skates to, La Rotta, was written by Ignazio and Giada.
Does it seem to you that Ignazio knows how to pick them? Amazing just like him!

And then there were two!

Let me step back one moment to remind you about another production on Instagram. On May 17, 2020, Ignazio produced an event on Instagram and Facebook that really moved all of us. Ignazio along with Giampiero Grani, Alessandro Quarto, Bruno Farinelli, Gino De Vita, Pierluigi Mingotti and Andrea Morelli presented, “Almeno tu nell’universo.” Moments like this are few and far between. Only the genius Ignazio would come up with something this amazing. Bravo Ignazio!
In March 2021, I wrote a story called Ignazio’s Sicily, Land of Sages and Fools ~ Made of Devils and Saints! This story was about Ignazio the Composer and Lyricist!

It amazes me that the young boy who went to Sicily kicking and screaming when he was ten, became the spokesman for Marsala, around the world, and now for the region of Trapani. Ignazio came to embrace the land of his parents and he loves all the wonders of Sicily.
Sicily is different than Italy. Yes, I know Sicily is Italy but, how the Sicilians live and, who they are is very different. Ignazio’s song invites us to take a better look at this other land in the south. It speaks of “a land of sages and a land of fools, made from devils and saints.” Yes, that’s what Sicily is! They honor their saints while keeping their superstitions!

Ignazio invites you to live a new reality through his eyes. He invites us to see a different side of Sicily through his beautiful theme song, Màkari.

Ignazio did a video about Màkari explaining to us his experience of Sicily as seen through his eyes. He says, “It is a Sicily as told by a twenty-five-year-old who lived Sicily through stories, through images!”
This song speaks volumes! Where did the words of this song come from? No doubt! Ignazio’s heart! There is something very mysterious about the song. It speaks of truth! The truth as seen through Ignazio’s eyes.
Think about the words of the song! Is Ignazio singing about the writer who leaves his home and returns after a long period of time or the entertainer who travels the world? The similarities in his life and the life of the writer are striking, that’s why he was able to write such an emotional song! I feel like Ignazio wrote the song and then they made the show. His words are very enticing, they pull you into the story. They tell all there is to know and, Ignazio tells us a story, through the imagery of his words!
Ignazio’s words allow us to see Sicily through tradition, home and love! And that’s what Ignazio is really all about!
In the video about the song, Ignazio talks about the summers he spent in San Vito Capo in the landscape of Màkari.
What is it that draws him back year after year? Is it the “silence” of the land that screams for you to open your eyes and look around at the wonder of the landscape or, the traditions of the land that go deep into your soul? It seems to Ignazio, Màkari is joy and love and so he will never forget it! And what does that say! Simple! This is Ignazio’s story! His story of Sicily, the land he left to pursue his dream and the land he is drawn back to time and again.
Màkari is a song that leads us back to A Man of Passion and Emotion. It points its finger at the young boy who left Sicily to pursue his dream, but Sicily was never far from his heart. Ignazio expressed in this song all that he felt in life and all that he missed when he went away but he also tells us that he is never far from his family or far from his dreams. Through his images we know all of this is always in his mind and in his heart and he carries it with him around the world!
I would need twenty more pages to really tell all of Ignazio’s story. A truly amazing man!

Let me close with a quote from an article by Ilvolovers Romania: “Ignazio, for what he looks like and also for everything he sometimes hides, is an imposing, brave and authentic young man. Sensitive and passionate, his performance creates a hurricane of feelings for anyone who looks at him and listens to him. For him, the phrase “singing with the heart” is not a metaphor, it is a reality expressed in every gesture and makes us wonder what his eyes see when he sings.”
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
*Excerpts from: Il Volo, Un’avventura Straordinario, La Nostra Storia
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
Credit to the owners of videos and photos.

 

An Amazing Transformation by Susan

As June 3rd approaches, we feel the excitement in the air? After two long years, the World Tour will begin. The fans are starting to assemble in Verona to welcome the guys! This has been going on since last week but, it will intensify as June 3rd draws near.
On June 5th, 2021, Ignazio’s message to the press was, “Finally, June 5th! You don’t know how long we waited for this day! How many days to think, to study, to develop ideas! How many days to hope it would come! Today is an important day for the entire music industry. We start singing in front of an audience!” Yes, they were the first to do a live concert in front of an audience in the ancient Arena of Verona.
You could hear the excitement in Ignazio’s voice! His words sent chills up and down my spine. His words said it loud and clear. We made it! Live is back! The event as you well remember was the “Tribute to Ennio Morricone.”
Can you imagine how the guys are feeling right now? They are so ready to go out and present their new World Tour, Il Volo Sings Morricone and more….
While we’re waiting for them to arrive at Verona, let’s take a look back at the Tribute to Ennio Morricone, where we witnessed An Amazing Transformation in their production. Not to mention the fact that it was their first Live Concert on TV with Rai 1. This will give us a hint about what to expect in their World Tour which begins on June 3rd.

Let’s go to the stage!

Besides the superb performance, did you notice the interesting scenery? So different from what we are used to in an Il Volo concert. Spectacular scenery! And the videos that go along with each song. Such precision! Just amazing! Everything so well thought out. Down to the last detail!
The guys kept the set list a secret. They wanted to surprise all of us. Piero said, “As for the set list we like to keep it a secret. We will try to satisfy every need of our audience by always keeping the master at the center.” And that they did!
Remembering Morricone’s music and having our guys sing it is by far one of the most incredible things that can happen for us. An event that will never be repeated by anyone! Spectacular!
Piero went on to say, “The Concert will anticipate the album that will be released later.” ~ “Il Volo Sings Morricone”
While they were dealing with the pandemic, they were being very productive. Gianluca said, “We dealt with the pandemic productively, we tried not to give upYoung people must not give up the strength to believe in their dreams and pursue their goals.”
He also went on to thank the Morricone family for allowing them to sing an unreleased song, written by Andrea Morricone, “I Colori dell’amore.” A very beautiful song!
Piero reminds us that, “this is the first time we have performed a Concert live on TV.”

Well guys you did an amazing job!

“We really appreciate the tribute to Ennio Morricone because as Ignazio reminded us ‘it is the only (concert) date scheduled in 2021.’”
I must say, the Morricone project kept them very busy.  They had to select and study songs from the master’s repertoire. That was no easy task.

So how do you go about selecting the songs and fitting them to your voice. It’s very difficult! Let me remind you about something Ignazio said about recording a song. Ignazio explains, “…. a take is the recording of the single phrase that each of us sings when we record a song. We continue to redo it until we get the best version.”
Can you imagine going through all of Morricone’s songs and deciding which ones to choose? Remember a song that may be good for a baritone may not be good for a tenor. So, what do you do? You redo the arrangements to fit your voice. How? You take the song apart and then decide which part is able to accommodate a tenor or baritone. Not an easy task! Think about some of the concerts where the guys have sung a song as a group (the three) and then decided it should be a duet. Why? Because it is more suitable to two voices perhaps baritone and tenor or tenor and spinto tenor. You need to see how it fits your voice and how it relates. In the end it’s all about the delivery. Once you’ve taken the song apart, you must put it back together again. Shall I say it again, not an easy task! It takes months to rearrange this many songs and believe me these guys worked very hard for long hours and long periods of time, many, many months, to get these songs where they needed to be. Great songs, arranged to great voices!

Let me give you an example of what I’m talking about. This is the song “Se Telefonando.” It is a song that was performed by a famous Italian singer, Mina. It was released in May 1966. I want you to listen to Mina sing the song and then listen to Il Volo sing it. You will note that the words did not change. Just the arrangement changed to fit the voices of our guys.

Now the Guys!

So now you can understand what I mean by taking a song and arranging it to fit another voice. Without changing the words look at how the song has changed. The delivery is spectacular! Just magnificent!
The studio work was done. The songs were in the bag, and everything was in place. It was time for the guys to restart the live concerts! In essence, symbolically, restart the entire sector.

As to Rai 1, Claudio Fasulo explained, “For our flagship network it is an honor to host this date. Rai 1 wants to remember Morricone who has done so much for our culture through the many arts. I wanted three young people to do it that I admire so much. They were born into a talent, but they also teach us that talent is sometimes meritocratic.”
“Il Volo has the artistic and behavioral characteristics of Rai 1. It is no coincidence that in our schedules of great music, the trio is always present. Dedicating an evening to Ennio Morricone was a duty for us.”
Gianluca said: “For us it is a great journey, a wonderful adventure. A year after Morricone’s death we want to remember the master in the best way. We were born as child prodigies and after 12 years of career we can say that this project makes us proud and makes us feel more mature”.
Piero said, “At last, we sing. It’s been a tough year and there’s a desire to get on stage and bring all the workers in the show with us. I want to point out that it will not be the orchestra that will accompany us, but we will sing together.” Alluding to the long-awaited return to live.
Ignazio said, “Let’s go back to singing in one of the largest outdoor theaters in the world, finally safe. The ancient sayings are always the truest, hope is the last to die.”
In an interview given to the magazine Mio, Piero, allowed himself to go to a painful confession about the very hard period from which we come and, which now seems, fortunately, to give us a moment of respite. “Finally, we sing, after a year and a half. We could not take it anymore! Ours is a dream job. We are incurable dreamers. Every wish is finally coming to fruition. On June 5th we will give a message of hope, there is a great desire to get on that stage.”
And that is exactly what they did!

So, let’s turn to the master!

You can ask anyone if they know who Ennio Morricone is, many people will say no. But, if you ask them if they know the theme song from “The Good, the Bad and the Ugly.” They’ll say of course I know it. Everyone knows Morricone’s music! They may not know his name but, they certainly know his music.
So where did our guys begin the concert? They began with the most famous of Morricone’s songs from The Good, the Bad and the Ugly – “The Ecstasy of Gold.” Smart! This song set the mood for the concert. What they did with this song and, the other songs, is amazing!
Let’s talk about some of the music. Let’s start by asking the question, “What made Morricone’s music different? Why was it so popular? Why was he the most sought-after composer in the last 40 years? The answer is his arrangements and his style. Unlike anyone else in his time Morricone composed and wrote songs that reflected nature and reflected everyday life! In his music we hear the wind and the rain, the howls and the silence!  Again, I will go back to songs like “Se Telefonando,” where we hear three notes in this song that represent the siren of a police car. He wrote about reality. How he heard it, is how he wrote it. He didn’t describe the event he used the event! When you write a theme song or compose a score for a film, it has to draw you in. It has to tell the story before you witness it.
Now I’m going to step out of the concert for a moment but stick with Morricone because I need to pay a compliment to Ignazio.

As you recall, the first time we heard the song “Makari” which Ignazio composed and wrote, was during a commercial break at Sanremo 2021. When I heard the song, I felt like there was something very familiar about it. Last night after I wrote about three quarters of this article, I was tired, so I went to bed. And, as it often happens with me, I woke up in the middle of the night and thought about something I want to say in my story. This is what came to me. I finally figured out what was so familiar about “Makari.” Ignazio wrote in the style of Morricone. Think about it. What is Ignazio doing for us in this theme song? He is painting a picture! Remember I said, it has to draw you in. It has to tell the story before you witness it.
Ignazio’s song invites us to take a better look at this other land in the south (Sicily). It speaks of “a land of sages and a land of fools, made from devils and saints.”  It invites you to live a new reality through his eyes. This is exactly what Morricone does in his songs.
In a Morricone song you hear life! In Ignazio’s song you hear the sounds of Sicily. It is the “silence” of the land that screams for you to open your eyes and look around at the wonder of the landscape, of Makari, and the traditions of the land that go deep into your soul?
There is something very mysterious in the song!
Ignazio’s song sings about approaching Makari and, the colors of the island come to life. The houses, the people, it’s all there. It comes to life before you approach the shore! And that’s what I was feeling when I heard the song! It’s written very much like a Morricone song.
Ignazio, I said you are a great composer and, some day you will compose a great opera. This is the proof. You learned from the great masters about expression and intensity in music! I can honestly say, you are your own master, and you began your journey at the front door! Music is in your soul! Just amazing!

Now, let’s get back to the concert!

I’m not going to write in any detail about the songs. There were a few other articles which were written for Flight Crew which discussed the songs individually. I am merely going to name the new songs and where necessary, give you some details on how they came about.
“Your Love” from Once Upon a Time in the West, is a song we all are familiar with. It is the song that the guys sang at Sanremo 2021. As Il Volo fans, this song will be with us forever. There are tender moments attached to it.  It is an absolutely magnificent song. No one else could sing it like our guys. I know it touches my heart not just because of the circumstances but because of the emotion and passion the guys have when they sing this song. It will always be a signature song for them and for us!
So, what did they need in this production, a good pop song, set to music by Morricone, “Se Telefonando.” As I already mentioned, “Se Telefonando” is a song that was performed by a famous Italian singer, Mina. The music was composed, orchestrated and conducted by Ennio Morricone to Italian lyrics by Ghigo De Chiara and Maurizio Costanzo. The song was written for an episode of the Aria condizionata a Sunday morning television program. The main theme of the song was composed around just three notes, taken from the siren of a police car in Marseilles.

At this point in the show, the guys did their solos. Where do I begin to talk about the solos?

As I said, I am not writing about the individual songs, but I will say that each of the guys’ solos were phenomenal.
Gianluca’s “Your Song,” Ignazio’s “Listen” and Piero’s “No Puede Ser” were exceptional experiences in a sea of amazing voices.

When I originally wrote about this concert, I did not include the songs but for this story I will. Let’s start with Gianluca…

What I will comment on is little Julian. Many critics praised him and so do I! See guys, this is how you were at 8 years old. Blowing everyone’s mind!

And of course Piero singing “No puede ser” is just so amazing!

Let’s go back to the theme song of “Nuovo Cinema Paradiso” from the film of the same name. At the end of the song there is a small exchange between our guys and Salvatore Cascio, the child, now adult, of Nuovo Cinema Paradiso.

This was followed by Raphael Gualazzi on the piano with Nina Zillio and our guys performing the beautiful theme song from the film of the same name, “Metti, una Sera a Cena.” Nina Zillio is always so charming, and the guys enjoy performing with her.

Next came “Here’s to You”, the theme from Sacco and Vanzetti. This was preceded by a reading of the story of the two unfortunate Italian immigrants, read by Giallini. For those of you who don’t know the story of Sacco and Vanzetti here is a brief summary:
Nicola Sacco and Bartolomeo Vanzetti were Italian immigrants, anarchists, who were controversially convicted of murdering a guard and a paymaster during the April 15, 1920, armed robbery of the Slater and Morrill Shoe Company in Braintree, Massachusetts.
A series of appeals followed, funded largely by the private Sacco and Vanzetti Defense Committee.  As details of the trial and the men’s suspected innocence became known, Sacco and Vanzetti became the center of one of the largest causes célèbres in modern history.
Responding to a massive influx of telegrams urging their pardon, Massachusetts governor Alvan T. Fuller appointed a three-man commission to investigate the case. After weeks of secret deliberation, the commission upheld the verdict. Sacco and Vanzetti were executed in the electric chair just after midnight on August 23, 1927.

And so, we come to the end of the concert and the dedication of “Conradiana” to Vito Boschetto, Ignazio’s dad. “Conradiana” is a beautiful song written by Andrea Bocelli and Ennio Morricone. Very touching, very emotional and it certainly touched the heart of Ignazio and his brothers Piero and Gianluca, and I know it also touched our hearts.
In closing today let me say that the guys showed us their talent and their love in this concert. And they really dedicated it to us. When they were singing their song, to Sacco and Vanzetti, they were saying to us, their fans, “Here’s to You.”
I wrote about the staging of this concert so you will have an idea of what to expect in the upcoming World Tour. There will be An Amazing Transformation but they will not depart from their Bel Canto. They will add to what is great and make it greater!

See you in Verona on June 3rd, 2022, for the start of the World Tour ~ Il Volo Sings Morricone and more….

Visit http://www.ilvolomusic.com for a full list of concerts around the world. Find one near you and buy a ticket! It will be the best night of your life!

Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
Credits to the owners of photos and videos.

PORTA A PORTA 2022 AND OTHER NEWS by Daniela

This episode of Porta a Porta was supposed to air in February, but due to the war in Ukraine it has always been postponed.
Last week, with no ads and no announcements, it aired after midnight. Here is the episode and what has been said.
Please click on the photo below to view the video.

Porta a Porta show

VESPA = We are approaching Eurovision, in Turin, the great music festival, and we are going there, remembering Il Volo, the boys of Il Volo, which we baptized here more than 10 years ago.
Let’s open this segment with the guys from Il Volo who will come here, in the studio, with us, and with this clip, Il Volo introduces itself.
(begins a video that traces many moments of Il Volo’s career. Immediately after, Il Volo, in the studio, sings “SE”).
Il Volo, celebrates more than 10 years of success at Porta a Porta. Piero Barone, 29 years old, Ignazio Boschetto, 28 years old, and the plague, Gianluca Ginoble, the worst of all, who runs away, cannot be found, is undisciplined, messy  😁(he says it in a benevolent tone), but he is only 27 years old that we have to do??
GIANLUCA= I’m the youngest, by the way I just turned 27, just last week. 
IGNAZIO= He is the smallest! (Maybe he also says it in a double sense, he also means height) 😁
PIERO = So, I’m the oldest at the table.
VESPA = Madonna, how old are you.
IGNAZIO = Can we sit down?
VESPA = Sure.
PIERO = Bruno, what did I tell you a little while ago?
VESPA + PIERO = The promises are kept. (They had promised to return soon to Porta a Porta)
VESPA = Look, I know it takes a long time . We love you so much, you love us so much, we have brought each other luck ….
PIERO = This program brings good luck, you were the first to invite us and tell everything we were doing outside (means outside Italy).
IGNAZIO = I can say that your program and you were the first person and the first (Italian) program who believed in us, and never took us for granted. We always have Porta a Porta and you in our hearts.
VESPA = Thanks, thanks, thanks.
After two years of hiatus due to the pandemic, who would have said it would last that long, seven thousand people sent home to Los Angeles (he refers to the canceled concerts) and now, go home and then in June ….
PIERO = Exactly, we will start in May from Japan (they didn’t go, I remind you that this episode was recorded in February), in June there will be concerts in Italy, we start from the Arena di Verona, 3 and 4 and maybe … . (implies that there might have been another date) ….
IGNAZIO = Yes, because we have been postponing it for two years
PIERO = Two years, and it seems that we are finally leaving…
VESPA = How many concerts in Italy?
PIERO = In Italy, there will be more or less 15 concerts, I don’t know exactly it’s all in the planning phase.
VESPA = And then instead in autumn: United States …..
PIERO = Autumn: September US, South America will follow and we will return to Japan, then concerts in Europe, we have to recover two years of work.
VESPA = There are many people waiting for you.
Well, we first heard “SE”, taken from the movie “Nuovo Cinema Paradiso”, now we listen to “Ecstasy of Gold” beautiful music by Morricone …
IGNAZIO = Then we also have Clint Eastwood here in the studio (he jokes referring to Gianluca, applause)
GIANLUCA = You two are targeting me, I understand.
VESPA = You have to go straight (a way of saying to be good)
GIANLUCA = I’m going straight, I’m the most restless one, right?
VESPA = Let’s hear these guys (Ecstasy of gold video starts).

This splendid video was filmed in Sardinia, “Il Volo Sings Morricone”, released on November 5th and distributed all over the world. But now we have to go back nine years, you are celebrating 10 years.
IGNAZIO = Yes, we have been celebrating this for two years now (laughter).😁
GIANLUCA = The celebrations never stopped.
VESPA = But you were just out, remember, we took you that you were in swaddling clothes, very small.
GIANLUCA = We have always been a little kids, now almost men.
VESPA = You were kids on December 17, 2013.
PIERO = We were here.
VESPA = Here, at Porta a Porta, let’s see. (a video of Porta a Porta starts and the boys sing “Un Amore così Grande”)
You were really little, and you had already been to America, however, you came from America.
IGNAZIO = We came from America. I remember.
PIERO = What is 2017?
VESPA + IGNAZIO = 2013
VESPA = (Turning to Piero) You looked the youngest, you looked really small, small …
PIERO = I didn’t have a beard, that tuft, a little restyling was done.
GIANLUCA = Before, when we were a little younger,  people liked us , because we were child prodigies, in short, who sang with a different voice than our peers, we dressed a little like “grown-ups”.
Today it’s the other way around, see? (touches his beardless face) Today one takes off his beard and wants to look younger.
IGNAZIO = You take off your beard because you want to look younger. 😁
PIERO = He must always speak in the plural.😁
GIANLUCA = As a child you want to look older, do you see how we were dressed? We were dressed in our thirties there.
VESPA = Can I tell you something? Only once in my life did I feel old … who knows why at 27, at your age (talk to Gianluca)
GIANLUCA = Is it true?
VESPA = You saw, we had the same feeling, and now you are rejuvenated.
GIANLUCA = You can see that at 27 we Abruzzo feel “old”.
VESPA = At 27 we hear it and then we don’t !!
PIERO = The crisis of the 27th year.
VESPA = Yes, the 27th year crisis. (laughter) 😁
So, you then moved on to the theme songs of the television novels.
PIERO = For this you have to talk to Ignazio.
VESPA = Ignazio !
IGNAZIO = But I’ve always had a passion for writing music, I was in Sicily, and I remember I was sitting on the veranda, and the melody came out. So I carried it on and Makari was born.
VESPA = But during Covid?
IGNAZIO = Yes, it was that summer that seemed ….
VESPA = …. that things would return to normal?
IGNAZIO = Yes, like baby candy, right?😁
VESPA = Exactly.
IGNAZIO = And then I found myself writing this melody, and then, with Danilo Ciotti, our collaborator, we presented this song to the Palomar family, who are the producers of Makari, and so it all started.
VESPA = And it went well, let’s hear it. (begins the video of the song Makari)

And good Ignazio!
IGNAZIO = Thanks.
VESPA = Five million viewers!
IGNAZIO = Oh yes.
VESPA = It went really well.
What did you three do during the two years of Covid?
(he turns to Gianluca)
What have you done?
IGNAZIO = He took off his beard! 😁
GIANLUCA = But no!  We decided not to live them passively, trying to stimulate creativity. I learned a little to play the piano, I accompanied  me while I sang, it was my wish.
Then I studied acting a little. We reinvented ourselves, we thought of new projects. Morricone’s project was born thanks to two years of silence.
VESPA = (he turns to Ignazio)
And what about you?
IGNAZIO= You think, I lost weight in the pandemic, and then I gained weight, when everything was sorted out (I think he meant that he had lost weight around the time of his father’s passing away). 
I found love.❤ I studied a lot in the studio, and I improved.
VESPA = Did love distract you a lot?
IGNAZIO = Absolutely not!
VESPA = Did the love train you? Has it invigorated you?
It makes you dream, breathe ….
IGNAZIO = Love is beautiful when it makes you feel good, I’m fine. 😘
GIANLUCA(to Vespa)
You know it’s nice to see you in this role, I don’t see you asking about Meloni’s love (she is a political representative) (Gianluca means that: Porta a Porta is a program that deals with many topics, even political ones, often guests are politicians and they are not asked about their loves, of course) 😁
VESPA = You rather, you sentimentally, how are you doing?
GIANLUCA = I’m in love, I found love too last year, on the red carpet of the Venice Film Festival, think, what a story, like a fairy tale, do you realize? ❤
VESPA = Mamma mia! (and then turns to Piero)
IGNAZIO = Piero never talks (about the subject of love)
VESPA = I don’t want to invade privacy
PIERO = I like privacy, I prefer to live it for myself.
VESPA = …. live it for yourself, so is there a story? ….
PIERO = I mean my private life, for me my private life remains private ….
IGNAZIO(he comes to his friend’s rescue by trying to change the subject) Morricone was a great project, we worked hard 😁😁😁
VESPA = Look at these (Ignazio and Gianluca) talking.
What happened during Morricone?
IGNAZIO = Look, I’m perhaps the wrong person if you want to know something, I have a concrete stomach.
PIERO = About what?
IGNAZIO = On private lives, our gossips.
PIERO = In these two years we have had more time at our disposal, we have always had a hectic life, we have committed all our energies to Ennio Morricone’s project because you know, facing this world requires a lot of study, a lot of research and many thanks to the family of Ennio Morricone.
We have to thank his son, Andrea Morricone, also a great conductor, we had great support from him, he was like our compass, the world of Ennio Morricone is infinite and thanks to our producers and our team we have created Il Volo Sings Morricone, we also gave you vinyl for Christmas….
VESPA = Beautiful, beautiful, thank you!
PIERO = ….. we are delighted to have given voice to Morricone’s melodies, hoping that people are satisfied.
IGNAZIO = Can I add a little thing? At the beginning, perhaps we did not have a great knowledge of Ennio Morricone’s culture.
Once we thought about carrying on this thought, this idea, we immediately began to study, to understand who Morricone really was, because we had the opportunity to meet him in 2010, when we recorded our first album, and we had the opportunity to share the stage with him in 2011, but now we were more interested in understanding who he was and when we entered his world it was like taking a dip in a pool full of culture and emotions, full of feelings who always have something in store for you, it’s hard to explain!
VESPA = Now let’s see a video about who the three guys from Il Volo are all the way through.
Come on.
IGNAZIO = Help!
(part of a video with images of Il Volo a Porta a Porta)
In the video:
WOMAN’S VOICE = It’s been 10 years since Ignazio Boschetto, Piero Barone and Gianluca Ginoble came to visit us for the first time in Porta a Porta, at the dawn of their success.
Ten years in which Il Volo reached unimaginable heights, first, the enormous success in the US, with the invitation of Quincy Jones at the concert for Haiti, with stars of the caliber of Barbra Streisand, Bono and Lady Gaga, the transmission of Hellen De Generes and the lighting of the Christmas tree at the Rockefeller Center.
Then the consecration in Italy with the victory at the Sanremo Festival in 2015, a real triumph, so much so that Grande Amore, reaches 110 million views worldwide (now there are over 215 million views), and drags the trio to third place in the prestigious Eurovision Song Contest, where they are the most voted by the public.
That year we also accompanied them to New York, touching on their popularity, their kindness, their uncommon values, namely: bel canto, family, principles, sobriety, education and respect, especially among themselves, nothing that is taken for granted nowadays.
In the span of a decade they bring the Italian classics all over the world, modernizing them, without upsetting them, it is the boys in sneakers who sing Nessun Dorma and O Sole Mio, to use their words.
They also have the honor of singing in front of Pope Francis and over a million people in Panama on the occasion of World Youth Day.
Even during the health emergency, they continue to make all their fans feel the warmth, participating in the most important international streaming reviews, with a great sense of community and responsibility.
And now, as a sign of rebirth and hope, their world tour is about to start, 110 dates around the world, to celebrate their first 10 extraordinary years of career, an eagerly awaited reunion with the public, to continue to proudly bring Italy and its beauty around the world.
VESPA = We have taken the baton from Aunt Antonella, Antonella Clerici, (Ti Lascio Una Canzone).
GIANLUCA = We greet you with great affection.
VESPA = With great affection.
But you, when did you get together?
IGNAZIO = We met on that TV show, (Ti Lascio Una Canzone), we didn’t know each other before ….
VESPA = Where did you go to sing separately ….
IGNAZIO = We met for the auditions in Rome, in via dei Gracchi.
VESPA = Via dei Gracchi, but each one had gone on his own.
IGNAZIO = Yes, yes! Then in Sanremo, which was where the broadcast took place, we met and in the fourth episode we sang together for the first time (25/04/2009).
PIERO = …. O Sole Mio.
IGNAZIO = … yes, O Sole Mio.
PIERO = Excuse me.
IGNAZIO = But calculate that Gianluca, we couldn’t see him.
VESPA = Was Gianluca terrible?
IGNAZIO = Do you know when you create small groups at school of the normal ones, the quiet ones and the cool ones? 😁
He was part of the cool, but it showed (applause and laughter), then in the end he came in our way, understood!
VESPA = He has converted.
IGNAZIO = And so it all started from there.
VESPA(to Gianluca) But why are they talking about you like that?
IGNAZIO = Because we love him after all, at the bottom, at the bottom …..😘
GIANLUCA = ….. but at the very bottom 😁.
But that was our strength right from the start, did you understand? (to be united). Not only artistically, it was the first time that children sang O Sole Mio.
But then I like to see these videos and remember those moments, because Bel Canto allows you to perform in unique places, but above all to support yourself in projects like Morricone, like in Placido Domingo, like the Maestro Vittorio Storaro who accompanied us on this adventure. We have the honor, at our age, to join these names in cinema and music.
VESPA = Then I will ask you to sing a piece of O Sole Mio, sitting here, so a cappella …
IGNAZIO = If Barone says yes, that’s fine !! 😁
VESPA = Is he the boss?
IGNAZIO = Yes yes, (he jokes) see how he is placed with his arms folded …..
PIERO = I’m listening!
I link to what you were saying, seeing these old videos is really exciting, but on a daily basis it is difficult to find the stimulus and clearly find ideas on what to do. We sang in front of the Pope ….. and now what do we do? And I must tell you that it is a team effort, especially with our manager Torpedine, Mr. Torpedine, he is the mind of this group, and now a little while ago we were looking at the images of last Christmas, we sang three songs in St. Peter’s Square , this year we did it from the Frasassi Caves, a magical place.
VESPA = You will go to Bethlehem.
PIERO = And next year, we are working, by now we are at a good point … (he looks at Torpedine to have approval of the news he is saying)
IGNAZIO = We are checking in.
PIERO = We will sing in front of the grotto of the Nativity in Bethlehem and all this, we must say, also thanks to the support of the Undersecretary for Culture, for whom in November, we will sing in the world meeting of ministers of culture.
VESPA = Beautiful, very beautiful.
PIERO = Yes, I have to tell you that they are very beautiful things.
IGNAZIO = Can I say something? I want to reach out more to young people, to those who, like us, try to send their message. Nowadays it is very easy to arrive, with social networks, with the internet, it is very easy.
VESPA = The problem is to stay.
IGNAZIO = The problem is to stay, and in any case we always tell everything we have done, because we are very proud and grateful ….
PIERO = Do you have an itchy mustache?
IGNAZIO = No, it helps me to think. 😁
PIERO = Ah, ok !!
IGNAZIO = …… and we are very grateful for everything that has happened to us, but in recent years it has not been all roses and flowers, there are moments …..
VESPA = When was the most difficult moment?
IGNAZIO = There are moments in an artist’s career where difficulties come, in our case it was in 2014, when L’Universal did not …..
PIERO = Clearly there has been a change between one record company and another, and therefore there have been three or four months of “darkness”, but I remember that our manager was very good at hiding this from us, we didn’t live in that period of anxiety, he was:  ”Yes, yes, don’t worry, everything is fine, tomorrow I have a meeting”. Instead there was nothing.
IGNAZIO = This is to make it clear that yes, today it is very easy to get there, but maintaining oneself, building oneself, sacrifices, is all very important …
VESPA = When you were little I used to tell you:
“Guys down to earth”.
IGNAZIO = Absolutely ….
VESPA = Never mount your head, NEVER, when you think you are something more, already what you are is already a lot, always fly low low ….. (Vespa is referring to not being full of oneself)
IGNAZIO = I wanted to say it here.
VESPA = I don’t remember, what happened in Sanremo in 2015!
IGNAZIO = What happened?
VESPA = Bho! Let’s see for a moment! (the video of Grande Amore in Sanremo starts). (At some point the video loses audio due to a problem raised by the composer).
VESPA(He turns to Ignazio).
Now you do it again (the final note and Ignazio does it)
(Ring the bell, enter Vittorio Storaro on the show.)
VESPA = We have to greet a great person: Vittorio Storaro.
Vittorio, it’s a great pleasure to have you here, thank you.
Three Oscars, please take a seat. You can take off the mask.
STORARO = Now it can be done, respecting the distances, the rules and the possibility of being careful, not only with the vaccine, but also with the distances and the embrace of well-vaccinated friends.
IGNAZIO = But that’s why I’m away from Gianluca, for nothing else. 😁 (he jokes)
GIANLUCA = He (Ignazio) is angry with me, he is angry with me master …
STORARO = He (Gianluca) has a great energy, it is the energy that we have that usually brings the affections too. But be careful not to lose it, with the distance.
IGNAZIO = In what sense?
GIANLUCA = You have to be careful.
IGNAZIO = No, no, I am like a magnet for him, we attract the two of us.
VESPA = Vittorio Storaro won three Oscars (photography award), 1980 for Frencis Ford Coppola’s Apocalypse Now, 1982 for Beatty’s Reds and Bernardo Bertolucci’s The Last Emperor in 1988.
Beyond these awards, even we reporters who have approached the cameras a few times, looking at the light of Vittorio Storaro, already looking at it, we have learned something.
We learned what is beautiful and what is ugly, and what is beautiful, you did it. And this was truly a great lesson.
STORARO = All this comes from the great studies of Hippocrates who studied the elements of life, the natural elements that arrived on our body, on our organism.
We see light, not only with the eyes, but with the whole body, we are a sensitive plate. Light is visible energy and therefore it reaches us with a certain frequency, and the more it touches us, the more it excites us.
VESPA = So ….. what do you have to do with Vittorio Storaro? What have you done together?
PIERO = The moment before I met Storaro, I wasn’t sure whether to give him the you, the her, or the you or theirs, I wanted to give theirs (he means that he was in awe of respect for Storaro), but we have one thing in common, we were born on the same day, different year, the 24th of June ….
STORARO = We are Cancer (zodiac sign).
PIERO = Maestro Storaro, before being a great artist is a great person, he transmitted so much, so much wisdom, and so much art to us and we have to thank him because, you know, sharing his experience, his art, his being, with three boys of 27 or 28 years, it is not obvious, it does not happen every day.
VESPA = You have put together Morricone’s music, the images of Storaro, Oscar winner …
IGNAZIO = Yes, because we have been trying to collaborate with Maestro Storaro for years and we never managed to find a just cause, deep and sincere, with great significance and this year, that is last year, that moment has come, it has come  that idea.
VESPA = So let’s see this clip, Il Volo in the Caves …..
STORARO = Can I explain first a moment? Is useful.
VESPA = You’re welcome.
STORARO = It is true what Ignazio says, I had two Don Abbondio (he means two people who wanted to do this project … Don Abbondio is the character of the Promessi Sposi, a novel by Manzoni). Michele Torpedine called me, wrote to me every now and then to invite me to their concerts, he said, at least you know each other, it would be nice to make a video together.
While they were in Verona, I was in New York with Woody Allen, they went to New York, and I was always with Woody Allen in Spain or so on.
Then there was Maurizio Tosoroni who is the person in charge of the Frasassi Caves who asked me and Francesca (daughter of Storaro) who you know well, if we could conceive with modern technologies, and with a different creativity, that beautiful lighting they have the Frasassi Caves, which in this period of Covid were totally dark, totally closed and told me: “Why don’t we think about a project?”
The two Don Abbondio got together, they called me and I began to rehearse with lights, which we created together with Francesca related to the arts, because there was a phrase that struck me from our minister of culture, Dario Franceschini, that it is right to follow all the scientific warnings, medicines, vaccines, distances, masks, but if we add the energy, the creativity of the arts, maybe we can help so that everything can come back to life in a certain way.
VESPA = Of course, music and art give us hope, they help us to find the light.
STORARO = Do you understand? Also because we conceived the lights with Francesca, also linked to the muses, that is to the arts, and then I thought: “What can I do, with the trio Il Volo, inside the Frasassi Caves” and reminding me that they had told me that it was the fiftieth anniversary of the year in which three young speleologists descending from a hole with a rope, had discovered this incredible archaeological site among the best in the world, with the three of them (Il Volo) we reconstruct, not in a realistic way, but in a symbolic way, because they cannot go down with the suit and then sing, but in a tuxedo, and therefore in a symbolic way we have reconstructed the descent of the three , one at a time, first Gianluca, then Piero, then Ignazio, and little by little one descends, the light begins to rise …
VESPA = How wonderful! Let’s see it.
STORARO = Wait, I say one last thing. Only when Gianluca begins to sing, then Piero and then Ignazio, are together, they are like a seed that fertilizes mother earth and regenerates, and the trio becomes another trio, two trios, ten trios, one hundred trios, one thousand trios, none , one hundred thousand by Pirandello (Italian author). This was the creative energy of Il Volo.
VESPA = Well, let’s see it now. (The full video made in the Frasassi Caves begins.)

How wonderful!! Really what a treat !!
Beautiful beautiful beautiful.
STORARO= Nothing is random.
I have made 7 films with Ennio Morricone, and 10 films with Bernardo Bertolucci, and coincidentally this song comes from the film that the subject was written by Bernardo Bertolucci. I remember when I came here to say goodbye to Bernardo with you, and I told you about the possibility that I made him a promise, to restore and preserve all 10 films we made together, and I’m doing it now in the Cinecittà laboratory, with very modern technologies and with the possibility that these icons can last indefinitely.
VESPA = How wonderful!
Bravo, bravo Vittorio, also for this.
GIANLUCA=  I wanted to say that for us, our greatest goal is also to bring the beauties of our country. The Frasassi Caves, deserve to be, as they are already known all over the world, but even more so.
This was the perfect soundtrack, it was a wonderful experience in a magical place and living it with Maestro Storaro was even more so. It was truly an honor to be able to work together.
VESPA = Speaking of magical places, well, Santa Croce, in Florence (Notte Magica), but who would have thought it, direct by Placido Domingo.
PIERO = That was a great evening.
VESPA = Florence 2016 (The Magic Night video starts)

You didn’t have time to meet our friend Luciano Pavarotti.
IGNAZIO = Unfortunately not.
VESPA = In my opinion he would have put his hand on your shoulder, he was a person of absolute generosity who was really looking for, he was looking for new talents.
PIERO = This evening, the evening in Florence in Santa Croce, Tribute to the three Tenors, we had, in some way, the support from the three, because the maestro Placido Domingo directed the orchestra, but the Pavarotti foundation supported this idea because Nicoletta Mantovani (Pavarotti’s wife) gave the okay and said these very words: “The master would have liked this project”.
VESPA = Yes, absolutely yes.
VESPA = So, 2019, so these are the last things before Covid, at the Bolshoi Theater …
PIERO = To the Moscow Bolshoi
VESPA = La Traviata.
PIERO = Beautiful.
IGNAZIO = I was terribly ill, I had a fever that evening.
VESPA = Did you sing with a fever?
IGNAZIO = Yes, but I’m strong!
VESPA = Go, go. (The video of La Traviata starts)

So, (he turns to Piero) we went to New York together, we went to another big theater, the Metropolitan, do you remember?
PIERO = Yes.
VESPA = I don’t know if you remember, the room was empty, you and I were sitting next to you and I said to you:
“But when you grow up, what do you want to do?”
Was it your dream, does that still remain?
PIERO = Yes, in these two years, especially in the last 6 months I have studied a lot, I’m still studying, because you know very well how much study it takes. Just yesterday I did two and a half hours of lesson on Verdi, La Traviata.
VESPA = I have been to the Bolshoi with Riccardo Muti (well-known conductor), with the Friendship Concerts, and I assure you that if there is one who slaughters singers it was him.
PIERO = Mamma mia!
VESPA = Now it is no longer used, the masters have no desire or time, but before, a great singer always had his teacher who always kept him in the studio. You have to study a lot, every day.
IGNAZIO = I too, yesterday I did a two and a half hour session of the “tagliata (typical meat), I was very focused! (laughs) 😁😁😁
Sorry for the joke!
VESPA = He is always disheveled, undisciplined, the one who arrives late. Where is Gianluca!
GIANLUCA = This is what the two of them make you believe!
But it is nice that we are a group, but we continue to cultivate our passions, we respect and esteem each other, which is not obvious, as you know often groups are in competition …
VESPA = I know, you all never fight.!!
GIANLUCA = This is our great merit, because now 13 years together this is the beautiful thing.
Nice that Piero has his goals, for example, as I told you before, I am starting to approach the world of acting, trying to understand if one day, who knows, I would like to be an actor, but this enriches anyway, studying acting on stage , for a singer, it also helps you to express, to interpret songs better.
VESPA = So. (he turns to Piero) You say, we sang for the Pope, that’s enough, but no.
2019 Pope Francis, Panama (video of Panama starts)
In the video:
PIERO = His Holiness.
P + I + G = What a pleasure to see you again.
PIERO = This is our gift to you.
POPE = Thank you.
GIANLUCA = The dream and the desire to sing for him is coming true, we met in private audience last year and we sang for him an Ave Maria (Hail Mary) and here tonight we will sing it for him and for all the young people, we are truly honored.
POPE = Thank you.
PIERO = Can we take a picture?
POPE = Yes.
PIERO = A selfie like young people do.
(The Pope gives a souvenir to Piero, Ignazio and Gianluca)

IGNAZIO = We are grateful to you. See you later.
GIANLUCA = As you know, the power of Italian and Neapolitan music has reached overseas, Dean Martin, Frank Sinatra, but also Elvis Presley himself …..
IGNAZIO = The Pope has just passed, sorry, the Pope comments, ….
PIERO = But what does Elvis Presley have to do with Pope Francis, can you explain to me?
GIANLUCA = Oh well, first let’s talk about the Pope and then we want to give you a small gift.
VESPA = A small gift?
GIANLUCA = Yes, yes, a little present.
VESPA = Wait, first now I want to ask you something, we want to dedicate to Vittorio Storaro, who represented Italian art in the world, one of the most popular songs in the world, like this, here a cappella. (O Sole mio)
GIANLUCA = This is why I said, the great Elvis Presley interpreted the song in English “It’s now or never”,  do you remember that?
VESPA = Go !! (begins the a cappella song)
Well, we want to thank this magnificent group of romances, eight violinists, two cellists, thank you, thank you very much and congratulations, you are very good.
And then (to Il Volo) I greet you now …
IGNAZIO = We leave you with a great masterpiece, you know the story of Sacco and Vanzetti well. We are truly honored to be able to tell it even to an audience that does not know this story, to an audience that is not Italian and perhaps has not known the injustices that can exist in life. We are very proud to sing this song.
GIANLUCA = We would like to thank you again, we also thank the Maestro Storaro.
VESPA = Thank you.
(then he turns to Storaro) And what about you, beyond the restoration of Bertolucci’s films?
STORARO = Basically we’re still in the early stages, Woody sent me his fifth script to start, we had to do it first in New York, then we moved to France, now he’s looking to another country, Covid follows, depending on where it’s possible we’re going to do it.
VESPA = Good luck !!
PIERO = We would like to thank our audience for their love, support and support received over the years, thank you.
VESPA = And then: Sacco and Vanzetti! (start the song)
Really a nice chat between friends. You have noticed the masks and spacers, much more rigid in February than they are now.
Although it was not advertised, but was announced only by the tam-tam of the fans pages (incredible), this episode had very high ratings.
Congratulations as always, to Il Volo !!
But that of Porta a Porta was not the only appointment of Il Volo in this period, they were also in promotion Austria, on the TV show “Garden Party of the stars”.
Here they are.
Please click on the photo below to view the video.
Grande Amore
Very nice this video shot in Austria in front of the beautiful Grillenstein castle.
And then, live, during the show, they sang Ecstasy of Gold.
Please click on the photo below to view the video.
Ecstasy of Gold
Really a nice participation, let’s enjoy some pictures.
Then there was the announcement of the two Australian concert dates, finally !!
Reposted from @ilvolomusic :
Hello everyone,
We are very happy to announce that ticket sales are now open for our Australian concerts in Melbourne (October 18) and Sydney (October 24).
And finally, on May 12, I remind you that Il Volo is taking part in the Eurovision Song Contest.
For those who cannot follow them on TV, I propose you to follow them on you tube on the official ESC channel:   @eurovisionsongcontest.
Il Volo will sing GRANDE AMORE, but in a new version, which has just been heard.
The title is YOU ARE MY EVERYTHING and is in the English-Italian version and I find it beautiful !!
Here it is. 

What a thrill everything is ready, see you soon !!
Daniela

BREAKING NEWS!

Unfortunately, the news recently came that Gianluca is positive for Covid, so he will not be on the Eurovision stage. His voice will be recorded, only Ignazio and Gianluca will perform !!

I am very sorry for Gianluca, unfortunately you can never let your guard down with this Covid. Ignazio and Piero will do their best to represent Il Volo !!

 

EVENTS IN THE FIRST HALF OF FEBRUARY by Daniela

On February 12, Il Volo was a guest on the German TV show ZDF. Here they are upon their arrival in Berlin.

Gianluca, Ignazio and Piero left Italy for Germany on Gianluca’s birthday, already 27 years old for him.
Our “boys” are young men, but Gian without a beard does not look his age at all. Poor Gianluca, he couldn’t even celebrate his birthday with his family, but he celebrated with his two fraternal friends Piero and Ignazio.

The show titled “Die Giovanni Zarrella show”, is hosted by Giovanni Zarrella, who is an Italian naturalized German singer, showman and dancer.
Born to Italian parents in Germany and raised there, he is active and well known, essentially in German-speaking countries.
So here is the performance of Il Volo.
Please click on the photo below to view the video.

(I will try to translate what was said after the performance. I don’t know German, but I try to interpret from the answers what was asked.)
GZ = Ladies and Gentlemen: Il Volo.
Great guys! (applause)
Nice to meet you, how nice to see you.
I + P = Hello everyone.
GIAN = Good evening everyone.
IGNAZIO = I can’t speak German.
GZ = You don’t speak German.
IGNAZIO = No, I can only tell you a few sentences.
GZ = It doesn’t matter, there are those who translate.
I am very happy to have you here, (to Gianluca) was it your birthday yesterday? (Applause)
GIAN = Yes, yes, 27 years old.
GZ = 27, you could be my son!!
PIERO = We want to say something really important, that we really feel in our hearts.
Coming here, in Germany, to see an Italian, conducting his own TV program, is truly fantastic.
GZ = Thanks a lot guys.
GIAN = We can say that Giovanni Zarrella is a pride, not only for Germany, but also for Italy, and it’s beautiful!
GZ = Thanks a lot guys, what a thrill. Thanks again.
Guys, 10 years ago, you started singing around the world, but for two years there has been a break up (Covid), and not much has been done in this time. I didn’t have time for gardening, now I have some reconstructed gardens. What did you do at the time?
IGNAZIO = Surely we have had the opportunity to give space to creativity. We had to think about the time that was coming and we thought about paying a tribute to Ennio Morricone, a great teacher of whom we are very proud and for Italy he is like a flag.
PIERO = We sang all his most important melodies, from “L’estasi dell’Oro”, to “Nuovo Cinema Paradiso”, to “Mission”, melodies known all over the world and some sung for the first time.
GZ = And all these fantastic melodies, sung for the first time by these fantastic singers, you will find them on their latest album. I am so glad to have seen you this evening.
IGNAZIO = Then during the pandemic we also ate a lot, me in particular. 😁
GZ = Soon back on tour, when are you leaving for America?
When will you return to Germany?
GIAN = We will be back here in Germany soon, after two years of pandemic, as you (to the audience) want to go back to see concerts, we want to go back to doing them.
PIERO = We will be here on June 25th, the day after my birthday, in Frankfurt and on the 26th in Dusseldorf.
GZ = Guys it was a pleasure. Ladies and gentlemen: Il Volo, thank you guys, grazie mille!!
And this comment was posted by Giovanni Zarrella, with a short video:
“Thanks a lot @ilvolomusic! 🇮🇹 Crazy voices and a great version of the classic The Ecstasy of Gold! 😍 We got goosebumps and you? 👏
These days, also, the second series of the TV drama has started: MAKARI, whose theme song was written by Ignazio Boschetto and sung by Il Volo.
The first series was very successful, but the first episode of the second series also had the highest television ratings.
Here is a summary of what the online newspaper DIRETTA SICILIA wrote, about the theme song:
Click here to read the article in Diretta Sicilia.
MÀKARI TRIUMPHS ON RAI 1, THE BEAUTIFUL  THEME SONG IS SUNG BY IL VOLO.
Màkari is not surprising only for the story of Saverio Lamanna (the protagonist). It is a product also characterized by the extraordinary participation of Ignazio Boschetto.
The Il Volo singer has in fact written the theme song of the same name for the fiction, which also marked the first season. “An honor for me to have written it – said the artist to the Giornale di Sicilia – is a song that tells about my Sicily where I return every year in the summer.”
The other two members of the group, Gianluca Ginoble and Piero Barone, sing the song with him and said they were “proud of the work Ignazio did.”

Il Volomusic posted this comment:
“Dear friends of Màkari, Saverio Lamanna’s investigations are back and we too, with the initials theme song you loved so much, and for this we thank you from the bottom of our hearts. Màkari is home and our heart sings for you.”
So let’s listen to the beautiful song with the video of the second series. ❤❤❤
Please click on the photo below to view the video.
About Màkari.
I have been pointed out to these three beautiful videos, published by Los Volos Mexico, where only the single voices of Gianluca, Ignazio and Piero are heard singing the song. I find them fantastic, and you?
Please click on the photo below to view the Gianluca’s video from Los Volos Mexico.

 

Grazie mille to Los Volos Mexico! ❤❤❤
But surely this is the news that made me most proud of our boys.
On Sunday 7 February, on RAI 1 in a television program entitled I FATTI VOSTRI, a beautiful interview with Pope Francis was broadcast.
Among the various questions, one concerned music, because the Pope was photographed by the paparazzi, while he was leaving a music record shop.
The Pope said he had not gone to buy records, but to bless the shop which is owned by friends. When asked what kind of music he listens to, the Pope said, without going into particular, that he listens to a lot of classical music and that he also likes tango (He is Argentine).
But the two journalists, who are very curious, intercepted a tweet made by Cardinal Franco Ravasi shortly before the start of Sanremo.
The cardinal’s comment goes like this:
“Sanremo 2022 is approaching and I have received another series of musical materials from Pope Francis. Best wishes to the Festival (Sanremo).
And in the video the vinyl of Il VOLO appears clearly visible.
Please click on the photo below to view the video.

Here Gianluca, Piero and Ignazio in audience with the Pope.

Excellent musical taste, Pope Francis, who knows if he will have heard the beautiful tango POR UNA CABEZA sung by Il Volo …….

That’s all for now.
Ignazio Piero and Gianluca are not very active in this period, I believe that all their attention is towards the tour, the dates are slowly approaching and we hope to have confirmation that everything can be done, in safety for everyone. We all desire for normality and to attend many good concerts !!!
Daniela

 

Credit to owners of all photos and videos.

What Makes Ignazio Different?

Seems like a funny title for a story but many people say to me Ignazio is different from Gianluca and Piero! Well, of course, they are all different from one another. In any event, I decided I would take a closer look to see what these differences are. To do this, we need to go back to the beginning! No not to when he was born but when they were born! Il Volo!
When Ignazio stepped on that stage13 years ago, he did a duet with some very famous entertainers, and he was singing their songs.
Let’s listen to a song from Ti Lascio una Canzone!

I always loved when Massimo Ranieri sang “Quando l’amore diventa poesia.” But when Ignazio sang it with him, I could see the amazement on Ranieri’s face. I think he knew that Ignazio would own this song! Ranieri was in total awe of Ignazio. I love you Massimo, but Ignazio does own this song! No one sings it like him!
Let’s listen to another song!

When Ignazio sang “A Chi,” I understood who Ignazio was. There was no song he couldn’t sing. I can’t even express the feeling I got when he sang that song. The depth of his voice! The expression! Just amazing!  Fausto Leali was, also, in awe of this teenager. I just fell in love with this performance!
So that was some of his performances on Ti Lascio una Canzone but that isn’t what makes him different! Let’s listen to another song! When Ignazio sings Memory he brings out another feeling in us! A feeling that we can hear a song a hundred times and love it but never appreciate it until the right person sings it!

How does Ignazio stand out as one of the three? Let’s talk about his voice! I call Ignazio the bridge. He is a lyrical tenor. He can sing from the lowest to the highest note in the tenor range. And God knows he can, easily, hit the high C. Waiting for it and knowing it’s going to happen is so exciting! His voice brings all voices together!

A lyrical tenor has a warm graceful voice which is bright and strong but not heavy and it can be heard over an orchestra. Ignazio’s voice is smooth, clean and clear, with an acute extension. His voice has the ability to increase the baritone voice of Gianluca while softening the spinto tenor voice of Piero.
Ignazio has many faces. He is very whimsical in many of his songs as in “Libiamo ne’ lieti calici” from La Traviata.

In the aria “Una Furtiva Lagrima” from L’elisir D’amore, Ignazio makes you feel the innocents of Nemorino’s love for Adina.

In his dedication to Pino Daniele, you hear an interpretation that is so emotional and a delivery that is so amazing that you get the sense that Daniele wrote his songs for Ignazio.
These are the different voices of Ignazio but to understand Ignazio better, we need to go to another video. One that I use from time to time and one of my favorite videos of the guys when they were starting out!

This video of the guys recording “Tous le visages de l’ amour” tells me so much about their beginnings. They were phenomenal. They barely knew one another and yet they showed how professional they were. From the very beginning they knew what was expected of them and what they needed to do. Amazing to think they were only 16 – 17 years old.
But let’s take a closer look at the video and a closer look at Ignazio.
The first thing we notice of course is Ignazio’s voice! How can you miss it! It rings out and takes over the song! Powerful! But let’s look further. You will notice Ignazio is already getting into the production end of the recording. He’s already following the music. He’s on top of what is happening around him, in the studio, not just his part in it, but everyone’s part. But what I want you to see is how serious and responsible he is. After the recording, he begins to tell us how the recording went that night. Piero, jokingly, interrupts! At first you think he’s going to get angry, but he doesn’t he plays right along with Piero. Even knowing this moment called for a serious discussion, he immediately took control and went along with Piero. Always in control!
So, we see Ignazio coming from a different direction. He understands the moment! He understands what is expected of him and, he understands that great sacrifices were made so that he could do this. He knows when it’s important to be serious and when it’s important to be funny!
No one understands music better than Ignazio does. I’m sure Piero and Gianluca will tell you that. They will also tell you that no one knows the stage or the production better than Ignazio.  That’s why he is the technical person, the hands-on man. He always knows what needs to be done and when it needs to happen. So, I will show you another video for you to understand what I’m talking about!

This happened in Dubrovnik. Ignazio steps on the stage and immediately recognizes that Gianluca is having a problem. So, he sings his part and then immediately begins to fix Gianluca’s problem. You will notice Ignazio already has things under control and has already started changing out equipment while they are still getting things together behind the scenes! They are just arriving with the equipment but, too late, Ignazio has already taken his own equipment and exchanged it with Gianluca and then he walks away, and the performance goes on. He is really hands on. He always knows what’s going on and what needs to be done! He has a very precise quick mind!
Look at him on stage!
Ignazio is the ultimate entertainer. He is the production. His presence is there in every aspect of the production. He is a prolific entertainer! He sees music! He feels music! He breathes music! Follow him around the stage. The little gestures aren’t just for our entertainment they are real movements within each song. Ignazio is the means by which the production moves on.  We know these guys have amazing voices but, what if they got on the stage and for two hours, they did nothing but sing. I don’t think it would work. A performance needs the ability to move on. There’s no change of scenery and no intermission so how do you move the performance along? Ignazio! The joking he brings into the performance provides the levity to relive the seriousness of the performance. He brings a certain ease and suspense to the performance. The audience is always wondering, what will he do next?
Let me tell you what you are looking at. Ignazio is following every note that is sung or played on that stage. His mind is in motion. He is sensitive and passionate with music. He has the ability to see the music as it is happening. He knows where every instrument should come in and out. That’s why you notice little things like him smiling, nodding, pointing towards the musicians, Gianluca or Piero.
You call Ignazio funny I call him brilliant! I’ve said this before, but I will say it again! I am making a prediction here! Ignazio will compose a great opera one day. And probably write the libretto! Remember I said that Ignazio!
But we also know Ignazio loves plays. So, there could be a great production, a Broadway play in his future. They say, “Nothing is impossible with God.” I will say “God had a great plan here and maybe this is part of it!”

Ignazio proved to us during the pandemic that being in quarantine doesn’t quarantine your mind. No, it opens your mind to different ways of producing! This video showed just how brilliant this man is. He wouldn’t be held back by his circumstances. He felt a need to produce and even though the moment didn’t allow it, he found a way to overcome his confinement and sing out! An absolutely phenomenal performance by Ignazio! And let’s not forget the amazing men who accompanied him. Giampiero Grani, Alessandro Quarta, Bruno Farinelli, Gino de Vita, Pierluigi Mingotti and Andrea Morelli.
Ignazio’s experience and love of the production has led him to take a giant step into his future!
Of the three, Ignazio is the one who has already set his future in motion. I know Piero has a phenomenal plan to become an opera singer and I plan to be there when he sings in his first opera, but Ignazio has already made the first move to pave the way for a future doing the thing he loves most!

At 25 Ignazio started his own production company.  Does that surprise you? It doesn’t surprise me. It makes a lot of sense to me. At the beginning of 2020 Ignazio started a production company called, Floki Production and the first person he signed was Nico Arezzo! And the first song he released was Gorilla!

In 2021 Ignazio signed another artist, Giada Luppi. As most of you know Giada is a World Championship Skater. The eighteen-year-old won the Gold Medal in the Junior Category and became the World Champion in Paraguay. Giada sings and skates to her song La Rotta, (The Route) that she and Ignazio wrote together.
I don’t think Ignazio will stop there! Let’s look at Ignazio the lyricist and composer! Who can ever forget Màkari?

When asked about the song, Ignazio explained how he experienced Sicily. He said, “It is a Sicily as told by a twenty-five-year-old who lived Sicily through stories, through images!… It speaks of “a land of sages and a land of fools, made from devils and saints.”
Ignazio invites you to live a new reality through his eyes. He invites us to see a different side of Sicily through his beautiful theme song, Màkari.
This song speaks volumes! Where did the words to this song come from? Ignazio’s heart! There is something very mysterious about the song. Besides the fact that it speaks of a land of sages and fools, it also speaks of truth! The truth as seen through Ignazio’s eyes.
Think about the words of the song! Is Ignazio talking about the writer who leaves his home and returns after a long period of time or the entertainer who travels the world? The similarities in his life and the life of the writer, Saverio, (played by Claudio Gioe) are striking, that’s why he was able to write such an emotional song!
This song is the perfect theme song for the series! I feel like Ignazio wrote the song and then they made the show. His words are very enticing, they pull you into the story. They tell all there is to know and, Ignazio tells us a story, through the imagery of his words!
That’s what’s so amazing about Ignazio. As a composer and lyricist, he can take you to another place, another dimension. I know he will not stop at this song. He will continue to write!
We know there are more Morricone songs to come!
In the industry Ignazio has proven there is no place and no space he can’t occupy! Ignazio is more than just a phenomenal singer! He wears many different hats! Entertainer, Lyricist, Manager, Entrepreneur!”
It takes a certain person to do what Ignazio has done! It starts with a brilliant mind that keeps opening to new and exciting things every day. It takes a person who sees a certain reality in a world that addresses a new beginning every day. But above all it takes a dreamer to reach for the future and achieve it at such a young age. Ignazio is a dreamer! Only a dreamer could achieve what Ignazio has achieved in only 27 years! Ignazio what will you be like at 50? You’ve already done it all. I wish I will live many more years so I can be a witness to all the amazing things you will do!
What makes Ignazio Different? All of the above and all that will come in the future. My dream! I should live long enough to attend the opera he will compose! I’d certainly be opened to going to his first Broadway play! Ignazio never forget, “Nothing is impossible with God!”
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com