On December 16, 2016, this article was published on Zon.it, by Antonella Esposito. Although it has been a while of time, I (Daniela) will translate it for you because it is worth reading.
GRANDE AMORE OF VOLO: BECAUSE WE DO NOT GET TIRED OF LISTENING TO IT
After the first listening to GRANDE AMORE, did the song really like you and did join your favorite playlist? Are you still irremediably attracted to the melody and lyrics of the song? That’s why GRANDE AMORE of IL VOLO does not tire you.
Grande Amore is the winning song of the 65th edition of the Sanremo Festival, interpreted by the trio opera lirico Il Volo. Although it seems to have been written specifically to brush the powerful and versatile voices of Piero, Ignazio and Gianluca, the piece had a tough road before cutting the finish line “Il Volo”.
Composed in 2003, by Francesco Boccia, songwriter and frontman of the music band I Quisisona, together with Tommy Esposito of Il Giardino dei Semplici, the romantic piece already having a precise layout designed for lyric lyricals, is presented at the selections of the Festival of the Italian Song, in 2005, with a negative result. So it remains to dust in the drawer for 10 years.
It is in fact 2015 when the song is enthusiastically evaluated by the commission of Sanremo Young and assigned to the duo Operapop. Even then, fate is a strange joke, because the duo is excluded from the competition for the age limit reached by one of the two components, Enrico Giovagnoli.
Grande Amore is also offered to Orietta Berti, who proves to be favorable to the song but she is, however, unable to participate in the singing contest for personal reasons.
Once again, bounced back and without interpreting the fate of the piece, it is entrusted to the hands of the artistic director Carlo Conti. At his first conducting of the Festival, using the help of the Operapop manager, convinces the producer of Il Volo, Michele Torpedine, to compete for the three young singers with the signed song Boccia-Esposito.
It’s the evening of 11th February, 2015, when IL VOLO sing for the first time, Grande Amore, in the slaps of applause from the Sanremo audience. The three different and perfectly complementary voices of the three singers, enter the heart and fill the audience’s eyes in the theater and viewers who are following the kermesse (festival) in the world. Grande Amore.
For some it’s a discovery, for others it’s a confirmation. The elegance of the guys of Il Volo, the stage presence with which they saturate with energy each single tile on the stage of the Ariston, and the dramatic might with which the three young singers sing the love all or almost conquer.
MELODY AND TEXT
Great love strikes, likes and creeps in the head with a basically simple and essential text and for this easy to memorize. The plain strode opens with the term “love” which in a vibrant and prolonged acute spreads the basis for the beginning of the refrain. And here comes the engaging redundant melody that never touches the nenia, by the way, draws a rhythmic curvature cleverly caressed first by the baritone basses of Ginoble and then raised by the strong and precise setting of Boschetto and then exploding with Barone in a Love screaming to all generations.
It is therefore a universal love that sang by IL VOLO declinable in all the nuances of loving sentiment, not by chance as revealed by the same authors: “The text is not inspired by a specific person, but it is a story always valid as it may be love declaration”.
Musicality, universality and pop-lyrical contamination are probably the key elements to place with a certain conviction the classical lyric passage for the song’s story. Grande Amore with an extraordinary rapidity of diffusion not only musical but cultural has already been able to fully fit within that pink of international pieces representing Italianity. Grande Amore has all the characteristics of symphonic sweetness needed to become the Caruso of the new millennium. It has that rhythmic and flamboyant stylistic cadence so that it can be sung by the middle world as has always been the case with O ‘sole mio.
It seems despicable and yet between different artists the song would not get the same feedback or maybe yes, but this is another story. The truth is that each song chooses its own interpreter and Grande Amore was born and struggled to end in the repertoire of Il Volo, altering in a shocking way the same artistic path of Piero, Ignazio and Gianluca who so much to the song that made him disconnect the ticket to success in Italy. Not that the three were not good enough, just as often happens the masterpieces make a difference and Grande Amore is without too much delay the diamond tip that has given the group the gender specificity that has always been sought after.
These are the technical reasons why listening to Grande Amore does not tire and will not even tire in twenty or thirty years. Stylish stylistic lists that are merely fine to themselves, which, because the longevity parable is valid over time, then add other elements with the most irrational flavor. These are the emotional ones, those you can not explain and that with a song almost invite you to listen to it and listen to it again and again.
Article translated by Daniela. Credit to all owners of photos and video.
Today we saw Piero having fun with his friends on a water bike (his passion).
Piero and his friends were going to the sea in Sicily in front of the area called Scala dei Turchi.
LA SCALA DEI TURCHI
The Scala dei Turchi is a rocky wall (cliff) rising over the sea along the coast between Realmonte and Porto Empedocle in the province of Agrigento.
The Scala dei Turchi has a wavy and irregular shape, with sweet and rounded lines.
The name comes from the past raids of Turkish pirates, who were sheltered in this area less than the winds and representing a safer landing.
The beach is famous for the candida and dazzling color of its rocks; is a protected area but in the past it has been threatened several times by tourism …
In the first video, Piero says:
“Guys, Good morning to everyone, from La Scala dei Turchi“
And one of his friends says:
“Look what spectacle we have here in Sicily guys”
In the second video Piero presents his friends.
Credit to all owners of videos and photos.
A MAGIC NIGHT AT THE VERONA ARENA
On the 19th and 20th of May, the pop-lyric trio Il Volo held two concerts, both sold out, at the Verona Arena, as part of their world tour “Notte Magica: Tribute to the Three Tenors”.
The Verona Arena, a temple of opera for excellence, offered an ideal setting for Il Volo’s concert “Notte Magica: Tribute to the Three Tenors”, an event where the magnificence of the location, the charm of the music and the extraordinary voices of the three performers blended in a perfect combination, stirring enthrallment and marvel.
Since afternoon, it seemed that every element wanted to help create an ideal atmosphere, starting with the abundant rainfall during the day, which abruptly ceased, against every forecast, shortly before the concert began, giving a starry mantle to the public who had traveled from all over Italy and the world to acclaim the three young artists.
Anyone walking around without knowing which show was going to be on stage, might have thought it was an international gathering. Groups of people of different ages and nationalities talked to each other in a jumble of English, Italian, French, German, Spanish, Portuguese, and even Japanese
What was above all so striking was the diversity of the audience; entire families with young children and elderly parents, young and not so young couples, adults in evening dresses and festive teenagers showing off t-shirts and bandanas with “Il Volo” written on them.
The newly arrived looked around eagerly, searching a familiar face met at a previous concert or on social network; some American fans proudly showed bunches of concert tickets, stating that they had followed their idols, first in the United States, and now in Italy.
Looking at the mixed multitude who crowded the Arena stalls area and terraces, whose only unifying element is the common passion for Il Volo, it is only natural to wonder what these artists have that is so special. How many singers are able to move fans from one continent to another? Nowadays, virtually no-one.
The orchestra goes first on stage and intones the notes of Verdi’s “The Power of Destiny”, almost as if to emphasize the mysterious power of fate that has brought three teenagers with prodigious vocal talent to meet in the same television program, with the same unusual passion for classical music, overturning their lives, those of their families and the thousands of people who would otherwise never have met each other or be there in that moment.
Finally in they come, Gianluca, Piero and Ignazio, welcomed by the roar of the crowd. To see them on that stage, so young, fresh and relaxed, it seems impossible that they are the stars of that magical evening. The feeling that pervades those who attend their live concert for the first time is to finally understand the mystery of those voices that have bewitched millions of people around the world.
Gianluca sings “Nessun Dorma” and it’s as if a spell is cast on the Arena. His deep, warm, velvety voice seems to creep into the folds of the soul, wrapping each of those present in a poignant embrace. The giant screen projects his intense, almost painful expression; Prince Calaf seems to have emerged from Puccini’s opera to seduce the beautiful Turandot. Ignazio takes over, whose vigorous and clear tones are reminiscent of the flow of a rushing river, evoking the figure of the bold knight who wins the princess thanks to his boldness and his passion. Then it’s Piero’s turn and the millennial stones of the Arena seem to flinch and vibrate under the power and intensity of his voice; you can imagine the princess Turandot who surrenders to the strength and security that emanates.. . Three different interpretations of the same aria, up to the climactic moment in which the three voices join in sublime harmony, each remaining distinct yet, at the same time merging with each other to create a perfect chemistry The audience who had listened in sacred silence erupts into a loud and heartfelt choral ovation, the first of a long series.
For more than two hours, the songs continue uninterrupted, with three voices, duets, solos, with no faltering in the performances of the three young artists, simply impeccable in interpretations, tones, and vocals. The expressions of the spectators denote a bewildered admiration mixed with disbelief, as if they were really watching a magical show and couldn’t find a rational explanation for what they were witnessing. The question that seems to float in the air is: “is this really possible”?
Gianluca’s voice reveals surprising qualities, possessing a sweet and caressing tone but at the same time, profound and sensual, that can suddenly explode with unexpected strength reaching tenor notes without ever losing its sweetness. His passionate performances leave the audience almost overwhelmed, unable to contain the intense emotion he is able to arouse and, when in the finale of “Aranjuez” he maintains the last note and increases its volume and intensity without taking a breath, the stunned spectators hold their breath too and then explode into an endless and liberating applause.
Ignazio has the ability to transform himself, in a fraction of a second, from a funny joker into a masterful interpreter of very demanding pieces where he and the music become one. His surprising vocal extension, its versatility, its ability to reach high-level notes while at the same time maintaining a clear and light weave of pop singer, make his performances incomparable.
When he sings, the audience seems to be caught by a temporary estrangement, as if the music and his voice fills up every corner of the mind and leaves no room for anything other than emotions.
As for Piero, his extraordinarily full-bodied and mighty voice seems to come out of his mouth as breath comes out of other common mortals’, without any apparent effort. Sometimes, watching him on the screen, he surprises you as he is following what is happening in the audience, smiling or nodding to those who he recognizes in the crowd, while continuing to sing without skipping a beat or missing a note. In his solo songs, his virtuosity reaches its highest expressiveness. His passionate interpretations of “No Puede Ser” and “E lucevan le stelle” make chills run down your spine, the screen enlarging the sparkle of emotion shining in his eyes and reflecting in those of the spectators in an ideal bond, and when his mighty and boisterous “E muoio disperato!” (I die in desperation) resounds in the Arena, it seems that even the walls are aggrieved with emotion and sadness.
The concert ends with the triumphant final of a “Grande Amore” sung with the audience and the Arena lights up with thousands of lights that seem to compete with the stars in heaven. Finally, the audience moves reluctantly to the exit, while the echoes of the concert still seem to linger in the air, as if wanting to hold on, a little longer, to the charm of that night where the ineffable beauty of a timeless music combined with that of three extraordinary voices have been able to recreate the magic once again.
Translation by Susan J. Ambrosini and published on All About Il Volo on June 10, 2017.
Daniela sent us this wonderful sneak preview of the movie the guys have been working on.
By now we all know that ILVOLO will take part in a movie entitled UN AMORE COSI GRANDE, which will be released in 2018.
This article was published a few weeks ago, that speaks of the plot of the film.
From the giornal THE ARENA
The protagonist is Vladimir, a young Russian who lives with expedients to keep himself and the mother who has been a great soprano.
His mother convinces him to go to Verona in search of his father.
In Verona Vladimir performs his singing talent and conquers young Veronica and attracts the attention of ILVOLO manager who is looking for a debutant to launch in the trio concerts.
Of course the story will be much woven, and will be shot in St. Petersburg.
The guys with Vladimir’s mother
Gianluca and the actress who interprets Veronica.
Vladimir e Veronica
Un Amore Cosi Grande, is a film that wants to relaunch the lyrics to bring young people closer to this world up to now unknown.
Tell precisely of the “grande amore” of the protagonist for the work but also for his mother and his girlfriend.
The music of the movie will be drawn from the operas as well as some songs IL VOLO.
On the set, between a slate and the other, Piero, Ignazio and Gianluca, gave some explanation about their role “Recite next to professionals, but in a role that favors us because we remain Il Volo, essentially doing what is better: singing”.
Behind the shots appear at ease. “The lights we are accustomed,” say in choir boys de Flight, those of the stage of the Arena then know them very well, in fact you have organized various concerts, the last last 19 and 20 May.
Thank you, Daniela!
Ah, two more beautiful concerts, all just a memory again…you wait, and wait, and then POOF! it is over in a matter of a few moments. Even for those of you who saw them twice in a row. The first time it’s like a dream. The second time, you still need to pinch yourself to make sure it is real, and then you still don’t think it is real. Only pictures make you believe you were really there – whether pictures with friends, of the guys on stage, a few videos of your favorite songs, and the lucky ones with meet/greet photos! And even, after all of that, you stumble away thinking, did that really happen???
The guys, once again, or should I say, twice again in a row, sold out 2 beautiful nights at the Arena di Verona! And a very unique picture of the Arena di Verona from Leonora via Instagram…. Many attendees were betting against the rain that dampened the atmosphere before the soundcheck the first day, but never dampened their spirits. Many, many beautiful photos came through over those two days from walks in the streets, chance meetings with the guys, to pictures of friends during the soundcheck, to the concert, and afterward!
I think Il Volo Music is trying something new, for the last few concerts, they have been LIVEstreaming a few songs via Instagram. So, if you don’t have Instagram, or don’t follow them, I would highly recommend doing one or both! It was a real treat for me at work on Friday, when about 3:30p or so, “buzz” went my phone and there it said a live video from Il Volo Music – it was their Ave Maria!
I also had a chance to see them live yesterday, May 20, during Il Volo Music livestream on Instagram. They started with the Ave Maria, then filmed a few of the duets. The last was Maria with Gian and Igna. While trying to get Igna off the stage, Igna did a “wave” to the audience with both arms in the air, and was met with mighty whistles, yells, cheers, and clapping! He did this 2 or 3 times more, up with his arms, each applause/reaction, louder than the last time. (I tried to find the video feed of this, but could not – I asked Daniela to see if she could find that anyone got it. It was so precious!) He finally left the stage and then looked right into the phone of the video and said, “Ciao!” and left. Then the video ended.
You Tube link sent from Daniela:
They also did this at the Livorno concert.
Credit to all owners of videos I grabbed from You Tube, and videos/pictures I swiped from FaceBook, I hope you do not mind! 🙂 Thank you to Daniela for sending a few videos along, as well! Without further ado – here is Verona!
These two videos are nice uploads from Pamela from Il Volo Mojo FaceBook – a few highlights from each concert:
A few pictures from Dani Ci – sent to me while waiting for the concert to start and the opening! I was with her in spirit, as I was at work!
After the concert….from Dani:
A few other random pictures – 🙂 Photos are from either the 19th or the 20th…
Ok, this is from the soundcheck on May 19
Elegance on a chaise…
Picture above from Veronica, as well as this one below, of Igna – this one of Igna literally took my breath away!
This special treat is courtesy of Elena Vulcano (from their hotel) – a little breakfast music, by Igna…we don’t know what it is, but whatever those long and beautiful fingers play, is certainly music to my ears!
And we finish, with Grande Amore – the audience sing-a-long! 🙂
And can’t forget the smiling faces of those at the meet/greets! Including the Fabulous “3” on May 20, along with our own Dani Ci on May 19th! Dani – we are waiting for your review! (Daniela’s bella review will be posted tomorrow!)
A grande notte di amore – si! And many more to come. Next stop, London! May 23.
Ciao a tutti!!
p.s. be sure to send your personal reviews to FlightCrew.NotteMagica2017@gmail.com 🙂
A couple of days ago I read this post from Volocomio, which is really fun, I’ll translate.
REASONS TO CHOOSE AN ILVOLOVER AS A GIRLFRIEND:
1 = Because if you always wanted to visit Italy, she will take you to many wonderful places each year (coincidentally will be the location of the concerts, but do not look at these details, the important thing is to travel).
2 = Never worry about birthday, Christmas or anniversary gifts. There will always be a CD, a DVD, a book, a deluxe version of IL VOLO that will add to her collection.
3 = If in the morning you really don’t want to dress decently, you have many pictures of Piero to use: treasure when he puts them, I can do it as well, no?
4 = If you make a joke and even your dog stops wagging his tail and change masters, you can always say, “I heard it from Ignazio”.
5 = If she will tell you that you are too much on the phone , you can say, you do not ever come off the phone because you do not miss even one of the stories of Gianluca.
6 = She will not remember what you said last night. You can always be certain, however, that she will remember word for word the last video made by IL VOLO.
IN SHORT, DEAR MAN WHO IS READING THIS, REMEMBER THAT IT IS NOT IMPORTANT THAT SHE IS EITHER FROM NORTH OR SOUTH, EAST OR WEST, THE IMPORTANT THING IS THAT SHE IS AN ILVOLOVER!!!
Daniela, I added this picture of our favorite Italian IlVolover, You! ~Marie