Tag Archives: Sacco and Vanzetti

PORTA A PORTA 2022 AND OTHER NEWS by Daniela

This episode of Porta a Porta was supposed to air in February, but due to the war in Ukraine it has always been postponed.
Last week, with no ads and no announcements, it aired after midnight. Here is the episode and what has been said.
Please click on the photo below to view the video.

Porta a Porta show

VESPA = We are approaching Eurovision, in Turin, the great music festival, and we are going there, remembering Il Volo, the boys of Il Volo, which we baptized here more than 10 years ago.
Let’s open this segment with the guys from Il Volo who will come here, in the studio, with us, and with this clip, Il Volo introduces itself.
(begins a video that traces many moments of Il Volo’s career. Immediately after, Il Volo, in the studio, sings “SE”).
Il Volo, celebrates more than 10 years of success at Porta a Porta. Piero Barone, 29 years old, Ignazio Boschetto, 28 years old, and the plague, Gianluca Ginoble, the worst of all, who runs away, cannot be found, is undisciplined, messy  😁(he says it in a benevolent tone), but he is only 27 years old that we have to do??
GIANLUCA= I’m the youngest, by the way I just turned 27, just last week. 
IGNAZIO= He is the smallest! (Maybe he also says it in a double sense, he also means height) 😁
PIERO = So, I’m the oldest at the table.
VESPA = Madonna, how old are you.
IGNAZIO = Can we sit down?
VESPA = Sure.
PIERO = Bruno, what did I tell you a little while ago?
VESPA + PIERO = The promises are kept. (They had promised to return soon to Porta a Porta)
VESPA = Look, I know it takes a long time . We love you so much, you love us so much, we have brought each other luck ….
PIERO = This program brings good luck, you were the first to invite us and tell everything we were doing outside (means outside Italy).
IGNAZIO = I can say that your program and you were the first person and the first (Italian) program who believed in us, and never took us for granted. We always have Porta a Porta and you in our hearts.
VESPA = Thanks, thanks, thanks.
After two years of hiatus due to the pandemic, who would have said it would last that long, seven thousand people sent home to Los Angeles (he refers to the canceled concerts) and now, go home and then in June ….
PIERO = Exactly, we will start in May from Japan (they didn’t go, I remind you that this episode was recorded in February), in June there will be concerts in Italy, we start from the Arena di Verona, 3 and 4 and maybe … . (implies that there might have been another date) ….
IGNAZIO = Yes, because we have been postponing it for two years
PIERO = Two years, and it seems that we are finally leaving…
VESPA = How many concerts in Italy?
PIERO = In Italy, there will be more or less 15 concerts, I don’t know exactly it’s all in the planning phase.
VESPA = And then instead in autumn: United States …..
PIERO = Autumn: September US, South America will follow and we will return to Japan, then concerts in Europe, we have to recover two years of work.
VESPA = There are many people waiting for you.
Well, we first heard “SE”, taken from the movie “Nuovo Cinema Paradiso”, now we listen to “Ecstasy of Gold” beautiful music by Morricone …
IGNAZIO = Then we also have Clint Eastwood here in the studio (he jokes referring to Gianluca, applause)
GIANLUCA = You two are targeting me, I understand.
VESPA = You have to go straight (a way of saying to be good)
GIANLUCA = I’m going straight, I’m the most restless one, right?
VESPA = Let’s hear these guys (Ecstasy of gold video starts).

This splendid video was filmed in Sardinia, “Il Volo Sings Morricone”, released on November 5th and distributed all over the world. But now we have to go back nine years, you are celebrating 10 years.
IGNAZIO = Yes, we have been celebrating this for two years now (laughter).😁
GIANLUCA = The celebrations never stopped.
VESPA = But you were just out, remember, we took you that you were in swaddling clothes, very small.
GIANLUCA = We have always been a little kids, now almost men.
VESPA = You were kids on December 17, 2013.
PIERO = We were here.
VESPA = Here, at Porta a Porta, let’s see. (a video of Porta a Porta starts and the boys sing “Un Amore così Grande”)
You were really little, and you had already been to America, however, you came from America.
IGNAZIO = We came from America. I remember.
PIERO = What is 2017?
VESPA + IGNAZIO = 2013
VESPA = (Turning to Piero) You looked the youngest, you looked really small, small …
PIERO = I didn’t have a beard, that tuft, a little restyling was done.
GIANLUCA = Before, when we were a little younger,  people liked us , because we were child prodigies, in short, who sang with a different voice than our peers, we dressed a little like “grown-ups”.
Today it’s the other way around, see? (touches his beardless face) Today one takes off his beard and wants to look younger.
IGNAZIO = You take off your beard because you want to look younger. 😁
PIERO = He must always speak in the plural.😁
GIANLUCA = As a child you want to look older, do you see how we were dressed? We were dressed in our thirties there.
VESPA = Can I tell you something? Only once in my life did I feel old … who knows why at 27, at your age (talk to Gianluca)
GIANLUCA = Is it true?
VESPA = You saw, we had the same feeling, and now you are rejuvenated.
GIANLUCA = You can see that at 27 we Abruzzo feel “old”.
VESPA = At 27 we hear it and then we don’t !!
PIERO = The crisis of the 27th year.
VESPA = Yes, the 27th year crisis. (laughter) 😁
So, you then moved on to the theme songs of the television novels.
PIERO = For this you have to talk to Ignazio.
VESPA = Ignazio !
IGNAZIO = But I’ve always had a passion for writing music, I was in Sicily, and I remember I was sitting on the veranda, and the melody came out. So I carried it on and Makari was born.
VESPA = But during Covid?
IGNAZIO = Yes, it was that summer that seemed ….
VESPA = …. that things would return to normal?
IGNAZIO = Yes, like baby candy, right?😁
VESPA = Exactly.
IGNAZIO = And then I found myself writing this melody, and then, with Danilo Ciotti, our collaborator, we presented this song to the Palomar family, who are the producers of Makari, and so it all started.
VESPA = And it went well, let’s hear it. (begins the video of the song Makari)

And good Ignazio!
IGNAZIO = Thanks.
VESPA = Five million viewers!
IGNAZIO = Oh yes.
VESPA = It went really well.
What did you three do during the two years of Covid?
(he turns to Gianluca)
What have you done?
IGNAZIO = He took off his beard! 😁
GIANLUCA = But no!  We decided not to live them passively, trying to stimulate creativity. I learned a little to play the piano, I accompanied  me while I sang, it was my wish.
Then I studied acting a little. We reinvented ourselves, we thought of new projects. Morricone’s project was born thanks to two years of silence.
VESPA = (he turns to Ignazio)
And what about you?
IGNAZIO= You think, I lost weight in the pandemic, and then I gained weight, when everything was sorted out (I think he meant that he had lost weight around the time of his father’s passing away). 
I found love.❤ I studied a lot in the studio, and I improved.
VESPA = Did love distract you a lot?
IGNAZIO = Absolutely not!
VESPA = Did the love train you? Has it invigorated you?
It makes you dream, breathe ….
IGNAZIO = Love is beautiful when it makes you feel good, I’m fine. 😘
GIANLUCA(to Vespa)
You know it’s nice to see you in this role, I don’t see you asking about Meloni’s love (she is a political representative) (Gianluca means that: Porta a Porta is a program that deals with many topics, even political ones, often guests are politicians and they are not asked about their loves, of course) 😁
VESPA = You rather, you sentimentally, how are you doing?
GIANLUCA = I’m in love, I found love too last year, on the red carpet of the Venice Film Festival, think, what a story, like a fairy tale, do you realize? ❤
VESPA = Mamma mia! (and then turns to Piero)
IGNAZIO = Piero never talks (about the subject of love)
VESPA = I don’t want to invade privacy
PIERO = I like privacy, I prefer to live it for myself.
VESPA = …. live it for yourself, so is there a story? ….
PIERO = I mean my private life, for me my private life remains private ….
IGNAZIO(he comes to his friend’s rescue by trying to change the subject) Morricone was a great project, we worked hard 😁😁😁
VESPA = Look at these (Ignazio and Gianluca) talking.
What happened during Morricone?
IGNAZIO = Look, I’m perhaps the wrong person if you want to know something, I have a concrete stomach.
PIERO = About what?
IGNAZIO = On private lives, our gossips.
PIERO = In these two years we have had more time at our disposal, we have always had a hectic life, we have committed all our energies to Ennio Morricone’s project because you know, facing this world requires a lot of study, a lot of research and many thanks to the family of Ennio Morricone.
We have to thank his son, Andrea Morricone, also a great conductor, we had great support from him, he was like our compass, the world of Ennio Morricone is infinite and thanks to our producers and our team we have created Il Volo Sings Morricone, we also gave you vinyl for Christmas….
VESPA = Beautiful, beautiful, thank you!
PIERO = ….. we are delighted to have given voice to Morricone’s melodies, hoping that people are satisfied.
IGNAZIO = Can I add a little thing? At the beginning, perhaps we did not have a great knowledge of Ennio Morricone’s culture.
Once we thought about carrying on this thought, this idea, we immediately began to study, to understand who Morricone really was, because we had the opportunity to meet him in 2010, when we recorded our first album, and we had the opportunity to share the stage with him in 2011, but now we were more interested in understanding who he was and when we entered his world it was like taking a dip in a pool full of culture and emotions, full of feelings who always have something in store for you, it’s hard to explain!
VESPA = Now let’s see a video about who the three guys from Il Volo are all the way through.
Come on.
IGNAZIO = Help!
(part of a video with images of Il Volo a Porta a Porta)
In the video:
WOMAN’S VOICE = It’s been 10 years since Ignazio Boschetto, Piero Barone and Gianluca Ginoble came to visit us for the first time in Porta a Porta, at the dawn of their success.
Ten years in which Il Volo reached unimaginable heights, first, the enormous success in the US, with the invitation of Quincy Jones at the concert for Haiti, with stars of the caliber of Barbra Streisand, Bono and Lady Gaga, the transmission of Hellen De Generes and the lighting of the Christmas tree at the Rockefeller Center.
Then the consecration in Italy with the victory at the Sanremo Festival in 2015, a real triumph, so much so that Grande Amore, reaches 110 million views worldwide (now there are over 215 million views), and drags the trio to third place in the prestigious Eurovision Song Contest, where they are the most voted by the public.
That year we also accompanied them to New York, touching on their popularity, their kindness, their uncommon values, namely: bel canto, family, principles, sobriety, education and respect, especially among themselves, nothing that is taken for granted nowadays.
In the span of a decade they bring the Italian classics all over the world, modernizing them, without upsetting them, it is the boys in sneakers who sing Nessun Dorma and O Sole Mio, to use their words.
They also have the honor of singing in front of Pope Francis and over a million people in Panama on the occasion of World Youth Day.
Even during the health emergency, they continue to make all their fans feel the warmth, participating in the most important international streaming reviews, with a great sense of community and responsibility.
And now, as a sign of rebirth and hope, their world tour is about to start, 110 dates around the world, to celebrate their first 10 extraordinary years of career, an eagerly awaited reunion with the public, to continue to proudly bring Italy and its beauty around the world.
VESPA = We have taken the baton from Aunt Antonella, Antonella Clerici, (Ti Lascio Una Canzone).
GIANLUCA = We greet you with great affection.
VESPA = With great affection.
But you, when did you get together?
IGNAZIO = We met on that TV show, (Ti Lascio Una Canzone), we didn’t know each other before ….
VESPA = Where did you go to sing separately ….
IGNAZIO = We met for the auditions in Rome, in via dei Gracchi.
VESPA = Via dei Gracchi, but each one had gone on his own.
IGNAZIO = Yes, yes! Then in Sanremo, which was where the broadcast took place, we met and in the fourth episode we sang together for the first time (25/04/2009).
PIERO = …. O Sole Mio.
IGNAZIO = … yes, O Sole Mio.
PIERO = Excuse me.
IGNAZIO = But calculate that Gianluca, we couldn’t see him.
VESPA = Was Gianluca terrible?
IGNAZIO = Do you know when you create small groups at school of the normal ones, the quiet ones and the cool ones? 😁
He was part of the cool, but it showed (applause and laughter), then in the end he came in our way, understood!
VESPA = He has converted.
IGNAZIO = And so it all started from there.
VESPA(to Gianluca) But why are they talking about you like that?
IGNAZIO = Because we love him after all, at the bottom, at the bottom …..😘
GIANLUCA = ….. but at the very bottom 😁.
But that was our strength right from the start, did you understand? (to be united). Not only artistically, it was the first time that children sang O Sole Mio.
But then I like to see these videos and remember those moments, because Bel Canto allows you to perform in unique places, but above all to support yourself in projects like Morricone, like in Placido Domingo, like the Maestro Vittorio Storaro who accompanied us on this adventure. We have the honor, at our age, to join these names in cinema and music.
VESPA = Then I will ask you to sing a piece of O Sole Mio, sitting here, so a cappella …
IGNAZIO = If Barone says yes, that’s fine !! 😁
VESPA = Is he the boss?
IGNAZIO = Yes yes, (he jokes) see how he is placed with his arms folded …..
PIERO = I’m listening!
I link to what you were saying, seeing these old videos is really exciting, but on a daily basis it is difficult to find the stimulus and clearly find ideas on what to do. We sang in front of the Pope ….. and now what do we do? And I must tell you that it is a team effort, especially with our manager Torpedine, Mr. Torpedine, he is the mind of this group, and now a little while ago we were looking at the images of last Christmas, we sang three songs in St. Peter’s Square , this year we did it from the Frasassi Caves, a magical place.
VESPA = You will go to Bethlehem.
PIERO = And next year, we are working, by now we are at a good point … (he looks at Torpedine to have approval of the news he is saying)
IGNAZIO = We are checking in.
PIERO = We will sing in front of the grotto of the Nativity in Bethlehem and all this, we must say, also thanks to the support of the Undersecretary for Culture, for whom in November, we will sing in the world meeting of ministers of culture.
VESPA = Beautiful, very beautiful.
PIERO = Yes, I have to tell you that they are very beautiful things.
IGNAZIO = Can I say something? I want to reach out more to young people, to those who, like us, try to send their message. Nowadays it is very easy to arrive, with social networks, with the internet, it is very easy.
VESPA = The problem is to stay.
IGNAZIO = The problem is to stay, and in any case we always tell everything we have done, because we are very proud and grateful ….
PIERO = Do you have an itchy mustache?
IGNAZIO = No, it helps me to think. 😁
PIERO = Ah, ok !!
IGNAZIO = …… and we are very grateful for everything that has happened to us, but in recent years it has not been all roses and flowers, there are moments …..
VESPA = When was the most difficult moment?
IGNAZIO = There are moments in an artist’s career where difficulties come, in our case it was in 2014, when L’Universal did not …..
PIERO = Clearly there has been a change between one record company and another, and therefore there have been three or four months of “darkness”, but I remember that our manager was very good at hiding this from us, we didn’t live in that period of anxiety, he was:  ”Yes, yes, don’t worry, everything is fine, tomorrow I have a meeting”. Instead there was nothing.
IGNAZIO = This is to make it clear that yes, today it is very easy to get there, but maintaining oneself, building oneself, sacrifices, is all very important …
VESPA = When you were little I used to tell you:
“Guys down to earth”.
IGNAZIO = Absolutely ….
VESPA = Never mount your head, NEVER, when you think you are something more, already what you are is already a lot, always fly low low ….. (Vespa is referring to not being full of oneself)
IGNAZIO = I wanted to say it here.
VESPA = I don’t remember, what happened in Sanremo in 2015!
IGNAZIO = What happened?
VESPA = Bho! Let’s see for a moment! (the video of Grande Amore in Sanremo starts). (At some point the video loses audio due to a problem raised by the composer).
VESPA(He turns to Ignazio).
Now you do it again (the final note and Ignazio does it)
(Ring the bell, enter Vittorio Storaro on the show.)
VESPA = We have to greet a great person: Vittorio Storaro.
Vittorio, it’s a great pleasure to have you here, thank you.
Three Oscars, please take a seat. You can take off the mask.
STORARO = Now it can be done, respecting the distances, the rules and the possibility of being careful, not only with the vaccine, but also with the distances and the embrace of well-vaccinated friends.
IGNAZIO = But that’s why I’m away from Gianluca, for nothing else. 😁 (he jokes)
GIANLUCA = He (Ignazio) is angry with me, he is angry with me master …
STORARO = He (Gianluca) has a great energy, it is the energy that we have that usually brings the affections too. But be careful not to lose it, with the distance.
IGNAZIO = In what sense?
GIANLUCA = You have to be careful.
IGNAZIO = No, no, I am like a magnet for him, we attract the two of us.
VESPA = Vittorio Storaro won three Oscars (photography award), 1980 for Frencis Ford Coppola’s Apocalypse Now, 1982 for Beatty’s Reds and Bernardo Bertolucci’s The Last Emperor in 1988.
Beyond these awards, even we reporters who have approached the cameras a few times, looking at the light of Vittorio Storaro, already looking at it, we have learned something.
We learned what is beautiful and what is ugly, and what is beautiful, you did it. And this was truly a great lesson.
STORARO = All this comes from the great studies of Hippocrates who studied the elements of life, the natural elements that arrived on our body, on our organism.
We see light, not only with the eyes, but with the whole body, we are a sensitive plate. Light is visible energy and therefore it reaches us with a certain frequency, and the more it touches us, the more it excites us.
VESPA = So ….. what do you have to do with Vittorio Storaro? What have you done together?
PIERO = The moment before I met Storaro, I wasn’t sure whether to give him the you, the her, or the you or theirs, I wanted to give theirs (he means that he was in awe of respect for Storaro), but we have one thing in common, we were born on the same day, different year, the 24th of June ….
STORARO = We are Cancer (zodiac sign).
PIERO = Maestro Storaro, before being a great artist is a great person, he transmitted so much, so much wisdom, and so much art to us and we have to thank him because, you know, sharing his experience, his art, his being, with three boys of 27 or 28 years, it is not obvious, it does not happen every day.
VESPA = You have put together Morricone’s music, the images of Storaro, Oscar winner …
IGNAZIO = Yes, because we have been trying to collaborate with Maestro Storaro for years and we never managed to find a just cause, deep and sincere, with great significance and this year, that is last year, that moment has come, it has come  that idea.
VESPA = So let’s see this clip, Il Volo in the Caves …..
STORARO = Can I explain first a moment? Is useful.
VESPA = You’re welcome.
STORARO = It is true what Ignazio says, I had two Don Abbondio (he means two people who wanted to do this project … Don Abbondio is the character of the Promessi Sposi, a novel by Manzoni). Michele Torpedine called me, wrote to me every now and then to invite me to their concerts, he said, at least you know each other, it would be nice to make a video together.
While they were in Verona, I was in New York with Woody Allen, they went to New York, and I was always with Woody Allen in Spain or so on.
Then there was Maurizio Tosoroni who is the person in charge of the Frasassi Caves who asked me and Francesca (daughter of Storaro) who you know well, if we could conceive with modern technologies, and with a different creativity, that beautiful lighting they have the Frasassi Caves, which in this period of Covid were totally dark, totally closed and told me: “Why don’t we think about a project?”
The two Don Abbondio got together, they called me and I began to rehearse with lights, which we created together with Francesca related to the arts, because there was a phrase that struck me from our minister of culture, Dario Franceschini, that it is right to follow all the scientific warnings, medicines, vaccines, distances, masks, but if we add the energy, the creativity of the arts, maybe we can help so that everything can come back to life in a certain way.
VESPA = Of course, music and art give us hope, they help us to find the light.
STORARO = Do you understand? Also because we conceived the lights with Francesca, also linked to the muses, that is to the arts, and then I thought: “What can I do, with the trio Il Volo, inside the Frasassi Caves” and reminding me that they had told me that it was the fiftieth anniversary of the year in which three young speleologists descending from a hole with a rope, had discovered this incredible archaeological site among the best in the world, with the three of them (Il Volo) we reconstruct, not in a realistic way, but in a symbolic way, because they cannot go down with the suit and then sing, but in a tuxedo, and therefore in a symbolic way we have reconstructed the descent of the three , one at a time, first Gianluca, then Piero, then Ignazio, and little by little one descends, the light begins to rise …
VESPA = How wonderful! Let’s see it.
STORARO = Wait, I say one last thing. Only when Gianluca begins to sing, then Piero and then Ignazio, are together, they are like a seed that fertilizes mother earth and regenerates, and the trio becomes another trio, two trios, ten trios, one hundred trios, one thousand trios, none , one hundred thousand by Pirandello (Italian author). This was the creative energy of Il Volo.
VESPA = Well, let’s see it now. (The full video made in the Frasassi Caves begins.)

How wonderful!! Really what a treat !!
Beautiful beautiful beautiful.
STORARO= Nothing is random.
I have made 7 films with Ennio Morricone, and 10 films with Bernardo Bertolucci, and coincidentally this song comes from the film that the subject was written by Bernardo Bertolucci. I remember when I came here to say goodbye to Bernardo with you, and I told you about the possibility that I made him a promise, to restore and preserve all 10 films we made together, and I’m doing it now in the Cinecittà laboratory, with very modern technologies and with the possibility that these icons can last indefinitely.
VESPA = How wonderful!
Bravo, bravo Vittorio, also for this.
GIANLUCA=  I wanted to say that for us, our greatest goal is also to bring the beauties of our country. The Frasassi Caves, deserve to be, as they are already known all over the world, but even more so.
This was the perfect soundtrack, it was a wonderful experience in a magical place and living it with Maestro Storaro was even more so. It was truly an honor to be able to work together.
VESPA = Speaking of magical places, well, Santa Croce, in Florence (Notte Magica), but who would have thought it, direct by Placido Domingo.
PIERO = That was a great evening.
VESPA = Florence 2016 (The Magic Night video starts)

You didn’t have time to meet our friend Luciano Pavarotti.
IGNAZIO = Unfortunately not.
VESPA = In my opinion he would have put his hand on your shoulder, he was a person of absolute generosity who was really looking for, he was looking for new talents.
PIERO = This evening, the evening in Florence in Santa Croce, Tribute to the three Tenors, we had, in some way, the support from the three, because the maestro Placido Domingo directed the orchestra, but the Pavarotti foundation supported this idea because Nicoletta Mantovani (Pavarotti’s wife) gave the okay and said these very words: “The master would have liked this project”.
VESPA = Yes, absolutely yes.
VESPA = So, 2019, so these are the last things before Covid, at the Bolshoi Theater …
PIERO = To the Moscow Bolshoi
VESPA = La Traviata.
PIERO = Beautiful.
IGNAZIO = I was terribly ill, I had a fever that evening.
VESPA = Did you sing with a fever?
IGNAZIO = Yes, but I’m strong!
VESPA = Go, go. (The video of La Traviata starts)

So, (he turns to Piero) we went to New York together, we went to another big theater, the Metropolitan, do you remember?
PIERO = Yes.
VESPA = I don’t know if you remember, the room was empty, you and I were sitting next to you and I said to you:
“But when you grow up, what do you want to do?”
Was it your dream, does that still remain?
PIERO = Yes, in these two years, especially in the last 6 months I have studied a lot, I’m still studying, because you know very well how much study it takes. Just yesterday I did two and a half hours of lesson on Verdi, La Traviata.
VESPA = I have been to the Bolshoi with Riccardo Muti (well-known conductor), with the Friendship Concerts, and I assure you that if there is one who slaughters singers it was him.
PIERO = Mamma mia!
VESPA = Now it is no longer used, the masters have no desire or time, but before, a great singer always had his teacher who always kept him in the studio. You have to study a lot, every day.
IGNAZIO = I too, yesterday I did a two and a half hour session of the “tagliata (typical meat), I was very focused! (laughs) 😁😁😁
Sorry for the joke!
VESPA = He is always disheveled, undisciplined, the one who arrives late. Where is Gianluca!
GIANLUCA = This is what the two of them make you believe!
But it is nice that we are a group, but we continue to cultivate our passions, we respect and esteem each other, which is not obvious, as you know often groups are in competition …
VESPA = I know, you all never fight.!!
GIANLUCA = This is our great merit, because now 13 years together this is the beautiful thing.
Nice that Piero has his goals, for example, as I told you before, I am starting to approach the world of acting, trying to understand if one day, who knows, I would like to be an actor, but this enriches anyway, studying acting on stage , for a singer, it also helps you to express, to interpret songs better.
VESPA = So. (he turns to Piero) You say, we sang for the Pope, that’s enough, but no.
2019 Pope Francis, Panama (video of Panama starts)
In the video:
PIERO = His Holiness.
P + I + G = What a pleasure to see you again.
PIERO = This is our gift to you.
POPE = Thank you.
GIANLUCA = The dream and the desire to sing for him is coming true, we met in private audience last year and we sang for him an Ave Maria (Hail Mary) and here tonight we will sing it for him and for all the young people, we are truly honored.
POPE = Thank you.
PIERO = Can we take a picture?
POPE = Yes.
PIERO = A selfie like young people do.
(The Pope gives a souvenir to Piero, Ignazio and Gianluca)

IGNAZIO = We are grateful to you. See you later.
GIANLUCA = As you know, the power of Italian and Neapolitan music has reached overseas, Dean Martin, Frank Sinatra, but also Elvis Presley himself …..
IGNAZIO = The Pope has just passed, sorry, the Pope comments, ….
PIERO = But what does Elvis Presley have to do with Pope Francis, can you explain to me?
GIANLUCA = Oh well, first let’s talk about the Pope and then we want to give you a small gift.
VESPA = A small gift?
GIANLUCA = Yes, yes, a little present.
VESPA = Wait, first now I want to ask you something, we want to dedicate to Vittorio Storaro, who represented Italian art in the world, one of the most popular songs in the world, like this, here a cappella. (O Sole mio)
GIANLUCA = This is why I said, the great Elvis Presley interpreted the song in English “It’s now or never”,  do you remember that?
VESPA = Go !! (begins the a cappella song)
Well, we want to thank this magnificent group of romances, eight violinists, two cellists, thank you, thank you very much and congratulations, you are very good.
And then (to Il Volo) I greet you now …
IGNAZIO = We leave you with a great masterpiece, you know the story of Sacco and Vanzetti well. We are truly honored to be able to tell it even to an audience that does not know this story, to an audience that is not Italian and perhaps has not known the injustices that can exist in life. We are very proud to sing this song.
GIANLUCA = We would like to thank you again, we also thank the Maestro Storaro.
VESPA = Thank you.
(then he turns to Storaro) And what about you, beyond the restoration of Bertolucci’s films?
STORARO = Basically we’re still in the early stages, Woody sent me his fifth script to start, we had to do it first in New York, then we moved to France, now he’s looking to another country, Covid follows, depending on where it’s possible we’re going to do it.
VESPA = Good luck !!
PIERO = We would like to thank our audience for their love, support and support received over the years, thank you.
VESPA = And then: Sacco and Vanzetti! (start the song)
Really a nice chat between friends. You have noticed the masks and spacers, much more rigid in February than they are now.
Although it was not advertised, but was announced only by the tam-tam of the fans pages (incredible), this episode had very high ratings.
Congratulations as always, to Il Volo !!
But that of Porta a Porta was not the only appointment of Il Volo in this period, they were also in promotion Austria, on the TV show “Garden Party of the stars”.
Here they are.
Please click on the photo below to view the video.
Grande Amore
Very nice this video shot in Austria in front of the beautiful Grillenstein castle.
And then, live, during the show, they sang Ecstasy of Gold.
Please click on the photo below to view the video.
Ecstasy of Gold
Really a nice participation, let’s enjoy some pictures.
Then there was the announcement of the two Australian concert dates, finally !!
Reposted from @ilvolomusic :
Hello everyone,
We are very happy to announce that ticket sales are now open for our Australian concerts in Melbourne (October 18) and Sydney (October 24).
And finally, on May 12, I remind you that Il Volo is taking part in the Eurovision Song Contest.
For those who cannot follow them on TV, I propose you to follow them on you tube on the official ESC channel:   @eurovisionsongcontest.
Il Volo will sing GRANDE AMORE, but in a new version, which has just been heard.
The title is YOU ARE MY EVERYTHING and is in the English-Italian version and I find it beautiful !!
Here it is. 

What a thrill everything is ready, see you soon !!
Daniela

BREAKING NEWS!

Unfortunately, the news recently came that Gianluca is positive for Covid, so he will not be on the Eurovision stage. His voice will be recorded, only Ignazio and Gianluca will perform !!

I am very sorry for Gianluca, unfortunately you can never let your guard down with this Covid. Ignazio and Piero will do their best to represent Il Volo !!

 

Phenomenal!

Get used to it, I’m going to use the word phenomenal a lot in this article.
Let me say, I can write at least five pages just on the opening of the concert. If I wrote what I felt, saw, experienced in this concert, I would have to write a book!
Let’s set the scene!
The first note and we immediately know it’s “The Ecstasy of Gold.” The whistle of the wind!
The setting is gold! Then white! Then gold! Look at the gold flecks that come in and out! The orchestra vibrates! Each note intensifies our senses. We’re drawn to the back of the stage. To a tunnel where we know our guys will appear! The focus is always rear center stage! The lights change to intense red and now we are looking at the stage from the back of the arena. We are coming forward. The shadow of Il Volo turns into a force that is coming towards us! The theme of the concert is set!

Left to right: Gianluca, Ignazio and Piero singing on the red arena stage

Listen to the intensity of their voices! What force! Watch their motions. Look at Gianluca! Watch his body react to the music! The fist that comes at you saying this is the punch, just the beginning.  Listen to how Ignazio rides the note that guides us into the story! Now we’re sailing on the wind! Piero intensifies the moment with his powerful voice that says the journey has begun! Follow us!
The scenery is in motion again. In the background, the movie comes into view and blends with the voices! Everything on the stage comes to life! We’re now inside the film. Even the guys are taken by the movement around them. They look around and they are feeling the moment! Andrea Morricone steps up the music and we step back and look, in amazement at what is before us!
What exactly is before us? A work of art! A Titian painting. In Venice there is a very magnificent painting by Titian called the Assumption. It is a painting in motion! Believe me, when I tell you what you are looking at on that stage is a Titian painting. Titian was known for his movement in painting! Titian was 24 years old when he painted the Assumption. Our guys are in their mid-twenties and they have painted the scene before you. If you don’t know the renaissance artist Titian, google him! You’ll understand what is going on here!
Now let me explain what is before you. Movement. Lots of movement.
Take a look at the stage! You the audience are the spectators! You’re being drawn to the stage. You watch the guys’ approach and, you are in awe of their presence. You feel the intensity of the music, you and the guys are pulled into the movie. The music is all around you!  Their voices are a force in your head. You look up in amazement! You are a part of the scenery! You are a part of the orchestra! You are a part of the movie! You are a part of ~ Il Volo!  You have arrived and you are ready to follow the guys no matter where this journey leads you! It’s only the beginning! Fasten your seat belts. Phenomenal! 
View of the stage lit in blue from the back of the arena
In each set the scenery and the music all come together to form a symphony of color!
Now let’s listen to some very romantic songs!  Even songs not geared towards romance are romantic when they are sung by our guys. Notes flowing through the air. Very ethereal, very light, very eerie, very romantic! Just so beautiful!  Phenomenal! 
“Your Love” is a very beautiful love song. This is a song we are emotionally attached to. It will always be a part of our lives. If you saw the guys’ performance at Sanremo 2021, you know what I mean! In Sanremo the guys, especially Ignazio, were in shock. They were experiencing something they never experienced before. The loss of one of their own! Yet, they delivered this song with such dignity and emotion that it will always be a special moment in our lives.  We will long remember it. In this tribute they reminded us of Sanremo but in a bittersweet way. It is an emotional feeling that is a mixture of happiness for where we are and sadness for where we came from. This will become a signature song. The guys will come back to it and we will expect them to.
The song we will always love!
“Se Telefonando!” Both Laura Chiatti and Ignazio said: ”From three notes one of the most beautiful songs of our century was born.” And I couldn’t agree with them more. What a magnificent song! Just Phenomenal!

Left to right: Gianluca, Ignazio and Piero smiling on the arena stage

The three notes are from the sound of a police car siren and when they are played, they are immediately recognized. This seems to be a signature with Ennio Morricone. Think of “The Ecstasy of Gold” and “Cinema Paradiso!” These are songs that are recognized with one or two notes of the song. The guys put such love and emotion into “Se Telefonando.”  I think they fell in love with it! I know I did. This will be the song that I take away from this concert that will always lead me back to the concert and the history that was made that night. The song is about love being born fast and being lost before it has a chance to begin.
And how do the fans feel about this song? Everyone, everywhere on Instagram and Facebook posted this song and commented about the beauty of it.
Now let’s talk about “Cinema Paradiso.”
Again, from the first note, we recognize this song! It takes us back to a time, just after World War II, when cinema was beginning to make its impact in Italy! How the guys present this song, accompanied by the strings of a romantic guitar is why this song pierces our hearts and impacts us in this amazing way.
They present love in a different light.  This song tells of a first love for Totò. His love for a local Sicilian girl. But it also speaks of his love for film. Totò takes over Alfredo’s job as projectionist. Alfredo knows how much Totò loves film and he convinces him to leave his small town and follow his dream to become a filmmaker. 

Left to right: Gianluca, Totò Cascio, Piero and Ignazio speaking on stage

This song sings of two loves. A romantic first love and a love of film. It is a very romantic love song! Listen to some of the words, they could just as easily apply to love of a woman as to love of film.
“If you were in my soul one day
you would know what I feel in me
that I’m enamored
over those instants together with you
and what I feel is
solely love!”

Left to right: Gianluca, Ignazio and Piero singing on the arena stage

Beautiful song, delivered, in a Phenomenal way!
And then there was “I Colori dell’amore” a beautiful unreleased piece. A special gift from the Morricone family.
Piero said: “To  the whole orchestra and to the organization, really fantastic!  Thank you very much, thank you very much teacher! The teacher wrote the song for us. We present it to you this evening and we hope you like it ~ “I Colori dell’amore.”
These are just a few words from the song.
You will come back
next to me
You will undress
inside me
And you will relive
the time of a reality
with me
They are the colors of love
of passion and freedom
in hand a flower and then
two moments of us
pictures from a movie
ageless moments
The guys bring light and beauty to this song. Very romantic voices singing a very romantic song! Very sensitive! Very Phenomenal!
Let’s move on!
As you know the guys make decisions about where and how a song is presented. Their decision to do “Here’s to You,” in the audience had a lot of significance. We are used to having the guys in and out of the audience, interacting with the fans but, this was not possible at this concert.  But the guys made sure the audience would feel their presence, so they chose a very sincere, very personal song to share their time with the fans.

IL VOLO standing on floor level singing in front of the audience

To explain this, let me start by presenting the meaning of the song. From Marco Gallini’s explanation and from my story last week you know Sacco and Vanzietti were executed for a crime that many believed they did not commit. But what you don’t know is why they were accused of this crime. To understand this, we have to go back to America at the turn of the 20th century. Each group of immigrants that came to America experienced prejudice by the former immigrants. Therefore, the Irish were prejudiced against the Italians and the Germans against Irish before them and so on back to the beginning of immigration.
After a few hours deliberation, the jury convicted Sacco and Vanzetti of first-degree murder.  Anti-Italianism, anti-immigrant, and anti-Anarchist bias were suspected as having heavily influenced the verdict.
Back to the guys and where all this fits into their story.
By performing this song in the audience, the guys were first and foremost toasting Nicola and Bart but more so, they were three links which represented the people who stood in defense of Nicola and Bart. They told them they would not be forgotten and the crowd, the audience, stood with them.
Now the irony of it all!
This song was composed by an Italian composer for an American movie and, it was written in the English language.
The song was sung, in English, by three phenomenal Italian men who came to America and immediately became a success. The American people embraced them and called them their own. We feel they are a part of us and a part of our culture. You have to see the irony in this!
Now let’s turn to the showstoppers! The solos!
First up, Gianluca!

Gianluca remarks: It’s hard to be alone after twelve years together on stage. I guess like all of us in times of difficulty, in moments of happiness, I take refuge in music. This is something I’ve done since I was little. I had headphones, I walked, I also went to the park to listen to music. Even at school I was distracted. In short it was my biggest distraction. Let’s say the music I feel this evening is a celebration of a great genius of music Maestro Ennio Morricone.  But I want to talk about other geniuses who changed my life. Artist like Elvis Presley, Frank Sinatra but also the great Elton John. Tonight, I will sing for you one of the most beautiful songs written in fifty-one years and I want to dedicate it to my mother.”
Elton Johns’ lyrics to “Your Song” express the romantic thoughts of an innocent person. Gianluca brings the song to another dimension. He is very romantic and everything he sings turns into a love song. His warm beautiful voice expresses the thoughts behind Elton Johns’ words. Here are just a few words to the song.
And you can tell everybody this is your song
It may be quite simple, but now that it’s done
I hope you don’t mind, I hope you don’t mind
That I put down in words
How wonderful life is while you’re in the world
These beautiful words certainly express his feelings for his mother, Eleonora, who has been at his side throughout his career.
His beautiful rendition of this song would make Elton John praise his performance. Gianluca got a well-deserved standing ovation! Just phenomenal!
Next up Piero!

Piero said: “I always had a great desire to be accompanied by a great musician, a great flautist. I’ve always watched his videos while playing alongside Maestro Pavarotti, Sting and many other artists. This evening, he did me the great honor of accepting my invitation. The Master Andrea Grimmenelli.”
What can I say about Piero singing “No Puede Ser?” It’s my favorite aria that he sings. He takes my breath away. No one, and I have heard many tenors sing “No Puede Ser,” no one sings it like Piero.
These are just a few words of the aria, in English. They really express the meaning of the song. Piero makes you feel his love for this woman.
It cannot be so! This woman is good.
She cannot be a wicked woman!
In her look, like a strange light,
I’ve seen that this woman is unhappy.
She cannot be a cheap siren
who poisoned every moment of my life.
It cannot be so! Because I’ve seen her pray,
because I’ve seen her love,
because I’ve seen her cry!
Always a showstopper, always a highlight, a splendid moment in the concert. Please never stop singing it. A Phenomenal performance!
And last but, not least Ignazio!

Ignazio said: “I want to say that tonight is extremely exciting and, we all know in this year that we have experienced shortcomings. Especially shortcomings!
Many had great losses but many who had great satisfaction economically modify this concert. To all the people who have not made it through the whole year, our thoughts go up there to them.
I feel a little alone, but I will not be alone. I have a big but small surprise that is great because it is a crazy talent.  It is really a great talent. Gentlemen and ladies, ladies and gentlemen my comparative accompaniment in this my performance – Julian.”   
Ignazio sings Beyonce’s beautiful song “Listen.” It’s a song that expresses how many people are feeling. These are just a few words to the song.
Listen. I am alone at a crossroads
I’m not at home in my own home
And I’ve tried and tried
To say what’s on my mind
You should have known, oh
Now I’m done believin’ you
You don’t know what I’m feelin’
I’m more than what
You’ve made of me
I followed the voice you gave to me
But now I’ve gotta find my own!
Yes, it’s time to find our own voices. Ignazio knocks it out of the box with this song. His voice goes to unreal heights.  Not only does he express how we are all feeling but he gives us a beautiful version of the song that fills our souls with emotion. And, little Julian adds to the moment with his Phenomenal saxophone accompaniment. As I said before, guys, Julian is all of you at 8 years old. Now you know how people felt when they experienced your voices at such a young age!
Ignazio we always Listen to you and, we wish we could feel what you feel in your heart! You and Julian made a Phenomenal team!
What an ending!
And so, we come to the end of the concert and Piero’s closing words!
“I need to say an important thing. This concert was dedicated to Vito who we really miss and is watching us from up there.”
The dedication of “Conradiana” to Vito, Ignazio’s dad is very touching, very emotional and it certainly touched the heart of Ignazio and his brothers Piero and Gianluca, and I know it also touched our hearts. Their eyes said more than words. And the beautiful exchange when Ignazio looked into the audience at his mother, Caterina and his sister, Nina. His eyes said it all!

Left to right: Gianluca, Ignazio and Piero embracomg on the arena stage

These are some of the words to this beautiful song.
Beyond the horizon
a sea of oblivion
You wander among the waves
you get lost in the scroll
Heart of darkness
life is gone away
Rock the ocean with
a sad joy.
Spaces beyond the sea
search for a way
Clear open sails
among clouds of mist
Heart of darkness
life is gone away
Rock the ocean with
a sad joy.
A very touching ending to a spectacular concert! Just Phenomenal!

Left to right: Gianluca, Ignazio and Piero singing on the arena stage

I usually end here but, this week I can’t. As I said in the beginning, I could write a book about this concert! The feeling I got when I watched this concert, was indescribable! Thank you, guys for these magic moments!  
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com

 

Credit to owners of all photos.

Here’s to You!

Do you feel that? The excitement in the air! It’s been going on since last week but, it intensified on the morning of June 5th with Ignazio’s message. “Finally, June 5th! You don’t know how long we waited for this day! How many days to think, to study, to develop ideas! How many days to hope it would come! Today is an important day for the entire music industry. We start singing in front of an audience!”
You can hear the excitement in his voice! His words sent chills up and down my spine. His words say it’s over! We made it! Live is back!
Let’s go to the stage!
Did you notice the interesting scenery? So different from what we are used to in an Il Volo concert. Spectacular scenery! And the videos that go along with each song. Such precision! Just amazing! Everything so well thought out. Down to the last detail!

The guys kept the set list a secret. They wanted to surprise all of us. Piero said, “As for the set list we like to keep it a secret. We will try to satisfy every need of our audience by always keeping the master at the center.” And that they did!
Remembering Morricone’s music and having our guys sing it is by far one of the most incredible things that can happen for us. An event that will never be repeated by anyone! Spectacular!
Piero went on to say, “The Concert will anticipate the album that will be released later.” We anxiously await the release!
While they were dealing with the pandemic, they were being very productive. Gianluca said, “We dealt with the pandemic productively, we tried not to give upYoung people must not give up the strength to believe in their dreams and pursue their goals.” He also went on to thank the Morricone family for allowing them to sing an unreleased song, written by Andrea Morricone, “I Colori dell’amore.” A very beautiful song!
Piero was excited to say that: “This is the first time we have performed live TV.” Well guys you did an amazing job!”
We really appreciate the tribute to Ennio Morricone because as Ignazio reminded us “it is the only (concert) date scheduled in 2021.”
I must say, the Morricone project kept them very busy.  They had to select and study songs from the master’s repertoire. That was no easy task.

Left to right: Gianluca, Piero and Ignazio on stage talking and waving

So how do you go about selecting the songs and fitting them to your voice. It’s very difficult! Let me remind you about something Ignazio said about recording a song. Ignazio explains, “….a take is the recording of the single phrase that each of us sings when we record a song. We continue to redo it until we get the best version.”
Can you imagine going through all of Morricone’s songs and deciding which ones to choose? Remember a song that may be good for a baritone may not be good for a tenor. So, what do you do? You redo the arrangements to fit your voice. How? You take the song apart and then decide which part is able to accommodate a tenor or baritone. Not an easy task! Think about some of the concerts where the guys have sung a song as a group (the three) and then decided it should be a duet. Why? Because it is more suitable to two voices perhaps baritone and tenor or tenor and spinto tenor. You need to see how it fits your voice and how it relates. In the end it’s all about the delivery. Once you’ve taken the song apart, you must put it back together again. Shall I say it again, not an easy task! It takes months to rearrange this many songs and believe me these guys worked very hard for long hours and long periods of time, many, many months, to get these songs where they needed to be. Great songs, arranged to great voices!
Left to right: Gianluca, Ignazio and Piero in tuxedos singing on stage
Let me give you an example of what I’m talking about. These are the words to the song “Se Telefonando.” It is a song that was performed by a famous Italian singer, Mina. It was released in May 1966. I want you to listen to Mina sing the song and then listen to Il Volo sing it. You will note that the words did not change. Just the arrangement changed to fit the voices of our guys.

Lo stupore della notte
Spalancata sul mar
Ci sorprese che eravamo sconosciuti
Io e te.
Poi nel buio le tue mani
D’improvviso sulle mie,
È cresciuto troppo in fretta
Questo nostro amor.
Se telefonando
Io potessi dirti addio
Ti chiamerei.
Se io rivedendoti
Fossi certa che non soffri
Ti rivedrei.
Se guardandoti negli occhi
Sapessi dirti basta
Ti guarderei.
Ma non so spiegarti
Che il nostro amore appena nato
È già finito.
Se telefonando
Io volessi dirti addio
Ti chiamerei.
Se io rivedendoti
Fossi certa che non soffri
Ti rivedrei.
Se guardandoti negli occhi
Sapessi dirti basta
Ti guarderei.
Ma non so spiegarti
Che il nostro amore appena nato
È già finito
So now you can understand what I mean by taking a song and arranging it to fit another voice. Without changing the words look at how the song has changed. The delivery is spectacular! Just magnificent!
The studio work is done. The songs are in the bag and everything in place. It’s time for the guys to restart the live concerts! In essence, symbolically, restart the entire sector.

Left to right: Gianluca, Ignazio and Piero standing on the front, circular part of the stage

As to Rai 1, Claudio Fasulo explained, “For our flagship network it is an honor to host this date. Rai 1 wants to remember Morricone who has done so much for our culture through the many arts. I wanted three young people to do it that I admire so much. They were born into a talent, but they also teach us that talent is sometimes meritocratic.”
“Il Volo has the artistic and behavioral characteristics of Rai 1. It is no coincidence that in our schedules of great music, the trio is always present. Dedicating an evening to Ennio Morricone was a duty for us.”
Gianluca says: “For us it is a great journey, a wonderful adventure. A year after his death we want to remember the master in the best way. We were born as child prodigies and after 12 years of career we can say that this project makes us proud and makes us feel more mature”.
Piero says, “At last, we sing. It’s been a tough year and there’s a desire to get on stage and bring all the workers in the show with us. I want to point out that it will not be the orchestra that will accompany us, but we will sing together.” Alluding to the long-awaited return to live, Ignazio said, “Let’s go back to singing in one of the largest outdoor theaters in the world, finally safe. The ancient sayings are always the truest, hope is the last to die.”
In an interview given to the magazine Mio, Piero, allowed himself to go to a painful confession about the very hard period from which we come and, which now seems, fortunately, to give us a moment of respite. “Finally, we sing, after a year and a half we could not take it anymore! Ours is a dream job. We are incurable dreamers. Every wish is finally coming to fruition. On June 5th we will give a message of hope, there is a great desire to get on that stage.”
And that is exactly what they did!
So, let’s turn to the master!

IL VOLO standing on stage in front of a photo of Ennio Morricone

You can ask anyone if they know who Ennio Morricone is, many people will say no. But, if you ask them if they know the theme song from “The Good, the Bad and the Ugly.” They’ll say of course I know it. Everyone knows Morricone’s music! They may not know his name but, they certainly know his music.
So where did our guys begin the concert? They began with the most famous of Morricone’s songs from The Good, the Bad and the Ugly – “The Ecstasy of Gold.” Smart! This song set the mood for the concert. What they did with this song and, the other songs, is amazing!
Let’s talk about some of the music. Let’s start by asking the question, “What made Morricone’s music different? Why was it so popular? Why was he the most sought after composer in the last 40 years? The answer is his arrangements and his style. Unlike anyone else in his time Morricone composed and wrote songs that reflected nature and reflected everyday life! In his music we hear the wind and the rain, the howls and the silence!  Again, I will go back to songs like “Se Telefonando,” where we hear three notes in this song that represent the siren of a police car. He wrote about reality. How he heard it, is how he wrote. He didn’t describe the event he used the event! When you write a theme song or compose a score for a film, it has to draw you in. It has to tell the story before you witness it.
Now I’m going to step out of the concert for a moment but stick with Morricone because I need to pay a compliment to Ignazio.

Ignazio in tuxedo singing

As you recall, the first time we heard the song “Makari” which Ignazio composed and wrote, was during Sanremo 2021. When I heard the song, I felt like there was something very familiar about it. Last night after I wrote about three quarters of this article, I was tired so I went to bed. And, as it often happens with me, I wake up in the middle of the night and think about something I want to say in my story. This is what came to me. I finally figured out what was so familiar about “Makari.” Ignazio wrote in the style of Morricone. Think about it. What is Ignazio doing for us in this theme song? He is painting a picture for us! Remember I said, it has to draw you in. It has to tell the story before you witness it.
Ignazio’s song invites us to take a better look at this other land in the south (Sicily). It speaks of  “a land of sages and a land of fools, made from devils and saints.”  It invites you to live a new reality through his eyes. This is exactly what Morricone does in his songs.
In a Morricone song you hear life! In Ignazio’s song you hear the sounds of Sicily. It is the “silence” of the land that screams for you to open your eyes and look around at the wonder of the landscape, of Makari, and the traditions of the land that go deep into your soul?
There is something very mysterious in the song, Makari. Very much like Morricone’s “The Ecstasy of Gold” from The Good, the Bad and the Ugly.
Ignazio’s song sings about approaching Makari and, the colors of the island come to life. The houses, the people, it’s all there. It comes to life before you approach the shore! It’s written very much like a Morricone song. And that’s what I was feeling when I heard the song!
Ignazio, I said you are a great composer and, some day you will compose a great opera. This is the proof. You learned from the master! Imitation is the greatest compliment you can give anyone. You are your own master but, we have to begin somewhere and where you began was at the front door! Amazing!
Now, let’s get back to the concert!
I’m not going to write in any detail about the songs. There are a few other articles which will be written for Flight Crew this week which will discuss the songs individually. I am merely going to name the new songs and where necessary, give you some details on how they came about.
“Your Love” from Once Upon a Time in the West, is a song we all are familiar with. It is the song that the guys sang at Sanremo 2021. As Il Volo fans, this song will be with us forever. There are tender moments attached to it.  It is an absolutely magnificent song. No one else could sing it like our guys. I know it touches my heart not just because of the circumstances but because of the emotion and passion the guys have when they sing this song. It will always be a signature song for them and for us!
Piero in tuxedo singing
So, what did they need in this production, a good pop song, set to music by Morricone, “Se Telefonando.” As I already mentioned, “Se Telefonando” is a song that was performed by a famous Italian singer, Mina. The music was composed, orchestrated and conducted by Ennio Morricone to Italian lyrics by Ghigo De Chiara and Maurizio Costanzo. The song was written for an episode of the Aria condizionata a Sunday morning television program. The main theme of the song was composed around just three notes, taken from the siren of a police car in Marseilles.
At this point, the guys did their solos. Where do I begin to talk about the solos?
As I said, I am not writing about the individual songs, but I will say that each of the guys’ solos were phenomenal. Gianluca’s “Your Song,” Ignazio’s “Listen” and Piero’s “No Puede Ser” were exceptional experiences in a sea of amazing voices.

Gianluca speaking to the audience

What I will comment on is little Julian. Many critics praised him and so do I! See guys, this is how you were at 8 years old. Blowing everyone’s mind. Ignazio, if you didn’t already sign him, you need to do it before he gets away!

Julian Iorio playing saxophone with Ignazio singing next to him

Riccardo Cocciante the guest of Il Volo sang “Quando finisce un amore,” an Ennio Morricone song which he first recorded in his Riccardo SOUL 1974 album.
We go back to the theme song of “Nuovo Cinema Paradiso” from the film of the same name. At the end of the song there is a small exchange between our guys and Salvatore Cascio, the child, now adult, of Nuovo Cinema Paradiso.
Raphael Gualazzi on the piano and Nina Zilli, together with Il Volo perform the beautiful theme song from the film of the same name, “Metti, una Sera a Cena.”
Raphael Gualazzi on the piano and Nina Zilli perform with IL VOLO
Next came “Here’s to You”, the theme from Sacco and Vanzetti. This was preceded by a reading of the story of the two unfortunate Italian immigrants, read by Giallini. For those of you who don’t know the story of Sacco and Vanzetti here is a brief summary:
Nicola Sacco and Bartolomeo Vanzetti were Italian immigrants, anarchists, who were controversially convicted of murdering a guard and a paymaster during the April 15, 1920, armed robbery of the Slater and Morrill Shoe Company in Braintree, Massachusetts.
A series of appeals followed, funded largely by the private Sacco and Vanzetti Defense Committee.  As details of the trial and the men’s suspected innocence became known, Sacco and Vanzetti became the center of one of the largest causes célèbres in modern history.
Responding to a massive influx of telegrams urging their pardon, Massachusetts governor Alvan T. Fuller appointed a three-man commission to investigate the case. After weeks of secret deliberation, the commission upheld the verdict. Sacco and Vanzetti were executed in the electric chair just after midnight on August 23, 1927.

Left to right: Gianluca, Piero and Ignazio talking between songs

And so, we come to the end of the concert and the dedication of “Conradiana” to Vito Boschetto, Ignazio’s dad. “Conradiana” is a beautiful song written by Andrea Bocelli and Ennio Morricone. Very touching, very emotional and it certainly touched the heart of Ignazio and his brothers Piero and Gianluca, and I know it also touched our hearts.
We were so busy waiting for this Tribute that it seems we have missed an important event. Italy won Eurovision. What does that mean for us? It means next year Italy will host Eurovision. Rai, I don’t want to tell you how to do your job but, I think I know three very handsome, very talented young men who would absolutely be the best possible hosts for the program. Are You listening? Great events should have great people hosting them.
In closing today let me say that the guys showed us their talent and their love in this concert. And they really dedicated it to us. When they were singing their song, to Sacco and Vanzetti, they were saying to us, their fans, “Here’s to You.”
But what I really need to say is “Here’s to You” for a phenomenal, unforgettable, Concert!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
Left to right: Gianluca, Ignazio and Piero standing together on the Arena stage

 

Credit to owners of all photos and videos.