There is less and less time left until Sanremo and every day new interviews and videos are published.
Today I propose this interview to you in the GRAZIA newspaper.
Pay attention to Ignazio’s words. ❤️
LOVE PUSHES US FORWARD
After the victory in 2015, the three singers of Il Volo return to the Festival with the song CAPOLAVORO, which talks about the feeling that changed their lives.
When I meet the three guys from Il Volo, I can’t help but notice all their differences. In their way of telling themselves, of understanding music and the world. But at the same time I feel a unique, consolidated, respectful entity.
Fifteen years after their debut, Gianluca Ginoble, Piero Barone, and Ignazio Boschetto felt the need to focus on themselves. They did this by preparing an album that for the first time will be composed entirely of unreleased songs and in which they promise a new story that they will take on a world tour.
WHAT TIME IS THIS?
GIANLUCA= We realized that we have based our career in the past, on the strong roots of our culture that we have brought around the world. For the first time, however, we now feel connected to the present, with an eye towards the future.
YOU WILL BE COMPETING IN SANREMO WITH CAPOLAVORO. HOW WOULD YOU TELL IT?
IGNAZIO= We understood that this was the perfect song for Sanremo. Talk about love. When you are in a relationship, you stop and say: “This story is a Capolavoro”, I’m getting married next year and for me the masterpiece is exactly what I’m experiencing.
PIERO= It makes me think of that very strong feeling that grows inside you without you knowing it. When you realize you have it you need to externalize it.
GIANLUCA= For me, love is like jumping off Niagara Falls without a life jacket. You know that you rely on a person with the risk of experiencing incredible pain.
HAVE YOU EVER THOUGHT OF BREAKING UP YOUR TRIO?
PIERO= Never. We have lived intense years, without ever stopping. There wasn’t time to even think about it.
BUT IT IS NOT OBTAINED.
PIERO= Yes, but there was a lot of effort. Today others only talk about immediate success achieved with the least amount of effort. It’s wrong.
GIANLUCA PARTICIPATED ON BEHALF OF THE TRIO IN THE EVENING OF GRACE FOR THE DAY AGAINST VIOLENCE AGAINST WOMEN. IT’S AN EMERGENCY?
GIANLUCA= For many men it is difficult to admit that they have weaknesses, there is a virility that is so flaunted and which can lead to violence.
PIERO= Each of us should make our contribution, even in small things, not laughing at squalid jokes and perhaps pointing out to our best friend that he is making a mistake in using certain words.
There was the long-awaited Radio Italia interview (I don’t like Gianluca’s trousers at all, my opinion) 🤪
WOMAN= Let me dream right away. Where have you been lately around the world? You are always around, I watch the stories, I would like to do all the trips you do. Where have you been?
GIANLUCA= We’ve been around, we’ve had the opportunity to tour, travel, but returning to Sanremo is always an emotion, because we were born here artistically.
WOMAN= It’s true, this is what I wanted to tell you, what it’s like to return, after all these trips around the world, to such an important stage for Italy and not only and above all for you who this stage has given you so much.
IGNAZIO= We have realized that we are coming to celebrate our anniversaries, it will be 15 years, we celebrate 15 years this year and it is not easy, it is not easy to be together for 15 years (Piero and Gianluca protest), let me finish, it is not easy to stay together for 15 years always with the same enthusiasm.
GIANLUCA = (to Piero). See, you don’t have to interrupt him.
PIERO= (to the person filming) Can you cut this piece?? (laughs) 😂Is not easy.
WOMAN= So what is it that keeps you tied to this enthusiasm?
PIERO= Enthusiasm keeps us bonded, the desire that unites us to always do new things, never lose that passion for the profession we carry out, we consider ourselves three privileged individuals, because we do what we love, we do it every day, so we don’t there is something more beautiful.
WOMAN= And so we return to Sanremo, the piece is called MASTERPIECE, tell me a little about it, a little spoiler.
GIANLUCA= A small spoiler that can be done….more than anything it explains the feeling that is love, but told in a profound way, because sometimes you realize that you love, only when you look back, and sometimes you realize how special this person is, like how did I do without this person before I met them. Sometimes it’s as if it suddenly falls from the sky, but it can be love for a child, love in general, universal love, how important this feeling really is that moves the world.
PIERO= For us who sing it, each of us sings it in a different way, feels it in a different way, for me CAPOLAVORO speaks in a romantic way about hope, because maybe when you don’t find it in yourself, in the most difficult moments you hope for something outside of yourself.
WOMAN= So you hope something comes…..how you turn it is a nice message.
GIANLUCA= Yes, there are people who can really change your life. Growing up, doing introspection on yourself is important, to be able to understand, to recognize love as a feeling, then there are people who can enrich your life and make it better.
PIERO= It can be dedicated to someone, something, that feeling that literally changed your life, not just people.
WOMAN = Even a little awareness when you feel certain things. Guys, we were immediately a bit philosophical, but the piece requires it, because it actually has a beautiful message. I thank you, see you in Sanremo.
IGNAZIO= Thank you very much.
PIERO= Remember……it’s not easy.
WOMAN= With this enthusiasm, it’s not easy.
IGNAZIO= However you’ve seen, nothing has changed, they won’t let me talk. 😂😂😂
And then there is this which is not an interview, but a long reflection that makes you think a lot, a long tirade made by Luca Maggitti to the administration of the municipality of Montepagano and Roseto degli Abruzzi, read it and try to understand that it’s very ironic. I really liked it, well written Luca Maggitti, sometimes you need these “little digs”.
I remind you that Luca Maggitti is a journalist who lives in Abruzzo and who met Gianluca who was walking with his grandfather and they drank a coffee.
I bring you an old photo of Luca Maggitti and Gianluca.
Gianluca Ginoble – Il Volo THE AMBASSADOR OF ROSETO AND ABRUZZO IN THE WORLD RETURNS TO THE SANREMO FESTIVAL
In short: there is no two without three.
Gianluca Ginoble – from the ancient village of Montepagano in Roseto – will return to the stage of the most important Italian event in terms of occupying television, social media and any other space. Tens of millions of people in Italy will talk about the event (Sanremo Festival) and billions around the world will in some way be involved in the various references to the event.
Every time such a media circus takes place (all the media attention for Sanremo) I think of Gianluca sitting drinking a coffee in Roseto, speaking kindly to anyone who comes to say hello. And I have the image of a Ferrari left in the garage, for some souped-up Vespone to race in competitions where class and speed are needed. (Maggitti compares the kind and polite Gianluca to a beautiful world-class car, a Ferrari that is left in the garage, to race a Vespa, a famous Italian motorbike, remember the film Roman Holidays?)
Yes, because I ask myself: is it possible that Gianluca goes to Sanremo and no one in the Municipality (of Roseto) or Region (of Abruzzo) calls him – eight days before the start of the event – to congratulate him, incite him, encourage him?
Let’s be clear, we talk about politics and government at various levels and I certainly don’t expect the administrators to call him because they truly love the artist or his genre or appreciate this exemplary boy for education and culture, who has remained very polite despite a global success that we even have hard to imagine.
(Maggitti is really scolding the municipal administrators here, because Gianluca should be called not only because he is a great artist, but also because he is an exemplary boy in terms of education and culture, despite his great success)
I don’t expect this. Furthermore, I am biased because I have always respected him.
No, I want to be cynical and wretched to the core!
(Maggitti means that if they had been cynical, the administrators would have had to call Gianluca for at least other reasons, which he will now list)
If I were a public administrator – at various levels in Abruzzo, since Gianluca was appointed, years ago, ambassador of both Abruzzo and Roseto degli Abruzzi in the world – I would call him because Gianluca creates media hype. Because its social profiles generate more interactions than all those of the various municipalities, provinces and regions combined. Not to mention the Volo one.
I see Gianluca who for almost 15 years – in a few months it will be 15 – has spoken well (more: he speaks with love) about Roseto degli Abruzzi and Abruzzo, truly helping these territories to be known.
On the other hand, I don’t see equal interest on the part of those who govern, especially the tourist-cultural part of the territory. And I ask myself: why?
What is the point of this masochism?
A final reflection, remaining in Roseto, in the limited area of via Latini. And talking about tourism and – more generally – territorial promotion.
The part of via Latini that goes towards the sea, the one after via Nazionale, has a system of decorative lights at the top with the words of the famous “Nel blu painted di blu” (Volare) by Domenico Modugno. Good, great.
(He intends to remember that in the town of Roseto some lights have been installed with the words of Volare)
But, I wonder: we have Gianluca Ginoble who won the Sanremo festival at 10 years old, at his first participation, he chose to live in Montepagano di Roseto, where his roots are, he always speaks well of his birthplace and the territory, he is always available when it comes to visiting associations that work for the good of the area… and don’t we put “Grande Amore”?
Is it possible that it is so incredibly difficult to insert the words of “Grande Amore” on the “rambla” of Roseto degli Abruzzi (via Latini, in the part that goes towards the hill), perhaps by having him turn on the lights for the first time and have him sing alone and live a cappella the song?
Is it so difficult to respect an international pop star who lives where she was born and who has the only flaw of not being haughty? Not for him, I repeat.
He (Gianluca) now travels from Rai 1 upwards, from Canale 5 upwards, from Corriere della Sera upwards. (Maggitti means to say that the most important programs talk about Gianluca and Il Volo)
For us, for our struggling territory, for tourism with less than 100,000 visitors in two years… for the fact that no one queues there and that the very expensive VisitRoseto.it gets as many likes or visits as a site set up by a elementary school, to teach children to use the web.
Is it possible that we prefer to keep the Ferrari in the garage and go for challenges with the souped-up Vespone? But what’s the point?
Mayor Mario Nugnes, do you remember when I brought Gianluca Ginoble to the Oratory of the Campo dei Preti at the request of my friend Father Antonio Ghidoni, who wanted to meet him and who defined “Grande Amore” as a prayer, and in the homily invited the faithful to vote Il Volo?
Mayor, do you remember? You had frizzy hair and were tutoring in the afternoon, and Gianluca came to hug you (him, you!), telling me that you had been his afternoon teacher when he attended the Oratory?
If you don’t remember, I’ll put the photo from that day here.
Mayor, can we ask Ferrari for the favor of lending a hand to this little village, which is slipping more and more towards numerical inconsistency and which desperately needs a great recovery plan?
I don’t know if Gianluca Ginoble – who is preparing for yet another world tour on the occasion of the 15th anniversary of Il Volo – has time, but I know for sure that a photo of him, a reel or a thought is worth the sum of all the sites’ efforts, little sites, pages and little pages of our parts.
And if I say this it is because I myself have found my articles about him translated into English, Spanish, Romanian, Portuguese and more, on the web. And I am a poor journalist who would never otherwise have been translated! 😂
I, for the umpteenth time, put these reflections into it. You rulers – at any level – will do what you believe. I only hope that you are illuminated by the beacon of the common good and real progress in your daily work.
Whatever the case, my best wishes to Gianluca Ginoble and Il Volo, remembering the emotions of the 2015 victory, when he turned 20 exactly on the day of his debut as a competitor at the Festival.
Dàje sìmbre fùrte, Gianlù! (Abruzzo expression to say: “Come on, always strong, Gianlù “)
(Another old photo of Luca Maggitti with Gianluca)
Who knows if it was because of the article published by Luca Maggitti that the municipal administration of Roseto woke up??
We want to think that it wasn’t the article, but today, Friday 2 February, there will be an award for our Gianluca in Roseto. 🎉🎉🎉
This is the motivation.
On the occasion of the 15th anniversary of the birth of ‘Il Volo’ and in view of its participation in the 74th edition of the Festival of Sanremo, the Municipal Administration of Roseto degli Abruzzi organized a ceremony to pay homage to the Rosetano singer Gianluca Ginoble who was a guest in the Council Room, at 11 am on Friday 2 February. In 2015, Gianluca Ginoble was awarded the title of ‘Ambassador to the World of the City of Roseto degli Abruzzi’ and the other two members of the ‘Il Volo’ trio, Piero Barone and Ignazio Boschetto, were awarded the honorary citizenship of Roseto degli Abruzzi.
The ceremony, conducted by Francesca Martinelli, represented a moment to make the entire Rosetan community feel the affection towards Gianluca Ginoble, to relive his great career with him and to pay homage to him with a gift created for the occasion.
And here is the video of the awards ceremony.
The mayor expresses words of esteem and good wishes and Gianluca thanks everyone and tells little things about life in his town and the emotion he always has when he talks about his city which he will always carry in his heart. ❤️
And another video by a journalist, Luca Maggitti Di Tecco, from Il Messaggero who was at the event.
The administration gives Gianluca a jewel representing a Presentosa Rose and asks him to wear it also on the evening of the festival and Gianluca wears it immediately. Then Gianluca thanks and also wants to remember his brother Ernesto who collaborated with the team. 🥰
Then there was a really nice video by Antonella Clerici (she presented TI LASCIO UNA CANZONE) who wished Il Volo her “good luck”. ❤️
The guys from Il Volo are extraordinary, I met them in the first edition of TI LASCIO UNA CANZONE and they were put together, that is, they introduced themselves alone, Ignazio and Piero are Sicilian, while Gianluca is from Abruzzo. Since they were three “lyricists” even if with different voice tones, we formed this trio and it won all the episodes, it was really very, very strong. So it was clear that they had great talent, then it was Tony Renis who first brought them to the United States, then their manager Michele Torpedine understood their potential and first they had great luck in the United States, and then also in Italy.
I remember when they showed up at their first Sanremo festival with GRANDE AMORE, which was hosted by my friend Carlo Conti, I told him: “Carlo get ready because they will win the Sanremo Festival, I’m sure of it”, because in the televoting they were too much, too strong and also very good, then they were three young guys, people liked them, I knew their potential and in fact it was like that .
And now I wish them a big “good luck” for the next Sanremo festival.
As I have already told you, many newspapers of all kinds are talking about Il Volo.
This is a Gossip magazine, it talks about Il Volo’s girlfriends. I assure you that some are not reliable news, so I don’t waste time translating them.
Even the RAI news programs talk about Sanremo and therefore also about Il Volo.
WOMAN= Sanremo Festival, on the Ariston stage, among the competing artists Il Volo, with the song CAPOLAVORO, and on the cover evening, the homage to Queen. (a video starts)
MAN= Grown up, born on the Ariston stage at TI LASCIO UNA CANZONE, in the end you know Sanremo well.
PIERO= In 2009 we met at the Ariston, then we left and returned in 2015 with GRANDE AMORE, now, after 15 years, we are returning to celebrate this great achievement, which is both professional and personal.
MAN= Who knows what Ignazio was up to at 14 years old in the back stage of the theater.
IGNAZIO= But because I, sorry…..we combined all three. It was a way to grow quickly, because in the end we grew quickly.
MAN= CAPOLAVORO in Sanremo, isn’t it a bit risky to say it right away?
GIANLUCA= In fact we wanted to title it CAPOLAVORO in brackets perhaps…..
PIERO= Let’s hope….
GIANLUCA= Let’s hope. Obviously it’s not about us…
MAN= Queen for duet, this year.
PIERO= It will be a great moment to be able to share the stage with Steff Burns and we would like to thank Vasco Rossi (well-known Italian rock singer) for lending us his guitarist, thank you Vasco!
.……..and this is Vasco Rossi’s response!
Happy to lend my guitarist STEF BURNS to Il Volo in Sanremo…..on the cover evening….he will perform a Queen solo, WHO WANTS TO LIVE FOREVER, I’m proud of him.
This interview on Radio Subasio is also very beautiful. Since at the beginning the questions are the same ones that are repeated several times, I start translating about halfway through the video.😉
RADIO SUBASIO
WOMAN=……do you sometimes argue too? Who is the most rebellious of the three? (Piero marks Ignazio with his hand)
WOMAN= Ignazio?
GIANLUCA= Every now and then it explodes, yes yes. But we have three completely different characters, but thank goodness it’s like this, because if we were the same, that creative spark wouldn’t strike, so everyone brings their own ideas, there are often contrasts but in the end we always manage to find the solution and the best for the group, well, this is important.
WOMAN= Of course, of course. But then in recent years a few things have changed in your life, we used to talk off the air, there are those who have coupled up (Ignazio), those who have exploded (Gianluca), what is the situation like, those who are single among you, do we want to say it?
PIERO= We have always tried to respect our private life and I believe it is also our duty, because we often say that we live two parallel lives, the professional life which takes up ten months of our life every year and our personal life, and we also want this to be the case. keep it.
WOMAN = It seems very right to me….
GIANLUCA= But anyway Ignazio is getting married!!
WOMAN= When Ignazio, when the happy event?
IGNAZIO = Next year.
WOMAN= So next year. Guys I wanted to tell you something else, in recent days we spoke with LA SAD (a punk group with colored hair that will be in Sanremo) and I asked them which artist (from Sanremo) they felt most in tune with and they told us Il Volo.
I even considered a collaboration with them and they said yes, absolutely.
How about? How do you respond to this proposal?
IGNAZIO= Well, they are young guys who…..
GIANLUCA= Young people, they are older than you Ignazio….(it’s true the members of La SAD are older than them)
IGNAZIO= Yes, but they are young kids in the sense of sending the message (Ignazio means that they are listened to more by young kids)
WOMAN= But can something be done?
GIANLUCA= It would be interesting, we recently met in Sanremo during rehearsals, a relationship of great respect was born, because everyone expresses their emotions in their art and it’s nice to see these differences. Everyone has space to demonstrate what they really are and we are all different, there is no right or wrong, better or worse, this is the beauty of music, so it will be wonderful to see these contrasts between Il Volo and La Sad, certainly in Sanremo .
WOMAN= Of course I agree, that’s why we’re very intrigued by this idea, this image of a collaboration between the two of you, have you ever seen it? I want to play a little game with you, to test your memory, if you agree.
PIERO= This worries me. 😁
WOMAN= Remembering the festival of a few years ago, for example Sanremo 2000, concentrate, Sanremo 2000…
PIERO= I was 7 years old….
WOMAN= You remember who won, even from hearsay, I will help you anyway because I give you three options…
IGNAZIO= Jo di Tonno (Italian singer).…
GIANLUCA= No, it was 2006…
WOMAN= I’ll give you the three options…
GIANLUCA = (to Ignazio) Jo di Tonno and I are the only people from Abruzzo to have won the Sanremo festival…
WOMAN= Oh yes, you see it!
PIERO= Do you know that I am the only Sicilian to have won the Sanremo festival?
GIANLUCA= Oh no, boy, he (Ignazio) is Sicilian…
PIERO= He’s from Bologna!
WOMAN= Guys three options for the 2000 festival, be careful: Gigi D’Alessio, Ivana Spagna or Piccola Orchestra Avion Travel? (All Italian singers)
GIANLUCA= Ah yes, “Sentimento” (it is the title of the song by the Piccola Orchestra Avion Travel)
WOMAN= Well done, great Gianluca, see what a memory! Instead, who was presenting the festival? Do you remember it? Who was there in 2000?
GIANLUCA= Fazio (an Italian presenter)
WOMAN= Good, you didn’t even need the help. Oh Gianluca, damn what a memory, well done, congratulations, you haven’t won anything, but thanks for being with us guys.
Good luck for the Sanremo Festival, we’ll meet again to hear about the fresh emotions we just experienced on the Ariston stage.
Thanks Ignazio, thanks Piero, thanks Gianluca.
Il Volo on the Sanremo 2024 stage, bye guys, thanks!
And to the happiness of many fans, this year’s summer concerts have been announced, all in Italy, here they are!! 🥳🥳🎉
But now the most beautiful interview, made by Gianluca Gazzoli for BSMT. There is the automatic translation and I urge you to activate it, because it is truly a beautiful interview, different from the usual ones, and to which our boys responded with sincerity and maturity and also with a lot of spirit.
To turn on captions click the gear button in the lower right corner of the video, then Subtitles. Then choose English from the list that appears.
The comments under this interview suggest that some people, seeing it, have changed their minds about how Il Volo has always been perceived (thanks to the Italian press)
Don’t miss this interview!!!
From school desks to the most prestigious stages in the world. Three boys who, at just 15 years old, have fascinated and conquered everyone with their extraordinary talent. Well yes, Il Volo passed through the BSMT.
An extraordinary career, started as teenagers and built with sacrifice, commitment and a lot of ambition. Ignazio, Gianluca and Piero told us how their lives changed suddenly, transforming them from simple fifteen-year-olds to world stars. Successes, family, friendship, recognition, surreal anecdotes, changes and much more. A chat in which their three very distinct personalities emerged and in which they indulged in confidences like never before.
FROM A WHOLE DIFFERENT PERSPECTIVE! IL VOLO passes through the BSMT
Certainly Caterina Boschetto’s words, at the beginning of the interview, contained a lot of truth.
“Know that if I sign your life will change, know that the responsibilities will become more, know that you can play but not like before, know that many things will change.”
I warned you that the media exposure of Sanremo is notable, and what I have reported to you are the best interviews of these days, but at every moment there is something new.
Today I bring you to the attention of the rules that must be observed for the Sanremo Festival and also how the evenings will take place.
January 15 = The press publishes its reviews of the thirty Sanremo songs. (already happened)
January 31 = The lyrics of the competing songs are published. (already happened)
February 5 = Green carpet and opening ceremony.
February 6-10 = Sanremo 2024.
FIRST EVENING – 6 FEBRUARY
All 30 competing artists perform, including those promoted from Sanremo Giovani. (26+3).
The songs will be voted only by the Press Room Tv Web.
A ranking will be drawn up, but only the top 10 classified will be communicated.
SECOND EVENING – 7 FEBRUARY
Performance of 15 songs in the competition by their respective 15 Artists competing.
The songs/Artists will be voted by the public through Televoting and by the Radio Jury.
The two voting systems in the evening will have a percentage weight on the result total vote divided as follows: Televoting 50%; Radio Jury 50%.
Following the overall result of the voting, a ranking of the 15 will be drawn up songs/artists performed in the evening.
Only the songs/artists in the top five positions will be communicated to the public.
In this evening the 15 singers who are not performing will present the 15 singers competing.
THIRD EVENING – 8 FEBRUARY
Everything takes place exactly like the second evening, the other 15 competing singers perform.
FOURTH EVENING – 9 FEBRUARY – COVER EVENING
Execution, by each of the 30 competing artists, of a cover (an already famous song), chosen from the songs that are part of the Italian and international repertoire and published by 31 December 2023.
The Artists – who will therefore also be able to sing in a foreign language on this occasion , they will have to perform together with other artists (including among these also “groups” who are their guests proclaimed fame Italians or foreigners), will be voted by the public with Televoting, by the Press Room TV and Web Jury and by the Radio Jury.
The three voting systems will have a percentage weight on the overall result of the vote in the evening as follows:
Televoting 34%: Jury from the Press Room TV and Web 33%, Radio Jury 33%, and will give rise to an Evening ranking of the 30 Artists.
Only Artists in the top 10 positions in the aforementioned ranking of the evening, will be communicated to the public.
The first-place artist may be declared the winner of the evening.
The average between the overall percentages of votes obtained by the Artists in the Evening and those obtained from the songs/Artists in the previous evenings will determine a new general ranking of the 30 songs/Artists competing.
This ranking will be announced on the final evening.
FIFTH EVENING – 10 FEBRUARY – FINAL
Performance of the 30 competing songs by the respective 30 artists.
The songs/Artists will be voted by the public through Televoting.
The general ranking of the 30 songs/Artists obtained at the Fourth Evening will be communicated to the public.
A new ranking will be determined by adding the average between the percentages of votes obtained in the evening (through televoting) and those obtained in all the previous evenings. This ranking will be communicated entirely to the public.
Reproduction, through live performance or through audio video recording, of the five songs (or part of them) of the competing artists with the highest position.
Previous votes will be reset and a new vote will be taken by the public by Televoting, by the Press Room TV and Web Jury, and by the Radio Jury.
The three voting systems will have a percentage weight on the overall result of this last vote in the evening distributed as follows: Televoting 34%: Press Room TV and Web Jury 33%; Radio Jury 33%.
The song/Artist with the highest overall percentage of votes obtained in this last vote will be proclaimed WINNER of SANREMO 2024.
TELEVOTING
To express your preference via televoting from home, simply send an SMS to the number 475.475.1. indicating the number assigned to the song-artist of each evening, the maximum number of valid votes is five for each delivery channel, therefore five SMS from mobile users and five calls from fixed users.
Televoting by telephone call can only be carried out from landlines located in Italy, it cannot be carried out from public telephones, mobile phones, or from landlines located abroad.
Televoting via SMS can only be carried out by mobile users of the telephone operators TIM, Vodafone, Wind Tre, Poste Mobile, Coop Italia, iliad, Kena and ho.mobile.
The Sanremo Festival, as well as on RAI1, can be followed in live streaming on RaiPlay for free, visible on Computer Tablets and Smartphones.
I hope I have clarified things a little for you with this post. If you have any questions, please ask in the comments.
As you may have read, you cannot vote from abroad, but then the rule says that those who have certain telephone cards listed above can vote via mobile phone. So, I think to understand, anyone who is abroad and has these cards can vote.
As for following the live broadcast, I would say that it is possible for you, given that the broadcasts start at 8.30pm Italian time, so for you it is afternoon.
Here I am again with the updates, and I must say that every day, every moment there are things to read and see, so I hope you don’t miss anything!!
I’ll start with what Il Volo said about Capolavoro, interviewed by the weekly magazine OGGI.
GIANLUCA= Capolavoro also tells a little about our lives and how we experience these strong feelings that sometimes overwhelm us. It also speaks to our artistic growth, above all.
PIERO= The description of the lyrics talks about that feeling that is innate inside you, without you knowing it and the moment comes when you need to express it.
IGNAZIO= We definitely returned to Sanremo to celebrate 15 years together and send this message of union, that nowadays, it’s not easy to spend 15 years together, and then because Sanremo, we were born on the Sanremo stage in 2009, so what better way to celebrate 15 years.
Luca Maggitti, who we remember writes on Roseto.com, published this beautiful message:
GOOD LUCK FOR THE SANREMO FESTIVAL, GIANLUCA GINOBLE.
A few days ago, in Roseto degli Abruzzi, I saw Gianluca Ginoble again, walking on the seaside together with his beloved Grandfather Ernesto.
We drank a coffee and had a threesome chat, mentioning several times the ideal fourth at the table: Ernesto Junior, Gianluca’s younger brother.
Sanremo is approaching and Gianluca will return to the competition at the Festival dei Fiori (so it is said of the Sanremo Festival), with Il Volo.
This will be the third participation, after the debut with victory in 2015 (65th edition, singing “Grande amore”) and the third place in 2019 (69th edition, singing “Musica che resta”).
The song that the trio will present is entitled “Capolavoro”. My best wishes to Gianluca Ginoble and Il Volo, remembering the emotions of the 2015 victory – when he turned 20 exactly on the day of his debut as a contestant at the Festival.
Many interviews or articles are being published in various newspapers, some are just “copies and pastes” of others, or they don’t say anything new, but this one from IL MESSAGGERO reveals some beautiful responses from our young men.
Il Volo in Sanremo: “Snobbery towards us, but we also do pranks. Now forget the good guys.”
The more rock look, an album of unreleased songs, the desire to change the image a bit. Il Volo speaks, in Sanremo with “Capolavoro”: We will sing a pop ballad.
They now prefer tank tops and leather jackets to “plastered” suits: for the “restyling” they called in the same stylist as Maneskin, Achille Lauro and Paola and Chiara (all Italian singers), Nick Cerioni.
The objective? To refresh a bit that image of an adolescent pop version of the historic trio Placido Domingo, José Carreras and Luciano Pavarotti that had characterized the trio until today.
An evolution that goes hand in hand with the musical turning point represented by CAPOLAVORO, the song that they will present in competition at the Sanremo Festival from 6 to 10 February, 15 years after the debut of “Ti Lascio Una Canzone”, the baby talent show that lim launched in 2009, hosted by Antonella Clerici, nine years after winning the event with Grande Amore and five years after third place with Musica che Resta. Piero Barone 30 years old, Ignazio Boschetto 29 and Gianluca Ginoble 28, aka Il Volo, have a mission: “At Ariston we want to show that we are not just “three tenors”, but singers each with a well-defined personality”.
WHAT’S HAPPENING AT THE IL VOLO HOUSE?
Nothing special, let’s clarify straight away. Simply, until today we had a unique identity: all three of us sang more or less the same way. When we started singing together we were children and we have always carried on like this. Now, however, we are going for thirty years. And we have different vocals. We value them more.
WASN’T IT EASIER TO BREAK UP THE GROUP?
And why? We never thought so. We are an example. In an era where individualism dominates, we celebrate the strength of being a team.
SO WHAT WILL YOU DO IN PRACTICE? WILL YOU DIVIDE THE PIECES TO SING?
No, the opposite. The challenge was to keep the group cohesive, while trying to get the three vocals to come. When the public listens to CAPOLAVORO, they will understand that it represents a bridge between our past and our future.
It’s a pop ballad to dedicate to someone you love and which can appeal to both girls and mothers.
We demonstrate that beyond the “three little tenors” there is more. It’s no coincidence that we wanted to record an album of unreleased songs, the first in our fifteen-year career. It will be released in the spring.
WHO DID YOU WORK WITH?
A masterpiece was arranged by Federico Nardelli, already alongside Gazzelle, Colapesce Dimartino (Italian singers). Today, the more you sing, the older you are, the less you sing, the more modern you are. Our goal is to make the singing contemporary.
“THERE IS A LOT OF SNOBBISM TOWARDS US, THE RADIO DOESN’T PLAY OUR PIECES EVEN WITH THE GUN TO THE TEMPLE” YOU SAID. THE REASON?
We didn’t say it. Often in the titles of the interviews the hand is forced a little. We are calm. IF you make a tribute album to Morricone, can you think about aiming for high rotation? (they mean that if you make a tribute album to Morricone, you certainly don’t expect to be listened to much in streaming by young people).
SO THERE HAS NEVER BEEN SNOBBISM ON THE PART OF THE EMPLOYEES TOWARDS IL VOLO?
There was some snobbery, we don’t deny it. But we left it all behind. We believe that when you drive, you should look at the road ahead and not at the rearview mirror.
WHAT RELATIONSHIP DO YOU HAVE WITH THE CRITICS?
Good. You can’t please everyone. Patience.
WOULD YOU DO A DANCE PIECE?
Bob Sinclair style? (he’s a disc jockey)
No, we would be aping something we are not.
A REGGAETON? Ask Maluma (Latin music superstar) to sing a song from Il Volo.
“WE ARE THE CHILDREN THAT EVERYONE WOULD LIKE TO HAVE”, YOU SAID. THOSE WHO HAVE EARLY SUCCESS OFTEN END UP. YOU?
We didn’t say this either: every now and then journalists want to give us the image of good guys.
AND INSTEAD? If you come on tour with us, you go home pale. (they laugh)
REALLY? It’s to say that we have done and done our nonsense, but we are responsible. We owe it to the 50 people who work with us on tour. Those who give in are because they have emotional voids that they must fill in some way. We are solved. (i.e. responsible and with strong convictions)
Even our very nice Fiorello makes fun of the title of the newspaper IL MESSAGGERO because reading only the title, it seems that our boys will become bad boys. 😱😱😂😂
He also remembers that every time he meets Piero, Ignazio and Gianluca, they all sing the song TIRICHITOLLA together!! 😂😂😂
I remind you that Fiorello will participate as co-host in Sanremo on the final evening.
And here are our young men in Sanremo, arriving for rehearsals.
And here in the photo with Leonardo Metalli, RAI1 special correspondent and editor-in-chief.
And what about the beautiful image posted by Stef Burns, the guitarist who will perform with Il Volo? 😱😂😂
For those who don’t recognize it, this image is an icon, because it is the cover of a Beatles album: Abbey Road, and it is them who cross the road.
The single CAPOLAVORO is already in pre-order and the Il Volo staff communicates that it can already be ordered.
And here is the newspaperSORRISI E CANZONI TV,what can I say, a nice cast.
And how beautiful is this version by @la_frami_art .
As promised, SORRISI E CANZONI TV, has published the lyrics of the songs.
Ladies and gentlemen, here you are:
CAPOLAVORO
Io seduto all’interno di un cinema Sognare un po’ l’America e un po’ la propria casa E mi chiedo sempre quanto durerà Questo amore infinito che infinito non è Mi sentivo perso Una vela in mare aperto E all’improvviso tu, tu Caduta dal cielo come un capolavoro Prima di te non c’era niente di buono Come se Eri l’unica luce ad avere un senso E questa vita con te È un capolavoro Guarda come piove Ma è meraviglioso averti qui Maledetto tempo che ti concede E poi ti porta via Mi sentivo perso Come un fiore nel deserto E all’improvviso arrivi tu, tu Caduta dal cielo come un capolavoro Prima di te non c’era niente di buono Come se Eri l’unica luce ad avere un senso E questa vita con te È un capolavoro
Caduta dal cielo come un capolavoro Prima di te non c’era niente di buono Come se Eri l’unica luce ad avere un senso E questa vita con te Sì, la mia vita con te È un capolavoro.
MASTERPIECE
Me sitting inside a cinema To dream a little of America and a little of your home And I always wonder how long it will last This infinite love that is not infinite I felt lost A sail on the open sea And suddenly you, you Fall from the sky like a masterpiece Before you there was nothing good As if You were the only light to make sense And this life with you It’s a masterpiece Look how it’s raining But it’s wonderful to have you here Damn time he gives you And then it takes you away I felt lost Like a flower in the desert And suddenly you arrive, you Fall from the sky like a masterpiece Before you there was nothing good As if You were the only light to make sense And this life with you It’s a masterpiece
Fall from the sky like a masterpiece Before you there was nothing good As if You were the only light to make sense And this life with you Yes, my life with you It’s a masterpiece.
And as you can read from the names of the authors, in the editions there is also the name of Ernesto Ginoble……congratulations Ernesto!!
And this is the article dedicated by SORRISI E CANZONI TV to Il Volo.
UNIVERSAL LOVE IN MUSIC
After a victory (in 2015) and a third place (in 2019), Il Volo returns to the Festival.
“We have a lot to tell”, explains Gianluca Ginoble “and the Sanremo stage, which saw us born 15 years ago, is the best place to do it.”
Gianluca Ginoble, Piero Barone and Ignazio Boschetto met very young, right at the Ariston in the program “Ti lascio una canzone” in 2009: Il Volo was born on that occasion. “In such an individualistic period,” continues Piero “still being together after so many years, being a team player, listening to and respecting those around you is a great achievement and a great professional message, and not only that. I think it’s a sign of maturity.”
The trio has ready its first album of unreleased songs: “It’s a great opportunity to be able to present the new project on that stage,” adds Ignazio.
The song they are bringing to the competition CAPOLAVORO, “It talks about a universal love, about that feeling that grows inside each of us without knowing it. And then the moment comes when you want to shout it to the world. At the first listen you already know who you would like to dedicate it to,” says Piero.
“It’s an overwhelming and emotional piece,” adds Gianluca. The watchword of this Festival?
“Let’s have fun! Let’s enjoy this Sanremo with a smile,” concludes Ignazio.
CURIOSITY In his suitcase for Sanremo Gianluca will bring a book “The Baron in the Trees” by Calvino, Piero his shoes for running, Ignazio his computer. 😁😁😁
And now we listen to what our loved ones tell us. 😉
IGNAZIO= Hello everyone, we are Il Volo.
PIERO= Get ready with us for Sanremo 2024.
GIANLUCA= Listen to our playlist.
…………and in this nice game from Radio Italia where all the singers are asked what they would ask Amadeus before starting Sanremo and here is the answer from Il Volo. 😂😂😂
PIERO= Who gave you our phone number to invite us to Sanremo?
IGNAZIO= Good question!
GIANLUCA= Ama (Amadeus) sorry.
And now a look at the beautiful couple Ignazio/Michelle who sends us these sweet shots.
I don’t know about you, but I’m more and more excited, the adrenaline is rising, I can’t wait to hear them!!!
These days preceding the Sanremo Festival are full of news and events.
I’ll update you in order:
The video below that I translate for you was taken backstage, after Gianluca, Piero and Ignazio’s rehearsals with the orchestra. The woman who interviews them is from a Rai radio channel, RADIO TUTTA ITALIANA.
WOMAN= So, I’ll tell you right away that we back here (meaning in the backstage corridors) talk to many members of the orchestra (many master musicians) and they have incredible enthusiasm for your piece, in short, you are already supported by the masters of the orchestra and I think that’s a good sign.
GIANLUCA= This is truly wonderful, especially after a year and a half of work. We’ve been working on this song for a long time, and seeing this positive reaction from the musicians is truly a great emotion.
WOMAN= The title is CAPOLAVORO (MASTERPIECE) and it marks a very important passage they tell me, I haven’t yet had the opportunity to listen behind the door of musical direction but it truly marks a passage, a significant upgrade in your career.
PIERO= Has this message always reached you from the orchestral players?
WOMAN= Of course!
PIERO= We know many of them and they have witnessed our artistic and also personal growth, because we were 15 years old and some of them played together with us. Now the message we try to send is more mature, it’s how we see any feeling today, we sing it, we live it in a completely different way.
I haven’t talked about it with them yet (Ignazio and Gianluca) but if you think about it, paradoxically this song is sung differently by each of the three.
I sing for something or someone completely different from what they feel.
WOMAN= We know who the sender is, but not the recipient, when we listen to it, each of us will distort it…
PIERO= You just have to decide who to dedicate it to.
GIANLUCA= Let’s say that the meaning of the song is precisely this, it talks about a universal love and can be dedicated to whoever we want. I believe that, like the personal growth of each of us, we have 15 years of career, but we are different people and artists from when we started and we were 15 years old, and therefore the song wants to demonstrate a personal growth, a work of introspection that we have done in these years which obviously we then had the opportunity to cultivate it from an artistic point of view.
WOMAN= And then leave the job of crier, given that you are very famous abroad, of encouraging all Rai Italia listeners to support you during the Festival, above all of then telling your relatives in Italy to vote, vote, vote…
IGNAZIO= Don’t do it! 😂 Certainly what we have always wanted to do in these 15 years is to make our music reach more and more people, more cultures, more traditions, and obviously, follow Sanremo, listen to us, if you want support us, and if you don’t, want do it anyway. 😁
GIANLUCA= Anyway we’ll see each other around the world, we’ll be back on tour next year.
WOMAN = Sanremo first, come on.
GIANLUCA= Yes, Sanremo first and then it will leave…..
PIERO= We send you a big hug, see you in Sanremo, our song is called CAPOLAVORO!
GIANLUCA= Bye!
Radio Italia, communicates this interview to us:
On Thursday 1 February at 12.20pm (Italian time) we will be a guest at Sanremo Italiano 2024 to present the song CAPOLAVORO, competing at the 74th edition of the Sanremo Festival.
The interview will be broadcast simultaneously on Radio Italia TV and streaming onradioitalia.it.
(Click on the green “radioitalia.it” words above to go to the website. Then click on the orange play button on the lower left of the screen to listen live.)
And then this wonderful news given by FOR MUSIC MAGAZINE:
14th Grand Press Gala of the Festival: Fiorello, Annalisa and Il Volo awarded
The 14th Grand Press Gala will be held on February 5th at the prestigious Villa Ormond, an unmissable event that anticipates the 74th Sanremo Festival. The anticipation is palpable as the Grand Gala reveals the nominations and anticipates the special prizes that will be awarded during the evocative evening starting from 8.30 pm. (Italian time)
Under the expert artistic direction of Ilio Masprone, the Gala will be hosted by the charismatic couple of presenters, Luana Ravegnini and Marino Bartoletti, a dynamic duo that promises to entertain the audience with their unique style.
The jury, chaired by Roberto Alessi, Marinella Venegoni, Dario Salvatori and Mario Luzzatto Fegiz, is ready to confirm the nominations of the prestigious awards for 2024. Among the prizes up for grabs, the assignment of the “Super Hit Award” to Annalisa stands out, an award that celebrates musical excellence.
Fiorello will be honored with the “Premio Numero Uno – Città di Sanremo”, a tribute to his extraordinary career and his unique contribution to the world of entertainment.
Il Volo, iconic Italian band, will receive the prestigious “Lifetime Achievement Award”, a deserved recognition for their lasting impact on the national and international music scene.
Other distinguished prizes will be awarded during the evening: Giorgiana Cristalli, Dalia Gaberscik and Mara Donà will be honored with the “Behind the Scenes Award”, recognizing the behind-the-scenes figures who contribute to the success of the event.
Music will not be the only protagonist of the evening, as DJ Georgia Mos and the ballet of soprano Claudia Sasso will add a note of elegance and entertainment to the event.
The Gran Galà della Stampa promises to be an unforgettable experience, an extraordinary preview of the Sanremo Festival which will delight fans of Italian music and will leave an indelible mark in the history of this prestigious event.
I am very happy with this recognition, but it seems really strange to me that it comes from the press!!
Furthermore, at least two of those members of the jury never spoke well of Il Volo.
It’s good that Bartoletti is there to present the evening, he has always been a good friend of our boys.
Other important news:
On January 31st all the lyrics of the songs will be published in the magazine on SORRISI E CANZONI TV, so we will be able to discover the words of CAPOLAVORO in advance.
The third evening of Sanremo is also called “Cover Evening” where the 30 singers must perform with a song already known and published by other artists, including non-Italian ones. The singers will have to perform with a national or international guest of their choice and Il Volo will perform with the American guitarist STEF BURNS. The peculiarity is that Stef Burns is a rock and jazz guitarist, therefore not a style of Il Volo, but if you remember, in 2019 they performed with Alessandro Quarta, a rock violinist and it was a beautiful performance.
But now we also know the song that will be performed: WHO WANTS TO LIVE FOREVER by Queen!!!! ❤️
For those who don’t know it, here is the song chosen.
Stef Burns posted a photo on his page, with this comment:
Thanks to Il Volo who invited me to play with them in Sanremo 2024. Let’s do this! ❤️🎸🔥✈️✈️✈️
The photo of the scenography of the Sanremo Festival was also published, truly beautiful, this is what the stage where all the singers will perform will look like.
The magazine DONNA MODERNA has drawn up a ranking of the 10 most searched Sanremo winning songs ever on Google.
(I will only translate where it talks about Il Volo.)
Some Sanremo winning songs have become immortal and even after decades they are remembered, hummed in the shower and played on the radio. But what are the most loved songs in the history of the Festival? CasinoItaliani analyzed the data relating to the most searched for Sanremo winning songs on Google since 1951. Here are the results of the investigation.
In second place is “Grande amore” by Il Volo, which sees an average of 510,480 searches per year. The song was a huge success after winning the 2015 Sanremo Festival and placing third in the Eurovision Song Contest.
Instead, the ranking of the Sanremo song that received the most hits on Spotify is very different from this one, because Il Volo drops to seventh place.
Spotify is certainly used more by a younger audience and therefore here is the upheaval in the ranking and this is why Il Volo is so keen to enter the hearts of even the youngest.
And this is the short video of Piero, Ignazio and Gianluca leaving the theater after rehearsing. 🥰
Other good news, but which has nothing to do with Sanremo.
Italian TV offers the third series of MAKARI.
Then we will hear the theme song sung by Il Volo and written by Ignazio Boschetto! 🥰
Well, I’d say that’s all for now, but more news will come soon, I’ll also make an entire post on the rules of the Sanremo Festival, to better explain how the evenings work.
First of all I want to apologize to all of you, because I previously wrote to you that no one can listen to the Sanremo songs until the first evening of the festival.
Unfortunately I didn’t remember that accredited journalists are allowed to listen in order to give their opinions, naturally they cannot report the music outside but they can write a phrase of the melody.
I didn’t remember this rule at all, in fact, perhaps I didn’t want to remember it, given the bad treatment our journalists have always had towards Il Volo.
This time too, some of them did not contradict themselves, giving Il Volo very low marks, but there were also favorable votes. For fairness I will list them both, although I know that many fan pages have only published positive comments, but this is not the case.
I’ll start with the best comments, then I leave it to you to interpret them.
At the beginning of the comment I put the name of the newspaper, sometimes even the author who published the review. There are also some put the vote which could be given up to a maximum of 10.
IMUSICFUN
Third participation in Sanremo for Il Volo which offers a fundamentally different song compared to the previous ones brought to the competition at the Ariston. The first part of the song moves on a piano that accompanies the voice of Gianluca who casually interprets a text in which the hand of the author Edwyn Roberts can be felt, the refrain, entrusted to Ignazio in the opening, is preceded by an underlining of Piero who makes the song truly precious. The string play after the second chorus gives way to a triumphal finale. A song characterized by a pace that highlights the vocal evolution of the trio. A piece that enhances the group idea, but also the vocal peculiarities and stylistic approach of Gianluca, Piero and Ignazio. RATING 7.5
IL FATTO QUOTIDIANO
The piano introduces the return of Il Volo. In full musical transformation Gianluca, Piero and Ignazio from tenors become singers to present themselves with sounds different from those heard up to now. Each with a different nuance, they sing about love.
Verdict: They’ll make a great impression! The refrain ‘Fall from the sky like a masterpiece, before you there was nothing good’.
PANORAMA
Less lyrical and more pop than usual. A perfect piece for the style of the three who have already won the Festival once and who with this song have a good chance of finishing in the upper areas of the final ranking.
FUNWEEK
When the Il Volo song starts, you immediately understand that we are traveling on another level. Yet it seems that the three boys have opted for a less pompous, less lyrical style. That vein of pop gives Il Volo a lot: watch out for the podium.
TV BLOG
The trio returns to Sanremo 2024 with a piece consistent with their path, the voices well balanced and distributed for a potential ‘classic’ of their repertoire. Gianluca Ginoble opens up to the fusion of the three voices in the chorus, to express how much she is a masterpiece…
LA GAZZETTA DEL MEZZOGIORNO
We go out of our way, you may like the band or not, but the song is worthy of the podium. The three guys from Il Volo return with a song that reflects their amazing success: magnificent voices, a modern melodic start and a lyrical refrain but without overdoing it. They have polished off some virtuosity and worked more on the contemporary part, the result could even be a victory. Well done.
OGGI
They won in 2015 with Grande amore, but they won’t repeat it (and for this they should be praised). The three former tenors have grown up, are thirty years old, celebrating 15 years of their career, and return with majestic pop, but without exceeding the bel canto. They no longer all sing together, each one enhances his own vocality. Works. RATING 8
LA WEBSTAR
Three unique voices, which give strength to an immediate but absolutely non-trivial text. Few words, but all said and sung very well. Less lyrical, but still effective and extremely clear. The title seems pretentious, but after listening to them you change your mind. Pure talent. RATING: 7.5
“A sail on the open sea and suddenly you”
AVVENIRE
Less lyrical and more mature song that comes from the personal experiences of the three boys (already winners in 2015 with Grande Amore) who on the threshold of 30 years are looking for a leap forward. Here a love for a woman, for a parent, for someone who is no longer there sung with great skill. “And suddenly you . . .”
TGCOM24
To present yourself with a song with a title like that takes personality or unconsciousness. The three reduce the use of the voice to a minimum with a lyrical approach, but remain in the tradition. They play a sort of separate championship, but in that they have few rivals. It is difficult to imagine that they will remain outside the top five places.
SORRISI E CANZONI TV
Winners in 2015, the guys from Il Volo arrive at their third Sanremo with the very romantic “Capolavoro”, a crescendo orchestral ballad that focuses entirely on the talent of the three performers and, perhaps even more than in the past, on the difference between their vocals, who move between opera and pop. “Fall from the sky like a masterpiece, before you there was nothing good.”
LEGGO
Example of vocal crossover that meets in a pop which, although classical in nature, is contemporary. Talk about hope “Fall from the sky like a masterpiece, before you there was nothing good.”
Here the trio leaves the circuit. The song is not Grande Amore. But it is with the orchestra that they will perform best. RATING 7
IL SOLE 24ORE
For the Volo tenors, a return to the Ariston in the name of modesty. You pass through the Eighties ballad structure with the trademark set voice that emerges here and there, but how do you title a piece Masterpiece? In the Po Valley they would say: “Fly low”. RATING 4.5
LA REPUBBLICA
A song that is more pop than lyrical, it satisfies most of their audience. They are the optimists of love and she falls “from the sky like a masterpiece”. RATING 6.5
QUOTIDIANO NAZIONALE
It is a masterpiece that falls from the sky, the verse is pop, the special is more romantic than fictional even if the voices swell. Orchestral. What their audience wants in the world. RATING 7
FANPAGE
In the mean time we have avoided the Grande Amore effect (almost for the entire song), and this time Il Volo tries a more pop and less lyrical path, as many have been asking them for years and they must be given credit for having attempted a new path, at least for them. It’s not clear, however, where they want to go for now with a song that passes without leaving any major shocks, but the atmosphere of the Festival will pay, as always, so in the end they will be right.
ONDE FUNKY (Paola Gallo)
Melodic reassuring love song, perfectly in line with the interpretations of Il Volo.
“This life with you is a masterpiece” is flypaper for applause. Listening to her you can already imagine the standing ovations from the traditional audience which this year has few, very few representatives. RATING 6/7
ANSA
The three boys who are now men try to take off the vintage patina, but it’s a safe bet that the older generations will appreciate it more. From bel canto to bel pop, the Ariston will appreciate. RATING 6.5
VANITY FAIR
“I felt lost / Like a flower in the desert / And suddenly you, you”. Unfortunately the piece does not reflect the title. RATING 5
ALL MUSIC
Divisions of the parts of the song always the same and they, as always, equal to themselves. The song is powerful and draws easy applause in the room, playing with the orchestra, something that is also typical of them. It’s not a bad song, but where we were with “Grande Amore” we’re still there. Good for them because they could make the podium. RATING 6
DAVIDE MAGGIO (attenzione a come sono scritti i nomi in questa recensione)
Ignazio Barone, Piero Boschetto and Gianluca Ginoble are that stuff: lyricism, love, melodrama and some banality. The chorus is there but it’s not as powerful as at the time of Grande Amore. RATING 6
CORRIERE DELLA SERA(LAFFRANCHI ANDREA, this journalist harshly attacked Il Volo in the press room in 2019)
The three try to modernize themselves, the direction is that of pop but they remain harnessed by the rhetoric of opera and bel canto. The text gets lost in the banality of clichés, from “sailing on the open sea” to “flowers in the desert”. RATING 4.5
TODAY
Il Volo failed. Il Volo in the Valerio Scanu version (Italian singer). Almost no trace of the three tenors, who put themselves to the test with a melodic pop song with a flavor of the early 2000s. Courageous but distorted. Masterpiece, only in the title. RATING 5
MESSAGGERO
“Suddenly you fall from the sky like a masterpiece, before you there was nothing good”: he likes to win easily. Shall we bet that it will be the most popular at weddings this year? It adds nothing to the trio’s style, but it will take them to the top. RATING 5
BILLBOARD
It is right that in Sanremo there is also the lyrical quota so loved abroad by those who go crazy for everything that concerns Italy (and also very loved in our country) but in the midst of all the up-tempo (fast pace) pieces of this this year they make the same impression as an older uncle at the high school party.
IL MATTINO (Federico Vacalepre, this journalist was the architect of the Anti-Volo Brigade in 2019.)
The “Masterpiece” of the title is not the song, whoever praises himself blames himself and the trio knows this well, but the sung love story.
Less romantic than usual, in search of a different repertoire, to launch the first album of unreleased songs with three voices aiming for a standing ovation at the Ariston. RATING 5.5
ELLE
They sing the great praise of love but, more than a masterpiece, the song recalls the musicality of Disney films.
ROCK.IT
A little better than one might have feared. But the misfortune remains. RATING 5.5
I think you might have an idea of what our journalists think after reading these reviews.
Some are really bad, sometimes it seems that having beautiful voices is almost a mistake, and not a merit.
The ratings are certainly very low and journalists are certainly not immune from reviewing with their personal tastes.
Have you also read the names of the authors of the song: Edwyn Roberts, Stefano Marletta and Michael Tenisci are all successful young singer-songwriters.
Here they are in this photo, from left: Michael Tenisci Edwyn Roberts Piero Barone Stefano Marletta Ernesto Ginoble
And now I offer you this article from TP24. Reading this article my arms literally fell.
I warn you that the article talks about Ignazio because it is a newspaper from the Trapani area (Sicily, near Marsala)
Sanremo 2024, critics divided for Ignazio Boschetto and IL VOLO: “They can’t win”
“They cannot and must not win.” Some comments from journalists and music critics are merciless for Ignazio Boschetto from Marsala and the trio Il Volo, who will participate in the next edition of Sanremo 2024.
Yesterday the specialized press had the opportunity to preview the songs (almost all of them are very catchy and danceable, is the general comment) giving report cards to the artists.
And, once again, Il Volo was not appreciated. “Il Volo cannot and must not win this time” writes the Huffington Post.
Il Volo is taking part in Sanremo 2024. For them, this is their third participation in the competition at the Festival after first place in 2015 with Grande amore and third in 2019 with Musica Che Resta. This year Ignazio Boschetto, Piero Barone and Gianluca Ginoble bring “Capolavoro” to the Ariston stage.
The song was written by Edwyn Roberts, Stefano Marletta and Michael Tenisci.
“Corriere della Sera” gives a score of 4.5: “The three try to modernize themselves, the direction is that of pop but they remain harnessed by the rhetoric of opera and bel canto. The text gets lost in the banality of clichés, from the “sailing on the open sea” to “flowers in the desert”.
However, there are those who recognize that this is a style they like in Sanremo, and therefore it is likely that they will finish in the top three.
For Rock.it the song is “a little better than what one might have feared. But the disaster remains”.
For Oggi “they return with a majestic pop, but without exceeding the bel canto. They no longer sing all together, each one enhances his own vocality. It works”.
I remind you that the journalists of the Sanremo Press Room have to vote on the songs during an evening and their vote can be really heavy for the ranking.
I also remind you that in 2019 Il Volo suffered this vote which was absolutely exploited by the journalists so as not to let Il Volo win (which still came third even after their negative vote).
To help you remember better, watch this video, which has English subtitles. 😩
🤬🤬🤬🤬🤬
For my part, I think exactly like my friend Mara who yesterday, after reading the report cards of the songs, published this comment:
“The journalists listened to the 30 songs competing at the next Sanremo festival, and reading several of these reviews I remain firmly convinced of one thing: the press room should not vote!
Among several reviews there is not one that is coherent, because on the same artist and related song there are those who exalt it and those who undermine it… the majority are not technical judgments but personal opinions evidently based on one’s own tastes musical (or perhaps based on the artist who is the most popular at the moment or the team that has “pushed” the most… who knows)…
I could easily have written those reviews even if I who am not in the profession because they don’t have anything objective or technical… which is why, I repeat, the press room should limit itself to making reviews or giving report cards at most but not voting… they are not capable of being objective and not biased, but unfortunately they are also given too much importance in this area…
I hope at least that this year they avoid unworthy sideshows, that they have the decency not to shamelessly express their preferences… because then if someone comes out who doesn’t mince his words and defines them for what they are, they get offended, poor things… !”
P.S: The orchestra, which is made up of people who understand a little about music (certainly something more than the newsagent vendors), doesn’t really applaud anyone after the rehearsals… the pen sellers must understand it.😉
My dear friend grandmother Maura, on the other hand, gives great advice to Italian fans: VOTE, VOTE, VOTE as much as possible (max 5 votes per person).
However, they must be the most voted by the PEOPLE. This will however be a moral slap for the juries, and a title of pride for them, who will thus “measure” our Great Love.
For those who want to know in depth the jury system that will be able to vote for Sanremo, I attach this very exhaustive article.
Unfortunately, as you will read, the first evening will be worth the vote of the Press Room (therefore Il Volo will certainly be penalized)
On the second and third evening they can vote from home and it is worth 50%, the other 50% comes from the radio vote (another penalty for Il Volo).
On the fourth and fifth evening all three juries vote, Press Office, Home and Radio with 33.5% each. I see the very tough competition for our beloved boys.
Click on the article below to read the Sanremo rules:
And here’s my opinion, Piero, Gianluca and Ignazio, certainly don’t start with an advantage, but I have a lot of trust in their fan base.
Italian journalists and radio stations must understand that there is not only rap or trap or urban, we are really tired of these repetitive songs, spoken more than sung because so many people have no voice and really don’t know how to sing. But why do we have to listen to these bad songs whose words we don’t understand or listen to vulgar and rude words?
Why is it fashionable?
But we are the ones who can decree fashion, let’s stop following what is shown to us as good if it isn’t.
We must accustom our children and grandchildren to objectivity, you can listen to a song because it has a nice rhythm, also because it is new, sometimes even a catchphrase, but then there is also room for those who know how to sing, for beautiful melodies. Not all of us have the same tastes, but every taste must be respected.
Il Volo doesn’t expect to win Sanremo, otherwise they wouldn’t have scheduled the concert in Verona on the same day as Eurovision, not even the bookmakers say they are winners, but for us, for the courage they show in showing up again at Sanremo, they have already won!!!
Daniela 🤗
P:S: = If you’re feeling down, I want to lift your spirits with this little video clip that just arrived in which Gianluca, Ignazio and Piero talk about the new song : “Capolavoro” .
I admire their way of being calm and playful in this situation. ☺️
Enjoy it.😉
PIERO= We will return to the Sanremo Festival to celebrate this great milestone with music, 15 years of career, 15 incredible years of friendship, of pure esteem and of this common passion for music.
IGNAZIO= Pure esteem you say, though!
GIANLUCA= (To Piero) Don’t exaggerate, he always exaggerates, I don’t know why he does this.
PIERO= I also wanted to be a little serious.
GIANLUCA= How romantic is this boy here. (Piero)
Let’s say it’s emotional pop, at times…how can I say…
PIERO= Not very emotional…not very emotional…
GIANLUCA= Yes, very emotional, where our voices in harmony, reach that epic quality but with some contemporary features that we needed.
IGNAZIO= We worked alongside some authors with whom we shared our ideas, and this song, ironically, was born two years ago. It’s been two years of work looking for the right message, because we wanted to come back “in a big way” making it clear that even within our group there has been an evolution, there has been personal and also artistic growth.
GIANLUCA= How important it is in our career to work on ourselves, and how important connections are, how important feelings are, and people arrive who out of the blue, as if falling from the sky, can really enrich your life and make it better.
PIERO= And maybe you didn’t realize until the day before that you had experienced a great void.
Credit to owners of all photos and videos.
Come in and share the love of life, friends and Il Volo!
