This episode of Porta a Porta was supposed to air in February, but due to the war in Ukraine it has always been postponed.
Last week, with no ads and no announcements, it aired after midnight. Here is the episode and what has been said.
Please click on the photo below to view the video.
VESPA = We are approaching Eurovision, in Turin, the great music festival, and we are going there, remembering Il Volo, the boys of Il Volo, which we baptized here more than 10 years ago.
Let’s open this segment with the guys from Il Volo who will come here, in the studio, with us, and with this clip, Il Volo introduces itself.
(begins a video that traces many moments of Il Volo’s career. Immediately after, Il Volo, in the studio, sings “SE”).
Il Volo, celebrates more than 10 years of success at Porta a Porta. Piero Barone, 29 years old, Ignazio Boschetto, 28 years old, and the plague, Gianluca Ginoble, the worst of all, who runs away, cannot be found, is undisciplined, messy😁(he says it in a benevolent tone), but he is only 27 years old that we have to do??
GIANLUCA= I’m the youngest, by the way I just turned 27, just last week.
IGNAZIO= He is the smallest! (Maybe he also says it in a double sense, he also means height) 😁
PIERO = So, I’m the oldest at the table.
VESPA = Madonna, how old are you.
IGNAZIO = Can we sit down?
VESPA = Sure.
PIERO = Bruno, what did I tell you a little while ago?
VESPA + PIERO = The promises are kept. (They had promised to return soon to Porta a Porta)
VESPA = Look, I know it takes a long time . We love you so much, you love us so much, we have brought each other luck ….
PIERO = This program brings good luck, you were the first to invite us and tell everything we were doing outside (means outside Italy).
IGNAZIO = I can say that your program and you were the first person and the first (Italian) program who believed in us, and never took us for granted. We always have Porta a Porta and you in our hearts.
VESPA = Thanks, thanks, thanks.
After two years of hiatus due to the pandemic, who would have said it would last that long, seven thousand people sent home to Los Angeles (he refers to the canceled concerts) and now, go home and then in June ….
PIERO = Exactly, we will start in May from Japan (they didn’t go, I remind you that this episode was recorded in February), in June there will be concerts in Italy, we start from the Arena di Verona, 3 and 4 and maybe … . (implies that there might have been another date) ….
IGNAZIO = Yes, because we have been postponing it for two years
PIERO = Two years, and it seems that we are finally leaving…
VESPA = How many concerts in Italy?
PIERO = In Italy, there will be more or less 15 concerts, I don’t know exactly it’s all in the planning phase.
VESPA = And then instead in autumn: United States …..
PIERO = Autumn: September US, South America will follow and we will return to Japan, then concerts in Europe, we have to recover two years of work.
VESPA = There are many people waiting for you.
Well, we first heard “SE”, taken from the movie “Nuovo Cinema Paradiso”, now we listen to “Ecstasy of Gold” beautiful music by Morricone …
IGNAZIO = Then we also have Clint Eastwood here in the studio (he jokes referring to Gianluca, applause)
GIANLUCA = You two are targeting me, I understand.
VESPA = You have to go straight (a way of saying to be good)
GIANLUCA = I’m going straight, I’m the most restless one, right?
VESPA = Let’s hear these guys (Ecstasy of gold video starts).
This splendid video was filmed in Sardinia, “Il Volo Sings Morricone”, released on November 5th and distributed all over the world. But now we have to go back nine years, you are celebrating 10 years.
IGNAZIO = Yes, we have been celebrating this for two years now (laughter).😁
GIANLUCA = The celebrations never stopped.
VESPA = But you were just out, remember, we took you that you were in swaddling clothes, very small.
GIANLUCA = We have always been a little kids, now almost men.
VESPA = You were kids on December 17, 2013.
PIERO = We were here.
VESPA = Here, at Porta a Porta, let’s see. (a video of Porta a Porta starts and the boys sing “Un Amore così Grande”)
You were really little, and you had already been to America, however, you came from America.
IGNAZIO = We came from America. I remember.
PIERO = What is 2017?
VESPA + IGNAZIO = 2013
VESPA = (Turning to Piero) You looked the youngest, you looked really small, small …
PIERO = I didn’t have a beard, that tuft, a little restyling was done.
GIANLUCA = Before, when we were a little younger, people liked us , because we were child prodigies, in short, who sang with a different voice than our peers, we dressed a little like “grown-ups”.
Today it’s the other way around, see? (touches his beardless face) Today one takes off his beard and wants to look younger.
IGNAZIO = You take off your beard because you want to look younger. 😁
PIERO = He must always speak in the plural.😁
GIANLUCA = As a child you want to look older, do you see how we were dressed? We were dressed in our thirties there.
VESPA = Can I tell you something? Only once in my life did I feel old … who knows why at 27, at your age (talk to Gianluca)
GIANLUCA = Is it true?
VESPA = You saw, we had the same feeling, and now you are rejuvenated.
GIANLUCA = You can see that at 27 we Abruzzo feel “old”.
VESPA = At 27 we hear it and then we don’t !!
PIERO = The crisis of the 27th year.
VESPA = Yes, the 27th year crisis. (laughter) 😁
So, you then moved on to the theme songs of the television novels.
PIERO = For this you have to talk to Ignazio.
VESPA = Ignazio !
IGNAZIO = But I’ve always had a passion for writing music, I was in Sicily, and I remember I was sitting on the veranda, and the melody came out. So I carried it on and Makari was born.
VESPA = But during Covid?
IGNAZIO = Yes, it was that summer that seemed ….
VESPA = …. that things would return to normal?
IGNAZIO = Yes, like baby candy, right?😁
VESPA = Exactly.
IGNAZIO = And then I found myself writing this melody, and then, with Danilo Ciotti, our collaborator, we presented this song to the Palomar family, who are the producers of Makari, and so it all started.
VESPA = And it went well, let’s hear it. (begins the video of the song Makari)
And good Ignazio!
IGNAZIO = Thanks.
VESPA = Five million viewers!
IGNAZIO = Oh yes.
VESPA = It went really well. What did you three do during the two years of Covid?
(he turns to Gianluca) What have you done?
IGNAZIO = He took off his beard! 😁
GIANLUCA = But no! We decided not to live them passively, trying to stimulate creativity. I learned a little to play the piano, I accompanied me while I sang, it was my wish.
Then I studied acting a little. We reinvented ourselves, we thought of new projects. Morricone’s project was born thanks to two years of silence.
VESPA = (he turns to Ignazio) And what about you?
IGNAZIO= You think, I lost weight in the pandemic, and then I gained weight, when everything was sorted out (I think he meant that he had lost weight around the time of his father’s passing away).
I found love.❤ I studied a lot in the studio, and I improved.
VESPA = Did love distract you a lot?
IGNAZIO = Absolutely not!
VESPA = Did the love train you? Has it invigorated you?
It makes you dream, breathe ….
IGNAZIO = Love is beautiful when it makes you feel good, I’m fine. 😘
GIANLUCA = (to Vespa) You know it’s nice to see you in this role, I don’t see you asking about Meloni’s love (she is a political representative)(Gianluca means that: Porta a Porta is a program that deals with many topics, even political ones, often guests are politicians and they are not asked about their loves, of course) 😁
VESPA = You rather, you sentimentally, how are you doing?
GIANLUCA = I’m in love, I found love too last year, on the red carpet of the Venice Film Festival, think, what a story, like a fairy tale, do you realize? ❤
VESPA = Mamma mia! (and then turns to Piero)
IGNAZIO = Piero never talks (about the subject of love)
VESPA = I don’t want to invade privacy
PIERO = I like privacy, I prefer to live it for myself.
VESPA = …. live it for yourself, so is there a story? ….
PIERO = I mean my private life, for me my private life remains private ….
IGNAZIO = (he comes to his friend’s rescue by trying to change the subject) Morricone was a great project, we worked hard 😁😁😁
VESPA = Look at these (Ignazio and Gianluca) talking. What happened during Morricone?
IGNAZIO = Look, I’m perhaps the wrong person if you want to know something, I have a concrete stomach.
PIERO = About what?
IGNAZIO = On private lives, our gossips.
PIERO = In these two years we have had more time at our disposal, we have always had a hectic life, we have committed all our energies to Ennio Morricone’s project because you know, facing this world requires a lot of study, a lot of research and many thanks to the family of Ennio Morricone.
We have to thank his son, Andrea Morricone, also a great conductor, we had great support from him, he was like our compass, the world of Ennio Morricone is infinite and thanks to our producers and our team we have created Il Volo Sings Morricone, we also gave you vinyl for Christmas….
VESPA = Beautiful, beautiful, thank you!
PIERO = ….. we are delighted to have given voice to Morricone’s melodies, hoping that people are satisfied.
IGNAZIO = Can I add a little thing? At the beginning, perhaps we did not have a great knowledge of Ennio Morricone’s culture.
Once we thought about carrying on this thought, this idea, we immediately began to study, to understand who Morricone really was, because we had the opportunity to meet him in 2010, when we recorded our first album, and we had the opportunity to share the stage with him in 2011, but now we were more interested in understanding who he was and when we entered his world it was like taking a dip in a pool full of culture and emotions, full of feelings who always have something in store for you, it’s hard to explain!
VESPA = Now let’s see a video about who the three guys from Il Volo are all the way through. Come on.
IGNAZIO = Help! (part of a video with images of Il Volo a Porta a Porta)
In the video:
WOMAN’S VOICE = It’s been 10 years since Ignazio Boschetto, Piero Barone and Gianluca Ginoble came to visit us for the first time in Porta a Porta, at the dawn of their success.
Ten years in which Il Volo reached unimaginable heights, first, the enormous success in the US, with the invitation of Quincy Jones at the concert for Haiti, with stars of the caliber of Barbra Streisand, Bono and Lady Gaga, the transmission of Hellen De Generes and the lighting of the Christmas tree at the Rockefeller Center.
Then the consecration in Italy with the victory at the Sanremo Festival in 2015, a real triumph, so much so that Grande Amore, reaches 110 million views worldwide (now there are over 215 million views), and drags the trio to third place in the prestigious Eurovision Song Contest, where they are the most voted by the public.
That year we also accompanied them to New York, touching on their popularity, their kindness, their uncommon values, namely: bel canto, family, principles, sobriety, education and respect, especially among themselves, nothing that is taken for granted nowadays.
In the span of a decade they bring the Italian classics all over the world, modernizing them, without upsetting them, it is the boys in sneakers who sing Nessun Dorma and O Sole Mio, to use their words.
They also have the honor of singing in front of Pope Francis and over a million people in Panama on the occasion of World Youth Day.
Even during the health emergency, they continue to make all their fans feel the warmth, participating in the most important international streaming reviews, with a great sense of community and responsibility.
And now, as a sign of rebirth and hope, their world tour is about to start, 110 dates around the world, to celebrate their first 10 extraordinary years of career, an eagerly awaited reunion with the public, to continue to proudly bring Italy and its beauty around the world.
VESPA = We have taken the baton from Aunt Antonella, Antonella Clerici, (Ti Lascio Una Canzone).
GIANLUCA = We greet you with great affection.
VESPA = With great affection. But you, when did you get together?
IGNAZIO = We met on that TV show, (Ti Lascio Una Canzone), we didn’t know each other before ….
VESPA = Where did you go to sing separately ….
IGNAZIO = We met for the auditions in Rome, in via dei Gracchi.
VESPA = Via dei Gracchi, but each one had gone on his own.
IGNAZIO = Yes, yes! Then in Sanremo, which was where the broadcast took place, we met and in the fourth episode we sang together for the first time (25/04/2009).
PIERO = …. O Sole Mio.
IGNAZIO = … yes, O Sole Mio.
PIERO = Excuse me.
IGNAZIO = But calculate that Gianluca, we couldn’t see him.
VESPA = Was Gianluca terrible?
IGNAZIO = Do you know when you create small groups at school of the normal ones, the quiet ones and the cool ones? 😁
He was part of the cool, but it showed (applause and laughter), then in the end he came in our way, understood!
VESPA = He has converted.
IGNAZIO = And so it all started from there.
VESPA = (to Gianluca) But why are they talking about you like that?
IGNAZIO = Because we love him after all, at the bottom, at the bottom …..😘
GIANLUCA = ….. but at the very bottom 😁.
But that was our strength right from the start, did you understand? (to be united). Not only artistically, it was the first time that children sang O Sole Mio.
But then I like to see these videos and remember those moments, because Bel Canto allows you to perform in unique places, but above all to support yourself in projects like Morricone, like in Placido Domingo, like the Maestro Vittorio Storaro who accompanied us on this adventure. We have the honor, at our age, to join these names in cinema and music.
VESPA = Then I will ask you to sing a piece of O Sole Mio, sitting here, so a cappella …
IGNAZIO = If Barone says yes, that’s fine !! 😁
VESPA = Is he the boss?
IGNAZIO = Yes yes, (he jokes) see how he is placed with his arms folded …..
PIERO = I’m listening!
I link to what you were saying, seeing these old videos is really exciting, but on a daily basis it is difficult to find the stimulus and clearly find ideas on what to do. We sang in front of the Pope ….. and now what do we do? And I must tell you that it is a team effort, especially with our manager Torpedine, Mr. Torpedine, he is the mind of this group, and now a little while ago we were looking at the images of last Christmas, we sang three songs in St. Peter’s Square , this year we did it from the Frasassi Caves, a magical place.
VESPA = You will go to Bethlehem.
PIERO = And next year, we are working, by now we are at a good point … (he looks at Torpedine to have approval of the news he is saying)
IGNAZIO = We are checking in.
PIERO = We will sing in front of the grotto of the Nativity in Bethlehem and all this, we must say, also thanks to the support of the Undersecretary for Culture, for whom in November, we will sing in the world meeting of ministers of culture.
VESPA = Beautiful, very beautiful.
PIERO = Yes, I have to tell you that they are very beautiful things.
IGNAZIO = Can I say something? I want to reach out more to young people, to those who, like us, try to send their message. Nowadays it is very easy to arrive, with social networks, with the internet, it is very easy.
VESPA = The problem is to stay.
IGNAZIO = The problem is to stay, and in any case we always tell everything we have done, because we are very proud and grateful ….
PIERO = Do you have an itchy mustache?
IGNAZIO = No, it helps me to think. 😁
PIERO = Ah, ok !!
IGNAZIO = …… and we are very grateful for everything that has happened to us, but in recent years it has not been all roses and flowers, there are moments …..
VESPA = When was the most difficult moment?
IGNAZIO = There are moments in an artist’s career where difficulties come, in our case it was in 2014, when L’Universal did not …..
PIERO = Clearly there has been a change between one record company and another, and therefore there have been three or four months of “darkness”, but I remember that our manager was very good at hiding this from us, we didn’t live in that period of anxiety, he was: ”Yes, yes, don’t worry, everything is fine, tomorrow I have a meeting”. Instead there was nothing.
IGNAZIO = This is to make it clear that yes, today it is very easy to get there, but maintaining oneself, building oneself, sacrifices, is all very important …
VESPA = When you were little I used to tell you: “Guys down to earth”.
IGNAZIO = Absolutely ….
VESPA = Never mount your head, NEVER, when you think you are something more, already what you are is already a lot, always fly low low ….. (Vespa is referring to not being full of oneself)
IGNAZIO = I wanted to say it here.
VESPA = I don’t remember, what happened in Sanremo in 2015!
IGNAZIO = What happened?
VESPA = Bho! Let’s see for a moment! (the video of Grande Amore in Sanremo starts). (At some point the video loses audio due to a problem raised by the composer).
VESPA = (He turns to Ignazio). Now you do it again (the final note and Ignazio does it)
(Ring the bell, enter Vittorio Storaro on the show.)
VESPA = We have to greet a great person: Vittorio Storaro. Vittorio, it’s a great pleasure to have you here, thank you. Three Oscars, please take a seat. You can take off the mask.
STORARO = Now it can be done, respecting the distances, the rules and the possibility of being careful, not only with the vaccine, but also with the distances and the embrace of well-vaccinated friends.
IGNAZIO = But that’s why I’m away from Gianluca, for nothing else. 😁 (he jokes)
GIANLUCA = He (Ignazio) is angry with me, he is angry with me master …
STORARO = He (Gianluca) has a great energy, it is the energy that we have that usually brings the affections too. But be careful not to lose it, with the distance.
IGNAZIO = In what sense?
GIANLUCA = You have to be careful.
IGNAZIO = No, no, I am like a magnet for him, we attract the two of us.
VESPA = Vittorio Storaro won three Oscars (photography award), 1980 for Frencis Ford Coppola’s Apocalypse Now, 1982 for Beatty’s Reds and Bernardo Bertolucci’s The Last Emperor in 1988.
Beyond these awards, even we reporters who have approached the cameras a few times, looking at the light of Vittorio Storaro, already looking at it, we have learned something.
We learned what is beautiful and what is ugly, and what is beautiful, you did it. And this was truly a great lesson.
STORARO = All this comes from the great studies of Hippocrates who studied the elements of life, the natural elements that arrived on our body, on our organism.
We see light, not only with the eyes, but with the whole body, we are a sensitive plate. Light is visible energy and therefore it reaches us with a certain frequency, and the more it touches us, the more it excites us.
VESPA = So ….. what do you have to do with Vittorio Storaro? What have you done together?
PIERO = The moment before I met Storaro, I wasn’t sure whether to give him the you, the her, or the you or theirs, I wanted to give theirs (he means that he was in awe of respect for Storaro), but we have one thing in common, we were born on the same day, different year, the 24th of June ….
STORARO = We are Cancer (zodiac sign).
PIERO = Maestro Storaro, before being a great artist is a great person, he transmitted so much, so much wisdom, and so much art to us and we have to thank him because, you know, sharing his experience, his art, his being, with three boys of 27 or 28 years, it is not obvious, it does not happen every day.
VESPA = You have put together Morricone’s music, the images of Storaro, Oscar winner …
IGNAZIO = Yes, because we have been trying to collaborate with Maestro Storaro for years and we never managed to find a just cause, deep and sincere, with great significance and this year, that is last year, that moment has come, it has come that idea.
VESPA = So let’s see this clip, Il Volo in the Caves …..
STORARO = Can I explain first a moment? Is useful.
VESPA = You’re welcome.
STORARO = It is true what Ignazio says, I had two Don Abbondio (he means two people who wanted to do this project … Don Abbondio is the character of the Promessi Sposi, a novel by Manzoni). Michele Torpedine called me, wrote to me every now and then to invite me to their concerts, he said, at least you know each other, it would be nice to make a video together.
While they were in Verona, I was in New York with Woody Allen, they went to New York, and I was always with Woody Allen in Spain or so on.
Then there was Maurizio Tosoroni who is the person in charge of the Frasassi Caves who asked me and Francesca (daughter of Storaro) who you know well, if we could conceive with modern technologies, and with a different creativity, that beautiful lighting they have the Frasassi Caves, which in this period of Covid were totally dark, totally closed and told me: “Why don’t we think about a project?”
The two Don Abbondio got together, they called me and I began to rehearse with lights, which we created together with Francesca related to the arts, because there was a phrase that struck me from our minister of culture, Dario Franceschini, that it is right to follow all the scientific warnings, medicines, vaccines, distances, masks, but if we add the energy, the creativity of the arts, maybe we can help so that everything can come back to life in a certain way.
VESPA = Of course, music and art give us hope, they help us to find the light.
STORARO = Do you understand? Also because we conceived the lights with Francesca, also linked to the muses, that is to the arts, and then I thought: “What can I do, with the trio Il Volo, inside the Frasassi Caves” and reminding me that they had told me that it was the fiftieth anniversary of the year in which three young speleologists descending from a hole with a rope, had discovered this incredible archaeological site among the best in the world, with the three of them (Il Volo) we reconstruct, not in a realistic way, but in a symbolic way, because they cannot go down with the suit and then sing, but in a tuxedo, and therefore in a symbolic way we have reconstructed the descent of the three , one at a time, first Gianluca, then Piero, then Ignazio, and little by little one descends, the light begins to rise …
VESPA = How wonderful! Let’s see it.
STORARO = Wait, I say one last thing. Only when Gianluca begins to sing, then Piero and then Ignazio, are together, they are like a seed that fertilizes mother earth and regenerates, and the trio becomes another trio, two trios, ten trios, one hundred trios, one thousand trios, none , one hundred thousand by Pirandello (Italian author). This was the creative energy of Il Volo.
VESPA = Well, let’s see it now. (The full video made in the Frasassi Caves begins.)
How wonderful!! Really what a treat !! Beautiful beautiful beautiful.
STORARO= Nothing is random. I have made 7 films with Ennio Morricone, and 10 films with Bernardo Bertolucci, and coincidentally this song comes from the film that the subject was written by Bernardo Bertolucci. I remember when I came here to say goodbye to Bernardo with you, and I told you about the possibility that I made him a promise, to restore and preserve all 10 films we made together, and I’m doing it now in the Cinecittà laboratory, with very modern technologies and with the possibility that these icons can last indefinitely.
VESPA = How wonderful! Bravo, bravo Vittorio, also for this.
GIANLUCA= I wanted to say that for us, our greatest goal is also to bring the beauties of our country. The Frasassi Caves, deserve to be, as they are already known all over the world, but even more so.
This was the perfect soundtrack, it was a wonderful experience in a magical place and living it with Maestro Storaro was even more so. It was truly an honor to be able to work together.
VESPA = Speaking of magical places, well, Santa Croce, in Florence (Notte Magica), but who would have thought it, direct by Placido Domingo.
PIERO = That was a great evening.
VESPA = Florence 2016 (The Magic Night video starts)
You didn’t have time to meet our friend Luciano Pavarotti.
IGNAZIO = Unfortunately not.
VESPA = In my opinion he would have put his hand on your shoulder, he was a person of absolute generosity who was really looking for, he was looking for new talents.
PIERO = This evening, the evening in Florence in Santa Croce, Tribute to the three Tenors, we had, in some way, the support from the three, because the maestro Placido Domingo directed the orchestra, but the Pavarotti foundation supported this idea because Nicoletta Mantovani (Pavarotti’s wife) gave the okay and said these very words: “The master would have liked this project”.
VESPA = Yes, absolutely yes.
VESPA = So, 2019, so these are the last things before Covid, at the Bolshoi Theater …
PIERO = To the Moscow Bolshoi
VESPA = La Traviata.
PIERO = Beautiful.
IGNAZIO = I was terribly ill, I had a fever that evening.
VESPA = Did you sing with a fever?
IGNAZIO = Yes, but I’m strong!
VESPA = Go, go. (The video of La Traviata starts)
So, (he turns to Piero) we went to New York together, we went to another big theater, the Metropolitan, do you remember?
PIERO = Yes.
VESPA = I don’t know if you remember, the room was empty, you and I were sitting next to you and I said to you: “But when you grow up, what do you want to do?” Was it your dream, does that still remain?
PIERO = Yes, in these two years, especially in the last 6 months I have studied a lot, I’m still studying, because you know very well how much study it takes. Just yesterday I did two and a half hours of lesson on Verdi, La Traviata.
VESPA = I have been to the Bolshoi with Riccardo Muti (well-known conductor), with the Friendship Concerts, and I assure you that if there is one who slaughters singers it was him.
PIERO = Mamma mia!
VESPA = Now it is no longer used, the masters have no desire or time, but before, a great singer always had his teacher who always kept him in the studio. You have to study a lot, every day.
IGNAZIO = I too, yesterday I did a two and a half hour session of the “tagliata (typical meat), I was very focused! (laughs) 😁😁😁
Sorry for the joke!
VESPA = He is always disheveled, undisciplined, the one who arrives late. Where is Gianluca!
GIANLUCA = This is what the two of them make you believe!
But it is nice that we are a group, but we continue to cultivate our passions, we respect and esteem each other, which is not obvious, as you know often groups are in competition …
VESPA = I know, you all never fight.!!
GIANLUCA = This is our great merit, because now 13 years together this is the beautiful thing.
Nice that Piero has his goals, for example, as I told you before, I am starting to approach the world of acting, trying to understand if one day, who knows, I would like to be an actor, but this enriches anyway, studying acting on stage , for a singer, it also helps you to express, to interpret songs better.
VESPA = So. (he turns to Piero) You say, we sang for the Pope, that’s enough, but no.
2019 Pope Francis, Panama (video of Panama starts)
In the video:
PIERO = His Holiness.
P + I + G = What a pleasure to see you again.
PIERO = This is our gift to you.
POPE = Thank you.
GIANLUCA = The dream and the desire to sing for him is coming true, we met in private audience last year and we sang for him an Ave Maria (Hail Mary) and here tonight we will sing it for him and for all the young people, we are truly honored.
POPE = Thank you.
PIERO = Can we take a picture?
POPE = Yes.
PIERO = A selfie like young people do. (The Pope gives a souvenir to Piero, Ignazio and Gianluca)
IGNAZIO = We are grateful to you. See you later.
GIANLUCA = As you know, the power of Italian and Neapolitan music has reached overseas, Dean Martin, Frank Sinatra, but also Elvis Presley himself …..
IGNAZIO = The Pope has just passed, sorry, the Pope comments, ….
PIERO = But what does Elvis Presley have to do with Pope Francis, can you explain to me?
GIANLUCA = Oh well, first let’s talk about the Pope and then we want to give you a small gift.
VESPA = A small gift?
GIANLUCA = Yes, yes, a little present.
VESPA = Wait, first now I want to ask you something, we want to dedicate to Vittorio Storaro, who represented Italian art in the world, one of the most popular songs in the world, like this, here a cappella. (O Sole mio)
GIANLUCA = This is why I said, the great Elvis Presley interpreted the song in English “It’s now or never”, do you remember that?
VESPA = Go !! (begins the a cappella song)
Well, we want to thank this magnificent group of romances, eight violinists, two cellists, thank you, thank you very much and congratulations, you are very good. And then (to Il Volo) I greet you now …
IGNAZIO = We leave you with a great masterpiece, you know the story of Sacco and Vanzetti well. We are truly honored to be able to tell it even to an audience that does not know this story, to an audience that is not Italian and perhaps has not known the injustices that can exist in life. We are very proud to sing this song.
GIANLUCA = We would like to thank you again, we also thank the Maestro Storaro.
VESPA = Thank you. (then he turns to Storaro) And what about you, beyond the restoration of Bertolucci’s films?
STORARO = Basically we’re still in the early stages, Woody sent me his fifth script to start, we had to do it first in New York, then we moved to France, now he’s looking to another country, Covid follows, depending on where it’s possible we’re going to do it.
VESPA = Good luck !!
PIERO = We would like to thank our audience for their love, support and support received over the years, thank you.
VESPA = And then: Sacco and Vanzetti! (start the song)
Really a nice chat between friends. You have noticed the masks and spacers, much more rigid in February than they are now.
Although it was not advertised, but was announced only by the tam-tam of the fans pages (incredible), this episode had very high ratings.
Congratulations as always, to Il Volo !!
But that of Porta a Porta was not the only appointment of Il Volo in this period, they were also in promotion Austria, on the TV show “Garden Party of the stars”.
Here they are.
Please click on the photo below to view the video.
Very nice this video shot in Austria in front of the beautiful Grillenstein castle.
And then, live, during the show, they sang Ecstasy of Gold.
Please click on the photo below to view the video.
Really a nice participation, let’s enjoy some pictures.
Then there was the announcement of the two Australian concert dates, finally !!
Reposted from @ilvolomusic :
Hello everyone, We are very happy to announce that ticket sales are now open for our Australian concerts in Melbourne (October 18) and Sydney (October 24).
And finally, on May 12, I remind you that Il Volo is taking part in the Eurovision Song Contest.
For those who cannot follow them on TV, I propose you to follow them on you tube on the official ESC channel: @eurovisionsongcontest.
Il Volo will sing GRANDE AMORE, but in a new version, which has just been heard.
The title is YOU ARE MY EVERYTHING and is in the English-Italian version and I find it beautiful !!
Here it is. ❤
What a thrill everything is ready, see you soon !!
Unfortunately, the news recently came that Gianluca is positive for Covid, so he will not be on the Eurovision stage. His voice will be recorded, only Ignazio and Gianluca will perform !!
I am very sorry for Gianluca, unfortunately you can never let your guard down with this Covid. Ignazio and Piero will do their best to represent Il Volo !!
With ‘O Sole Mio’ in hand, the boys set out for night four of Ti Lascio una Canzone.
It’s April 25th, 2009, and these three teenage boys who only met a short time before are getting ready to turn their world upside down. They are now Only One Step from Stardom!
Let’s see where do we begin? How about where they began, when they stepped on that stage, and immediately became stars?
The first time these three boys sang together everyone was amazed. Who wasn’t amazed, Roberto Cenci! He knew exactly what he was doing. He realized by putting these three voices together he would create an amazing sound! How right he was!
So, let’s turn to Piero who will tell us how the guys first sang together….
I remember Roberto Cenci calling us all three to the center of the stage during the rehearsals.
‘Piero, Gianluca and Ignazio, come here.’
They start ‘O Sole Mio’ and we sing as we had divided the parts. Gianluca begins with the first verse and then it’s my turn, I attack with ‘Ma n’ato sole,’ (but another sun). This ‘Ma n’naaaato’ with the note kept so long and vibrated, as we still sing it today, was born in that first test because I learned, ‘O Sole Mio,’ by listening to the Three Tenors, that is Luciano Pavarotti, Placido Domingo and Josè Carreras. And Pavarotti made those three words of refrain with a very, fast, but difficult beat. I did not have that technique, so I did it slowly. Then I asked: ‘Roberto, sorry, can I do it my way the ‘ma n’ato sole?’ He answers ‘Yes.’ And I say, ‘Unplug the orchestra when it’s time and come behind me.’
Ignazio tells us about the reaction to their singing it on that Saturday night….
That Saturday night there was a great standing ovation for us, with ‘O Sole Mio.’ I think that that performance marked the real starting point of our career.
When I had agreed to do the auditions, I was aware that it would be a great experience and would last only two months. But I never expected that we could get all this great success.
Gianluca puts the event in the history books…
The theater came down.
Piero on my left, me in the middle, Ignazio on my right. In the history of music no one had ever seen three children of thirteen or fourteen sing these kinds of songs. So, we must also thank Roberto Cenci because, if it wasn’t for him maybe today, we would not be here. It was nice, it was something…. How can I tell you? It was natural. I immediately enjoyed singing together, there was no problem.
But it was also all unexpected.
I thought there were three hundred thousand boys singing like me, and instead that night I discovered that there are only two: Ignazio and Piero.
Piero looks back over the events since that night….
But can you think about how far we’ve come? We did not even know each other and now we have been working together for six years, we toast together, we cry together.
By now Gianluca and Ignazio, but let’s not let them know, they are a part of me, I do not know how I could do without them.
I’ll make you understand one thing: when I’m on stage singing my solo, as soon as I finish, I cannot wait for the other two to come because I feel their moral, psychological and even physical support. If I feel bad, I know that there are two of them that can help me, we can help each other, and this is fundamental for me, to feel that we support each other, that we are always together.
And if I think of how far we have come from Ti Lascio una Canzone, I am reminded of Antonella Clerici. Antonella was the one who, even after the program, has always supported our project. Every time someone spoke badly about us, she was ready to defend us, she never changed, she never, never, demanded a thank you and I must tell you that we still speak to each other every time there is something new. She’s just like you see her on TV: sincere.
So, let’s step away from the stage a moment and talk about what was going on behind the scenes. Well, we certainly know that the idea to put the three together was the genius of Roberto Cenci the artistic director and director of the program. But there was so much more happening!
In his book Ricomincio Dai Tre (I Start Again from Three) Michele Torpedine, their manager tells us what happened that night.
Alone in his apartment, Michele Torpedine was sitting on his sofa with the volume off on his TV. The show he was watching was Ti Lascio Una Canzone. He keeps looking at the screen and he suddenly thinks, Ignazio reminds him of Luciano Pavaroti, Gianluca seemed similar to Jose Carreras and Piero is similar to Placido Domingo. He still had not heard them sing. Out of curiosity, he raised the volume and Michele says, “here I am aware of another element, that is even more important than the first. The three casually put together to sing a song of the program possess an incredible vocality for their age.”
At this point Michele’s head is spinning. He’s thinking these guys are good and again repeats it to himself, they’re good! He thinks, “What if I try to put them together seriously? A trio he tells himself. Here’s what I could do….”
Michele says, “The next day I am a volcano. I want to talk to everyone: producers, managers, families.”
For Michele it was a return to the beginning. Only this time it was better.
Michele explained in his book that the day the guys came together singing, “O Sole Mio” on Ti Lascio una Canzone, he was at the end of his career. For him it was truly over. All he had done for so many now seemed in vain. But with this vision before him, three amazing teenagers, he was able to see a new light. A light that would start the wheels rolling again. A light that would reveal truth. A truth that never before was revealed to him. A truth he searched for his whole life but would only find in his relationship with Il Volo.
And so it begins…
Now the guys will tell us how it all came together….
On June 9th, 2009, nine days after the end of Ti Lascio Una Canzone, my parents left for Rome. They were a bit mysterious about it. When I asked them what they were going to do in Rome they only replied that they had to meet a person and, I tell the truth, I did not even insist on knowing who.
They leave, and where am I going to sleep? At my grandparents, of course. The next day they come home and then, yes, I wanted to know something more. ‘Dad, what have you done in Rome?’
‘Nothing’ he answers, ‘we met a certain Torpedine.’
The first thing I do, is go on the Internet and look up ‘Torpedine.’ A lot of things came up, musician and record producer of people like Pino Daniele, Lucio Dalla, Fabrizio De Andre, Giorgia, Biagio Antonacci, Zucchero (and he took him to the Kremlin in 1990) and Andrea Bocelli, only to name some names. He has managed Gianna Nannini’s America tour, has edited the records and events for the thirtieth anniversary of Pino Daniele’s career, and has had the artistic management of an edition of Thirty Hours for Life. He was also the artistic director of the first two editions of Pavarotti and Friends, and he did a lot of other things that it would take a book just to tell them all.
Anyway, I read everything I found on the Internet and the same day I went back to dad: ‘But what did this Torpedine tell you?’ My father was very vague, really, very vague. ‘No, nothing, we talked like that.’
I did not know what to expect, there was a strange atmosphere since the show was over. I knew that the parents of Ignazio and Gianluca had gone to that appointment, but I did not know what to think.
After a month, my parents make another trip to Rome to meet the legendary Torpedine, while my brother, my sister and I go back to sleep at our grandparents’ house. The day after, mom and dad came back to Naro with a check. It was the advance of the contract.
‘Piero, we signed a contract with Torpedine for a record’ my father told me, immediately and without being vague this time. And do you know what I thought? ‘Wow nice.’ But so, very simply. I did not understand the importance of the thing, I swear, I did not understand it.
And what was Ignazio’s reaction….
And who understood it, Pie?
Immediately after the end of the program my parents, like those of Piero, received a call from the office of Bibi Ballandi.
Who is Bibi Ballandi? Eh, even here we should open not just a chapter, but a whole book to explain it because he is the producer with a capital P. Some examples? The shows on Rai Uno de Fiorello and Celentano, Dancing with the Stars and also Ti Lascio una Canzone.
From Ballandi’s office, they wanted the parents of the three boys – we did not have a name yet – to go to Rome to discuss their children’s future. I stayed at home, just like Piero. On their return, as usual, mom and dad sat down with me and my sister around the table to talk about what had happened in Rome. Michele Torpedine who came back after seventeen years of managing, Andrea Bocelli, and Tony Renis, Mister Quando, Quando, were interested in us. What did I think? What could I think, one who in the last five years had done nothing but sing from morning to night? After several meetings we signed our first managerial contract.
But, of course, Gianluca remembers it differently….
I do not remember all these things, Igna.
That is a period that I really cannot remember in general.
I was just a child who dreamed. While the other guys who had participated in the broadcast returned home to go to the beach and were preparing to start a new school year, the three of us walked towards a professional artistic career.
I really did not realize it. I did not even know what the contracts were like, I did not care. Once I told my father something like this: ‘But why, to be a singer, it takes a contract?’ I only remember that at a certain point we went to lunch in Rome, at Rome Cavalieri with Tony Renis to talk about music and recording songs. The contract had already been signed. I was there with my father, Piero, Ignazio and their parents.
Yes, during the period of Ti Lascio una Canzone there was a rumor about these three tenorini’s. After the program there was much talk about the three tenors. But as a child what can you understand?
Even when we first met Michele Torpedine and Barbara Vitali, who since then became the fourth member of the group, even if you never see her on stage, I did not understand just how it was possible that Andrea Bocelli’s manager was interested in us. It was something that upset me. I went to see Bocelli my idol and to work with the manager who had made him famous. A dream, in fact!
We were three funny, awkward, children: Ignazio fat, Piero roly-poly too, I was small and plump and with pimples. So, at the first meeting, I look at Torpedine and ask him: ‘But what came into your mind?’
Sometimes even today I look at the photos, the videos of when we were little ones and I still ask myself had he really seen into the future. And he also had a lot of patience, because in addition to being funny and clumsy, we were very confused and, wherever we went, everyone looked at us in a strange way. Like that evening, in Jesolo, when we met Michele.
We finally finished Ti Lascio Una Canzone and they invited us to sing on June 27th, 2009, at the nineteenth edition of Miss Italy in the world. The evening was broadcast on Rai Uno by the Jesolo Tourist Palace, conducted by Caterina Balivo and Biagio Izzo.
When we arrived in the dressing rooms, I saw Raf. ‘Oh my God, there’s Raf!’ I said. “Let me take a picture. I run to him like crazy, ‘Can I take a picture with you?’ We were three children at the park playing. Ignazio, to name one, he poured the Coca-Cola on the floor in the dressing room, and it ended up also on Michele’s jacket. Michele turns and says to Barbara look, I still remember it, with a face looking like ‘Oh my God.’
So, until now, I did not talk about the results of Ti Lascio Una Canzone because I was waiting to tell you all three stories. So how did everyone do in the competition?
Gianluca won the first night singing “Il Mare Calmo della Sera.”
Ignazio won the second night with the song, “Quando l’amore Diventa Poesia.”
Gianluca won the third night with the song, “La Luna che non c’è.”
And, Piero won the fourth night with the song, “Un Amore Così Grande.”
Gianluca won the competition with the song “Il Mare Calmo della Sera.”
Ignazio came in second with “Quando l’amore Diventa Poseia”
Piero came in third with “Un Amore Così Grande.”
And the biggest win of the night, they walked off the stage, Only One Step from Stardom!
The source for many of my stories is the guy’s book “Un’avventure straordinaria, la nostra storia,” (An extraordinary adventure, our story). If you can read Italian, I advise that you read it. It truly is an extraordinary story! (Available on Amazon)
And while you’re at it, Michele Torpedine’s book Ricomincio Dai Tre (I Start Again From Three) is also a good read. It is in Italian and available on Amazon.
If you would like to share a story with me, please email: email@example.com
At the end of November 2021, this beautiful article by Donatella Aragozzini was published in the GRAND HOTEL newspaper.
The article is about the “new girls” of our young men. I have waited so far to publish it, because GRAND HOTEL is clearly a gossip newspaper, and then there were many live events to follow, but above all because I did not want to start useless gossip, since the two stories were very recent.
This interview draws many ideas from the VERISSIMO television show, in reality I believe that the whole article was written, just drawing the sentences, from that broadcast.
This is the cover of the GRAND HOTEL newspaper, as you can see Il Volo is on the cover, I translate the words written in the middle, Gianluca and Ignazio de Il Volo announce: “We have found great love”, and Piero says: “I’m working on it.”
And here is the whole translation of the entire article.
Young, beautiful and talented, with a success that knows no bounds.
And now also with a heart full of love.
Far away, are the times of “Ti lascio una canzone”, where Gianluca Ginoble, Piero Barone, and Ignazio Boschetto made their debut little more than children, before becoming famous all over the world with the name Il Volo.
Today, the three “tenorini”, launched by Antonella Clerici’s program, are almost thirty-year-old men, who are beginning to look to a future made not only of music, and to dream of the “Grande Amore”, to quote the song with which triumphed at the Sanremo Festival in 2015.
Gianluca Ginoble is sure to have found her, who, what has never happened so far, made a relationship official, talking about it openly.
Always jealous of his privacy and reluctant to talk about his feelings, this time the singer from Abruzzo said it without fear: “I’m engaged and really in love. I can say it publicly: I’m happy.”
He, who “is engaged intermittently, on leasing, because he changes every two years”, as Boschetto teases him, is now very convinced of his choice, ready to bet that “in two years the girl will be the same”.
The lucky one who stole his heart is called Eleonora, like his mother, but it is her surname that tells a lot about her: Venturini Storaro, where Storaro immediately brings to mind grandfather Vittorio, one of the greatest directors of photography in world cinema, three times Oscar winner (for “Apocalypse Now”, “Reds” and “The Last Emperor”).
They have been together, “for a while”, explains Gianluca, and guilty, therefore, could have been in August, the shooting of the short film shot in the Frasassi Caves, in which the three tenors paid tribute to Ennio Morricone, singing one of his compositions most famous, “Your Love” (from the film Once upon a time in the west): on that occasion, behind the camera, there was the great “cinematographer”, as Storaro likes to call himself, flanked by his daughter Francesca, who as an architect took care of the lighting, and of her daughter Eleonora.
The words written in yellow say: “Ginoble loves Eleonora, the granddaughter of a three-time Oscar winner.”
On the photo, the words written in white say: “Here is the shot that Gianluca Ginoble chose to present his girlfriend: her name is Eleonora Venturini Storaro, and she is the granddaughter of Vittorio Storaro (with her in the box), the director of photography, winner of three Oscars, including the one for The Last Emperor. “
Tall, with a cascade of black hair and deep dark eyes, the young Roman also enchanted the audience of the Venice Film Festival, where she walked the red carpet, together with her grandfather and the trio, to present a preview of the short film, in a blue dress that highlighted her long model legs.
Yes, because although she graduated with full marks in Fashion and Costume Sciences at the Sapienza University of Rome, then specializing in Fashion Design at the Marangoni Institute in Milan, Eleonora also works as a model. However, it is difficult to think that beauty is the only “weapon” unlined to conquer Ginoble.
Before her, the tenor, in fact, had several other girlfriends, real or alleged, from a certain Martina, who was close to him for a couple of years, to Francesca, a girl from his country, resembling Silvia Toffanin, from Mercedes Henger, to the Neapolitan actress Pasqualina Sanna, former competitor of “La pupa e il secchione”. (honestly Mercedes Henger and Pasqualina Sanna have never been engaged to Gianluca)
Yet, on none of them he has ever expressed himself, keeping every story to himself, while this time he wanted to share his happiness with the fans, publishing a shot with his new partner with the caption:
“And then I met you ……”, to underline how she has that something extra that makes her special in his eyes.
“Without taking anything away from the others, Eleonora is a very good girl”, Boschetto confirmed, “We are really happy that she is part of this family, because we are a big family.”
And the “family” now also includes Ana Paula Guedes, the splendid Brazilian professional from the “Dança dos Famosos” program (the carioca version of our “Dancing with the stars”), who last year literally made Ignazio lose his head. Suffice it to say that, to hold her in his arms, the Sicilian did not hesitate to face a journey of nine thousand kilometers, over twelve hours by plane.
“I’m in a moment of my life where I feel great,” he says, with an ecstatic expression on his face. “She is beautiful, but above all she is very beautiful inside, a beautiful person.”
On the photo, the words in yellow say: “Boschetto is crazy about Ana Paula, a Brazilian dancer.”
The black words say: “The woman who won Ignazio’s heart is blonde: her name is Ana Paula Guedes and she is a Brazilian dancing with the stars teacher. We met during the pandemic, he says.”
“We met during the pandemic: it was strange because we spent eight months exchanging messages, hearing and video calling each other, then, at the first opportunity, I went to Brazil to meet her, and from there, we got to know each other, slowly slowly . We don’t know each other one hundred percent yet, but we are very much in love.”
So much to think about tomorrow: if she replied to a fan that the wedding “one day it will happen and it will be very beautiful”, he confesses that he would not mind becoming a dad because “I always liked the idea of being a young father, I’m meeting the right person now, who knows …..”
And Piero Barone? His last official story dates back to three years ago, when he was paired with Valentina Allegri, the daughter of Juventus coach Massimiliano Allegri.
But after their goodbye, he has not met anyone capable of making his heart beat in the same way.
“Love is such a strong feeling that it must be protected, many have been lucky enough to find a soul mate, I still don’t, but I know it’s out there somewhere”, he says, specifying that “feeling good and happiness is not the same thing, for now I’m fine, and I’m happy with this.”
However, it does not mean that Piero does not want to find that happiness, and to build something important with a woman, since he admits: “I see a future with a family, with children, I believe it is the real reason for living”.
In short, for the moment he is single, but also ready to welcome him with open arms, when arrives, the ……. Great Love.
The words in the red box say: “After having conquered the world singing love, the time has come for Gianluca and Ignazio to live it.
– I am still looking for it- says Piero, – but I know it is somewhere .“
As I have already said, at the beginning I did not want to start a lot of gossip, so I kept this article “in the drawer” and I waited for things to be made clearer by Gianluca and Ignazio.
In fact, Gianluca started posting photos with Eleonora, she followed him for the Il Volo event in Dubai, here are their beautiful photos.
Ignazio had to wait for the Christmas holidays to reach his beloved.
But, as you can see from these photos, Ignazio did not only go to Brazil, he brought with him the other two women of his life, his mother and his sister, thus confirming that his is not a simple momentary falling in love, but it is much more.
The man you see here with Ignazio and Ana Paula, posted the photo with these words of his comment: “What a joy to celebrate the penultimate day of the year with the people we love so much! Thank you @ignazioboschetto and @aniinhaguedes for the welcome and affection of friendship! May the Lord Jesus always bless and strengthen your lives! Your love is so beautiful that it oozes and touches us all! United always !!!
Yes, don’t you get sidetracked by his clothing, this man is a priest.
But the most beautiful photos are certainly these two: how wonderful to see our two young men so happy !! ❤❤
The new year has begun and the photos of the two couples continue to arrive, Eleonora has also celebrated her birthday these days.
You will have noticed, in these last photos, that Gianluca and Ignazio have removed their beards.
Now they look like two kids and even Piero did the same and on himself too . . . the same effect !! 😮
At the end, what can I say, actually two beautiful girls, Eleonora and Ana Paula.
Gianluca and Ignazio confirmed that they are constant in the canons of their female choices: Gianluca’s girl is dark-haired with long, straight hair and Ignazio’s is blonde.
What we may not have expected was that both the women have roles that put them “in the spotlight”.
Eleonora is also a model and also an influencer. Ana Paula, with her work, is always on television.
When the photos of the two couples began to be published, many rude and absurd comments were written on many Facebook pages. To the Fandom, who may like or not like the two girls, I don’t think a rude attitude is right (in some cases I would dare to say absurd jealousy), even before knowing these two girls well.
For my part, seeing Ignazio so happy is priceless and Gianluca is no exception.
Let’s give time to time and enjoy their happiness.
During the period of the Christmas holidays, Il Volo was a guest in several television and non-television programs.
We start with their presence on the evening of the eve (recorded previously) in a television program in Spain called “Viva la Fiesta :Nochebuena” broadcast by Telecinco.
Il Volo performs “SE” from Nuovo Cinema Paradiso (video sync is not perfect).
Please click on the image below to view the video.
Really sweet this song and our boys, what about pure elegance.
On the same evening , Il Volo is in Montecarlo, for a private event.
We have news of this event from the photos that Gianluca and Piero have published, unfortunately we do not see anything of the event.
But here we are at the most beautiful part of the evening.
After the Mass celebrated by the Pope, greetings from Gianluca, Ignazio and Piero are broadcast on RAI1 and, from the Frasassi caves, the sweet song: O Holy Night.
GIANLUCA = The most beautiful things in life are not that far away, they are close to us, they are within us.
IGNAZIO = I am inside this magnificent place that never ceases to enchant us.
PIERO = We wish you all a Merry Christmas and a Happy New Year.
Please click on the image below to view the video.
Fantastic. Finally we have been able to see another piece recorded in Frasassi.
This song always causes me shivers of emotion, the voices are wonderful, our young men are very elegant, and the place is enchanting, despite the low temperatures, you will have all noticed the puffs of breath during the video. ❤
Il Volo then delivered their vinyl record to some friends as a Christmas gift, and some of them thanked by publishing these photos and comments:
This was published by MCN Studio 17, the recording studio in Sicily where they recorded Ecstasy of Gold.
MCN Studio 17 had write this beautiful words:
“A year ago we had the privilege of being able to host in our studio, the beginning of this epic musical adventure, of the three golden boys of Italian bel canto, Piero Barone, Gianluca Ginoble and Ignazio Boschetto, who with polite simplicity have demonstrated their artistic and human greatness. Today we receive the fruit of this meeting that we will never forget. Thanks ilvolomusic always go ahead.”
Please click on the image below to view the video from Saturino.
This video was published by Saturnino Celano, (he is a well known Italian musician, and also a producer and composer), here is what he says:
“Hello everyone, I wanted to show you one of the most beautiful gifts ever received, really never received, ever since I started attending the wonderful world of music, this is a truly amazing gift.
Look what I received today, complete with dedication, from Ignazio Piero and Gianluca, amazing double vinyl, look how wonderful, and to do justice to this work, which I had the honor of listening to while they were recording it. (He shows the photo of the internal disk) Look what a sight. (he shows the red vinyl and puts it on the turntable (Ecstasy of gold begins).
Thank you very much, thank you very much, thank you very much !!!
(He plays the start of Your Love and greets a friend live.)
Il Volo Sings Morricone, complete with dedication and autographs. Really wonderful, I recommend it at all, and thanks again to Ignazio, Piero and Gianluca.”
This was published by Red Ronnie (very famous Italian TV presenter, his is the Barone Rosso and Roxy Bar programs).
“I got this wonderful gift from the guys of Il Volo: Il Volo Sings Morricone, look!
Yes, dear guys, but we said to ourselves that you were coming to the Red Baron, clearly the jukebox is there, still broken, (Ignazio broke it), so Ignazio is armored, but I’m waiting for you. Thank you!”
The video above was published by Saretto of the Bam Bar in Taormina.
And this from Antonella Clerici, the one who presented them in 2009 in Ti Lascio una Canzone.❤
Gianluca also sent this sweet message:
“I want to send a special greeting to all the children of the AGBE (Association of Parents for Homopathic Children) and their families.
Unfortunately I wanted to come and see you, but my work commitments did not allow me to be there with you. But I send you many wishes for a Merry Christmas with the hope of hugging us again soon and that this situation will improve soon too.
Hello to everyone, I love you and see you very soon.”
Unfortunately, there was also sad news, such as that of the passing of the singer of Il Divo and their dear friend, Carlos Marin. R.I.P.
Reposted from @ilvolomusic. It hurts our heart to hear this news. We have lost a beautiful soul and a wonderful voice that will live forever.
Our deepest condolences to your family and friends.
Gianluca, Ignazio and Piero then published their Christmas greetings, in three different languages:
Really many commitments and all fantastic, but there is still one more, a long interview with the RAI1 television program Domenica In, aired on December 26th.
But for that, there is a long translation and you have to wait a little longer.
Since you liked the first part of the interview Felicità a lot, here is the second part, starting at minute 27:04.
Happy reading everyone.🤗
(A Chi Mi Dice video begins.)
PV = (voice) The dreams of glory of three boys from the provinces, who have already become, by Divine will, icons of global music. Three young people with their heads on their shoulders, who despite their success, continue to speak with the humility that befits adults.
It is precisely from their last words, which underline the awareness of the privilege of sharing strong emotions, and the indissoluble union on stage, despite three different characters, that the values with which they were educated are understood: Ignazio, Gianluca and Piero.
Humility, work and growing interest in culture, values that all young people, whatever their interests, must treasure.
(The video of Il Volo begins with Laura Pausini in NYC 2014.)
The contagious enthusiasm of the new lady Golden Globe, and Oscar nominated artist, to put it in the American way: Miss Laura Pausini, in introducing Il Volo on the New York stage a few years ago (2014), relaunches the discussion on the growing global appreciation of the three young artists, loved everywhere, for the ease with which they propose themselves on every occasion, be it classic or pop.
An equally engaging state of mind that of Ignazio, Piero and Gianluca, like that of the “ex Pausella da Solarolo”, (Pausella is a nickname to say Laura Pausini, she grew up in a town called Solarolo) which allowed her to become, in effect, the new young lady of Italian song in the world.
For the pupils of Michele Torpedine (Il Volo), discovered by Antonella Clerici and Roberto Cenci, and launched for the first time in the world by Tony Renis, the path is still long and full of expectations, but with youngsters like that, we must not ask ourselves about limits.
PIERO = I read a review on Beniamino Gigli’s book, made by a friend of his who went to visit him, before a concert and Gigli had just finished vocalizing.
His friend asks him if he still continues to study, and when was the last time he studied and Gigli replies: “Five minutes ago!”
Beniamino Gigli was already at the peak of success.
Talent is a gift that God gives you, but maturity allows you to cultivate it and study every day, there will be a reason why all the great ones continue to study.
Clearly we are now mature, we know how to study and what to study.
Our strength is our team.
A few days ago we received the news of the success of the Verona Arena, we hugged, we with our team, because it is not just the three of us, the three of us go on stage, but behind us there is the management and I have to tell you that the mentor of IL Volo is Michele Torpedine, because it is he who stimulates us to create new ideas.
PV = Sure!!
PIERO = We are too young to have so much creativity.
PV = Clear.
PIERO = He is far-sighted, he sees beyond.
When we go on stage and we get a great success, I was telling you about the success of a few days ago, we hugged each other and we said: “Never change a winning team”.
It is also confronting every day, even with points of view …..
PV = With different points of view, of course.
PIERO = …. different points of view, because now we are mature, but there are no more teasing, no more spites.
PV = Why were there?
IGNAZIO = When we were little it was normal, then we also have three different characters, we also have three very strong personalities the three of us, so it’s normal that we went against our ideas.
(beautiful video of Il Tuo Sguardo Manca, made at the Verona Arena)
PV = (to Torpedine) How difficult was it to keep three young men with strong personalities together, who evidently manage to find a common agreement on stage?
TORPEDINE= It was much more difficult at first, because they were children, they even fought over the place in the car. 😁
Today they are three adult and intelligent people, but the nice thing about Il Volo, unlike other artists, is that although today they cover most of the world (they are famous in most of the world), they are very simple people.
PV = Where will Il Volo arrive? (where their success will come? how far will they go?)
TORPEDINE= I have been telling them for some time that the best is yet to come. When they will have the credibility of mature people, and prove that their voices are crazy, I always tell them that big success is yet to come.
But it will come, because there is no such thing in the world. (Meaning the guys of IL VOLO are the only ones who present such a repertoire and with these qualities in the world.)
(The song of UN AMORE COSÌ GRANDE starts, which links to images of Ischia – Italian island near Capri)
PV = (voice) In the journey of these three guys, there was also a very nice parenthesis that I want to remember, because the first international audience they had was in Ischia, in 2010 during the Ischia Global Film Music Festival. The three came, very young, I must say very jaunty, with their families, very carefree, but they were already concentrated there, in the recording room, they were making the album, with great commitment and they did a concert in Sant Angelo Ischia, in front of a Hollywood audience, Jeremy Renner, Channing Tatum, Rosario Dawson, Ethel Graham and many other international actors.
The video of the evening in Sant Angelo Ischia begins, there is Tony Renis on the catwalk, these are his words:
TONY RENIS = It was Pascal who urged me, he told me: “Tony, this wonderful evening in this wonderful setting of Sant Angelo, you have to bring these three extraordinary kids. They are three fifteen-year-old boys, they are here and I introduce them to you: Gianluca, Gianluca Ginoble, Piero Barone and Ignazio Boschetto.”
PIERO = We want to dedicate this song to all mothers.
IGNAZIO = To all mothers, especially ours, but ….
PIERO = ….. but in particular to a great mother, Pascal’s mother.
GIANLUCA = Pascal’s mother.
TONY RENIS = (voice) As they say in Los Angeles, ladies and gentlemen: Il Volo.
(The song MAMMA begins.)
PV = (to Gian) But how much have you changed since Ischia, where you already had the fans outside the Regina Isabella (Hotel) who were besieging you?
GIAN = However, these are things that are not forgotten, because those who support you from the beginning ….. it is easy to support when there is success, so we thank you also for this, for this support that you have given us since the beginning.
In reality, we are not so different, we never lose that desire to do, to be a bit like those children who chase those dreams, to set goals and always improve.
So let’s say we still maintain that simplicity ……..
IGNAZIO = Now we are waiting for the renewal of the invitation (to the Ischia Global Film Festival).
PV = Of course, guys, this summer.
GIAN = HAWK’S EYE (Jeremy Renner), I also want TONY STARK (they are actors who play Avengers in the movies), you have to invite Robert Downey, Jr. too, he’s my favorite actor, you have to bring him.
ROBERT DOWNEY JR. I LOVE YOU.
IGNAZIO = If you want to invite Anne Hathaway too, I’m not sorry, I say. (humorous) 😁
PV = I see that Anne Hathaway is very strong, she has a strong passion for Italians …..
IGNAZIO = We too for her …
GIAN = If you bring me Robert Downey Jr., I’ll make you a statue. 😁
PV= But guys, I have to make the statue to you, to great young music legends.
IGNAZIO = He makes the statue for you and I place it next to that of Pino Daniele in Naples.
PV = Let’s not exaggerate guys.
Instead, how much have you personally changed, compared to when you were kids, you talked about magical moments in Rome, Los Angeles, Ischia.
I see you (to Ignazio), you are a young gentleman now.
IGNAZIO = No, we change, but it is normal that we change, it goes without saying.
PV = Sure
IGNAZIO = But not because we become more important, but because it is the age that dictates it, for nothing else. We are very proud of what we are doing, because it is all that the sacrifices are repaying us, the satisfactions. We are working hard, nothing ever falls from the tree, you have to go there, you have to climb and collect what you want to have.
We are really satisfied, change is normal, but we try to keep our origins, our traditions, our values, which are the most important thing, things that we have always tried not to lose along the way.
(The video MUSICA CHE RESTA starts.)
PV = Piero you are three very young exes (former children), who have made it, and you are still there, determined to grow more and more.
Instead, let’s talk to many young Italians, who are still there fighting for the first satisfaction of their life, what do we say to them?
PIERO = Our work is a dreamy job, we always think big, sometimes we succeed, sometimes we fail and that fear is the stimulus that makes you grow, it always keeps you going.
As for our peers, I do not feel able to give advice, but the only suggestion I could give is to believe in your talent, but above all in your passion, which sooner or later, life will give you that satisfaction.
(The video of Canzone Per Te begins.)
PV = Gianluca, when you go back to Abruzzo, and go around the streets where you took your first steps, not only artistic, but also in school, what is your feeling today?
GIAN = We were just talking about it the other day. Each of us lives it differently, but there is a strong gap between living the life of the country, because in any case I have not moved from Abruzzo, I live by the sea, and then, go around the world.
It is as if we lived two lives side by side, as if every now and then, we jump from one train to another, as if they were two tracks, right?
But we must try to maintain that normality that allows you not to lose the detachment with reality, because in any case, even if this is our life, we have adapted to change. It is a great privilege, somehow, to be able to live a life as a simple, normal boy, and then you have this privilege of living a life of a star, let’s say.
GIAN= We must know how to cultivate both things, know how to manage them, and never lose that humility, that simplicity.
PV= Ignazio, being Italian is a great privilege, let’s face it.
Let’s tell a little to the many young people who do not have the awareness of the world, that Italianness is a very important value.
IGNAZIO = Being Italian is a great honor for us because, only by hearing about it from various nationalities, you realize how our country is loved, respected, envied. Because we, in the end, have fantastic places, among the most beautiful in the world, people … that are the most beautiful in the world, because here you can find your dimension, with more reserved people (north) or with more people lively, like in the south, right?
So we live in a fantastic country and we just have to be proud of our flag. 😘
(The video for Per Te Ci Sarò begins.)
PV = (to Gian) But when you are on stage in Los Angeles, rather than South America, or China, or Russia and you start to see the Italian flags that come out, what’s the feeling, I get the chills just thinking such a thing.
GIAN= It is our culture, above all musical, that allows us to travel the world, you know it better than us, in short. It is the strength of this music, which allows us to conquer not only Italians abroad, but also audiences from all nations, and this is a great thing.
See the Italians who follow us, who by the way we greet, who are watching us in many …..
PV = Also through RAI ITALIA …
GIAN = Yes, exactly … who live our concerts with that nostalgia, with that tear that is the memory of a past life, and for us it is exciting to try to convey emotions to these people too, and we will return to tour very soon, we are preparing many beautiful things for you.
IGNAZIO = The beautiful thing, do you know what it is? It is not the fact of seeing an Italian with the Italian flag, which fits!
But it is seeing a Russian girl, with the Italian flag in her hand, a Japanese or Chinese girl with an Italian flag in her hand, a German boy, with the Italian flag in his hand, and there you realize that music does not place barriers to nationality to culture.
Music unites us!
PV = (to Piero) What do you dream of for your future?
PIERO = I dream of living music all my life.
PV = Enough for you?
PIERO = Music is everything to me.
PV = Yes?
PIERO = It’s my life.
PV = It is your life. (then, to Gian) And the family? Start a family?
GIAN = Eh ???? What does it mean???? ……
IGNAZIO = You asked the wrong person the question !!!
GIAN = (continuing to pretend not to understand) …… what does that mean ????
PV = (replies to Ignazio) Why what do you mean?
PIERO = Because he (Ignazio) is the romantic of the group.
IGNAZIO = It’s not that I’m romantic, it’s me who dreams of a family, he (Gianluca) maybe not ….. but it’s normal, we have different interests.
PV = He (Gianluca) is the playboy of the situation?
IGNAZIO = No, but you know, family is not always everyone’s goal, the goal is to feel good, feel good about yourself, feel good with another person, for some to have children, for some not, so it is very subjective.
I dream of having a family.
PV = How many children ??
IGNAZIO = At least three, at least.
PV = You already have the lady with whom …..
IGNAZIO = I have to hurry …..
GIAN = Hurry, no!! When you feel ready!
IGNAZIO = But I feel ready.
Did you understand? (he says to Pascal, as if to underline that he and Gian have different goals for the moment)
PV = (addressed to Piero) You instead?
PIERO = I am a person who comes from a family rich in values, clear, when love arrives, when the time is right, it is not prescribed.
PV = No, no, of course not.
Let’s close guys, the microphone and the camera to you, to look the fans in the eyes to tell them what?
GIAN = Thank you, we are coming back, get ready, because we are preparing something great for all of you.
PIERO = Thanks for your support, trust and love.
IGNAZIO = It was a difficult year, full of shortcomings, but also a lot of work.
See you soon 2022, many concerts.
PV = yes, definitely.
This is Il Volo, three ex (former) children that I met at the beginning and who today are three very successful men and therefore I am really happy today to have them with us.
HAPPINESS to all.
G + P + I = Thank you
I would say it was a long, but really good interview.
Gianluca, Ignazio and Piero showed, with their words, a great maturity, and Pascal asked them very relevant questions and recalled the salient moments of our boys’ careers, with great affection.
It is a pity that this beautiful interview had little relevance here in Italy, because it was announced at the last moment and broadcast at a rather strange time.
But we fans, we know how to give due credit to things of value.
I also included the video of IN ASSENZA DI TE with Laura Pausini in New York, because I thought that maybe many of you have never seen it.
I also thank all of you, for the wonderful comments for the translation of the first part of the interview, I hope you like the second as well.
Credit to owners of all photos and videos.
Come in and share the love of life, friends and Il Volo!