Tag Archives: Repubblica

WORLD TOUR: LONDON and BRATISLAVA by Daniela

And the European Tour got off to a great start, with the first sold-out date in London!!
The very warm audience appreciated every song and our Piero, Ignazio and Gianluca were in excellent form.
But let’s get to the facts:
.

6 October LONDON: Theater Royal Drury Lane

Beautiful theater from the photos posted by Gianluca and his mother.
A moment during the soundcheck
This is a short video made and broadcast by LONDON ONE RADIO where you see the fans at the soundcheck and you hear a brief moment of Il Volo singing the beautiful THE SOUND OF SILENCE, it is a magnificent song, new to the Il Volo repertoire, let’s hope someone recorded it in full during the concert!!
But let’s get to the evening of the concert.
My friend Katerina Tsaousi flew from Greece for the concert and recorded some beautiful videos that I propose to you. Thanks Katerina!! 😘
ECSTASY OF GOLD

CLICK HERE to view the video

SE

CLICK HERE to view the video

WHO WANTS TO LIVE FOREVER

CLICK HERE to view the video

The repertoire has been revisited with the addition of new interpretations made by Il Volo, such as the beautiful SOUND OF SILENCE, but also by having Italian songs that everyone knows again listened to such as:

FUNICULÌ FUNICULÀ

or: O SOLE MIO

AMOR VIDA DE MI VIDA (Piero)

CAPOLAVORO

CARUSO

GRANDE AMORE

The final

Gianluca’s words: Thank you London, for the incredible energy and warmth! There’s no better way to kick off our European tour. You’ve set the bar high, and we can’t wait to share more unforgettable nights with all of you!
This video about the London concert is beautiful.

And the Italia 1 news broadcast an excerpt, here it is:

CLICK HERE to view the broadcast

This beautiful article published by Repubblica makes us understand that for our guys nothing is taken for granted……….but London was also a success!
CLICK HERE to view the Repubblica article
Il Volo also conquers London: “This city was a challenge, we were welcomed with a full house”
The trio opened the tour from the English capital, featuring some evergreens by Queen and classics by Leonard Cohen, Simon & Garfunkel, Frank Sinatra and Elvis Presley. A success
LONDON – A challenge won for Il Volo which opened its new European tour in the English capital and sold out. “We were very hesitant in starting from here – Piero, Ignazio and Gianluca told us a few hours before going on stage – due to the enormous cultural offer that the Capital puts on the table every day of the week and, more generally, because the England is a difficult market for any artist. We thought that perhaps it would have been better to include London a little later, doing other cities first, other concerts and arriving here better prepared, warmer. Instead, we chose to trust our promoter and, shortly after the announcement of the European tour, London was among the first stops to be sold out.”
The confirmation of how the trio was eagerly awaited at the Theater Royal Drury Lane, one of the oldest stages in the city dating back to 1812, came not only from the number of tickets sold, over two thousand, but from the queue of fans that had been created hours before the opening of the doors, with many Italians queuing, English people also arriving from the rest of the country, British people from Wales, Venezuelans, Brazilians and other nationalities, all belonging to those small and large foreign communities that feed the melting pot of the Capital, ready to support, applaud and enjoy Bel Canto for a night.
Il Volo is prepared for all this, thanks to its fifteen years of experience around the world; for this reason that every concert, including the one in London, tries to think of it in a unique way. Hence the choice to include in the setlist, for the performance at Royal Drury Lane, some of Queen’s evergreens which are always a pleasure to listen to immersed in English atmospheres: from the show must go on to Who wants to live forever, moving on to other musical classics timeless, like Hallelujah by Leonard Cohen and, for the first time, The Sound of Silence by Simon & Garfunkel. All expertly mixed with songs by Frank Sinatra, Elvis Presley or soundtracks from musicals of the caliber of The Phantom of the Opera.
There is also ample space for their most successful songs, old and new such as Capolavoro, Ad Astra, Opera, to others taken from their album tribute to the maestro Ennio Morricone, up to the inevitable Grande Amore per la grande finale anticipated by classics of Italian popular culture , hummed by everyone, Italians and foreigners, complete with hands raised towards the sky.
Each piece was a river of applause, but the peak was recorded when their voice went high, very high, as with Piero Barone in the interpretation of Amor, vida de mi vida which, among the numerous performances, that of Plácido Domingo remains still the most memorable today. For Piero there was a standing ovation, as well as a heartfelt applause of appreciation from Sir Cliff Richard, present in the audience, one of the older generation English singers with over 21 million albums sold.
“Having a rather substantial career behind us, having duetted with many international stars and held concerts on all continents, we can truly draw from an almost infinite repertoire – they add – from classical to pop, to contemporary, to even more dated things, but without never distort our nature, which remains that of being ambassadors of Bel canto in the world. That’s how people got to know us and that’s what they expect from us when they come to our concerts. However, this does not mean repeating ourselves constantly even in the years to come, but rather proposing songs that we like to sing first of all, that we have made our own and that with them we have reached a level of confidence such as to be able to insert them into lineup, with the certainty that they can also be appreciated by our fans. This is how we think about tours, including the new European one which starts today from London.”
A performance, this one in the English capital, which represented a unicum in Il Volo’s career. It is the third time they have performed in London (the first at the Palladium in 2016 and then at the Royal Albert Hall in 2017), but the first post-Brexit, post-Covid, to pave the way for an international tour, and also because Ignazio Boschetto went up for the first time on stage wearing the ring on his finger, fresh from his marriage to Michelle Bertolini and also fresh from his round figure, 30 years celebrated a few days earlier, on October 4th. “We also wanted to dedicate this special evening to Barbara (Vitali, historic collaborator of the trio who passed away at the age of 54 in July due to a car accident, ed.) because she has been with us since the beginning of our career. She was our second mother and for her, London was a special place…”.
Leaving the London drizzle behind, Piero, Ignazio and Gianluca flew to Bratislava for the second stage of the European tour, which will be followed by Budapest, Prague, Barcelona, Dusseldorf, Berlin, Frankfurt, Athens, Zurich, with a date in the Emirates in Dubai on October 25th to return to the Old Continent first in Lodz and then Lisbon, Paris, Sofia in view of the grand finale on November 6th in Madrid. The Italian tour in the sports halls will start in January with stops in Milan, Treviso, Florence, Bologna, Turin, Rome, Eboli, Bari, Messina.
“In the meantime, we also have to think about the next musical project. Because this is the real challenge that we have been pursuing for fifteen years. Put like this, it seems like a condemnation, but it isn’t at all, given that we are neither the first nor the only ones to live like this. It is the reality that unites all those who work in the artistic field. Except that for us it has been valid since we were little more than kids and, we hope, that it will be valid for a long time to come”, the three finally tell us, from the dressing rooms on the third floor of the Theater Royal Drury Lane, while the fans began to take their seats in the velvety seats red, including those who, without knowing it and pleasantly surprised once seated, purchased seats in the Royal Balcony, the one reserved for members of the royal family.

8 October: Bratislava 

The concert is in the beautiful and modern Tipos Arena.
The very large audience cheered fervently and admired our three treasures with affection.
What a crackling start.
There aren’t many full videos, but several nice mixes from the evening.
CLICK HERE to view the video
In Bratislava the song SE was performed with the cello accompaniment of JODOK, here is a short piece.
Another  the very nice songs mix, with the start of Gianluca in a splendid THE MUSIC OF THE NIGHT ❤️

CLICK HERE to view the video

Magnificent: THE SOUND OF SILENCE by Simon & Garfunkel ❤️

Gianluca in the audience while they sing O Sole Mio.
The enthusiastic applause of the people.
Some nice photos of the evening
Il Volo with Jodok and the concert organizers of Koncertpromo who published these words!
Thank you, Il Volo for an incredible first show in Bratislava! Tomorrow, let’s take over Budapest at the @mvm_dome and show how Italian Belcanto conquers the hearts of the Hungarian audience. Love you guys! ❤️
❤️Thank you for inviting @jodokcello to perform with you on these beautiful shows!❤️

CLICK HERE to view the video

The words written by the hotel that hosted them in Bratislava were also very nice:
This week we had the honor of welcoming other exceptional guests to our hotel – the famous Il Volo trio! 🎶✨
Their talent and energy filled not only the winter stadium but also our entire facility, and we are so proud that they chose us. ❤️ Thank you for allowing us to be part of their journey and we wish them much success in their future performances!
Some news that you will have already read, but which I have not given here.
Il Volo will be in Chile in November (8 or 9) for the TELETHON charity broadcast.
Here’s how the news was broken:
“Finally – and from Europe – the Italian trio “Il Volo” will also arrive in our country. Ignazio Boschetto, Gianluca Ginoble and Piero Barone are the singers behind this successful operatic pop group. With almost 15 years of experience and millions of views, come to Chile for the third time to present their greatest hits and their popular covers of ballads in Spanish such as “Abrázame”, by Julio Iglesias, “La unconditional”, by Luis Miguel and “So in love”, by Ricardo Montaner.”
And we end with a bit of gossip, Claudia, Gianluca’s girlfriend, was also present at the London concert, here she is in the photo next to mother Eleonora.
Wow, it was a really exciting start to the tour, great turnout and love from the people who were really excited to listen to Il Volo!!
Of course, the voices of Piero, Ignazio and Gianluca are beautiful and their professionalism is a guarantee, their concerts do not disappoint.
But there are many dates and many concerts still to be done, the journey is long and will certainly be equally full of successes, we have no doubt!!
See you again soon, next stop Budapest!
Daniela 
🤗

Credit to owners of all photos and videos.

INTERVIEW WEBNOTTE by Daniela

During the tour instore in Rome, Gianluca, Ignazio and Piero, had an interview in the headquarters of the newspaper Repubblica, with the journalist Ernesto Assante, who was never very generous in his praise of IL VOLO.

This resulted in an interesting interview that I translate for you. There is only one video, unfortunately not very qualitatively beautiful, but that shows us our guys perfectly at ease.

Assante = It’s 4:15 pm, we’re live from Repubblica, via Cristoforo Colombo 90 Rome, see behind me, I’m not alone, I have a band called IL VOLO

G = A band? An unusual band.

(they sing live an acoustic version of Musica Che Resta, Ignazio plays the guitar)

I = (after the acute) Sorry, sorry.

Assante = He wanted us otherwise they think you are fake.

G = Exactly

Assante = Because they have the big voice, they are not IL VOLO, who knows who they are (he jokes) …. Gentlemen, welcome, it is the first time we meet really, we had only heard once by phone, long ago.

Start by a question, really stupid, stupid, stupid ….. How did you become IL VOLO ? – a band that has a great success with the public, a sequel and a warmth – a love, so great, be of the boys , therefore maintain a “normal” life in a condition that has nothing normal, you grew up in public, you grew up on television, in front of people, you were little, you’re not anymore, you’re soon bigger than me … then, how difficult it is grow this way, and if it did you good or bad.

P = It is not so difficult, I must tell you that we three have the same past in common, and the same adolescence, fortunately we met at the age of 14/15, we live for music, for the greatest passion that we share it. It takes much “group spirit”, but the fundamental thing is that we do not tolerate the teasing and the whims, do not exist in our group, then, we help each other, we support each other.

G = Maybe we sing a kind of music that is close to people, also because they are our traditions, it is our music that is the “bel canto” which is then appreciated above all abroad. So, maybe that’s why we approach the people, we also saw the more than positive result of Sanremo, a podium, after the victory of 2015, we are happy with the result.

Assante = Damn, actually you were first, more than often, during the week.

So, beyond what you’ve just said for the relationship with traditional Italian music, why do they love you so much? What are your strengths?

G = And why do they want us so bad as well? (certainly refers to journalists)

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Assante = What do you transmit to people? I’m interested in your point of view.

I = Maybe because ….. I think that the musical genre influences the personality of the person, a person who does rock and roll, influences his personality. We have always maintained what have always been our personalities, always with humility and with passion of what we are doing.

So the key to getting to people’s hearts was that, so they love us so much and follow us.

P = Because there is nothing built.

Assante = That is, the truth is that you are so off the stage ……

I = We are so off stage and on stage, during an interview and during a lunch.

P = And according to you, why?

Assante = I am convinced of the fact …

I = He cannot explain it.

Assante = The thing that has always surprised me, is your passion for traditional music, being very young, this is not normal, if it were so, all the boys of your age would sing romances, or arias.

G = This is true, but ……

Assante = Let’s say that the thing that surprises, in this country, but that has also allowed your success, because you are the only ones to be young, and to do a type of traditional music.

G = It is clear that normality is not even, having so many tattoos and talking about drugs in songs.

Assante = But no, of course.

G = Let’s say that normality does not exist.

I = There are habits

G = Exactly, then everyone tries to express their passion, in the end we do nothing but do what we like best, SING. Then, that this is a musical genre that is heard more by adults ….

P = But it is not true …. Spotify gives us a good answer …. but maybe because we are the only ones to do it, after many years, and we are the only “young”, because our goal, we always have said, is to bring this kind of music, which was born right in our country, and maybe even a little “forgotten”. No young man has EVER proposed it again.

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Assante = Let’s start again from the initial question. Before doing IL VOLO, what music were you listening to?

G = Look I tell you what I was listening to: I grew up with Gaber, Guccini, De Andrè, (Italian singer-songwriters) so, you figured, completely different things, my father inculcated this style, then, growing up, I became crazy, completely John Mayer. I love the guitar a lot, even if I do not play it, but I love a more acoustic genre. My greatest idol, however, has always been Andrea Bocelli, that made me really approach this vocal genre.

 P = But each of us has different tastes, different personalities, I have always listened to the classical world, I love Elvis, I love Queen, but in the shower, I listen to the classics, Pavarotti, Domingo, this kind of music, I really like Julio Iglesias .

Assante = (indicates Ignatius) and the rocker here? The boy with the tuft ….

I = No, I’ve never listened to so much music, I fell in love with the songs, I love Stevie Wonder, even though I do not know many of his songs, I’m madly in love with “Over Joy”, “You and I”, “Isn’t She Lovely “. Or Brian Mcknight, I really like it, Joe Cocker …

P = Even Lenny Kravitz

I = Yes, Lenny Kravitz

Assante = However, this is noticeable, that is, that your singing styles, especially when growing, have changed, there are those who are more linked to opera (Piero), who has a middle ground (Gianluca) and who, above all in Sanremo it has been noticed more than the other times, I do not say that he has freed himself from lyrical singing, but has sung with greater autonomy (Ignazio).

P = (turned to Ignatius) you could not wait (and gave him a little flip on the head)

I = It’s not, I could not wait, but it’s what I am, so it’s me.

Assante = This allows you to do different things too, are you working on a change, an evolution?

I = It is not so much a change of ours, it is more pulling out what we really are, rather than a change of what we do.

Assante = Castaldo (journalist who always gave very low marks to IL VOLO) in Sanremo did not give you 5 1/2 to make you just a courtesy, but because he saw, that something …

P = But that was the biggest victory.

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G = But we have to travel on two different tracks, because what our international public wants, it’s just the Italianness, just the made in Italy, that maybe in Italy, for that, there’s a bit of snob about it , as if sometimes we were ashamed to be Italian.

Assante = But sometimes it’s not like that.

G = Sometimes unfortunately yes.

Assante = But try to think, the French listen to a lot of music, French, but modern.

We Italians, we have a traditional repertoire that for us Italians is old, but for an American, it is not.

P = Excuse me, I want to say this, we do not do anything strange abroad, because we are famous all over the world? Not because we are better than others, but because we sing this kind of music that is famous outside of Italy. If we take a look at the past, the only Italians who have succeeded abroad, and abroad I do not mean South America, which is like Italy, but Europe, North America, Japan, all those countries, were Luciano Pavarotti, Bocelli and vabbè Modugno, but it was a special case. But Pavarotti, Bocelli, Il Volo, have one thing in common abroad, the same kind of music.

There must be a reason.

Assante = I agree with you, it’s like us here, like rock and roll, and true rock and roll, no one plays in Italy. If you feel the real rock and roll, you love the original.

I = What do you think about Achille Lauro? (in Sanremo he sang on a rock and roll rhythm) because there is a bit of rock and roll.

Assante = I confess that I find that the piece of Sanremo is very beautiful. It’s a rock and roll piece and it’s fun.

I = I like it too, I confess that I’m not the type that listens to the text (the song by Achille Lauro has been much disputed because it talks about drugs), I only listen to music, I have to listen to music, for me the text goes into the background.

Assante = I like that too, it’s “reckless life” updated to the times. I found it nice, frankly, but let’s get back to your piece. I too appreciated this piece of yours, more than on other occasions, just because you seem more free, in being each of you three what he wants to be, that is, each of you three is finding his way.

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P = Excuse me, but this album MUSICA, crown 10 years of career, is the tenth anniversary of IL VOLO.

If you read the titles, see the three personalities of IL VOLO, because from an “Arrivederci Roma” which is a genre more like an American crooner, it represents more his tastes (of Gianluca) there is a “Be my love” which is a classic, then there is a “A chi mi dice” where the voice of Ignazio prevails more. Let’s say we give vent to our personalities.

G = Even the second single, “Vicinissimo” marks a path of more contemporary sounds, we are no longer linked to the too classic world.

Assante = You want to make me a little mention of “Vicinissimo”, even vaguely, only for 30 seconds

P = You know we never sang it live.

(Piero and Ignazio begin the song but in a low tone)

G = No, so it’s not good and then it’s bad, if it’s done like that you do not like it and then it’s bad.

Assante = Do not be, never. There is something that you could do to me, so at the moment, even if only hinted at, you can also say no.

G = Let’s say “ A chi mi dice”, do you know the chords, Ignazio?

I = Yes, I try …. (they start to sing the song, Piero and Ignazio sing in chorus)

G = It looks like church, you see, it’s difficult.

Assante = It’s okay, you touched the key point, to someone like me, who are a music freak, you can say to me, I’m unpleasant, bad, but I’m a fan of music and what I like is this, the ability to be wrong, to try to play a music, not to think that you are, as you were born, a television product built at the table. I like to discover that you play the guitar, that you sing the pieces that you like.

G = But we want them to come out well.

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Assante = On that we agree, but you understand what I mean, you have a matrix of a television program, a talent, which has given you the imprinting, and getting rid of imprinting is not easy.

P = It is clear.

G = We will get there slowly. This CD however marks the beginning of a new IL VOLO, because the other CD’s …

P = It’s not like we do rock.

G = Absolutely, but there is the fact that we begin to have our repertoire, we are not always tied to the “covers”, always things already done and redone, that people say, “Oh well we have understood, now enough”. So there are already three unpublished and for us the beginning of a change, because however we are preparing a new project, for the end of the year, then in 2020, we will do two years of tour, even releases of new albums, we are starting to have a new important path.

Assante = Is it difficult to get along in three? You know that the real bands quarrel a bit, because to be together, they cannot always love each other.

P = But we too, it’s a bit like marriages, cohabitation is not so simple. Also because we have not chosen ourselves, we have been put together, but the important thing of our group, I think is mutual respect. In the end we get along like this.

G = Beautiful the booklet (of the cd) right? It is very elegant.

Assante = Yes very elegant and beautiful.

G = Did you still want to ask a question?

Assante = Yes, the last one. Between making records and singing live, for you, makes the difference, that is the idea, so that someone like me can fall in love with IL VOLO, it’s the concert, go and see you, as it was for Sanremo …..

P = You’ve never been to one of our concerts?

Assante = No, unfortunately not, Danilo (Danilo Ciotti, press office of IL VOLO) has invited me so many times ….

G = Will you come to Cavea della Musica this year? (in Rome)

Assante = It’s the easiest thing.

P = Together with Castaldo, arm in arm, so he will give us a 6 1/2.

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Assante = I objectively, on the 6th at Sanremo, I gave it to you, and also for me it was the first time, live, you gave an idea of conviction, of truth, in that song, singing it just as you wanted, that according me, it was not yours before.

I = Look, being in three is sometimes a fortune or misfortune, you know everyone has their own personal idea. I personally, with all due respect, never imported me 5 1/2 or 6, because in the end one must not go chasing the vote.

P = Long life sincerity.

I = I am like that, I think that an artist does not have to chase votes, if an artist likes, likes, if he does not like amen, there are many other artists that can be heard. For us, say 5 1/2, 6, is our way to say that slowly, slowly, we try to make ourselves appreciated by people who are always very susceptible to us (the critical and journalists), also because often, in Italy, but a bit in general, it is used to have prejudices, without knowing people. A little like Castaldo, he did not know us, when he met us, he finally realized that we are three simple guys.

G = As he believed, even worse.

I = Three guys who like to joke, we are not set, as he thought, and that’s the problem, nobody goes chasing the votes, one just wants to be known, to be understood.

Assante = The result of Sanremo was right for you?

G+I+P = Yes, absolutely.

I = For us yes, for someone else maybe not.

Assante = For someone else actually not, but it was the result seemed to me balanced, the three juries were three different juries.

P = Only one thing, in my opinion, maybe I’m wrong to speak, but maybe they had to give a little more recognition to Bertè. Only this, for the rest, was right.

Assante = You’re right, in the end it was fourth.

I = In the end we talked about it. It is not Sanremo that makes the classification, finish first, second, third, fourth, but it’s all week, also because Sanremo, it’s not the end, but the beginning, it’s a little like when we won, that Nek said, “Now you have to show what you can do,” and he was right. Anyway it’s true, everything starts from there.

P = On the contrary, this has also stimulated us, we thought we had to give our best.

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I = Start everything from there, the promotion, the CD, the tour. You have to be focused, because in any case on tour, ours is a fairly difficult repertoire, and so you have to always be focused, make a date after another, travel.

G = It is always necessary, in my opinion, to know the managers ……. because fashion, you can make a song that lasts a month, two months, three months, if you do not do another one, it’s trouble.

Assante = The thing that I want to know, if the return of listening to Sanremo, there was, as today there have been here the Zen Circus (other participants of Sanremo) and have said that many people who would not have them never listened to, seeing them in Sanremo, now they listen to them. Certainly there is a part of the public that, looking at Sanremo to see Zen Circus, Achille Lauro, Motta, discovered IL VOLO, beyond your popularity, there was someone besides me, who did not listen to you, and now, yes?

P = There is certainly another person Michele Monina (another very fierce critic with IL VOLO). He did not listen to us, but we had the opportunity to meet him one morning in Sanremo and I must tell you that we did not know him, to me sincerely, he was unpleasant, after I met him and I said: “But you’re an ‘other’ person.”

Assante = But people, people’s reaction? There was much more young audience.

G = Definitely.

Assante = The Spotify effect has been seen.

G = The Spotify effect, yes, certainly more than in the past, because the song is slightly more modern. Our audience is not exactly that of Spotify, which is also listened to by 15-year-olds. But there was a super-positive response also from the younger public, as not.

P = But the answer and the greatest satisfaction for an artist I think is to see the pre-sales of their tour, which are going very well, so I’ll see you at the concerts.

Assante = Before closing the interview, give us another live piece.

I = We do not know what to do, but we do it.

Assante = Meanwhile, do you think about it, the next live event, when?

P = We leave now for Japan in May, but then we come back, in June and July in Italy, then again abroad, and at the end of the year, we are back in Italy again.

Assante = Very good. The dates found on the site of IL VOLO, on the Facebook page of IL VOLO, the album has a very simple title MUSICA…… and then, at this point, I speak, while they decide, they will not take much ….

G = Of the new song or the last one? What do we do?

I = HELP.

G = What can we do?

I = The cool thing of being in a group … the nice thing about being three is that we create harmonies, and we …

G = Then let’s make IL MONDO, the final ….

P = See, three seconds ago I said “Let’s make IL MONDO” and they do not.

G = Wait, let’s make harmony (Piero taps him on the head). He plays the central part (Piero), I play the lower part and he is the tall one (Ignazio).

I = Are you there? We can start?

(the final harmony of IL MONDO begins … beautiful !!)

Assante = Thank you so much, it was a pleasure to have you here, come back when you want …. and thanks to you (to the public) for following us.

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I would say that the boys have always been kind and polite.

Assante is a journalist who, together with Castaldo and Monina, have never had good words and good criticisms about IL VOLO, indeed, they often denigrated and wrote badly about them …….. but without ever knowing them personally.

This year in Sanremo the boys have personally met Monina and Castaldo and now, with this interview also Assante.

Undoubtedly the tastes of these three journalists-critics, are deeply distant from the style of our boys, but this does not allow them to denigrate the hard work of these young people and even sometimes to despise them.

But now they have known them and have changed their opinion on them, not on their style, but certainly on their personalities, because these journalists have recognized that Piero, Ignazio and Gianluca are very simple guys and prepared in the music field. Their votes at Sanremo 2015 did not arrive at 4, now they gave 5 1/2 and even 6. The road is long but the journey has begun ….

I noticed in the interview that the boys, always in a polite tone, managed to remove “some pebbles in the shoe”.

Good guys, heads held high, we are with you.

Daniela

Credit to owners of all photos and video.