After giving you a quick overview of the whole concert in the Arena on June 5th, here I am back to you, to tell you every moment.
Jo Ann has already translated the “chat” of the boys and Susan has already given you other explanations.
I will recall to you the smallest details of my beautiful evening and I will linger for a long time, because I do not want you to lose even a moment of this fantastic concert.
I start by telling you that Saturday started with the best wishes, a beautiful day, the sky of an intense blue, and so much emotion for the concert that I would see in the evening. A perfect start.
I have already told you other times that Verona is very close to Brescia where I live (only 50 miles), so my husband and I would have gone in the early afternoon and returned after the concert.
Here in Italy there is a curfew at 11pm (from 16 June it will be abolished), but the government had given special permission only to those who were in the Arena for the concert, to return to their homes by 02:00 am.
Right after lunch, I tried to rest, knowing that the evening was long and certainly exciting. But the sky turned gray, the sun was gone, and a little later it started drizzling. An annoying drizzle, but light and really boring. Damn, I hoped it wouldn’t rain in Verona, I was thinking about the guys, after so much work and such a long stop, this inconvenience was not welcome.
The light rain, which almost did not wet the earth, came and went. Every now and then a few drops and then nothing, just to make everyone nervous.
Ready for the evening, and with the best expectations, my husband and I left for Verona.
Arriving, without any problems, we park the car quickly and head towards the Arena.
It goes without saying that Verona always has a magnificent charm. It is a beautiful town that preserves the flavor of the ancient.
Among the old alleys of beautiful Verona, we can all still think of Romeo running to go to his Juliet. The great entrance gate with the scalloped walls, which still continue through the city, and which once closed the whole city, are magnificent.
After the city gate the huge Piazza Bra, with the beautiful buildings that surround it and in the center, the ARENA is imposing and memorable.
The first thing I have to do is contact my friends who are waiting for me to be able to greet me, some of them who have really come from far away, from the US.
The first one we meet, right in front of the Arena, is Laura with her husband Ugo, they are Italians, from Trieste, but Laura met me through Flight Crew, they are our readers and it is really special that we met like this.
Soon after I go in search of my American friends.
Here they are, beautiful and happy, together at the coffee table, looking forward to the evening, Deborah, Wendy and Joanie, whom I already knew personally and Judith, whom I had never met.
Only a few words of greeting, unfortunately, because Nonna Maura is waiting for me in front of her hotel, but what a pleasure to see my sweet friends who have faced such a long journey to be here.
Yes, because Il Volo is also this, the pleasure of meeting each other, of making friends from one end of the world to the other.
So let’s go to Nonna Maura’s hotel, I remind you that she is 90 years old and arrived in the morning by train from Rome. Fantastic Maura, she would not miss a concert of Il Volo and her beloved Gianluca for anything in the world.
Also Maura and I met thanks to Flight Crew, isn’t that great?
The weather continues to give us a few drops of rain, so my husband goes back to our car to get some rain dusters, in case they were needed and then we approach the Arena, the entrance time has already started and the adrenaline starts to rise.
The controls to enter the Arena are meticulous. There are different entrances depending on the places awarded. They check us for fever, documents and related tickets, and if we have the FFP2 mask (only that is allowed) then they see the camera that my husband is holding and tell him to take it in the car, because otherwise they won’t let him in. So my husband goes back to the parking lot to deposit his camera. When he comes back, we can finally enter the Arena.
We reach our seats, we are in the central row, right in front of the stage, row 11, excellent position. Between one occupied seat and another, due to Covid rules, an empty seat is expected.
The orchestra pit (the space between the stage and the first row, where the orchestra is usually placed) is empty, but in the center a round stage is positioned, as if it were a protruding extension, of the current stage, on it already in placed, 3 microphones with the auction, it is clear that often the guys will sing from there, and it is right in front of my position.
On the rear stage, the whole orchestra is positioned. A huge backdrop that continuously changes color and position with two large lateral pillar columns and two large lateral videos, completes the scene. The whole at the top is covered by a roof in which hundreds of lights are placed. If it rains, at least the guys will be protected.
Everything has a really great impact.
A voice on the speakers often reminds us that we must keep the masks well worn and that we cannot leave our seats to greet other friends.
While we wait, I look for the various scattered friends and raise our arms, we greet each other in the distance, and then, we wait patiently for the scheduled time to arrive.
Fortunately it does not rain and it will not rain all evening. There is a good temperature, everything seems to be going well.
At a certain point the boys enter the stage, normally dressed in jeans and a jacket. We are amazed, but they greet us smiling and tell us that they are waiting for the connection with the evening news. Meanwhile, they smile, they tell us they are excited, we take advantage of them to take pictures of them.
The boys look at the audience and recognize their American friends, greet them and say “you came up here for us”, they are happy with this and then on the other side, Alicja from Poland and they say “Ah, also from Poland”.😁
Here is what appeared during the television broadcast.
The guys say they are happy and honored to be doing this concert, so they say hello and invite people home to watch the evening.
After the connection with the TG1 news, the boys greet us and go to change their clothes and get ready. A voice tells us that we have to wait for television time, because this concert is live.
Meanwhile, I see Nonna Maura in the front row, lucky her, she is right in front, I’m really happy for her. Ercole and Eleonora arrive, Gianluca’s parents go in front of the front rows and Eleonora stops to greet Maura.
I also see Michele Torpedine in front of the stage.
Ernie also passes in front of me and also Gaetano Barone, whom I then see, joins his wife already in the front row.
Shortly before the concert begins, Caterina and Nina Boschetto also arrive. Nina is now leaner and prettier with longer hair than usual.
People continue to enter and the Arena is filling up with the 6,000 admitted people.
It begins to get dark, the lights of the stage come on, every now and then you can hear the voices of Piero and Ignazio who from behind the stage make the warble (warmup) for the voice: iiiiii eeee aaaa ……
In silence, the 70 members of the orchestra take their place on the stage and in the orchestra pit (i.e. in front of the stage) the choir takes place, making two wings on either side of the central round stage.
Here we are, everything is starting, what emotion!
The preview is projected on the screens, where Piero Ignazio and Gianluca, in the back of the Arena backstage, meet the actor Marco Giallini and talk about Ignazio’s shoes, nice skit, the boys say they are excited.
And here they are, the lights create the atmosphere, three silhouettes can be seen at the end of the scene, it’s them !!! 😍
The boys advance and the music begins, the applause that welcomes them is a little hesitant, I think we are all a little inhibited due to the Covid restrictions and also the live television. But Gianluca, in a strong and confident voice, begins to sing.
His voice is beautiful and Ignazio and Piero follow, and everything becomes magic. Chills on the skin, the beautiful music of The Good, the Bad and the Ugly, fills every corner of the Arena and the voices of our boys, rested after the long period of inactivity, are stronger and safer than ever.
The scenography is beautiful, while the boys sing, on the screens and on part of the scenography, the images of the film scroll, the lights constantly change colors. The voices of the choir rise high.
Piero Ignazio and Gianluca are very elegant in their beautiful midnight blue D&G tuxedos with lapel pins, a beautiful elegance that is increasingly rare in today’s young artists.
The boys are also visibly excited.
The song is beautiful, at the end there is a big round of applause.
Ignazio is the first to speak, these are his exact words.
You really can’t understand how happy we are to return after a year and a half of silence, to wait for this very day to arrive. Surely all the guests of honor are all of you tonight. Thank you so much for coming, thank you very much.” (applause)
The emotion of the boys is evident, Gianluca admits that their legs are shaking. Piero thanks the Morricone family. And we proceed immediately with the second song “YOUR LOVE”.
This song, for all of us, is full of profound meaning, given the moment it was sung in Sanremo. It is really moving to see Ignatius who, from the beginning of the song, caresses with his fingers the ring he wears in his right hand, a wedding ring, which we think belonged to his beloved father. Even his eyes often close, as if to make eye contact with the one who is no longer there.❤
It is a very intimate and touching moment, as well as the beautiful music and the words, which seem to be written on purpose:
“….. Your strength has made me strong, though life tore us apart and now when the night seems long, your love shines in my heart …..”
(video made by Deborah Georgini Beaupre)
And then, immediately below here is a tribute from Notte Magica, Ignazio asks the audience who was there that evening, of course I raised my hand !! Piero remembers the beautiful evening in Florence in Piazza Santa Croce, remembers the master Placido Domingo who directed them and begins “NESSUN DORMA”.
At the end of the “Nessun Dorma” there was a long applause and the first beautiful standing ovation .
The standing ovation excites the boys a lot, they hug, they thank and Piero says: “So, you make us excited, they have a lot of effect, these applauses, after a year and a half.”
Enter the actress Laura Chiatti and, with the boys there is a nice “curtain” (nicedialogue) that Jo Ann has translated well.
Laura introduces a short video, an interview with Morricone, where the presenter tells that Morricone that he has a very intense relationship with “doing” (in the sense that he works very hard) and Morricone replies that “doing” (in Italian FARE), is not just a verb, but is the union of two musical notes: the FA (F) and the RE (D).
Ignazio presents the song “SE TELEFONANDO”, which, as Susan has well described, was written by Maurizio Costanzo, set to music by Morricone and sung by Mina many years ago. Beautiful and timeless song.
Ignazio explains that Morricone thought of this music, while he was in the post, queuing to pay a gas bill, and then he concludes by saying that he (Ignazio) only goes to the post office to pay the fines. 😁
Upon returning, the exchange of words on Ignazio is beautiful: he is always a disaster, but also he has an incredible voice, then Piero introduces “IL MONDO”.
While Piero, Ignazio and Gianluca sing Riccardo Cocciante enters and they sing together, but what about, Cocciante performs a verse of the song, but when he finishes the verse, Ignazio begins and for me, Ignazio’s voice is truly unique and powerful.
Cocciante met Morricone personally, but he doesn’t want to remember any anecdotes, because he says that the greatness of an artist is in his works. Then he plays a beautiful song of his.
Marco Giallini enters, he says is very impressive to be in front of the audience of the Verona Arena. Together they introduce “SE”, the song taken from the film Cinema Paradiso. A scene from the film starts with little Totò Cascio. The melody is written by Andrea Morricone, (the son who is conductor).
At the end of the short clip, Totò Cascio enters, now an adult. Totò says that during the shooting of the film, Philippe Noiret acted in French, while Totò in Sicilian and Italian and between them a good feeling had been created and he remembers it with affection. Then Totò also remembers the director Giuseppe Tornatore, whom he calls Peppuccio (Giuseppe in Sicilian) and whom he considers as an older brother.
Here are the lyrics of the song SE.
Se tu fossi nei miei occhi per un giorno, vedresti la bellezza che, piena d’allegria, io trovo dentro gli occhi tuoi, non so se è magia, o realtà. Se tu fossi nel mio cuore per un giorno, potresti avere un’idea, di ciò che sento io, quando mi abbracci forte a te, e petto a petto noi, respiriamo insieme. Protagonista del tuo amor non so se sia magia o realtà. Se tu fossi nella mia anima un giorno, sapresti cosa sento in me, che m’innamorai, da quell’istante insieme a te, e ciò che provo è solamente amore. Da quell’istante insieme a te, e ciò che provo è solamente amore.
If you were in my eyes for a day, you would see the beauty that, full of joy, I find inside your eyes, I don’t know if it’s magic or reality. If you were in my heart for a day, you might have an idea, of what I feel, when you hug me tightly to you, and chest to chest we breathe together. Protagonist of your love I don’t know if it’s magic or reality. If you were in my soul someday, would you know what I feel in me, that I fell in love, from that moment together with you, and what I feel is only love. From that moment together with you, and what I feel is only love.
Sweet words, sweet moment and sweet Gianluca, who touches Ignazio’s shoulder with his hand, as if to encourage him.
There is also a beautiful dance moment with the circles.
What to say, the sound and visual combination is very beautiful, and how much interpretation in our boys, everything is perfect!
Laura Chiatti is now in the audience and tells us about a film that made an era, transgressive (for that time), which talks about love triangles.
Two other guests arrive: on stage Raphael Gualazzi and Nina Zilli and all together they perform the song of “METTI UNA SERA A CENA.”
And after this beautiful performance, Piero announces the advertisement and ends the first part of the concert.
I hope you enjoyed reading every moment of the concert, I believe that by combining what JoAnn and Susan have written for you, you can get a fairly complete overview of what happened, but we are only at the first piece of the concert, if you want to read the rest ………… I wait for you in a few days !!!
Scrolling through various publications, I found this post by Maura Pucci really very funny and particular and, of course, she talks about Gianluca!!
I am in the beautiful garden of Santa Severa, a seaside town near Rome, with my historical friends from my holidays, engaged in pleasant conversations. I have my tablet with me, hoping to give it a peek from time to time …
As my most assiduous Facebook friends may have noticed, I have not been present on the internet very much this month of August. Luckily, in a moment in which speeches languish, I have the possibility and I immediately go to Instagram and the screen lights up …. immensely!
It appears to me immediately, the last photo of Gianluca at the sea, as always a dazzling image of Italic and Mediterranean beauty.
I’m used to his breathtaking images that I have by the dozen by now. Personally, I don’t like to talk too much about his beauty.
Everything that could be said about him in this regard has been said by others, even that he resembles a Greek divinity, or Michelangelo’s David ….
I have always preferred to speak of his voice, even if, immodestly, I consider myself sufficiently expert and rational to evaluate CLEARLY, that is with the brain and not with the heart, both one and the other.
These are my premises to get to tell you how it ended …. In a few seconds I decided to seize an unrepeatable opportunity for fun. My friends know Il Volo well, because I’ve been talking to them for years. They follow Il Volo, when they appear on TV (and they automatically think of me: inevitable!).
But they have always rightly seen Gianluca in other clothes, elegant or casual, but never …. without clothes, that is in the version of a “mermaid” 😁😁
I want to amaze them, with … special effects, let’s call them that, and see closely the effect it does ..! 😂😂
I extend to Agnese, the closest friend, my tablet with the beautiful photo. She opens her eyes wide and says, “Damn! And who is this ACTOR??” She looks at me.
I don’t answer, assuming a Sphinx-like expression.
The others interrupt the chatter and look at us curiously. Agnese resumes the exam and adds: “Do you know who remembers me vaguely? Your “Gianluca from Il Volo!”
I don’t understand if the photo really reminds her vaguely, or if she guessed it and jokes, slyly, knowing my weakness ..
Is it him? Of course, it’s him!
My tablet passes into other hands and the general conclusion is this:
He is WASTED TO BE A SINGER.
Perhaps in the future he could be enticed from singing to acting … A request has already been received and rejected due to too many commitments. But if he had to face this new experience, stopping singing, it makes me think that he would be WASTED TO BE AN ACTOR.
Time will tell…..
I laughed, reading this story by Maura, imagining the scene, of her proudly showing the photo of Gianluca!!
Grandma Maura, you are really cool!!😘
And here is my opinion.
I don’t see anything wrong if Gian were to do some part as an actor, but it has to be a decent film, not necessarily a film where there are songs.
However, this must not affect the Il Volo trio. Il Volo is the priority and remains. All three have always stated that there may be small single projects, but the group remains intact.
I also think it really wasted that such a beautiful voice, like Gianluca’s, is silenced for an acting career.
Both things can coexist !! (such as: Lady Gaga, Jennifer Lopez, Dean Martin, Frank Sinatra …. and more).😉
A post published by Maura Pucci made me remember this beautiful feat, made by four very tough women.
Unusual and … amazing aspects of Il Volo’s popularity.
THE NEW SANCTUARIES
We are in 2015.
Four American ladies, from different States, who met on social networks, animated by a great passion for IL VOLO and enthusiastic about the recent victory of the beloved group in Sanremo, decide to join together to undertake a trip to Italy.
Some new Il Volo fans might think: It’s not new! At their concerts in Verona and Taormina there are many fans from abroad and in particular Americans.
Today the Arena of Verona and the ancient theater of Taormina are places of great appeal for the fans of Il Volo from all over the world, who arrive there in droves, both to attend a concert in scenarios such as only Italy can offer, and to meet the virtual friends, frequented on Facebook.
But in the spring of 2015 things were still not exactly like that. And the four ladies embark on an Atlantic flight, for the ONLY purpose of visiting the places of residence of Piero, Ignazio and Gianluca, with the same spirit with which the romantic young people of Northern Europe, three or four centuries ago, left for the Grand Tour at vault of Italy, to be satisfied with beauty and culture, but at the same time with the same religiosity of those who want to embark on the journey of Santiago de Compostela.
Because, let’s face it, when it comes to doing this, it means that the three characters have already risen to the glory of the altars and that their places of life have become three new Sanctuaries, pilgrimage destinations …
Montepagano, Marsala and Naro, three small towns in the Italian province have become places of international resonance.
Okay, I just wanted to joke around.
But there are still many fans, especially Italian, but also foreigners, who go, or dream of going to Montepagano, favored by its proximity to Rome. And some of them even went as far as Naro.
Unfortunately, after five years, the sanctuary of Marsala today is not very frequent because S. Ignazio moved to Bologna.😂😂
When I read the news of this trip in 2015, I fully understood the attractive power of these extraordinary and unique guys.
That trip, was undertaken by Deborah Georgini Beaupre, Joan Brenin, Madeline Vitella and Maria Lagostini Leps.
In Italy, it was an event, it had never been heard that fans came to get to know the countries of their favorites. Also Sanremo had just ended with the victory and therefore, the local newspapers talked about this trip, here are the articles.
FROM AMERICA TO ROSETO, TO SEE THE PLACES OF GIANLUCA GINOBLE
(I translate for you.)
Saturday, May 16, 2015
“I crossed the Atlantic Ocean to see you” is film stuff. Indeed, no?
Because four American ladies have been stronger than exaggerated idioms, making something that even in the best dreams come true: they came from theUnited States of America to Roseto just to see the places whereGianluca Ginoble, a member of Il Volo, grew up, then headed straight to Sicily and do the same in the native places ofPiero Barone andIgnazio Boschetto.
The super fans are Maria Agostini Leps from Pennsylvania, Joan Brenin from Florida, Madeline Vitella from New Jersey and Deborah Georgini Beaupre from Texas, who say: “We met on Facebook in 2014, thanks to an article written by Maria after a concert by Il Volo. Having the same passion, we decided to meet and organize this trip to Italy, to see the places of our three darlings. It was enough for us to have the photo all together with the sign of the name of the three cities, but today a dream has come true.”
The dream was to meet Gianluca Ginoble and it became reality again thanks to Facebook, given that Maria wrote to Ercole, the father of the singer, saying of their presence in Roseto.
And since fate sometimes puts a good word on it, chance has meant that Gianluca was in Roseto in these days, before leaving again for the artistic and promotional commitments of Il Volo.
So, at five in the evening, on the Roseto seafront, the meeting of a thousand hugs and smiles, with selfies, dedications on records and photos.
Deborah shows a photo of the license plate of her car in Texas: “IL VOLO”, saying that after the death of her husband the songs of the group gave her strength.
Maria confesses that she returned to Italy after 50 years (she left at 9) for this. All four have seen many Il Volo concerts and love the three singers.
Gianluca Ginoble says: “It is such a great thing that I can only thank these splendid ladies, because in the face of such demonstrations of affection there is the risk of getting your head up.” (feeling overly important)
FROM AMERICA TO MARSALA, IN THE LAND OF IGNAZIO BOSCHETTO
They came from the USA to make their dream come true: to visit the places where the members of Il Volo, were born and raised.
In Marsala, in the city of Ignazio Boschetto, the first stop of the four American ladies was the visit to the representative office of the municipal administration which appointed the singer Ignazio “ambassador of Marsala in the world”.
The American ladies will leave tomorrow for Naro, the birthplace of Piero Barone; while in recent days they had already visited Roseto degli Abruzzi, the land of Gianluca Ginoble.
He, Piero and ours Ignazio, meanwhile, are already in Austria to participate in the Eurovision Song Contest in Vienna, where Il Volo is finalist by right with the winning song of Sanremo “Grande Amore”.
FROM AMERICA TO NARO, ON THE TRAIL OF PIERO BARONE FROM IL VOLO
The last stop on the Italian – Sicilian journey was Naro, the city of Piero Barone. Here too the reception of the girls from “Il Volo Naro Fan Club” was warm.
In the town hall the solemn ceremony with the mayor Lillo Cremona, the vice-mayor Lidia Mirabile and the mother of Piero, Eleonora Ognibene. Then a tour to discover the baroque of Naro and its monuments: the Castle, the old C athedral.
The Sicilian tour will end with a visit to the city of Agrigento and then to Taormina. Then the return to Rome for the US.
Admirable. They were the first, but then many others came.
I don’t think I would have had their courage, but I’m happy that they got what they wanted.
I bet that many of us would like to make this nice trip, and maybe be so lucky to be able to meet Piero, Ignazio and Gianluca ……… but sometimes dreams come true!
We all know that Maura Pucci loves Il Volo and also that she has a special affection for Gianluca.
Three years ago, she wrote on the occasion of Gianluca’s birthday, a beautiful letter that I am now translating for all of you with pleasure.
I must give you a premise, when Maura wrote this, she was a little worried, because she read everywhere that Gianluca was praised, but the beautiful words were almost always about, his appearance , and for Maura, this fact seemed really very reductive, because “her” Gianluca , he also had something better to offer.
Enjoy the reading!!
I fell in love with him in 2009, when I was disconcerted, but enchanted, by his voice from the deep register, an adult voice that came from a boy, from the face of an angel.
The years have passed and his voice, gradually, has taken on all the nuances that age, still immature, does not allow.
Today I am able to talk about its versatility, because he has many voices, different, but all recognizable.
We can start from his surprising FILO DI VOCE, (wire of voice) with which he concludes the first verse of “Notte Stellata”, SOFT and SUBTLE, like a sigh, as well as all the whispered parts of the same song and many others, to reach its opposite, that is the DRAMATIC and THEATRICAL voice of baritone in “Aranjuez”.
Moving on from the voice CARESSING and LIGHT, with which he faces the beginning of many songs, from the SOFT and SENSUAL voice of the true crooner, from the AGGRESSIVE voice of “Delilah”, to the POWERFUL but LIGHT voice of “La Danza”, which becomes POWERFUL and TRIUMPHAL in his “Vincerò” of Nessun Dorma, to culminate in the DEEP and SOLEMN voice of the Christmas songs and / or religious, to which he gives a touch of sacredness.
There is also the one, used off the stage, full of RHYTHM and SWING, for particular interpretations, accompanied by him by the snapping of the fingers ……
So many voices for a chameleon singer, as it has been defined:
“Gianluca has a PERFECT VOCALITY, his voice is an INSTRUMENT.”
These are not my words, but of an American expert, a vocal coach, Gianluca does not sing, he INTERPRETS.
Because he sings with all of himself, with his eyes, with his facial expression, with his hand movements, even with his body posture. Look at it well in “Bridge Over Troubled Water”.
When he sings a song, he does not perform part of his work, but “brings out” the passion for music that he has in himself, to transfer it to those who listen him: he is fulfilling a mission.
……. because he “feels” the music, to the maximum degree.
I saw him with a entranced expression, listening with closed eyes, the splendid voice of Piero, who sang beside him, “O Holy Night” ……. are things that move me and are not forgotten.
How is the artist Gianluca on stage?
He brings to the stage all the behavioral and character characteristics that distinguish him in his private life.
Always in search of perfection, he is PROFESSIONAL to the maximum degree; GENTLEMANLY attitudes, CHEERFUL and SMILING, sometimes even LIVELY, but never too EXUBERANT. WITTY, but with measure; RESERVED, but no longer shy as in the past; ROMANTIC, TENDER, helpful, full of affection for fans, just as he is towards family members, friends, children, the disabled.
I want to add a quality, which with the presence on stage, perhaps not involved, is also sincerely MODEST and not “arrogant” as many insinuate.
Some time ago, he said something that struck me, and now I try to summarize: “I still find it hard to realize that I, who have had idols since I was a child and still have them today, may in turn have become an idol for many people.”
This is “my” Gianluca, as I see him, and, according to my personal tastes, I have found in him all the qualities that make him a son, a brother, an ideal nephew. ❤️
In fact, I consider him a virtual “grandchild” ……….😘
We are at the conclusion and until now, I never said, that he is also beautiful? Yes, because I wonder how much it costs for a show artist to be BEAUTIFUL too?
It depends. Being beautiful counts a lot for a movie star, how many beautiful actors have been successful without being able to act!
But a singer is asked …… a beautiful voice, that he knows how to use and that enchants those who listen to him.
Like Gianluca’s voice, a healthy bearer of strong and contagious emotions.
If then, the lucky singer is also pleasant in appearance, that is just a plus that does not hurt. 😁😁
I fully agree with what Maura wrote, it’s true, Gianluca’s beauty is evident and immediately striking, but when he plays a song, his skill in modulating his splendid voice and in interpreting the song is evident.
What to say about this splendid “MI MANCHERAI”, how much transport, how much emotion.
I only knew Il Volo after the victory of Sanremo 2015, so the idea I had of Gianluca was that he started the songs because he had the lowest tones.
I was at the NOTTE MAGICA concert in Florence and I was able to attend the great skill of Il Volo, but the one of the three that surprised me the most was Gianluca, I never imagined how much power he could have in his voice.
And here, Maura did not wait long with the second part of her publication.
Very well Maura, I think this will start a nice debate.
Why do you like Il Volo so much?
The answer is found in a video on Youtube: “Il Volo. The ten ingredients of global success” published by Trishia on 9 January 2017.
Who is Trishia? It is the pseudonym of Patrizia Ciava: a flagship for the Il Volo fandom. Graduated in philosophy, writer and winner of literary awards, teacher, lived in various countries of the world, a career of the highest level in the Public Administration. Among her institutional tasks is the promotion of Italian “excellence”, of the Italian language and culture.
Here are the elements that make up the success of the group, identified by her:
1) Three prodigious voices
2) The ability to excite
3) Spontaneity and sympathy combined with talent
4) Empathy with the public
5) The ability to joke and to create a friendly atmosphere
6) Collaboration with other artists
7) Friendship and team spirit
8) Charm and elegance
9) Availability towards fans and simplicity
10) Love for family and for Italy.
I could only add that their knowledge of English and Spanish helps to maximize the possibility of interacting with the public in every part of the world.
That said, let’s see if the definitions of “popular” offered by the vocabulary of the DEVOTO (vocabulary name) fit the music of our group.
Popular is what “represents the continuity and importance of an unbroken tradition, as opposed to what is innovative.”
Here I would like to make a “distinction”.
The definition is general. Wanting to refer it to music, in regards the first part it adapts to the music of Il Volo: “represents the continuity and importance of an unbroken tradition”.
Then popular music, understood here as traditional, should be “opposite” to what is innovative, and this, in my opinion, is a commonplace, a convention, it’s only another genre of music.
Music is a universal category in which all genres, ancient and modern, born before or born after, have found their place with equal dignity, joining, rather than opposing, each other and satisfying every taste and need.
I think I also interpret the thoughts of the components of Il Volo, who have always respected all types of music and all the singers, not “opposing” nor considering “against” anything or anyone.
It is popular, those who “enjoy sympathy and favor in a remarkable way”.
Let’s say that the music of Il Volo and its performers are … very, very popular.
Popular is “something that opposes aristocratic choices and discrimination”.
POP is only an abbreviation of POPOLARE. Pop music is what was once called “light music”, that is songs. Vasco, Pausini, Ramazzotti, Ferro etc. (Italian singers) sing pop music and they are pop singers, and they are Italian … Their music is therefore national-popular.
And journalists and music critics should know that.
Instead, the giornalist, uses the expression “national-popular” in the derogatory sense, identified precisely as to define the music of Il Volo, praising the new genres imported from the United States (rap, trap indie).
These journalists, many of them with white hair, are only intent on tickling the tastes of teenagers, discriminating, not between beautiful and bad music, as they should, but based on the date of birth of that music, in a momentum of “youthfulness”, to appear fashionable and in step with the times.
Il Volo, predominantly interprets the ITALIAN classical musical tradition, with SONGS in the Neapolitan language and dialect, and this justifies, as already said, its nature as a national-popular. But we cannot forget that their repertoire also contains songs of the classical tradition of the Spanish language (Cielito lindo, Historia de un amor and others), and English (Smile, My Way and others).
How about coining a less restrictive and more appropriate neologism for their music? This: INTERNATIONAL-POPOLAR.
All of the above considerations are strictly personal opinions. If you want, and as always, the debate is open.
Credit to owners of all photos and video.
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