After giving you a quick overview of the whole concert in the Arena on June 5th, here I am back to you, to tell you every moment.
Jo Ann has already translated the “chat” of the boys and Susan has already given you other explanations.
I will recall to you the smallest details of my beautiful evening and I will linger for a long time, because I do not want you to lose even a moment of this fantastic concert.
I start by telling you that Saturday started with the best wishes, a beautiful day, the sky of an intense blue, and so much emotion for the concert that I would see in the evening. A perfect start.
I have already told you other times that Verona is very close to Brescia where I live (only 50 miles), so my husband and I would have gone in the early afternoon and returned after the concert.
Here in Italy there is a curfew at 11pm (from 16 June it will be abolished), but the government had given special permission only to those who were in the Arena for the concert, to return to their homes by 02:00 am.
Right after lunch, I tried to rest, knowing that the evening was long and certainly exciting. But the sky turned gray, the sun was gone, and a little later it started drizzling. An annoying drizzle, but light and really boring. Damn, I hoped it wouldn’t rain in Verona, I was thinking about the guys, after so much work and such a long stop, this inconvenience was not welcome.
The light rain, which almost did not wet the earth, came and went. Every now and then a few drops and then nothing, just to make everyone nervous.
Ready for the evening, and with the best expectations, my husband and I left for Verona.
Arriving, without any problems, we park the car quickly and head towards the Arena.
It goes without saying that Verona always has a magnificent charm. It is a beautiful town that preserves the flavor of the ancient.
Among the old alleys of beautiful Verona, we can all still think of Romeo running to go to his Juliet. The great entrance gate with the scalloped walls, which still continue through the city, and which once closed the whole city, are magnificent.
After the city gate the huge Piazza Bra, with the beautiful buildings that surround it and in the center, the ARENA is imposing and memorable.
The first thing I have to do is contact my friends who are waiting for me to be able to greet me, some of them who have really come from far away, from the US.
The first one we meet, right in front of the Arena, is Laura with her husband Ugo, they are Italians, from Trieste, but Laura met me through Flight Crew, they are our readers and it is really special that we met like this.
Soon after I go in search of my American friends.
Here they are, beautiful and happy, together at the coffee table, looking forward to the evening, Deborah, Wendy and Joanie, whom I already knew personally and Judith, whom I had never met.
Only a few words of greeting, unfortunately, because Nonna Maura is waiting for me in front of her hotel, but what a pleasure to see my sweet friends who have faced such a long journey to be here.
Yes, because Il Volo is also this, the pleasure of meeting each other, of making friends from one end of the world to the other.
So let’s go to Nonna Maura’s hotel, I remind you that she is 90 years old and arrived in the morning by train from Rome. Fantastic Maura, she would not miss a concert of Il Volo and her beloved Gianluca for anything in the world.
Also Maura and I met thanks to Flight Crew, isn’t that great?
The weather continues to give us a few drops of rain, so my husband goes back to our car to get some rain dusters, in case they were needed and then we approach the Arena, the entrance time has already started and the adrenaline starts to rise.
The controls to enter the Arena are meticulous. There are different entrances depending on the places awarded. They check us for fever, documents and related tickets, and if we have the FFP2 mask (only that is allowed) then they see the camera that my husband is holding and tell him to take it in the car, because otherwise they won’t let him in. So my husband goes back to the parking lot to deposit his camera. When he comes back, we can finally enter the Arena.
We reach our seats, we are in the central row, right in front of the stage, row 11, excellent position. Between one occupied seat and another, due to Covid rules, an empty seat is expected.
The orchestra pit (the space between the stage and the first row, where the orchestra is usually placed) is empty, but in the center a round stage is positioned, as if it were a protruding extension, of the current stage, on it already in placed, 3 microphones with the auction, it is clear that often the guys will sing from there, and it is right in front of my position.
On the rear stage, the whole orchestra is positioned. A huge backdrop that continuously changes color and position with two large lateral pillar columns and two large lateral videos, completes the scene. The whole at the top is covered by a roof in which hundreds of lights are placed. If it rains, at least the guys will be protected.
Everything has a really great impact.
A voice on the speakers often reminds us that we must keep the masks well worn and that we cannot leave our seats to greet other friends.
While we wait, I look for the various scattered friends and raise our arms, we greet each other in the distance, and then, we wait patiently for the scheduled time to arrive.
Fortunately it does not rain and it will not rain all evening. There is a good temperature, everything seems to be going well.
At a certain point the boys enter the stage, normally dressed in jeans and a jacket. We are amazed, but they greet us smiling and tell us that they are waiting for the connection with the evening news. Meanwhile, they smile, they tell us they are excited, we take advantage of them to take pictures of them.
The boys look at the audience and recognize their American friends, greet them and say “you came up here for us”, they are happy with this and then on the other side, Alicja from Poland and they say “Ah, also from Poland”.😁
Here is what appeared during the television broadcast.
The guys say they are happy and honored to be doing this concert, so they say hello and invite people home to watch the evening.
After the connection with the TG1 news, the boys greet us and go to change their clothes and get ready. A voice tells us that we have to wait for television time, because this concert is live.
Meanwhile, I see Nonna Maura in the front row, lucky her, she is right in front, I’m really happy for her. Ercole and Eleonora arrive, Gianluca’s parents go in front of the front rows and Eleonora stops to greet Maura.
I also see Michele Torpedine in front of the stage.
Ernie also passes in front of me and also Gaetano Barone, whom I then see, joins his wife already in the front row.
Shortly before the concert begins, Caterina and Nina Boschetto also arrive. Nina is now leaner and prettier with longer hair than usual.
People continue to enter and the Arena is filling up with the 6,000 admitted people.
It begins to get dark, the lights of the stage come on, every now and then you can hear the voices of Piero and Ignazio who from behind the stage make the warble (warmup) for the voice: iiiiii eeee aaaa ……
In silence, the 70 members of the orchestra take their place on the stage and in the orchestra pit (i.e. in front of the stage) the choir takes place, making two wings on either side of the central round stage.
Here we are, everything is starting, what emotion!
The preview is projected on the screens, where Piero Ignazio and Gianluca, in the back of the Arena backstage, meet the actor Marco Giallini and talk about Ignazio’s shoes, nice skit, the boys say they are excited.
And here they are, the lights create the atmosphere, three silhouettes can be seen at the end of the scene, it’s them !!! 😍
The boys advance and the music begins, the applause that welcomes them is a little hesitant, I think we are all a little inhibited due to the Covid restrictions and also the live television. But Gianluca, in a strong and confident voice, begins to sing.
His voice is beautiful and Ignazio and Piero follow, and everything becomes magic. Chills on the skin, the beautiful music of The Good, the Bad and the Ugly, fills every corner of the Arena and the voices of our boys, rested after the long period of inactivity, are stronger and safer than ever.
The scenography is beautiful, while the boys sing, on the screens and on part of the scenography, the images of the film scroll, the lights constantly change colors. The voices of the choir rise high.
Piero Ignazio and Gianluca are very elegant in their beautiful midnight blue D&G tuxedos with lapel pins, a beautiful elegance that is increasingly rare in today’s young artists.
The boys are also visibly excited.
The song is beautiful, at the end there is a big round of applause.
Ignazio is the first to speak, these are his exact words.
You really can’t understand how happy we are to return after a year and a half of silence, to wait for this very day to arrive. Surely all the guests of honor are all of you tonight. Thank you so much for coming, thank you very much.” (applause)
The emotion of the boys is evident, Gianluca admits that their legs are shaking.
Piero thanks the Morricone family.
And we proceed immediately with the second song “YOUR LOVE”.
This song, for all of us, is full of profound meaning, given the moment it was sung in Sanremo. It is really moving to see Ignatius who, from the beginning of the song, caresses with his fingers the ring he wears in his right hand, a wedding ring, which we think belonged to his beloved father. Even his eyes often close, as if to make eye contact with the one who is no longer there.❤
It is a very intimate and touching moment, as well as the beautiful music and the words, which seem to be written on purpose:
“….. Your strength has made me strong,
though life tore us apart
and now when the night seems long,
your love shines in my heart …..”
(video made by Deborah Georgini Beaupre)
And then, immediately below here is a tribute from Notte Magica, Ignazio asks the audience who was there that evening, of course I raised my hand !! Piero remembers the beautiful evening in Florence in Piazza Santa Croce, remembers the master Placido Domingo who directed them and begins “NESSUN DORMA”.
At the end of the “Nessun Dorma” there was a long applause and the first beautiful standing ovation .
The standing ovation excites the boys a lot, they hug, they thank and Piero says: “So, you make us excited, they have a lot of effect, these applauses, after a year and a half.”
Enter the actress Laura Chiatti and, with the boys there is a nice “curtain” (nice dialogue) that Jo Ann has translated well.
Laura introduces a short video, an interview with Morricone, where the presenter tells that Morricone that he has a very intense relationship with “doing” (in the sense that he works very hard) and Morricone replies that “doing” (in Italian FARE), is not just a verb, but is the union of two musical notes: the FA (F) and the RE (D).
Ignazio presents the song “SE TELEFONANDO”, which, as Susan has well described, was written by Maurizio Costanzo, set to music by Morricone and sung by Mina many years ago. Beautiful and timeless song.
Ignazio explains that Morricone thought of this music, while he was in the post, queuing to pay a gas bill, and then he concludes by saying that he (Ignazio) only goes to the post office to pay the fines. 😁
Upon returning, the exchange of words on Ignazio is beautiful: he is always a disaster, but also he has an incredible voice, then Piero introduces “IL MONDO”.
While Piero, Ignazio and Gianluca sing Riccardo Cocciante enters and they sing together, but what about, Cocciante performs a verse of the song, but when he finishes the verse, Ignazio begins and for me, Ignazio’s voice is truly unique and powerful.
Cocciante met Morricone personally, but he doesn’t want to remember any anecdotes, because he says that the greatness of an artist is in his works. Then he plays a beautiful song of his.
Marco Giallini enters, he says is very impressive to be in front of the audience of the Verona Arena. Together they introduce “SE”, the song taken from the film Cinema Paradiso. A scene from the film starts with little Totò Cascio. The melody is written by Andrea Morricone, (the son who is conductor).
At the end of the short clip, Totò Cascio enters, now an adult. Totò says that during the shooting of the film, Philippe Noiret acted in French, while Totò in Sicilian and Italian and between them a good feeling had been created and he remembers it with affection. Then Totò also remembers the director Giuseppe Tornatore, whom he calls Peppuccio (Giuseppe in Sicilian) and whom he considers as an older brother.
Here are the lyrics of the song SE.
Se tu fossi nei miei occhi per un giorno,
vedresti la bellezza che, piena d’allegria,
io trovo dentro gli occhi tuoi,
non so se è magia, o realtà.
Se tu fossi nel mio cuore per un giorno,
potresti avere un’idea,
di ciò che sento io,
quando mi abbracci forte a te,
e petto a petto noi, respiriamo insieme.
Protagonista del tuo amor
non so se sia magia o realtà.
Se tu fossi nella mia anima un giorno,
sapresti cosa sento in me,
da quell’istante insieme a te,
e ciò che provo è
Da quell’istante insieme a te,
e ciò che provo è
If you were in my eyes for a day,
you would see the beauty that, full of joy,
I find inside your eyes,
I don’t know if it’s magic or reality.
If you were in my heart for a day,
you might have an idea,
of what I feel,
when you hug me tightly to you,
and chest to chest we breathe together.
Protagonist of your love
I don’t know if it’s magic or reality.
If you were in my soul someday,
would you know what I feel in me,
that I fell in love,
from that moment together with you,
and what I feel is
From that moment together with you,
and what I feel is
Sweet words, sweet moment and sweet Gianluca, who touches Ignazio’s shoulder with his hand, as if to encourage him.
There is also a beautiful dance moment with the circles.
What to say, the sound and visual combination is very beautiful, and how much interpretation in our boys, everything is perfect!
Laura Chiatti is now in the audience and tells us about a film that made an era, transgressive (for that time), which talks about love triangles.
Two other guests arrive: on stage Raphael Gualazzi and Nina Zilli and all together they perform the song of “METTI UNA SERA A CENA.”
And after this beautiful performance, Piero announces the advertisement and ends the first part of the concert.
I hope you enjoyed reading every moment of the concert, I believe that by combining what JoAnn and Susan have written for you, you can get a fairly complete overview of what happened, but we are only at the first piece of the concert, if you want to read the rest ………… I wait for you in a few days !!!
Credit to owners of all photos and videos.
Do you feel that? The excitement in the air! It’s been going on since last week but, it intensified on the morning of June 5th with Ignazio’s message. “Finally, June 5th! You don’t know how long we waited for this day! How many days to think, to study, to develop ideas! How many days to hope it would come! Today is an important day for the entire music industry. We start singing in front of an audience!”
You can hear the excitement in his voice! His words sent chills up and down my spine. His words say it’s over! We made it! Live is back!
Let’s go to the stage!
Did you notice the interesting scenery? So different from what we are used to in an Il Volo concert. Spectacular scenery! And the videos that go along with each song. Such precision! Just amazing! Everything so well thought out. Down to the last detail!
The guys kept the set list a secret. They wanted to surprise all of us. Piero said, “As for the set list we like to keep it a secret. We will try to satisfy every need of our audience by always keeping the master at the center.” And that they did!
Remembering Morricone’s music and having our guys sing it is by far one of the most incredible things that can happen for us. An event that will never be repeated by anyone! Spectacular!
Piero went on to say, “The Concert will anticipate the album that will be released later.” We anxiously await the release!
While they were dealing with the pandemic, they were being very productive. Gianluca said, “We dealt with the pandemic productively, we tried not to give up. Young people must not give up the strength to believe in their dreams and pursue their goals.” He also went on to thank the Morricone family for allowing them to sing an unreleased song, written by Andrea Morricone, “I Colori dell’amore.” A very beautiful song!
Piero was excited to say that: “This is the first time we have performed live TV.” Well guys you did an amazing job!”
We really appreciate the tribute to Ennio Morricone because as Ignazio reminded us “it is the only (concert) date scheduled in 2021.”
I must say, the Morricone project kept them very busy. They had to select and study songs from the master’s repertoire. That was no easy task.
So how do you go about selecting the songs and fitting them to your voice. It’s very difficult! Let me remind you about something Ignazio said about recording a song. Ignazio explains, “….a take is the recording of the single phrase that each of us sings when we record a song. We continue to redo it until we get the best version.”
Can you imagine going through all of Morricone’s songs and deciding which ones to choose? Remember a song that may be good for a baritone may not be good for a tenor. So, what do you do? You redo the arrangements to fit your voice. How? You take the song apart and then decide which part is able to accommodate a tenor or baritone. Not an easy task! Think about some of the concerts where the guys have sung a song as a group (the three) and then decided it should be a duet. Why? Because it is more suitable to two voices perhaps baritone and tenor or tenor and spinto tenor. You need to see how it fits your voice and how it relates. In the end it’s all about the delivery. Once you’ve taken the song apart, you must put it back together again. Shall I say it again, not an easy task! It takes months to rearrange this many songs and believe me these guys worked very hard for long hours and long periods of time, many, many months, to get these songs where they needed to be. Great songs, arranged to great voices!
Let me give you an example of what I’m talking about. These are the words to the song “Se Telefonando.” It is a song that was performed by a famous Italian singer, Mina. It was released in May 1966. I want you to listen to Mina sing the song and then listen to Il Volo sing it. You will note that the words did not change. Just the arrangement changed to fit the voices of our guys.
Lo stupore della notte
Spalancata sul mar
Ci sorprese che eravamo sconosciuti
Io e te.
Poi nel buio le tue mani
D’improvviso sulle mie,
È cresciuto troppo in fretta
Questo nostro amor.
Io potessi dirti addio
Se io rivedendoti
Fossi certa che non soffri
Se guardandoti negli occhi
Sapessi dirti basta
Ma non so spiegarti
Che il nostro amore appena nato
È già finito.
Io volessi dirti addio
Se io rivedendoti
Fossi certa che non soffri
Se guardandoti negli occhi
Sapessi dirti basta
Ma non so spiegarti
Che il nostro amore appena nato
È già finito
So now you can understand what I mean by taking a song and arranging it to fit another voice. Without changing the words look at how the song has changed. The delivery is spectacular! Just magnificent!
The studio work is done. The songs are in the bag and everything in place. It’s time for the guys to restart the live concerts! In essence, symbolically, restart the entire sector.
As to Rai 1, Claudio Fasulo explained, “For our flagship network it is an honor to host this date. Rai 1 wants to remember Morricone who has done so much for our culture through the many arts. I wanted three young people to do it that I admire so much. They were born into a talent, but they also teach us that talent is sometimes meritocratic.”
“Il Volo has the artistic and behavioral characteristics of Rai 1. It is no coincidence that in our schedules of great music, the trio is always present. Dedicating an evening to Ennio Morricone was a duty for us.”
Gianluca says: “For us it is a great journey, a wonderful adventure. A year after his death we want to remember the master in the best way. We were born as child prodigies and after 12 years of career we can say that this project makes us proud and makes us feel more mature”.
Piero says, “At last, we sing. It’s been a tough year and there’s a desire to get on stage and bring all the workers in the show with us. I want to point out that it will not be the orchestra that will accompany us, but we will sing together.” Alluding to the long-awaited return to live, Ignazio said, “Let’s go back to singing in one of the largest outdoor theaters in the world, finally safe. The ancient sayings are always the truest, hope is the last to die.”
In an interview given to the magazine Mio, Piero, allowed himself to go to a painful confession about the very hard period from which we come and, which now seems, fortunately, to give us a moment of respite. “Finally, we sing, after a year and a half we could not take it anymore! Ours is a dream job. We are incurable dreamers. Every wish is finally coming to fruition. On June 5th we will give a message of hope, there is a great desire to get on that stage.”
And that is exactly what they did!
So, let’s turn to the master!
You can ask anyone if they know who Ennio Morricone is, many people will say no. But, if you ask them if they know the theme song from “The Good, the Bad and the Ugly.” They’ll say of course I know it. Everyone knows Morricone’s music! They may not know his name but, they certainly know his music.
So where did our guys begin the concert? They began with the most famous of Morricone’s songs from The Good, the Bad and the Ugly – “The Ecstasy of Gold.” Smart! This song set the mood for the concert. What they did with this song and, the other songs, is amazing!
Let’s talk about some of the music. Let’s start by asking the question, “What made Morricone’s music different? Why was it so popular? Why was he the most sought after composer in the last 40 years? The answer is his arrangements and his style. Unlike anyone else in his time Morricone composed and wrote songs that reflected nature and reflected everyday life! In his music we hear the wind and the rain, the howls and the silence! Again, I will go back to songs like “Se Telefonando,” where we hear three notes in this song that represent the siren of a police car. He wrote about reality. How he heard it, is how he wrote. He didn’t describe the event he used the event! When you write a theme song or compose a score for a film, it has to draw you in. It has to tell the story before you witness it.
Now I’m going to step out of the concert for a moment but stick with Morricone because I need to pay a compliment to Ignazio.
As you recall, the first time we heard the song “Makari” which Ignazio composed and wrote, was during Sanremo 2021. When I heard the song, I felt like there was something very familiar about it. Last night after I wrote about three quarters of this article, I was tired so I went to bed. And, as it often happens with me, I wake up in the middle of the night and think about something I want to say in my story. This is what came to me. I finally figured out what was so familiar about “Makari.” Ignazio wrote in the style of Morricone. Think about it. What is Ignazio doing for us in this theme song? He is painting a picture for us! Remember I said, it has to draw you in. It has to tell the story before you witness it.
Ignazio’s song invites us to take a better look at this other land in the south (Sicily). It speaks of “a land of sages and a land of fools, made from devils and saints.” It invites you to live a new reality through his eyes. This is exactly what Morricone does in his songs.
In a Morricone song you hear life! In Ignazio’s song you hear the sounds of Sicily. It is the “silence” of the land that screams for you to open your eyes and look around at the wonder of the landscape, of Makari, and the traditions of the land that go deep into your soul?
There is something very mysterious in the song, Makari. Very much like Morricone’s “The Ecstasy of Gold” from The Good, the Bad and the Ugly.
Ignazio’s song sings about approaching Makari and, the colors of the island come to life. The houses, the people, it’s all there. It comes to life before you approach the shore! It’s written very much like a Morricone song. And that’s what I was feeling when I heard the song!
Ignazio, I said you are a great composer and, some day you will compose a great opera. This is the proof. You learned from the master! Imitation is the greatest compliment you can give anyone. You are your own master but, we have to begin somewhere and where you began was at the front door! Amazing!
Now, let’s get back to the concert!
I’m not going to write in any detail about the songs. There are a few other articles which will be written for Flight Crew this week which will discuss the songs individually. I am merely going to name the new songs and where necessary, give you some details on how they came about.
“Your Love” from Once Upon a Time in the West, is a song we all are familiar with. It is the song that the guys sang at Sanremo 2021. As Il Volo fans, this song will be with us forever. There are tender moments attached to it. It is an absolutely magnificent song. No one else could sing it like our guys. I know it touches my heart not just because of the circumstances but because of the emotion and passion the guys have when they sing this song. It will always be a signature song for them and for us!
So, what did they need in this production, a good pop song, set to music by Morricone, “Se Telefonando.” As I already mentioned, “Se Telefonando” is a song that was performed by a famous Italian singer, Mina. The music was composed, orchestrated and conducted by Ennio Morricone to Italian lyrics by Ghigo De Chiara and Maurizio Costanzo. The song was written for an episode of the Aria condizionata a Sunday morning television program. The main theme of the song was composed around just three notes, taken from the siren of a police car in Marseilles.
At this point, the guys did their solos. Where do I begin to talk about the solos?
As I said, I am not writing about the individual songs, but I will say that each of the guys’ solos were phenomenal. Gianluca’s “Your Song,” Ignazio’s “Listen” and Piero’s “No Puede Ser” were exceptional experiences in a sea of amazing voices.
What I will comment on is little Julian. Many critics praised him and so do I! See guys, this is how you were at 8 years old. Blowing everyone’s mind. Ignazio, if you didn’t already sign him, you need to do it before he gets away!
Riccardo Cocciante the guest of Il Volo sang “Quando finisce un amore,” an Ennio Morricone song which he first recorded in his Riccardo SOUL 1974 album.
We go back to the theme song of “Nuovo Cinema Paradiso” from the film of the same name. At the end of the song there is a small exchange between our guys and Salvatore Cascio, the child, now adult, of Nuovo Cinema Paradiso.
Raphael Gualazzi on the piano and Nina Zilli, together with Il Volo perform the beautiful theme song from the film of the same name, “Metti, una Sera a Cena.”
Next came “Here’s to You”, the theme from Sacco and Vanzetti. This was preceded by a reading of the story of the two unfortunate Italian immigrants, read by Giallini. For those of you who don’t know the story of Sacco and Vanzetti here is a brief summary:
Nicola Sacco and Bartolomeo Vanzetti were Italian immigrants, anarchists, who were controversially convicted of murdering a guard and a paymaster during the April 15, 1920, armed robbery of the Slater and Morrill Shoe Company in Braintree, Massachusetts.
A series of appeals followed, funded largely by the private Sacco and Vanzetti Defense Committee. As details of the trial and the men’s suspected innocence became known, Sacco and Vanzetti became the center of one of the largest causes célèbres in modern history.
Responding to a massive influx of telegrams urging their pardon, Massachusetts governor Alvan T. Fuller appointed a three-man commission to investigate the case. After weeks of secret deliberation, the commission upheld the verdict. Sacco and Vanzetti were executed in the electric chair just after midnight on August 23, 1927.
And so, we come to the end of the concert and the dedication of “Conradiana” to Vito Boschetto, Ignazio’s dad. “Conradiana” is a beautiful song written by Andrea Bocelli and Ennio Morricone. Very touching, very emotional and it certainly touched the heart of Ignazio and his brothers Piero and Gianluca, and I know it also touched our hearts.
We were so busy waiting for this Tribute that it seems we have missed an important event. Italy won Eurovision. What does that mean for us? It means next year Italy will host Eurovision. Rai, I don’t want to tell you how to do your job but, I think I know three very handsome, very talented young men who would absolutely be the best possible hosts for the program. Are You listening? Great events should have great people hosting them.
In closing today let me say that the guys showed us their talent and their love in this concert. And they really dedicated it to us. When they were singing their song, to Sacco and Vanzetti, they were saying to us, their fans, “Here’s to You.”
But what I really need to say is “Here’s to You” for a phenomenal, unforgettable, Concert!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email: firstname.lastname@example.org
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
Credit to owners of all photos and videos.
I’m still stunned by all the beauty I saw last night.
A stratospheric concert, wonderful voices, rested and powerful, beautiful music, spectacular sets, all like a fairy tale.
It was not a “Magic Night”, it was a “Starry Night”, because Piero, Ignazio and Gianluca are three stars that shine with a wonderful light, and when they are combined the result is simply spectacular.
Three beautiful and elegant young men bewitched and delighted the whole audience.
In my ears I still have their beautiful voices and my eyes still see everything that last night was unique and unforgettable.
I tell you right away that they did not allow us to enter the Arena with the camera, so I could not take videos or beautiful photos, I could only use my mobile.
But RAI1 has re-taken everything (filmed it all) and who better than them? I hope you all can see it as it will be a truly rewarding experience.
Click the photo below to view the concert.
There were 23 beautiful songs, some already known because they are part of the repertoire of Il Volo and many new for us and one completely unpublished.
Now let’s go over with some nice fan videos (not done by me), and some of my comments.
The preview begins with a joke with Marco Giallini, where Ignazio jokes saying that his shoes are very bad and Giallini tells him that he took them out of wood !!
Click the photo below to view the Anteprima.
The start was truly overwhelming with “The Ecstasy of Gold – The Good, the Bad and the Ugly”. Wonder!! A spectacular start !!
THE ECSTASY OF GOLD. THE GOOD, THE BAD, AND THE UGLY
Then they sang a beautiful YOUR LOVE, from the film Once Upon a Time in the West.
and then, remembering Notte Magica of 2017, NESSUN DORMA.
At this point a beautiful Italian actress enters: Laura Chiatti, whom Piero and Gianluca call “muse” and whom Ignazio calls “picciotta” (in Sicilian: young girl)
So a good pop song, also set to music by Morricone: SE TELEFONANDO.
The show continues with the introduction of IL MONDO, halfway through the song a guest enters, a famous Italian singer-songwriter (he also wrote Notre Dame De Paris): Riccardo Cocciante.
Then he will sing one of his songs to music by Morricone: “When a Love Ends”.
It starts again with another music from the film, NUOVO CINEMA PARADISO, at the end of the song there will be a small exchange between our kids and Salvatore Cascio, the child, now adult, of Nuovo Cinema Paradiso.
Two other guests, Raphael Gualazzi on the piano and Nina Zilli, who together with Il Volo perform the beautiful song from the film METTI UNA SERA A CENA.
Something from the repertoire of our boys, but which we always listen to very willingly:
O SOLE MIO and GRANDE AMORE
Back to Morricone’s film music:
SACCO E VANZETTI, preceded by a reading of the story of the two unfortunate Italian immigrants, read by Giallini.
While Giallini was reading the story, Piero, Ignazio and Gianluca went down the corridors among the audience, to sing from that position. Piero was in the central corridor, just that close to me. I want to describe what I saw and that made me extremely happy.
Piero was in the corridor, but further ahead of my seat (farther from the stage) and I had to turn around to see him, he was with his back to me. RAI was in front of Piero for the video shoot, but at that moment Piero was not filmed.
He was hot, he was sweating and an assistant came over to wipe his forehead and then walked away from him. At that moment two elderly people, who had perhaps gone to the bathroom, were returning to their seats, which were right next to where Piero was. The man was old, large, and walked laboriously with a cane, supported by his wife. It was clear that if the TV shooting started, they were right in the middle, so Piero, who was already ready, began to call the assistant in a low voice to tell him to solve the situation, but that assistant was far away and did not hear and therefore Piero, seeing that the man was having a hard time getting into his seat, he went to him, held his seat in place, and helped him to and enter his row.
Despite the live TV, Piero was kind and thoughtful to this person, I don’t know how many artists would have done the same. Very good Piero !!
After Sacco and Vanzetti, they sang E PIÙ TI PENSO from Once Upon a time in America.
We are at the moment of the three beautiful singles.
Gianluca begins who amazes us with a beautiful song by Elton John written 51 years ago: YOUR SONG.
Gianluca dedicates the song to his mother.
Piero continues with the beautiful NO PUEDE SER accompanied by the flutist Andrea Griminelli.
And so Ignazio concludes with a wonderful LISTEN performed in the company of Julian Iorio who is only 8 years old.
A little, sweet interview with Julian at the end of the song.
I = Julian, you have been very good, but how old are you?
J = Thanks. 8 and a half years.
I = And where are you from?
J = From Fregene (locality near Rome)
I = Are you passionate about music?
J = A lot.
I = Where do you go after the concert?
J = I don’t know.
I = Aren’t you going home?
J = Yes, I’m going home. Tomorrow I wake up, make the trip and go home.
I = But in how many hours?
J = When we arrived it took us 6 hours, and I don’t know to go back.
I = Sure, it depends on the traffic, (laughter) Thanks a lot !!
J = You’re welcome.
I = Julian Iorio
Let’s go back to film music and continue with the beautiful GABRIEL’S OBOE, taken from MISSION.
And now a song that is part of our boys NEL BLU DIPINTO DI BLU.
In the middle of the song, when the boys descended into the audience, Ignazio approached his mother and gave her a kiss on the forehead. ❤
At this moment Piero was close to me doing the high pitch, you can see me sitting next to Piero, wearing an electric blue jacket. I made the photo, Piero, Ignazio were really close.
Below, Il Volo performs UN AMORE COSÌ GRANDE and MY WAY.
A beautiful unpublished song follows, an absolute first, I like it very much and I really hope to hear it many times, written by Andrea Morricone, I COLORI DELL’AMORE:
We have reached the end of the concert.
The song with which it all ends is taken from the opera La Traviata: LIBIAM DE LIETI CALICI.
And so the concert ends, but before leaving us the boys tell us that after the finale there will be a surprise.
In fact after the applause Il Volo returns and makes a beautiful and moving dedication.
It is a very touching moment, because Ignazio begins by dedicating the song to all those who in this long period have lost so many loved ones.
Piero goes on to say that this concert was dedicated to Vito Boschetto who they all miss a lot. After the announcement was made, you could see Gianluca and Piero biting at their lips trying to hold back their emotions for their dear friend, Ignazio. There are some very touching moments of support and hug to Ignazio by Piero and Gianluca. Really very moving.
Ignazio, Piero and Gianluca perform CONRADIANA a beautiful song written by Bocelli and Morricone.
Thunderous applause and standing ovations.
The concert is over and the TV shoot is over.
Piero, Gianluca and Ignazio greet us and leave the stage.
People don’t go away, everyone stands all ahead, everyone murmurs BIS (BIS means we still want a song) and so the boys come back and, just for us, audience, they perform THE GOOD THE BAD AND THE UGLY, taking off their jackets and saying goodbye for the last time. A short piece.
A memorable evening.
Perfect performances, formidable guys and full of affectionate gestures towards each other.
Both live and home audiences poured out all the love for these young men.
It goes without saying that the concert in RAI had the highest ratings.
For now, the comments of the press are few (today is Sunday) but good.
I want to conclude with a beautiful comment by a well-known Italian singer Rita Pavone.
Yesterday I saw the concert of the Tribute to Ennio Morricone aside of IL VOLO. Well, folks, there’s none for anyone! (This expression means that they are the best and there is none better than them!) Those three guys are sensational, they’re great. They face lyrical and pop arias, two worlds light years away, with a totally different setting and register voice but managing to be just as credible as to leave the listener amazed.
The “Listen” by Ignazio Boschetto, with the contribution of the very talented Julian – it is really true that talents are born! An 8 year old boy who plays the sax like a new John Coltrane but with the look and grit of a Lisa Simpson -, he was a real punch in the stomach for all those, myself included, who would never have imagined how much soul there is in that voice. I knew instead of this vocal duplicity in Gianluca Ginoble, because I had already had the opportunity to listen to him some time ago in some pop songs, but his version of “Your Song” last night was so beautiful that if there had been Elton John in the room, he would be the first to stand up and applaud. The opera singer par excellence, on the other hand, remains Piero Barone, whose ease in taking the highest notes and the most difficult treble notes is for him like drinking a glass of water.
What to say ? That we just have to be proud of having similar talents who bear the name of Italy in the world. And whoever says the opposite either does not understand anything about music, or is in bad faith, or is envious.
I know that in this project, the choices were completely made by our three treasures. This shows their artistic maturity, as well as physical – they are young but with a lot of common sense and good taste !! But we already knew it!
I was there, it was unforgettable: Daniela ❤❤❤
Here are some of my photos.
With Deborah Georgini Beaupre
Before the concert, during the connection with the TG
Credit to owners of all photos and videos.
Come in and share the love of life, friends and Il Volo!