Sunday 26 December, Santo Stefano (with us 25 and 26 December are always holidays), on RAI 1, during the program DOMENICA IN, conducted in the studio by Mara Venier, Il Volo was a guest.
A pleasant hour, where Piero, Ignazio and Gianluca sang and talked, a really nice interview, which had already been previously recorded, to make sure that that day, everyone was with their own family.
Here is the video and its translation.
Click on the photo below to view the video.
MARA = I would start immediately with them, I thank them very much, they are indeed ambassadors of Italian culture and music in the world and thanks to Rai Italia, we are seen all over the world and I want to greet all the Italians living abroad and me I would start immediately with Il Volo.
(Applause. A video begins with the most important stages of Il Volo’s career)
But how wonderful this video is, how many very famous people they met.
Well we will be here, we will present the latest wonderful project of Il Volo, which is entirely dedicated to the great Ennio Morricone, but let’s start immediately like this: IL VOLO.
(Enter Gianluca, Ignazio and Piero, applause, kisses and hugs)
Guys, start right away with the first performance, then let’s talk about everything, everything.
GIAN = Come on, we are ready, here we are. (the song SE begins, from Cinema Paradiso)
MARA = Well done, well done.
PIERO = How beautiful.
IGNAZIO + GIAN = Thank you
MARA = I’m excited, maybe it’s Holy Christmas …. she turns to Gian: “Everything’s fine, dear”.
GIAN = Very well.
MARA = Very good, very good.
PIERO = This is too much. (He refers to the constant applause of the audience.)
MARA = No, it’s never too much. But have you seen the video we sent?
IGNAZIO = Absolutely yes, and it’s always exciting to see it.
PIERO = There were the images of the film Nuovo Cinema Paradiso.
MARA = These are taken from the film Nuovo Cinema Paradiso, which together with Il Ferroviere(another Italian film) are the films of my life (he means that they are his favorite films). I know the lines of the film by heart.
PIERO = It is also my favorite movie.
MARA = Mine too.
PIERO = I watched it during the lockdown, I dedicated a Sunday afternoon to this film, I don’t deny you that I cried.
MARA = When he looks at all the kissing film clippings …..?
PIERO = For me, the most exciting moment, as a Sicilian, when he says to him: “Don’t get nostalgic, never come back” …. there an emotion came to me ….
GIAN = It’s normal, it’s a bit like what we experienced, leaving what was ours ….
MARA = Sure, maybe because of this. Do you recognize yourself a little …
PIERO = So much ….
MARA = However it is a wonderful film, great Peppuccio Tornatore, great director, great friend, a kiss. (applause)
So guys, I saw in the first video, during your presentation, and I must tell you that I was quite excited, because the path you have made, who has it happened to?
Maybe in Modugno, I don’t know, I really think about the greats, the myths.
What happened to you in a few years is simply wonderful (applause)because you bring Italy to the world. And Italy is not just pizza, spaghetti and mandolin(stereotype of Italy), it is also something else and you are bringing something else, your talent, your voice, I wanted to tell you.
IGNAZIO = This has always been our goal, to make our culture known, however in this album, we give prestige to what was the maestro Ennio Morricone, and as you can see from the cover, we also remember Sergio Leone’s films (western director and friend of Morricone).
MARA = Beautiful.
GIAN = Remember the movie The Good, The Bad and the Ugly ….
MARA = Beautiful also the photo inside, though. Look at these three children.
PIERO = Can we have a marker to autograph this album to Mara?
MARA = Really? Immediately, live? Come on, yes!
IGNAZIO = I’ll go.
MARA = Look, by magic, there is also the marker, “Aunt Mara” and this too (she also gives the CD and asks that they be dedicated to aunt Mara, as Mara often calls herself by young people).
IGNAZIO = The dedications are made by Gianluca.
GIANLUCA = Since I have the most beautiful writing, I write.
PIERO = I write like doctors, doctors’ recipes (prescriptions) ….
MARA = … that it is not clear what you write.
IGNAZIO = While Gianluca is writing, let’s go back to the previous discussion ..
MARA = Among all these important characters, myths, true myths, is there anyone who has moved you more? Saw Barbra Streisand ….
PIERO = The editing you did is really beautiful, but each of us has his own indelible memory, personally, singing in front of Pope Francis in Panama, during the youth day, I think it was one of the most important and profound moments.
MARA = Of course, I believe it. Then he has a great charisma, I spent two afternoons with him, one afternoon for 4 hours always with him, and the incredible thing is that it’s like talking ….. (the photo of the boys with the Pope appears in the background) There they are !! …. because he is a simple man, it is like being really, with a grandfather.
IGNAZIO = I think that a figure like Pope Francis, we needed it, also to approach the youngest, I speak as a boy who does not practice, but, thanks to Pope Francis, I have re-evaluated the religious world.
MARA = Of course, when there are men like that, then he is a real revolutionary, guys.
GIAN = Maybe he’s looking at us, let’s say hello.
MARA = We greet Pope Francis: “Happy St. Stephen Holiness!” ….. but he only wants to be called Pope Francis.
So guys, I start where we started, because it’s beautiful, then do your whole wonderful journey.
(Begins a 2011 video of the LA VITA IN DIRETTA program , conducted by Mara Venier, with guests of the very young Piero, Ignazio and Gianluca. In the video Mara says that three of them are 48 years old and then asks who wanted the name Il Volo and Piero replies that it is a metaphorical name and that they decided it together.)
Have you understood? In the end I wished you to fly high, but you took me at my word !!!
GIAN = I still remember the first moments. It was one of our first interviews. I still remember the excitement of doing the interviews, we didn’t know what to say, sometimes we got tangled up, we didn’t really know how to behave with the cameras. It’s amazing how, over time, things can change, in 10 years our life has changed in an incredible way.
MARA = Incredible. Have you ever thought about all this guys? (she drops the felt-tip pen)
IGNAZIO = I’ll take care of it.
MARA = Come on, I can do it.
IGNAZIO = I wanted to be a gentleman.
MARA = What love !! I wanted to take this (the vinyl) and show it because it’s beautiful.
PIERO = Actually while we were singing she was afraid that it would be stolen.
MARA = In fact, look, I’m holding it tight. By the way, Monica Bellucci called me (Il Volo was a guest on the previous Sunday for a tribute to the actress Monica Bellucci in connection from Paris).
IGNAZIO = Did she like it?
MARA = She thanked me, it was a surprise, she wasn’t expecting it at all.
GIAN = It was good for us too.
MARA = Really?
GIAN = Sure
MARA = Did you have any feedback?
GIAN = Apart from that, during the interview, Monica Bellucci is Monica Bellucci(as if to say that Bellucci is famously beautiful) .… but Mara Venier ….
PIERO = But Mara Venier is Mara Venier (as if to say that Mara is beautiful too)
MARA = Oh yes, at my age …. guys but I invite you every Sunday ….
IGNAZIO = You have to thank that I am already busy, otherwise I would make you a ruthless court (what a seducer).
MARA = Where is your girlfriend?
IGNAZIO = She is far away.
MARA = Very far?
PIERO = No, she’s near here, around the corner.
GIAN = Exactly!
PIERO = In Brazil.
MARA = But you really had to find her in Brazil?
IGNAZIO = Love does not know distances, it does not know religions, races.
MARA = Is she Brazilian?
IGNAZIO = Yes. Traveling, you meet different cultures, and this has given us the opportunity to get to know the whole world and also arrive in Brazil, where I later met what my love is, however ….
MARA = But why Ignazio, didn’t you join her now for Christmas?
IGNAZIO = Work calls and we are very professional.
MARA = Like me.
IGNAZIO = Exactly. Unfortunately or fortunately, in life you have to work and there are priorities.
MARA = I am very happy.
IGNAZIO = And we are young ….
MARA = You have time, now, as soon as the broadcast is over, you can join it.
IGNAZIO = Yes, I’m going down (He means Brazil. Actually the program is recorded in this way Ignazio at Christmas reached his love in Brazil.)
MARA = So guys, let’s talk again ….. why are you looking at me like this Piero, you look at me and you make me laugh.
PIERO = I respect you, you are fantastic. See you go to the programs, that feeling with the presenter, it is fundamental, it is crucial to make sure that the best part of us comes out.
MARA = Sure.
PIERO = Because you know, behind the artist, behind the singer, many at home cannot perceive the personality, because there is always the fear of making a mistake, or how much to talk, with you it is unfiltered.
IGNAZIO = Also because you always talk, so we are fine.
MARA = That’s not true !! I always make you talk and above all I listen, what a bad Ignazio. (Ignazio laughs) I’m not sending you to your girlfriend, I make you stay here, even for New Year’s, I don’t let you leave. (applause and laughter)
Ennio Morricone, why? You are very young, boys and here are some pieces that will truly remain in history.
GIAN = Let’s say that we have had an artistic evolution over the years, it all started with O SOLE MIO, then slowly, even with Grande Amore, we tried to have our own repertoire, then in 2016 a Tribute to the Three Tenors with Plácido Domingo, and this time we decided to pay a tribute, however, on the soundtracks of the films, which are a little detached from what is the real tradition of Italian music, because in any case Morricone is a genre in itself, an international genre, which has made history …
MARA = Oscar winner!
GIAN = Exactly, and therefore he wrote a music that has made generations dream, and it is also a way to make him known to the youngest, who may not be able to connect the music with the composer at first glance. So for us it is really an honor, we also thank the family, the teacher Andrea Morricone ….
MARA = The son.
GIAN = …. who immediately supported the project, and also his wife Maria Travia, who also gave the possibility to have her son (Andrea) write a text on the first sung version of the Ecstasy of Gold by Il Buono, the bad, the ugly.
MARA = Beautiful !! Now I’ll show you June of this year, the Verona Arena, I remember that we made a connection, just to launch your concert, let’s see this clip together.
(A video starts with Your Love from the Verona concert. In the video, Andrea Morricone says: “It is really exciting to hear my father’s music playing in this splendid Arena, it is really fantastic.” Ignazio says:
“Maestro Morricone means a lot to us, he is a symbol of Italy in the world, on this stage with the great maestro Andrea Morricone, is an honor.”)
How wonderful! (applause)
PIERO = Mara, those images are really strong for us, because the first images we saw are taken from the concert on June 5th and it was the first concert, right after the lockdown ….
MARA = Sure.
PIERO = ….. with 50% of the capacity of the Verona Arena.
IGNAZIO = 6 thousand.
PIERO = Yes, 6 thousand people, so we got on stage after almost two years of pause and silence, so there we really understood that for an artist, for a singer, the audience is oxygen.
MARA = Sure, absolutely. How have you lived through these two years of pandemic and I keep saying that we must still be very careful. Yes, we must not give up.
IGNAZIO = Never.
MARA = You who are used to traveling the world, never stand still.
GIAN = We tried to live it definitely not in a passive way. It is not easy, because many families have certainly suffered, and there have been people who have not been able to manage, especially young people, adolescents, who perhaps miss the most delicate period of their life and therefore, in some way, be still, not having a place in society, being able to understand what to do in the future and instead stopping, was certainly difficult for young people. And we also try to be an example for the young people who follow us.
MARA = Absolutely.
GIAN = We certainly haven’t stopped, you need to have a spirit of adaptation, when life puts you to the test anyway.
MARA = Look Gianluca, when I invite my guests, especially artists, musicians, even important ones, I always asked them, during the pandemic, during the lockdown, what they did, and the majority always told me that they continued to write, and moreover, they have also had the concentration, in these months, even so difficult, also of pain, of insecurity, of fear, in the end, but many have told me that they have been creative.
GIAN = They gave vent to creativity.
MARA = Exactly, they gave vent to creativity, exactly.
PIERO = We, too, created this album during the pandemic.
MARA = The album was born right there.
PIERO = Yes, because for us, the worst enemy has always been time, we have never had the time to concentrate or dedicate ourselves to taking care of all aspects of a project.
For this album, we worked a year and a half, the initial part via ZOOM (internet) with video calls. Then we went to the recording studio, zoomed in with the linked producers from Stockholm. We wanted it at all costs.
GIAN = Then it is clear that we always try to see the positive side, because from 2009 to today, we have always been 7-8 months a year out (abroad), on tour or promotion of the record, in short, it is our life. But in these two years, the positive thing is that we have been more with our families, we have cultivated relationships, met love, maybe we have been more with our friends. So we rediscovered what was our “old life”.
MARA = Exactly.
GIAN = Because anyway it’s like jumping on two different tracks every now and then, Il Volo and then ….
MARA = And then I imagine that when you are away for months and months, abroad, traveling the world with the tour, in short, your family, but also your country, in the end you miss them.
IGNAZIO = We always say that these years have been the result of positive and negative things.
Personally I am a person who has a hard time falling asleep at night, because my head is constantly thinking, about everything there is to do, I store a lot of information. But I realized that sometimes stopping, even if difficult, stopping is good, also to understand what you want from life, what you are doing.
MARA = Reflect, a moment of calm.
PIERO = You live everything with frenzy.
MARA = Especially you.
PIERO = We never stop, only at Christmas. For us, Christmas, on the 24th evening, we have to go home, and it is as if time stopped.
MARA = And this is beautiful, can I tell you? Coming home on the 24th is beautiful.
IGNAZIO = then on the 26th we come to Rome! (Domenica In is recorded in Rome).
MARA = Let’s go on guys, now there is a beautiful piece always taken from Morricone, “Once Upon a Time in the West”.
PIERO = It is the song we sang in Sanremo, this year we were guests in Sanremo.
MARA = So now you will let the guests of “Zia Mara” hear it.
During the period of the Christmas holidays, Il Volo was a guest in several television and non-television programs.
We start with their presence on the evening of the eve (recorded previously) in a television program in Spain called “Viva la Fiesta :Nochebuena” broadcast by Telecinco.
Il Volo performs “SE” from Nuovo Cinema Paradiso (video sync is not perfect).
Please click on the image below to view the video.
Really sweet this song and our boys, what about pure elegance.
On the same evening , Il Volo is in Montecarlo, for a private event.
We have news of this event from the photos that Gianluca and Piero have published, unfortunately we do not see anything of the event.
But here we are at the most beautiful part of the evening.
After the Mass celebrated by the Pope, greetings from Gianluca, Ignazio and Piero are broadcast on RAI1 and, from the Frasassi caves, the sweet song: O Holy Night.
GIANLUCA = The most beautiful things in life are not that far away, they are close to us, they are within us.
IGNAZIO = I am inside this magnificent place that never ceases to enchant us.
PIERO = We wish you all a Merry Christmas and a Happy New Year.
Please click on the image below to view the video.
Fantastic. Finally we have been able to see another piece recorded in Frasassi.
This song always causes me shivers of emotion, the voices are wonderful, our young men are very elegant, and the place is enchanting, despite the low temperatures, you will have all noticed the puffs of breath during the video. ❤
Il Volo then delivered their vinyl record to some friends as a Christmas gift, and some of them thanked by publishing these photos and comments:
This was published by MCN Studio 17, the recording studio in Sicily where they recorded Ecstasy of Gold.
MCN Studio 17 had write this beautiful words:
“A year ago we had the privilege of being able to host in our studio, the beginning of this epic musical adventure, of the three golden boys of Italian bel canto, Piero Barone, Gianluca Ginoble and Ignazio Boschetto, who with polite simplicity have demonstrated their artistic and human greatness. Today we receive the fruit of this meeting that we will never forget. Thanks ilvolomusic always go ahead.”
Please click on the image below to view the video from Saturino.
This video was published by Saturnino Celano, (he is a well known Italian musician, and also a producer and composer), here is what he says:
“Hello everyone, I wanted to show you one of the most beautiful gifts ever received, really never received, ever since I started attending the wonderful world of music, this is a truly amazing gift.
Look what I received today, complete with dedication, from Ignazio Piero and Gianluca, amazing double vinyl, look how wonderful, and to do justice to this work, which I had the honor of listening to while they were recording it. (He shows the photo of the internal disk) Look what a sight. (he shows the red vinyl and puts it on the turntable (Ecstasy of gold begins).
Thank you very much, thank you very much, thank you very much !!!
(He plays the start of Your Love and greets a friend live.)
Il Volo Sings Morricone, complete with dedication and autographs. Really wonderful, I recommend it at all, and thanks again to Ignazio, Piero and Gianluca.”
This was published by Red Ronnie (very famous Italian TV presenter, his is the Barone Rosso and Roxy Bar programs).
“I got this wonderful gift from the guys of Il Volo: Il Volo Sings Morricone, look!
Yes, dear guys, but we said to ourselves that you were coming to the Red Baron, clearly the jukebox is there, still broken, (Ignazio broke it), so Ignazio is armored, but I’m waiting for you. Thank you!”
The video above was published by Saretto of the Bam Bar in Taormina.
And this from Antonella Clerici, the one who presented them in 2009 in Ti Lascio una Canzone.❤
Gianluca also sent this sweet message:
“I want to send a special greeting to all the children of the AGBE (Association of Parents for Homopathic Children) and their families.
Unfortunately I wanted to come and see you, but my work commitments did not allow me to be there with you. But I send you many wishes for a Merry Christmas with the hope of hugging us again soon and that this situation will improve soon too.
Hello to everyone, I love you and see you very soon.”
Unfortunately, there was also sad news, such as that of the passing of the singer of Il Divo and their dear friend, Carlos Marin. R.I.P.
Reposted from @ilvolomusic. It hurts our heart to hear this news. We have lost a beautiful soul and a wonderful voice that will live forever.
Our deepest condolences to your family and friends.
Gianluca, Ignazio and Piero then published their Christmas greetings, in three different languages:
Really many commitments and all fantastic, but there is still one more, a long interview with the RAI1 television program Domenica In, aired on December 26th.
But for that, there is a long translation and you have to wait a little longer.
On November 17, Il Volo was a guest on Radio Italia, only Italian music, for the promotion of their latest CD.
The event was led by Mauro Marino and Manola Moslehi. It was a great interview and Piero, Ignazio and Gianluca also sang two songs live.
In November two years ago, I was able to go to Radio Italia and it was wonderful. Unfortunately this year, due to COVID restrictions and also the afternoon hours, I was unable to go, too bad.
Here is the video and its translation.
Please click on the photo to view the video.
MAURO = Here we are in the Reward Music Play, complete with an audience, welcome back, well arrived, purely female audience, I must say.
MANOLA = Of course, also because today’s guests are three beautiful guys, so even the eye wants its part.
MAURO = Exactly, and for the eye, we also greet the friends who follow us on Radio Italia TV, Manola Moslehi, Mauro Marino, and then let’s call them, we are standing here on stage, because in front of these microphones, soon, yes, will perform live, the three guys from:
MANOLA = IL VOLO !! (applause, enter Piero, Ignazio and Gianluca).
MAURO = Here they are, take a seat, please, please. You can sit down.
Manola ran away and I don’t know why.
I + P + G = Hi, hi.
MAURO = When you are ready ….. here they are: IL VOLO (Manola returns to the stage)
MANOLA = I thought they sang right away, do you understand? I didn’t want to waste time.
MAURO = Are you ready?
IGNAZIO = Very ready.
PIERO = But we haven’t warmed up our voices.
MAURO = Try to do it now.
PIERO = How do we do it? Let’s start like this?
MANOLA = Come on, come and sing.
GIAN = We are yours today …..
MANOLA = Sing, sing ….
MAURO = It’s just that you don’t have microphones (the microphones in front of the boys are just for singing), it’s just for that, then you tell us everything when we get off here in front.
PIERO = Can you come near here? ….
MAURO = I can come, but I can’t give you my microphone, you know the rules (this are the new rules for COVID the microphone is personal and must be disinfected before being used by another).
MANOLA = Piero has to ask for things …
MAURO = Tell me, what is it I have to do, tell me.
PIERO = Are we on live?
MAURO = We are on live, yes, yes.
PIERO = Ah,on live without warming our voice, beautiful.
MANOLA= But no, go , go live!!
GIAN = We greet all those who look at us with their mobile phones from home !!
MAURO = I know what you will do SE TELEFONANDO, right? You let us listen to it and then we talk about it. Il Volo on Radio Italia.
(starts SE TELEFONANDO live)
MANOLA = Live on Radio Italia only Italian music, Il Volo, strictly live !! Wonderful guys.
MAURO = Thanks guys. So, we wanted to specify that they sang from the vivo, you already said it …
MANOLA = Yes, yes.
MAURO = … and they haven’t even warmed up their voices, so now guys, you are machines that go automatically …
MANOLA = Think if they had warmed up their voices …
MAURO = Great, thanks guys !! Here are the microphones, perfect and I sit down too, voila!
MANOLA = (To the audience) Did you like them?
IGNAZIO = Here we are.
MAURO = So, there is a new album, dedicated to the great maestro Ennio Morricone, besides you have just sung this song, everyone knows that the song (the text) was also written by Maurizio Costanzo (great Italian television entertainer) and the music, is also by Ennio Morricone, we wanted to remember this because it is with this song that you opened today’s appointment.
IGNAZIO = You know how this song was born, don’t you?
MAURO = I know the story, but you tell it.
IGNAZIO = No, no, Piero tells it. 😁
MAURO = Come on Piero.
PIERO = When the idea of dedicating an entire album to Maestro Morricone, and the project was born, started for us, an extremely complex course of study, because when we entered the world of Ennio Morricone, on tiptoe, we discovered that he had written nearly 500 melodies.
IGNAZIO = More than 500 compositions.
PIERO = Not only soundtracks, we discovered that he made the arrangement of IL MONDO and also of SE TELEFONANDO.
IGNAZIO = ABBRONZATISSIMA (Ignazio mentions a very famous Italian song from the 60s)
MANOLA = Also, it’s true! (she refers that even Abbronzatissima was set to music by Morricone)
PIERO = Lots of songs. Since we had the support of the entire family of Ennio Morricone, including his son Andrea Morricone, he told us several anecdotes, including the birth of SE TELEFONANDO. His father was queuing at the post office, to pay the electricity bill, and he hears the ambulance and the sirens of the ambulance “ta-na-na”, is born: SE TELEFONANDO.
MANOLA = What a genius though, it couldn’t be otherwise. How was your first meeting with him?
IGNAZIO = It was in 2011, because in our first album there was a song, it was a medley between Once Upon a Time in America and Malena: E PIÙ TI PENSO. So, he (Morricone) was recording, working in the studio at that time, and we met there and then in 2011 we collaborated, we sang E PIÙ’ TI PENSO in Piazza del Popolo directed by him and so it was nice. There is also the anecdote that we always tell, that Gianluca gives a YOU to the master in front of the orchestra and everyone OH OH, and he says: “Don’t worry, kid, I’ll take care of it.” He was a man of few words, he showed little, but a lot.
Then, unfortunately we had little time and opportunity to spend time together and get to know him more, but it would have been really interesting and beautiful.
MAURO = While you were talking and singing before, we looked at you, out here, and we said: “We saw these three who were kids, now you are men, now you are men.”
PIERO = It’s the beard that makes the difference
GIAN = Three years ago we were 24, in three years we are 30.
MAURO = Perfect.
GIAN = The 30th begins to approach.
PIERO = Sorry, if we had 24, how do we get 30? Where did you go to school??
GIAN = Oh yes, in three years we will be 30, we are no longer children.
MAURO = But it’s nice to see this transformation, from boys to young men.
IGNAZIO = This transformation from ugly (to Piero) to beautiful ….
MANOLA = So, in reality, it sounds strange to say to three still very young people, that you have 12 years of career behind you, one is at least impressed, I mean.
PIERO = You know that we, the pre-COVID, just before the COVID were celebrating 10 years of career with a world tour. On March 11, we suspended the tour to suddenly return to Italy, and we will be back on tour exactly after two years, so it’s a 12-year career, but two years homebound as if time had stopped.
MAURO = In stand by.
IGNAZIO = A little like those birthdays that last a week, we the ten-year that lasts two years.
MANOLA = So, we have an incredible event in Piazza Duomo (Milan) it was 2018, you were very tanned, you were, but you are still beautiful, I wanted to know from you, looking at that image there, with that crowded square, what a feeling you have on.
IGNAZIO = I was hideous.
MANOLA = That’s not true!
PIERO = But it’s strange, it’s a strong feeling to see the audience, we’ve been missing that feeling for a while.
Now we are restarting with the tour, with the events, it is a slow, uphill process, but soon we will return to that feeling of serenity that we saw a little while ago.
MAURO = We all wish it a little, we said it before while we were waiting for you, together with the friends who are here (audience), there are not many, because you have to keep your distance, but see people live, meet people, for those who do yours craft, it is crucial I guess, especially for you.
You were talking about tours, then we will talk together about the tour, which will start in March, meanwhile, here they are launching the pens ….
MANOLA = The lady from the audience threw a pen …
GIAN = But it’s Hermione Granger’s magic wand (Harry Potter’s little witch)
PIERO = (he took the pen and this one has a big fake diamond on the end) Oh my, it looks like Queen Elizabeth’s pen.
MANOLA = We explain to friends who listen to us on the radio, that a lady from the audience threw them a very discreet pen, with a diamond ….
IGNAZIO = (Ignazio took the pen in his hand) Madam, is this diamond real? Ah, is that true? (he puts the pen with the diamond in his pocket)😁😁
MAURO = The pen is gone …😁
IGNAZIO = Another pen, thanks.😁
MAURO = Let’s go back to the album, because rightly I saw that, looking at the cover, the friends who follow us can see the image here in the background of the stage, (meanwhile Piero is unwrapping the vinyl record), it reminds us a little of Sergio Leone’s films obviously (director of many westerns with Morricone’s music).
GIAN = But it was totally inspired by that world there. Shooting that world from “Sergio Leone” and those Morricone’s music, is a return to the past that is eternal, that will never die. The vintage taste that really takes everyone, especially the generations who lived through those times, but also young people, who maybe discover something they have never heard or seen.
MAURO = Indeed, she is very beautiful and this (the vinyl record that Piero is discarding) I will tell you immediately, I will steal this, tell Torpedine, where he is around here: “Torpedine, this is for me, thank you “, 😉 your producer.
So 14 songs, you said before that Morricone composed more than 500 songs etc., how did you choose these 14?
PIERO = This was the most difficult phase, choosing the songs, because there are so many. It is clear that we have chosen the most famous ones, those to which we are most connected, for example personally a song that I have always loved, is the one taken from the film NUOVO CINEMA PARADISO, “SE” (meanwhile Piero signs the vinyl record.)
I am linked to that film because you know, it is about this Sicilian child who goes to Rome, to chase his dream, so when I sing it I feel that strong emotion.
Then, together with Andrea Morricone and our producers, who are Swedish, also very knowledgeable about Morricone’s repertoire, we finally found a meeting and this 14-track setlist was born.
MANOLA = Furthermore, this new album was preceded by a concert at the Verona Arena, and directed by the son of Maestro Morricone, Andrea, also an incredible experience.
IGNAZIO = Yes, it also went on the air (the concert) a few days ago, on November 10th for Maestro Morricone’s birthday. It was a great experience, because we were finally back in concert after almost two years in front of an audience, it was the first concert in front of an audience and certainly singing all those melodies, many of which tell true stories, such as Here’s to you, which is one of my favorite songs, which talks about the story of Sacco and Vanzetti and a huge injustice. So it was exciting, both for the songs sung and for the situation in which we found ourselves, after a year and a half, to go back to the concert in front of people, we were also preparing the album, which is now out, so it was a lot nice.
MANOLA = We were talking about your 12-year career before, but there is a moment in your career, even at an international level, that you remember with more affection ….
IGNAZIO = When we met you (laughter)😁😁
MANOLA = I wanted to know this ☺….. I thank you infinitely …. and the second important moment ????
GIAN = When we saw you again (laughter)😁😁
MANOLA = For me the interview can be concluded here !! Thanks.☺
MAURO = (to Piero) And what’s yours?
PIERO = Everyone has their indelible moment, personally when we sang in front of Pope Francis in Panama, during the World Youth Day, that was something unforgettable.
MAURO = There is no Manola to keep!😉
MANOLA = Compared to the Pope, I withdraw !!😁
(starts the live of the song SE…..applause)
MANOLA = It is strange to enter at the end of this song, because it seems to disturb me, Il Volo on Radio Italia only Italian music, strictly live, we specify it, because you look like a record, guys, it’s incredible !!
MAURO = Really good.
GIAN = Thanks!
MANOLA = Well done, well done, well done
MAURO = But, among the 14 songs on the album ….
GIAN = This is my favorite ..
MAURO = His too though (by Piero)
GIAN = …. especially for the text, not only for the melody, because this was written by Andrea Morricone, the son of the master, the film (the music) was written by Andrea, but then the text is wonderful, tells a beautiful love story.
MAURO = Exactly.
IGNAZIO = What I often think is that it is totally different from everything there is today, from all the fashion music, which we listen to today, but I think that these melodies are a little like pizza for Italians, that is they are part of our culture, and we must be really proud of them, because the maestro Morricone has spread great emotions to the whole world with his soundtracks to all the greatest films.
GIAN = I imagine that tomorrow we will read in all the newspapers “Morricone is like pizza” ….😑
MANOLA = Yes, but it’s a nice compliment though.
PIERO = I understand what Ignazio means, we want to explain and clarify the title of this project, of this album, Il Volo sings Morricone. Morricone is not a man whose work is celebrated, Morricone is a genre apart, he has created a completely different genre, and is an eternal genre, which will never die.
MAURO = Indeed, the comparison is correct, it is right.
IGNAZIO = It is part of our culture.
MAURO = It is right and then you are the only ones to bring the Italian Bel Canto around the world, and therefore it was right to think of an album of this genre, with the music of the maestro Ennio Morricone, so congratulations for the idea.
What I wanted to ask you, what was the hardest song to sing, among these 14?
PIERO = Maybe “Amalia por amor”, because it is in Portuguese.
IGNAZIO = No, I think that one of the most difficult has always been “E più ti penso”, yes!
PIERO = Even “Metti una sera a cena”, it was difficult …
MANOLA = Gianluca what do you think?
GIAN = I have to tell you that for them (Piero and Ignazio), it was all particularly difficult … (laughter)😁😁, for me a little less …. no, I’m kidding!
IGNAZIO = He faced everything with high chest !!
GIAN = But I must say that it is not only the acute, the high note, it is a matter of interpretation…
MAURO = Bravo!
GIAN = …. they are very difficult melodies, which move away from “Nessun Dorma” or from songs where there is a need for vocal power, without interpretation these songs cannot be sung.
IGNAZIO = For example there is “Here’s to You”, it is a song that we expressly wanted to sing it in a much lower key than what we could have done, because in any case the songs, especially these songs, as Gianluca says, need of a great interpretation and we worked hard on it, in fact, we sang, re-sung and re-sung this song in the studio to find the perfect emotion and interpretation.
GIAN = Then if you live it in first person, as for example in the song SE of Nuovo Cinema Paradiso ….. even better
PIERO = We understand it, that you are in love, the text speaks of love, we understand it !!!😁
MANOLA = It seems to me a beautiful thing.!
GIAN = It is beautiful indeed …😘
IGNAZIO = I understand, but he is becoming a little like Abruzzo, in everything he puts Abruzzo in the middle !! (laughs)😁
MANOLA = Today it is like this, today Gianluca is in the middle (she mean that Gian is made fun of by Piero and Ignazio)
PIERO = When he breaks up, he’ll sing “And the more I think of you” (laughter)
MANOLA = But why should he leave?
MAURO = Later we hope …
MANOLA = But as late as possible! Since these are the last minutes we spend together, let’s talk about the 2022 tour right away. The orchestra from live and your voices that will somehow blend with this incredible orchestra. You will also leave for the US.
PIERO = March 3, from the US, March – April and then the rest of the world.
We would like to remind you that we will sing in Italy in two different periods: summer and autumn.
In the autumn we will do the sports halls and soon we will publish the dates.
MANOLA = Are you excited?
IGNAZIO = A lot
MANOLA = Meet the live audience again …
IGNAZIO = We can’t wait, but we really can’t wait, because we always say that concerts are the maximum expression of an artist, where you can feel really free, because yes, the interviews where you tell about yourself are beautiful, but on stage you can express everything and have that adrenaline, and it’s very different from doing interviews.
PIERO = It is the magical expression of our deepest joy.
MAURO = In the meantime, between now and when you leave for the tour, you can always come here and meet the audience in our Reward Play.
IGNAZIO = Yes, but I don’t want to have that man who hurries everyone (he points to a man behind the scenes), if we come here, we start in the morning and finish in the evening.
MAURO = No, no, don’t worry, we’ll tie him up that day.
PIERO = But you have to redo Palermo (He refers to a summer event made by Radio Italia in a square in Palermo, with great success)
MANOLA = We will do it again, we hope.
MAURO = But surely, if it can be done, it will be done. In the meantime we are waiting for you here, if you come to visit us: Radio Italia live, so at least the friends who are here (audience) can see you sing live, do a kind of dress rehearsal.
PIERO = So let’s do the rehearsal (he shows the vinyl record) This is the new album, close-up on the album: Il Volo Sings Morricone, our new album.
MAURO = Thanks guys, thanks to everyone.
MANOLA = Thanks to IL VOLO.
G + P + I = Grazie mille, bye bye.
Nice interview, and how wonderful those two songs.
I’m sorry that you have waited a long time for this translation, but my PC started to throw a tantrum, several times I had to redo some pieces.
Meanwhile, our young men, tireless, continue the promotion of the CD, they have already been to Spain and Germany and now they will also do two instore, one in Milan and one in Rome.
Finally I am attaching this beautiful video that was published a few days ago, it is Piero who sings the AVE MARIA at his best friend’s wedding, in June of this year. Good viewing!
On Saturday 9 October, Il Volo was interviewed by Andrea Spinelli for Quotidiano Nazionale, in the beautiful Royal Palace of Monza, (near Milan), for the event – “Born again: Behind the Scenes, The Arts Beyond the Emergency” – dedicated to the difficulty of the total reopening after the Covid pandemic.
It’s a beautiful interview, very long with interesting questions and as many honest answers.
It will enrich you a lot to read what has been said.
Here is the video, and the translation.
SPINELLI = Good afternoon, welcome. Welcome to Il Volo, which we will now have here on stage.
With Il Volo we will talk about live music, the sector, at least economically, most damaged by this pandemic, and the one that, we never tire of saying, the first sector that closed, and probably the last that will reopen.
So I would invite Il Volo on stage. (applause)
PIERO = Hi
GIANLUCA = Good evening everyone.
PIERO = Andrea!
GIAN = That is, good afternoon.
SPINELLI = Welcome Piero, welcome Gianluca ….
GIAN = We’re not the only ones excited are we?
SPINELLI = No, no ….. Ignazio, welcome.
IGNAZIO = Thanks, hello.
PIERO = You must know that Andrea Spinelli, for us, is a particular journalist, because we are very fond of Andrea, and every time we do a press conference of a tour, of an album, we always ask for his presence, with the awareness that ……
IGNAZIO = He is the baddest.
PIERO = ….. with the most uncomfortable questions. So today, for us, to accept this interview it’s really a big challenge, so Andrea, you have a lot of vent with us today!
SPINELLI = Thanks, but we will keep that for the presentation of the album on Morricone at the beginning of November. Today we are talking about something related to concerts.
IGNAZIO = I can only ask one thing, if you can increase the audio in the microphone, on the stage, in the monitors, on the microphone of Andrea, because I don’t hear you.
SPINELLI = Can you hear me now?
IGNAZIO = Yes.
SPINELLI = Here.
IGNAZIO = Ok better, thanks.
SPINELLI = So, let’s start with a decade, which was to be celebrated in 2020, then 2020 + 1, 2020 + 2. How did you live it?
IGNAZIO = We are reaching 15 years. 😁
SPINELLI = That is?
IGNAZIO = Soon we are celebrating 15 years! Well, there were two difficult years for everyone, here, more or less, we were was struck by something new to everyone.
Speaking of our sector, we have been at a standstill since 2020, since March 2020, we are not working, and we are more than happy to restart next year from America, which fortunately has started to reopen with full capacities.
So we will start in March 2022, (hesitant to say the year), I have lost the count of the years.
SPINELLI = March 18, 2022, Radio City Music Hall.
IGNAZIO = Yes, March 2022, we will start with a two-month tour of America at full capacity.
It is a fortune, but it is also something that makes us reflect: why in America yes, and in Italy, still today we are unable to have the confirmation of a 100% opening?
PIERO = More than anything else, today we have a great responsibility, because we try to represent all the artists.
Because today we read in the newspapers “100% theaters will open”, theaters, cinemas, but there is a lot of vagueness, because not all artists perform concerts in theaters.
There are artists who do concerts in clubs, there are artists who do concerts in stadiums, so in stadiums, how much percentage of the public can enter ??
We must regain the trust of the public, and give them the certainty of what they are buying, because today, a person is not sure to buy a ticket, because he does not know what he is buying.
In the sports halls nothing is known about the capacity yet. Yes, the theaters ok, for those who perform concerts in theaters, 100% capacity is fine, but there is still too much vagueness.
SPINELLI = Yes. What does it mean to go on stage? What is the meaning of music for you, of live music?
PIERO = I have read the biography of a great artist: Beniamino Gigli, a journalist asks him “What is music for him?” and his answer was: “For me music is the fulfillment of a need, and at the same time, the maximum expression of our deepest joy”.
Today, reopening, returning to the stage, is not only an economic necessity, because many people clearly lack work, but it is a need, a need for those who make music, because they go on stage and sing, but also for those who listen.
I miss concerts, not as an artist, not as a singer, but as a spectator, I miss, going to a concert with friends, and clearly behind us (to those who perform concerts), behind the scenes ….. we have to thank whoever organized, (he refers to who organized this interview to talk about the people behind the scenes), thank you very much indeed it is a very nice event what you are doing …. behind the scenes there is a lot people, many people who do not work for us, but work with us, because behind a concert there is a team of many, many people and in recent months, we have clearly tried to turn on the spotlight for these people who are not seen, but they are human beings, many working families, and what are they doing today?
We must not hide, it is clear that an artist can survive two years without a job, if he has behaved well (if he has saved the money), but there are many people who work concert, for concert, and can only live if they work week by week, so it is no longer possible today not to give certainties.
SPINELLI = Well, I would like to ask you: “You give us an idea of how many people are following you on tour, who are working for you, on the square, because there is a world, behind you three.
IGNAZIO = It is difficult to count them.
For example, with us in March, from Italy, we will bring about ten people with us, even 15 people and in America there will be other people, so it is a group of people with a question mark. But I can tell you that behind a tour there are about 50 people, even 60 people, who work during the tour, before the tour, and in any case there are people who work even months before the tour, to prepare the production, the logistics. So the “behind the scenes” is a way of saying, because they move everything, and then allow us to go on stage on March 18th.
SPINELLI = Sure. I put on my glasses because I would like to read some figures, because you reopened the road on June 5 with a great concert at the Verona Arena, and with live television with an amazing figure: 4 million 702 thousand spectators, with a very high share: 25 , 7%, and that means, to be clear, 1 million more than Amadeus did who won the next night (with another show), even better than the WIND (Seat Music Awards), so surely there was a lot of anticipation , for you, and perhaps also for this reopening.
What do you remember of the evening and what it meant in your year, to go back on stage and sing for a real audience, for an audience that was there in the stands.
GIAN = Yes Andrea, let’s say it was a breath of fresh air, we needed it, as Ignazio and Piero said before, as all of us who do concerts need it.
People were there in the Arena, happy to be able to return to the big events after a year and a half of practically silence.
Then on that occasion, we presented a very ambitious project, which is this tribute to the soundtracks of Ennio Morricone, which we will then take on tour from March.
It is clear that, after a year and a half, returning to the Verona Arena, live on RAI1, for us was a moment of great joy and in my opinion, one of the most beautiful concerts we have done, because it was really felt, there was the great thrill of looking the audience in the face, and finally being able to sing for all of them, after all this time.
This is the best thing for us.
SPINELLI = By the way, you have also won the “tyranny of capacity and curfew”. You submitted a 55-page health protocol, but in the end you won. (Because that very evening for the Arena, the capacity was increased from 3000 to 5000 people and the curfew, moved beyond midnight to give way to who was at the concert to go home)
IGNAZIO = It was a tug-of-war between Salzano …
SPINELLI = Producer (of the concert)
IGNAZIO = Yes, it was a great tug-of-war, but we succeeded. We often have many meetings with Ferdinando (Salzano) and the main topic is to give confidence to the citizen, because they are the ones who come to concerts, just as we go to other concerts and therefore we must have faith, we must start from something, we cannot always stay with the doubt “will everyone abide by the rules?” . We have to trust.
GIAN = It is clear that people are afraid, they are scared, as we said before, they do not have the certainty of entering a place, both outdoors and indoors, with various gatherings, even if there is a green pass (certification of the double dose of vaccine), and even with all the certainties, let’s call them that, it is a very delicate moment, but we must start again.
Now we have seen that the situation seems to have improved, it’s not like last year, so … let’s be confident.
IGNAZIO = Otherwise the solution could be, instead of writing Il Volo concert, let’s have a political meeting , so there are no problems …. no come on it was just a subtle controversy!
SPINELLI = Another thing, you have done 3 concerts around Europe this summer, I would like to ask you how you found each other, and the difference you found compared to the very, very strict regime that existed in Italy.
GIAN = I don’t know if you can say, but maybe Covid didn’t exist there, I don’t know, maybe it didn’t exist in those countries.
PIERO = We can be honest ….. we did two concerts in Croatia, and one in Bulgaria, and at the beginning we asked for restrictions, and the distance, but maybe it was the bull’s eye that didn’t show me .. ….. but there was no distance. (in fact in Italy there was a full place and an empty one, but, from them, all the places were full).
IGNAZIO = But there is a truth behind it, in those countries, unfortunately, the government does not pass the vaccine to everyone and the vaccine costs a lot of money and not everyone can afford it. This is the great and sad truth of those countries.
GIAN = The amazing thing is that it was a 5000 seat outdoor arena and all of them were ….
PIERO = The gates were opened 5 hours before the concert started, they had to have a proof of a negative nasal swab for COVID, those who did not have it, had a nasal swab at the time, so they found a solution, that’s the key, you have to find a solution, we must not stay there waiting in the vagueness of what to do, we must find a solution and I repeat, the news 100% of the theaters is not enough, and I say this on behalf of those who perform concerts in stadiums.
Why if I were to ask you now: did stadiums reopen them at 60-65%, (for sports competitions) and stadium concerts? Who can answer this question? And the concerts in the sports hall? Who responds to this?
SPINELLI = Reopenings have been indicated, certainly reopening for sport, they are valid for concerts up to a certain point, because clearly the context is different.
PIERO = But even in the outdoor arenas, we for next year in June, it is clear that our Italian tour will be around the summer-autumn of next year, however many of our colleagues have dates in February, January, March , and therefore they must know something.
We will perform concerts at the Ancient Theater of Taormina (in June 2022) and today with Salzano, he did not know how to give us an answer for the people, for how many people can come.
IGNAZIO = I would like to say something to make it clear to those who come to our concerts.
Many think “okay, you will get a little less but do the concerts”, but it is not really like that, because it is all a chain.
The chain consists of: ok the capacity, the cost of the ticket which varies from concert to concert, is given by the sum of production costs and logistics costs. Unfortunately, after Covid, we are realizing now that we are closing the budget for the tour in America, the costs have doubled. The price of the porterage cost that was after the concerts has doubled, so the costs have become double. If we fail to have a full capacity, even in the stadiums, the costs of the stadiums are unimaginable …
SPINELLI = Very tall …
IGNAZIO = If you can’t already make 100% capacity, it means that I have to increase the ticket to cover the costs, right? The problem is that the citizen, the boy, the girl, who comes to a concert, has to pay a ticket 150 euros, 200 euros (it refers to the cost of tickets for a stadium), how does he do it?
So it’s all a chain and that’s why we have to be able, in one way or another, to find a solution to reopen at concerts and not to make an artist earn, but to ensure that art, art that one person does, you get to more people. To make sure that the normality we had will gradually return, even if it will be difficult because it is all a process of trust. But for me, going to 100% can be the beginning of a return to normalcy and trust above all.
SPINELLI = Well, I’m starting from this, because yesterday on this stage it was said “normality?”, But we don’t want to go back to normality as it was before.
PIERO = Better than before.
SPINELLI = A normality in which we ran, we ran, sometimes without paying too much attention to the direction we were taking. How do you see this thing, what do you think?
PIERO = Objectively, this stoppage that took place allowed us …. we tried to look on the bright side, it was difficult, but we succeeded. We went to the recording studio and made an album, time allowed us to dedicate a lot of time to this, to make a fairly studied selection, in this case for Morricone’s album, so we had more time to work on the details, while before we could not. Before, it was too many concerts and too much work and little time to work on a project.
So when we say: “let’s go back as before”, we can’t wait to go back, but we will be back better than before, because the work has been much more painstaking, so give us the opportunity, just this.
SPINELLI = …. and about running ….
IGNAZIO = I let Piero run, he trains in the morning …. every morning he runs 10 km, I prefer to run in my dreams in the long prairies!
SPINELLI = Running, understood as doing many things ….
GIAN = That, don’t run as a run ….
IGNAZIO = I understood, I was joking !!!😁
GIAN = Ah
SPINELLI = All of you have been running for 12 years …
IGNAZIO = Exactly, we are a group, we are guys who run and we never stopped …
GIAN = …. flying …😁
IGNAZIO = Yes, we are guys who fly. Although, sometimes it took a break, we never took it. Calculate that we did the first 8 years in a row, we never stopped a month, to say, ok, we stop for ourselves. For 8 years we have never stopped. Running is good, it helps you to be active, but I think it is also important to stop. It is a little like Maestro Morricone used to say: “Silences are not a missing part of a music, of a composition, but they are that part that helps you, silence is music”, so it can also be stopping in life of each one, it can be that moment that makes you reflect on what you want from life, on the steps you are going to take, and I can tell you that this year and a half, personally, I do not speak as a group, personally it has served me a lot, as personal growth, how to get to know my family more, to be together with my origins, also made me understand how grateful I am to music, how good music does me, how much company it has made me in these two years. So stopping every now and then is good. We must not get used to stopping, but stopping is good.
SPINELLI = You have also become a producer, therefore, in short, you have also approached music from another side.
IGNAZIO = Yes, I’ve always liked it. Do you think that we, within the group, have our tasks, because if we all three did the same thing, three different ideas ….
SPINELLI = In fact, you are like POOH (another Italian group), everyone has their own role within the group, then maybe you explain them to us.
IGNAZIO = I personally prefer to take care of the studio part. Which means talking to the producers, the work that takes place inside the studio.
Gianluca is very grasped on the choices of the songs, on the ratings, on the intuitions of the songs and Piero does public relations, he is a born PR. (Piero laughs) He breaks the boxes guys, though ….
SPINELLI = I would like to ask another thing to the man of public relations, I would like to focus on your success which is an Italian success exported to the world. I am reminded of Madonna’s birthday (a couple of months ago) made in Salento (Puglia), and in the end they were all English, but she wanted AlBano (singer who presented the night of the Taranta), and AlBano told me that Madonna asked him to sing that Italian song “Caruso”, to understand what is the attachment that there is to our melody, also on the part of great international artists. Two days ago we were in connection from Berlin with the Maneskin (another italian group who won Eurovision this year) who said, obviously jokingly “our success is because we are beautiful, we are good and above all we are Italian”.
Here, how much is Italianness worth?
PIERO = We are aware that the results obtained, these long tours, are the result of patient work …. but our results are thanks to Italy, to the music we sing. We sing bel canto, the songs that are part of our culture.
When we go to America and sing the Nessun Dorma, O Sole Mio, but also Grande Amore, and we sing in Italian, people want to hear us sing in Italian, because already in America there are already those who do rock, rock was born in America, but bel canto was born in Italy, that’s why Italianness is the strength, it is our being, it is what we are, and when people hear Italy, but starting from music, fashion, food , Italy is the icing on the world, everyone dreams of coming to Italy, and we are aware that our strength is the music we sing, as it did in the past for maestro Luciano Pavarotti, as did Andrea Bocelli and continues to do, and we’re trying to follow that trail there.
GIAN = Then it is clear that it depends, we are talking about how Italianness is perceived abroad, because it is clear, if we talk about how Italians perceive Italianness, it is clear that it is different, because I who am, but all of us who are lovers of De Andrè, Guccini or Gaber (they are all Italian songwriters), surely, paradoxically AlBano is better known abroad than they who sing wonderful poems that have made the history of Italian music, is how we are perceived, at the certainly abroad. This is why Italianness is the melody, from this point of view, it is that, as Piero said, bel canto, this great strength that is appreciated by all.
SPINELLI = And that’s why it doesn’t exist, only RCMH on March 18th, but there are 29 more dates …
PIERO = Where?
SPINELLI = In America ….
PIERO = Yes, there are 30 dates in the U.S.
SPINELLI = Well, I mean, there are not only Italians who come, there it means that you have “taken” the American public, and this is the big difference with many other artists, who perform concerts abroad, but do not have the possibility to organize, to plan long and articulated tours like yours.
In Japan, it seems to me that you have something like 20 dates in play ….
IGNAZIO = We have often talked about this, we have also talked about it this morning and you know my thoughts well.
For me the Italianness, this word, is on a razor’s edge, on the one hand you fall from the chic (elegant) ….. sorry kich (tacky) and on the other you are cool, the Italianness famous all over the world .
Unfortunately, this obstacle is put up by people. I try to give you an example: if Italy wins the Europeans (football), we are all cool we are all proud, if Italy is “out” from the World Cup qualifiers, we have something to say.
I think that Italianness is something you feel, and I can tell you the truth, I discovered it when we participated in Eurovision. I have learned to love our flag, there hasn’t been a moment where I was more proud of being Italian, and I tell you sincerely.
The experience of Eurovision is a competition, and you are there to give prestige to your country, because in the end you are talking about Italy, you are representing Italy, and this Italianness is often mistaken for “pizza and mandolin” and singers who they sing Italian brigades, and there is nothing wrong, in the end, because if I think of all the greatest Italian immigrants in America, I feel like saying Dean Martin, I feel like saying Frank Sinatra, I feel like saying Perry Como, and Tony Bennet, so so be it !!
We are very fond of Italy and we will always be proud to sing the Italian repertoire, we will do it, now anyway with Morricone, we are proud to be Italian, because Morricone is an Italian and he is the greatest, and everyone knows him, in cinema he is a crazy thing. We also had the opportunity to meet at the film festival (Venice), Antonio Banderas, Tom Hanks passed by and when you talk about Morricone … and also recently we have collaborated with the maestro Storaro ….. they are names that: how do you don’t be proud of being Italian?
SPINELLI = Even to make you proud, to be Italian, just think of Eurovision, I still remember, arrived at the airport, in the taxi, while I was coming to the State Hall (Vienna 2015, Il Volo was in the race), the driver tells me: “You are italian? “, Yes, “are you coming for Eurovision?”, Yes, “this year you win” (ie Il Volo), because it was clear that in any case, that was the feeling. You collided with the prejudice of the juries (they gave low marks to Il Volo), which happened a little this year too, a little less than you, in fact we saw the result (the Maneskin won).
I mean this, the prejudice, there has always been, because in any case the winner creates some stomach ache, we have seen it in sport, we have seen it in music … the Maneskin win and take drugs (he refers to the fact that on the evening of the Maneskin victory, the foreign newspapers said they were addicted, the usual negative press), Jacobs wins and gets doped (Italian athlete first in the 100 meters Olympics and the press wrote that he was doped, always bad press ).
This also happened with you, when you went to America for the first time, if I’m not mistaken, everyone said: “Yes ok, this is the record, but then they won’t be able to keep that level”, and then you, on the other hand, during the various television broadcasts, you kept it.
IGNAZIO = Just a little thing, the answers are given with time and with facts, and we, as a group, have always tried to keep quiet about provocations and demonstrate, and we did it from the first Sanremo up to …. .before, from the beginning, then Sanremo and until today.
This is a thought that all three of us have, and thank you that we have this common thought, the desire to work, head down, and prove with facts. And then, frankly, when one is fine, with what he does and is satisfied, but we never stop, but we are satisfied, proud of what we are able to do together, the criticisms, people talk, but they will always talk, of everything.
PIERO = An artist, if he decides to do this profession, renounces his own “comfort zone” directly, so he puts himself on display and clearly, the others give an opinion.
Participation in Sanremo in 2015, we were a little doubtful, hesitant, and we have to thank Bruno Vespa, during a dinner he said: “Sorry guys, why do you have the doubt of participating in the Sanremo festival? You are not famous in Italy” … because we sang only abroad and in Italy everyone had forgotten our name …. “you have nothing to lose . If you finish last, you haven’t lost anything, you can only gain something. “ We are grateful to Bruno Vespa for his great advice.
SPINELLI = I would like to ask you something, if I can, if you like, could you give a hint to what you were doing in broadcasting in America, to show that in fact you were really harmonizers, people who knew what they were doing and those songs were truly made without artifice.
PIERO = Also because in America you can’t lip-sync, so you should know that in America, the “morning show” is fashionable, people wake up early in the morning, and the morning show is at 6 in the morning, the soundcheck at 5.30, you don’t wake up and go singing, you also have to warm up your voice. So my next door neighbor at 3.30am in New York, when I started vocalizing, 8 times out of 10, he would hit the wall saying “shut up, shut up” 😁😁😁 and I kept warming up my voice!
But in the morning shows, if you want to go back to your request, what do you want …..
IGNAZIO = What are you asking us? Sing or …..
SPINELLI = A harmony.
PIERO = Usually there are three of us. What is harmony? They may be wondering what harmony is ?? ….
GIAN = Everyone knows!
PIERO = Not everyone knows … (to the audience) do you know what harmony is?
IGNAZIO = When we are well together there is harmony.
PIERO = That’s right, that’s the one there. We have three voices, two tenors and a baritone. One makes the melodic line, the one everyone knows, the other makes the upper harmony and the other the lower one.
(turning to Ignazio and Gian) Can I make the melody ?? OK !
(Ignazio begins to sing the refrain of Il Mondo) ❤ (applause)
IGNAZIO = This isn’t just what we did on TV shows. I have memories, crazy images at the beginning, in the vans, which took us from the hotel to the television stations, in Germany, rather than in Holland. Do you remember? (he turns to Piero and Gian) we were doing the harmonies on Christmas songs, we were little ones and we were arguing “No, you have to do that, I have to do this” (he laughs), they are good memories.
PIERO = In 12 years, it’s amazing how our relationship has strengthened, day after day, you know, usually in groups, there are those who want to be the leader, those who want to be the first woman, in our group, this thing doesn’t exists.
As with any team, there is always a commander. We must say that our greatest fortune in life, the most beautiful, greatest thing my parents taught me, is to be grateful. We are grateful to a person who follows us from the first day we met, until a minute ago, at lunch, is our greatest advisor, our backbone. We often say this in interviews, but we will never stop thanking him, because he is the fourth member of Il Volo, he is the fourth artist and he is Michele Torpedine. (applause)
(Piero turns to Michele) I wanted to thank you in public, ….. we wanted, in the name of all three, to thank you in public.
IGNAZIO = Well, only he thanks you, not us, that is, let’s be clear …. (but then Piero corrected himself).
GIAN = I apologize if I speak little, but I have a headache that is breaking out. I apologize that maybe, I seem unpleasant, but I wanted to say it …..
IGNAZIO = It’s not like you look … we know … (he jokes)
GIAN = ….. I wanted to say this, because I don’t want to seem what I am not.
SPINELLI = No, Gianluca!
IGNAZIO = In fact, he first got out of tune, I don’t know if you noticed. (laughs)
SPINELLI = Another thing, in 10 years, thanks to this success, American success, you have met many people, here, I would like to ask you what were your encounters with extraordinary men that you have found along the way, famous and less famous. I would like a memory each.
IGNAZIO = I have an indelible memory, perhaps the greatest birthday present, I’ve ever had, and it was the first sound rehearsals with Barbra Streisand, when we toured with her. I want to tell you something, I don’t know if it can be told, but I always make a fool of myself, so I tell it.
When we were contacted to tour with her, we signed a contract, where we couldn’t look her in the eye, get too close, all these things here, these safety things.
In the end we didn’t respect anything, but not because we didn’t respect it, but it was she who didn’t respect it, she was the one who came up on stage and said: “Guys I cut my hair, you should too, cut a little here “, then we were talking about bra straps, do you understand? We talked about a lot of things, it’s incredible how, we so young, we knew by name Barbra Streisand, but in that period we documented ourselves on everything she did, as an actress, as a singer, as a director, we informed ourselves, we “discovered” her.
Touring with her, knowing who she was, who she is, and who she will be, because she will remain in history, you look at her differently on stage, and it is something that will always remain in our hearts, in our minds, all performances, all the time spent together, the rehearsals, the concerts, her saying “shut your mouth”, when maybe we were doing a high pitch, (he refers to their phrase during the tour), are things that I personally will not forget.
GIAN = But then we were little, and then we went through the most delicate period which is adolescence, the period of youth bewilderment, of kids who may not know what role they will play in life or what they will do. We recognized this vocation, which is the passion for singing that made us feel good. The support of our parents, who have always encouraged us to pursue this goal, which then came naturally, that of singing, because it made us feel good. And then the luck of having met on a television program, in the same year, in the same edition, and then a series of lucky events, which then led us to reach these goals, with a great team, as Piero said, and therefore we are also privileged because we take nothing for granted, and this great privilege, as I said, is this of bringing this great musical cultural heritage that is bel canto, following in the footsteps of great idols like Andrea Bocelli, like Mario Lanza, that it all began at the time of del Monaco, it is a music that can certainly be said, an eternal music, and now we demonstrate, with this project with the music of Morricone, that we may pass from O Sole Mio, to the first sung version of The Ecstasy of Gold, with the music of The Good, the Bad, the Ugly, so this is also an artistic upgrade, which we try to have every time, project after project. And so we work hard for that too.
IGNAZIO = Beautiful …… but the question was: “Who is left to you ……”😁
GIAN = Yes, I wanted to get there ….
SPINELLI = (answering to Ignazio) I would have done it again later (the question)
GIAN = …… I also wanted to connect to your speech, which is also nice that we have this great relationship, and we have this passion in common …..
IGNAZIO = This was the preface ….😁
GIAN = One of my best experiences, I can say that is the one where I celebrated my 16th birthday with Paul Anka and we sang together “Put Your Head on My Shoulder” in Los Angeles, you realize, with the great Paul Anka, we were there in a restaurant in Los Angeles, who was friends with Michele and the whole team from the first album, so we were sixteen, we were little, actually I didn’t even know who he was, (Paul Anka), then oh well, they explained to me …. (laughter) …. but today I can tell you it was Paul Anka!
SPINELLI = Damn!
GIAN = And then, a memorable thing, when we were all three, we were singing in Panama, I get up, because at a certain point we were having lunch with the Pope: “Can we take a selfie like young people do?”, And the Pope : “Sure, yes yes, with pleasure, let’s take a selfie” (Gian imitates the voice of Pope Francis). So we can say that we also took a selfie with the Pope two years ago.
IGNAZIO = But I did the worst one, actually I should be ashamed, I called Woody Allen a saxophonist (laughter).
GIAN = This happens, you understand (addressed to the audience), when you pick up three children from school desks and put them on the other side of the world, rightly, from Marsala you ask yourself: “Who is Woody Allen?”
IGNAZIO = But wait, a sensational gaffe, but I didn’t tell him, I asked: “Is that the saxophonist?”, but no, but he plays the clarinet very well …
GIAN = No, the sax, so you got confused …
IGNAZIO = So I wasn’t very wrong.
SPINELLI = Now I ask the question to him (to Piero), but first about gaffe (he turns to Gianluca), “kid don’t worry …..”
GIAN = Ah, yes, that’s nice, because in 2011, we were working on the first record, and there was also a Morricone medley, made by Once Upon a Time in America and Malena, the medley is called “E più ti penso”.
We had to sing in Piazza del Popolo (Rome), with the Sinfonietta, the great orchestra of Maestro Morricone, there were rehearsals the day before and we arrive at this hotel, in this giant room, there were all the orchestra elements , with maestro Morricone who welcomes us.
You, imagine, we sixteen, fifteen, we arrive, with short legs, which then remained so ….
IGNAZIO = I’ve never had short legs! 😁
GIAN = ….. mine, I talk about me, not about you (laughs) at some point we arrive, the song starts with a note mmmmm, the double basses, and I was supposed to start “and the more I think of you .. . “and I don’t start, so the teacher does this, he gives the attack to the orchestra and I don’t start. I look at it and say “Ah, but you give me the attack?” (laughs). The first violin like this (imitates the surprised face). He (Morricone) turns and says: “Don’t worry kid, I’ll take care of it, I’ll give you the attack”.
This will remain in the annals …..
PIERO = If this is the effect that his headache has on him ….. I hope you have a headache every day.
GIAN = I have recovered, I have recovered, just take a look.
PIERO = I have two memories.
IGNAZIO = The first is Barbara D’Urso !! (Italian presenter)
PIERO = No, the first memory is in 2010 We Are The Word for Haiti, after 25 years they remake Michael Jackson’s We Are The Word, produced by Quincy Jones and Lionel Ritchie. They chose many artists, including Barbra Streisand, Celin Dion, there were all, and as Italians, only us in the midst of the choir.
It was nice that day, because we found ourselves with many artists, you consider that we started from three small towns, two Sicilians and one from Abruzzo, catapulted in front of Quincy Jones ….. we had Barbara Vitali, where is (and points to her in the room) she is, I don’t know, who you are to us ….
IGNAZIO = Shadow.
PIERO = … has been with us for 12 years ….
GIAN = She is our shadow.
PIERO = She is with us every day. Have you seen “The Devil Wears Prada” (film), when the manager walks alongside and points, this does what … she (Barbara Vitali) does this to us, she did this, because today, perhaps, we learned a little bit. However that day she pointed out to us: “That’s Barbra Streisand, that’s Quincy Jones, that Lionel Ritchie,” … and so on.
The second memory, the experience, for me, was the collaboration with Maestro Placido Domingo, in 2016.
SPINELLI = In Florence.
PIERO = (nods) The fact that he agreed to direct the orchestra on stage, and duet with us, was a great gesture, a gesture of trust on the part of Maestro Plácido Domingo and the beautiful relationship that was born with all his family.
And I, that project, I link it to a great meeting, which I had in my life, meeting with a great person that we will all carry (he puts his hand on his heart), who has a comfortable place in our heart. (applause).
SPINELLI = Question: How do you see yourself in 10 years.
IGNAZIO = Gianluca certainly hopes to see himself taller. I thinner…
GIAN = No, oh well !! However, as we said before, we are three simple guys, from this point of view, we also try to give an example of responsible people, who have a certain lifestyle, who love what they do, are 100% dedicated to work, that have goals.
It is clear that today the “bad boys” has more effect, it comes more immediately, let’s say.
Many young people, even our age, get lost, because they do not give priority to study and many other things, but they give priority to easy things, which do not require sacrifices.
IGNAZIO = Or they are satisfied with the “citizenship income”, unfortunately.
GIAN = We want to give this example of guys who, thanks to perseverance and great ambition, we were able to obtain ….. also thanks to our team and especially to the family, to have the support of a large family, we are happy with education that they have given us, since we were little, and we always try to give this great example, of responsibility, of humility, we hope to be, and even in 10 years, we want to try to remain what we are, what we were also from children, and to always reach the goals and to always carry the name of our music, through our voices, our culture.
SPINELLI = We are in the pipeline, I would like to ask you another question: “Would you have sung in Sanremo without an audience, like the one celebrated in March?”
PIERO = This year, the fact that we were hosted in Sanremo was particular, unpublished to all of us, but I want to say one important thing, this year we sang in Sanremo without an audience….
SPINELLI = Singing yes, but being in the race is another thing ….
PIERO = But it’s the same thing ….
GIAN = There is the awareness of millions of home viewers …..
PIERO = In the events, it is clear that the public makes the difference, it gives you more energy, there is more adrenaline, but it was not lacking, and this year I must tell you that, it was a Sanremo without an audience, but it made us understand how strong Ignazio is, because this year was a special year for him, and he stayed on stage with us singing, despite the great loss…
GIAN = The audience was there, there was a special person who was there with us that evening.
PIERO = And this does us, does you (looks at Ignazio), great honor. (appaluse) ❤
SPINELLI = This is professionalism, this is a reason to be on stage to honor it, in any situation, even the most difficult.
IGNAZIO = If I can afford to say one thing. Often … we think about the people we no longer have, and unfortunately one thing, when it happens, you cannot control it, but I have learned in recent months that it is better not to have a person physically and feel them, than to have them and not feel them. Sure it will always be missing, but I feel it every day, it is with me every day and so, that’s okay. ❤
PIERO = To conclude, we thank you for having turned on the spotlight again for those who work in the field of entertainment, on behalf of all our colleagues.
We hope that everything will be resolved soon. Thanks.
SPINELLI = Thanks to Il Volo, thanks. (applause)
And finally, Il Volo has released this little video-clip from IL GIORNO.
And here is the translation:
PIERO = We read in the news, 100% open.
It seems that the world is back to the way it was before and instead it is not, because not everyone sings in theaters. We are here today to represent our colleagues, all the artists who perform concerts in stadiums, in sports halls, in clubs.
So we seek and demand a clearer answer.
IGNAZIO = We can’t wait to try again that emotion that only some spaces can give, and to finally return to being able to have fun, to be able to spend a carefree evening, without problems, without work.
GIAN = But we are confident optimists by nature. Clear that the situation is improving and we are realizing it.
IGNAZIO = But, I’m a bit more controversial. We hope to have some answers as soon as possible, not only for us, but also on behalf of all the people who work alongside us and behind us.
PIERO = And also for the people who buy tickets, because we have to regain people’s trust, give certainty to what they are buying.
After such a long but articulated interview, where very beautiful things and very profound concepts were expressed, what can I say ….. I have the impression that journalists have understood that, when they want to have interesting interlocutors, never banal , deep and sincere, if they call Il Volo, they know they will get all this.
Gianluca, Ignazio, Piero, I am deeply proud to be a fan of yours, not only from an artistic point of view, but also from a human one.
The date of the Morricone tribute concert is approaching and Ignazio, Piero and Gianluca were in Verona Arena, where preparations of the concert were underway.
As I had anticipated, Il Volo, live from Verona, was a guest in the transmission of DOMENICA IN, presented by Mara Venier.
Here is the video of the broadcast that I translated for you.
Click the photo below to watch the interview.
MARA = And now there is this video from Verona, where the guys from Il Volo are ready for a beautiful connection, let’s see the video. (the video of the promotion starts).
Here it is, now I will go in connection with these wonderful guys who are having crazy success abroad, now we will see some images that also make us Italians go crazy (in the sense that they make us proud).
Here they are, hello Piero, hello Ignazio, hello Gianluca, can you hear me, can you see me?
GIAN = Loud and clear.
MARA = I don’t hear today, maybe I have sudden deafness.
GIAN = We hear you loud and clear, Mara here we are!
MARA = You, but not me. I feel you are very far away.
IGNAZIO = And we are far away ….
MARA = Here, now I hear you, so guys how beautiful this image is from my Verona (Mara is from the Veneto region, where Verona is). What a beautiful Arena.
Meanwhile, I want to give you this video and then you tell me everything.
(a short video of Sanremo 2021 starts).
MARA = This is a beautiful moment of the Sanremo festival, but you, on Saturday 5th June, on RAI 1, will make a tribute to the great Ennio Morricone from the wonderful Arena of Verona, right guys?
GIAN = Yes Mara, we are here to celebrate the one who was the representation of absolute genius. From silence he could create works of art that made many generations fall in love. The maestro certainly does not need any introduction, but we humbly want to make this contribution to bring his music to the new generations of the youngest and therefore, for us it is first of all a great honor and also a great responsibility, because singing the columns sound of the great maestro Morricone, it is not easy, but it is something in which we will put “heart and soul”.
MARA = It is right what you said, you reach your audience who are young but you also have people from other generations, because your talent is immense, you are demonstrating it in recent years, taking Italy around the world . But you are also three guys, and I believe that with great emotion, as you said, you re-propose the music of the great Ennio Morricone, of the great films, which will remain in the history of cinema, wonderful soundtracks. I really think the emotion starts with you three.
Piero, Ignazio and Gianluca, then a very strong emotion for you who are very young to bring the music, the compositions of the great Morricone.
PIERO = Mara, celebrating Maestro Morricone, for us, is a great honor but equally a great responsibility. From this idea a recording project was born and we would like to say that we are really anxious and excited for next Saturday evening, 5 June, because it will be our first live concert live on RAI 1. But the thing that reassures us is the support of Ennio Morricone’s family, because on stage with us there will be his son Andrea Morricone to direct the orchestra and many other guests.
But the biggest guest will be the audience, because we will finally do a concert with the audience here at the Verona Arena and finally it will be a thrill to see our audience again (applause).
MARA = Here an applause started from the few present, as you know we are always few here (due to Covid), but an applause started from the whole group, from the whole team, precisely because you somehow represent all your colleagues (singers), that is, there is a restart, we start again, we have a desire to hear singing live and I think you have a crazy desire to perform. How much have you missed all of this in this long period? Ignazio you answer me, love of aunt (Mara is usually called aunt), how are you?
IGNAZIO = I’m fine, I’m fine.
This afternoon we start rehearsals, and we can’t wait, because it’s been months, a year, a year and a half that we haven’t performed in front of an audience and surely starting from the Arena is something that makes us even happier, because like we know, the Arena is one of those places where every Italian artist aspires to perform and make our first and only concert of this year right here, with the reopening of the public, a positive message, a message of hope for all artists. For all the famous artists and for all the artists who want to resume playing, it is a message of hope that soon we will all be back again to perform in front of an audience and this will be in the near future.
MARA = Ignazio, this is a question I ask all three, how have you spent these long months?
IGNAZIO = At home with the mask, I also slept, with the mask at one point, I was so fond of the mask that I slept with it too.
GIAN = Mara, certainly for us, for all of us it was a difficult moment and we must have a spirit of adaptation in these cases, because when life, unfortunately, puts us to the test, it is in that moment that we must try not to live the passive life. For example, I learned to play the piano, I didn’t know how to play it, I started reading more, which I didn’t do before, but the important thing is to improve yourself, have a personal growth that allows you to be a better person.
MARA = Now I want to send a video, because I asked you how much you missed the live performance, but the public has never stopped following you, and in this video, I want to show these three guys, within 10 years, what they managed to do. We see it together and then I want to hear a comment from you.
(start of a short video of the successes of Il Volo)
So, various moments, what do you remember? I imagine the emotion with Pope Francis, but also with Barbra Streisand. What do you remember, come on, tell me something, some anecdotes.
IGNAZIO = We remember everything. I remember that the first time we sang with Barbra Streisand was on my birthday, October 4th two thousand and …… help me (he says to Piero and Gian).
GIAN = 2012, remember everything I see !!
IGNAZIO = I don’t just remember the year, it’s not like I can remember everything !!
MARA = And how did you feel Ignazio, how were you?
IGNAZIO = I was fine, the pressure was fine !! ( Ignazio, the usual joker).😁
MARA = But you had Barbra Streisand close …
PIERO = Mara, the thing that worries me most on Saturday night, will be the conduct and presentation of the program of the three of us, but above all, that of Ignazio (laughter)😁
GIAN = You can’t hold him back, you have to expect everything from Ignazio.
IGNAZIO = You must know that it will be the first time, first of all that we do a live concert, but above all that …..
PIERO = Above all that there will be many guests, there will be: Riccardo Cocciante (Italian singer-songwriter who wrote the music for Notre Dame de Paris), Laura Chiatti (Italian actress) Stefano Bollani (composer and pianist) Andrea Griminelli (flutist), Marco Giallini (actor).
IGNAZIO = This is how it will end, that while I am speaking he (Piero) will interrupt me, because it always ends like this.
GIAN = And I look at you, always, because I let you do it.
PIERO = It will be difficult to start, but when we fuel …..
MARA = Guys, now in hand, your victory in Sanremo and then we say goodbye and we are waiting for you on Saturday 5th June RAI1, finally the live concert of Il Volo. Let’s see 2015 SANREMO. (starts the video of the victory of Sanremo 2015)
Here it is.
IGNAZIO = It’s always exciting to see this, you know?
MARA = I think it is also for the people, a good moment for you.
IGNAZIO = Yes, very much.
PIERO = Mara, I want to say something really important, this concert, it will not be the concert of Il Volo only, on RAI1 live on Saturday night, but it will be everyone’s concert, you see: orchestral, show operators, technicians , all these people working around us, is the greatest victory, and the famous “we will make it”, it means that it is happening now. (applause)
MARA = I think so too, it is for all of us, even for those who are not there, because it means that we start again, we leave again guys and we really hope to have overcome this moment, these months so bad, so terrible. Will you get the vaccine? Because now comes the turn of the young, I sponsor a lot of the vaccine, kids you have to do it, please.
I + G + P = Absolutely.
IGNAZIO = It is a very personal choice, that of the vaccine, but it is certainly what will help us to live more peacefully.
We must trust science, because we do not live in a normal era, it is not a disease that we know of, and therefore we must trust the scientists, we must trust the research that goes on and surely, personally I will trust and I will.
MARA = Bravo Ignazio, this is very important, on your part to give this message and give your opinion to all the young people who follow you and all your fans, for which it is very important, thank you very much.
IGNAZIO = An opinion remains, then everyone can do what they want.
MARA = Yes, everyone can do what they want, but better do it, can I say it?
IGNAZIO = Absolutely
GIAN = Greetings to everyone in the studio.
PIERO = Bye Mara . . . to Saturday.
MARA = Thanks to Il Volo and good work.
Click on photo below to show the concert promotion.
Meanwhile, the rehearsals for the concert continue in Verona, together with the orchestras.
Master Grani also posted this message:
WE HAVE STARTED AGAIN, HURRY !!
There is also another good news, Sony has sent Gianluca, Ignazio and Piero, a nice certification that attests that with their CD, IL VOLO Best 10 years, they have obtained the gold record. Certainly it is a nice milestone, as real sales are now extremely difficult, and the awards are now counted on the streamed listeners and not just on the actual sales made. Good, guys!!
In the photo we see the personal certification issued by Sony to Gianluca, it will be a nice trophy to add to the homes of our young men.
Another good news, I told you that Italy won Eurovision, this means that next year Italy will host Eurovision, this important European singing competition.
From the moment of victory, the candidacy for who will present Eurovision has begun. Whoever does it will need to be a skilled presenter and know several languages. Well the organization, among the various names has also listed Il Volo. In my opinion they would be perfect for this role, what do you think?
Here is ESCTODAY’s instagram message:
Would you like @ilvolomusic to host @ eurovision2022 in Italy next year?
And now a beautiful message from Gianluca to the children of the fifth grade (10/11 years).
Gianluca you are truly unbeatable.
Hello everyone, I really wanted to send a greeting to all the little fans of the classes, fifth A and fifth B, of the primary school of Pagliare (municipality of Abruzzo).
I really thank you for thinking of me as the musical excellence of our region, regarding your virtual journey “I invite you to Abruzzo”.
I hope you will really appreciate the wonders of our territory, together with your teachers who will be the tour guides.
I also invite you to always be good students, in the continuation of your school career, so that you can realize your greatest aspirations, because with passion, commitment and even a little luck, the most beautiful dreams we want can come true. in life. See you soon.
And finally … HERE THEY ARE, my beautiful tickets for the concert in the Arena have arrived today.
Well, after all this good news, I want to finish with the words of my friend Luce Blu, after she saw Il Volo on DOMENICA IN.
See you soon: Daniela 🤗
The evening comes with such a sweet and serene rhythm, the perfect moment to stop and think for a while, and I’m thinking that as always it was a great pleasure to see and listen to you … as well as indisputable and extraordinary talents, you are beautiful thoughts and hearts.
Just a few minutes and we feel between clouds and stars thanks to our wonderful trio.
– 6 and counting……. so still incredulous we wait.
Credit to owners of all photos and videos.
Come in and share the love of life, friends and Il Volo!