Tag Archives: Luciano Pavarotti

IL VOLO TO PAVAROTTI 90 by Daniela

The evening of November 5th, here in Italy, an event was dedicated to Pavarotti: PAVAROTTI 90,  recorded at the Arena in Verona on September 30th, it was broadcast on television on Canale 5. The live event (which I already previewed with an amateur video filmed live during the evening) featured numerous guests, including Il Volo, who performed two songs, and now I’m re-proposing it to you with the Canale 5 video.
The evening was hosted by Michelle Hunziker, Il Volo will sing Capolavoro together with three sopranos and will follow with Granada.

MICHELLE = And now this special moment, in the spirit of “Pavarotti & Friends” (Pavarotti & Friends was a charity musical event organized for ten years between 1992 and 2003 in Modena by tenor Luciano Pavarotti and his second wife Nicoletta Mantovani to support humanitarian causes), six fantastic artists, three women and three men, will join their voices for a duet that will become a sextet.
Together with Marion Battistelli, Carmen Gianatasio, and Giulia Mazzola we welcome with applause: Il Volo! (Il Volo enters amid applause).
Ladies and gentlemen, at Pavarotti 90: CAPOLAVORO.
MICHELLE = Thank you to Marion Battistelli, Carmen Gianatasio, and Giulia Mazzola (the three sopranos exit).
Guys, come here to me, good evening. What a pleasure to see these kids that I saw when they were very little. We were on stage together at Wetten Das in Germany (2013), and now you’re a father, Ignazio!
IGNAZIO = Yes, now I’m a father, and it’s a wonderful thing.
MICHELLE = Why don’t you sleep anymore, you asked?
IGNAZIO = No, I don’t sleep anymore, but when you imagine becoming a father, you think… yes, I won’t sleep… and maybe you see it as a negative thing. Then you realize that even if you don’t sleep, and you watch him or give him milk when he wakes up in the morning, everything, every sacrifice is worth it in the end, you get the idea!
MICHELLE = It’s true!! Guys, I’m so happy to see you here. What’s it like to be here and sing for Luciano Pavarotti?
GIANLUCA = It’s a great privilege for us. It all started with Pavarotti, who brought this music out of the theater, even to the public, to a large audience all over the world, mixing various musical genres, and then came Maestro Andrea Bocelli. We’re proud to be able to bring this music to even the youngest audiences and to continue doing so, hopefully for the rest of our lives.
MICHELLE = And you’re doing it divinely, I’d say. I’m a huge fan of yours, you know that (it’s true, she’s a great friend and fan of Il Volo).
PIERO = Thank you! We never had the chance to meet Luciano Pavarotti, but we can say he inspired us, he was the one who inspired us to do what we’re doing, and we try to do it in the best way possible, with a smile, but above all with love and passion. (applause)
MICHELLE = Guys, I’d say you can come back to center stage because you have another big surprise for us, right?
IGNAZIO = Yes!
MICHELLE = You can head to the center of the stage, please (the song will be conducted by Placido Domingo, who is filmed hugging and replacing Maestro Leonardo De Amicis, who, I remind you, conducted our guys during Ti Lascio Una Canzone).
On the podium, an exceptional conductor: Placido Domingo (hugs with the guys).
Il Volo sings: GRANADA.
Il Volo conducted by Placido Domingo, the maestro who directed this beautiful Luciano Pavarotti Foundation Orchestra. These young men, full of energy and vitality, had the pleasure of being conducted by the maestro. (Long applause and bows from Il Volo and Domingo.)
What a spectacular moment, thank you!
#Repost Il Volo
It was a great honor for us to be able to pay tribute to Maestro Pavarotti.
Thank you.
These are beautiful thoughts captured backstage.
IGNAZIO = It was an emotional evening, also because Pavarotti means so much to us; he means inspiration. He’s one of those artists who, over the years, has taught us not to place limits on music or taste.
GIANLUCA = I believe it’s right to remember the man who moved the world. As long as we live, we will always strive to carry this music forward, with our voices, even for the younger generation.
PIERO = The man who brought opera to the general public, thank you, Luciano!
#Repost @carmengiannattasio.official
🎶 “…and this life with you is a Capolavoro.”
While I’m in Berlin for Tosca, I’m thrilled to relive the extraordinary evening at the @arenadiverona for Pavarotti 90, together with Il Volo, @mariambattistelli, and @giuliamazzola96, to celebrate Maestro Luciano Pavarotti.
His art, his humanity, and his voice continue to accompany us, inspire us, and unite worlds and generations. 💫
A truly beautiful event, a precious memory for someone who lived for music.
Our guys, as always, were impeccable: talented, handsome, elegant, and histrionic, because they know how to keep their cool even on important occasions.
Once again, you’re the best!
Daniela 🤗

Credit to owners of all photos and videos.

GLEANINGS by Daniela

We titled this post “Gleanings” because it covers various news and videos that have occurred since mid-July and that I haven’t reported.
On July 16th, Il Volo was invited to cover an event organized by the San Donato Group (the group operates in the healthcare sector and is the largest private hospital group in Italy), titled SUMMER NIGHT 2025.
Here is an excerpt from the article published in “Fortune Health Italia,” a healthcare publication.
“A special evening to recognize ‘bridge builders’ working across the Mediterranean. Last night, at Villa Miani in Rome, the 2025 Summer Dinner, promoted annually by Gruppo San Donato, GKSD, and Ecam Council, returned. This event highlighted the international commitment of one of the historic ‘seven sisters’ of healthcare, but also presented a series of awards to individuals committed to fostering growth and spreading health and well-being across Europe, Africa, and the Middle East.
The musical group ‘Il Volo’ was greeted with great enthusiasm, donating their entire fee to the non-profit foundation of the San Donato Group, GSD Foundation ETS, and to the Ale & Franz and Friends Onlus Association.”
Guys, we never had any doubts about your generosity, but once again our hearts are filled with pride.
After this event, our guys returned to their families for a short vacation and delighted us with some of their photos:

PIERO:

GIANLUCA:

IGNAZIO:

And then August arrived, bringing us the beautiful Evento of the Youth Jubilee, of which I attach just a few photos.
I’d like to introduce you to the Popes Il Volo knew:

Pope Francis

Pope Leone XIV

With the Youth Jubilee now over, we all thought Ignazio Piero and Gianluca were enjoying a well-deserved break.
It’s August, the height of the holiday season in Italy, but Il Volo still has time to attend one more event.
Issa Resort inauguration on August 6th in Romania. Here are some short videos and photos from the evening.
CLICK HERE to view the video

 

And then there’s two pieces of news: the first is that the video of the concert at the Valley of the Temples will be released on August 29st, so it’s already available to order.
CLICK HERE to view the Facebook reel
On September 30th, the Verona Arena will host a commemoration of Luciano Pavarotti, who would have turned 90.
Il Volo will also be participating in the event!!
And finally, a well-deserved August break. It’s been a very hot August here, and I hope Piero, Gianluca, and Ignazio also enjoy a wonderful holiday, even though for Ignazio and Michelle it will all be preparations for Gabriele’s imminent arrival.
Have a great summer everyone!!!
Daniela  🤗 🏖️

Credit to owners of all photos and videos.

A Self-Made Man by Susan De Bartoli

Anyone who follows Il Volo certainly knows their manager, Michele Torpedine.  At concerts we see a patch of grey hair and we all say, “There’s Michele.” For those new fans who don’t know Michele, get ready to follow a young boy to the great stages of the world and onward to the White House.
But who is this man? And where did it all begin for him? This is a man who rose from poverty to become one of the most important managers in Italy. Michele Torpedine is A Self-Made Man.  If you want to find your way to stardom, you need to catch his eye. Il Volo not only caught his eye they caught his ear, and they brought Michele back to life.
“Ricomincio Dai Tre” is Michele Torpedine’s autobiography. I said this about the guys’ books and, I will say it about Michele’s book, “If you can read Italian, you need to read this book.” It was so good, I read it in one weekend. I will say a lot of the people he talks about, you probably will not know, unless you’re Italian. Having said this, it is a very good read!

Let’s start by first looking at how the guys came to know Michele.

The day the guys came together singing, “O Sole Mio” on Ti Lascio una Canzone, Michele was at the end of his career. For him it was truly over. All he had done for so many now seemed in vain. But with this vision before him, three amazing teenagers, he was able to see a new light. A light that would start the wheels rolling again. A light that would reveal truth. A truth that never before was revealed to him. A truth he searched for his whole life but would only find in his relationship with Il Volo.

What was this truth? For the answer, let’s go back to the beginning, that is the beginning for Michele. Let’s listen to what Michele has to say about his humble beginnings….
In my story, you will find pieces of true stories of artists, such as Andrea Bocelli, Il Volo, or rather, among their stories, you will find mine, that of an Apulian child emigrated to Bologna, the boy who from a studio apartment in a small white house (the Apulian houses are often white), went to the oval room of the White House.
I loved music, I still love it, the world of music, less.

I was born on 12th May 1952 in a small town in northern Puglia. I don’t remember anything about this place, because I moved to Bologna when I was 5 months old.
My father was called Salvatore, he was a tailor, he was severe, hard.
My mother’s name was Titina, I lost her when I was 27 years old. I carried her down in my arms, wrapped in a sheet, to the mortuary chamber. She was 51 years old. Hunger, misery and cancer, this was her life, she struggled like a beast, then from one day to the other she fell ill and flew away in less than a year, I still haven’t managed to forgive her for leaving me so early.
In Bologna, we came in search of work and survival, we were poor, really poor. We lived five people in one room.
At the age of 8, I started to work, with a shoemaker, straightening the nails that were extracted from the soles. At 12 I started working as a bartender, then as a waiter and bellhop.
My brother Nino, at the age of 17, assembled his first battery of drums (drum set), I, who was five years younger than him, began to follow him and learn. I began to work in the evening. I would go to the places where you can play. At the age of 14, I became part of a local orchestra.

At 16, my first dream came true, a friend of mine called me on a Sunday afternoon and tells me that he was given the task of hiring six bands to open the Jimi Hendrix concert and asked me if I wanted to take part. I accepted immediately; I was excited.
Our band is the last one to play before Hendrix enters. Bad fate because people couldn’t wait any longer, so they threw booze and popcorn at us.
Things began to improve they called me more and more often.

One evening, all together, we go to see a concert of musicians playing with Ray Charles, the place is packed, that evening Ray Charles is there too. At a certain point they tell me they don’t have a drummer and they asked me to play. My legs were shaking, I was paralyzed with fear, but then I calmed down and played.
Michele says that the battery (the drums) is his life, not women, nothing for him is as reliable as a drum set. Michele continues…
Everything goes well, time passes, I was good, but not a genius, I understood that it is better to change.

One day someone proposed that I be a road manager, that is the one who contacts the local promoters, pays the musicians, takes the money, checks that everything goes well.
I plan a series of concerts for artists like Paoli-Vanoni, a great success, things are getting better and better, from one day to the next I became a millionaire, and people began to ask for me.

I started a partnership with Zucchero Fornaciari. He is a good soul singer, nobody in Italy sings like that. Time passed and Zucchero became very successful, one day he came to me with a beautiful and sad song: “Miserere”, and he says, “this song should be sung with a tenor … let’s try to ask Pavarotti?”
Pavarotti was in America. I have to bring him a demo of the song so he can listen to it. I contact all the tenors I know but nobody wants to do a demo with Zucchero, join the lyrics, with them pop was not contemplated by the classical tenors.
By pure chance, a friend tells me that in Tuscany, in a club, in the evening, there is a blind boy who plays the piano and is very good, he also sings tenor songs, his name is Andrea Bocelli.
It was the first time I met Bocelli. No one believed in him, not even himself.
Bocelli agreed to do the demo but, he was fearful because Pavarotti would hear it. He is very good and likeable. He sings the demo in a special way. I tell him to persist with music and he replies that he has won a receptionist competition, and that music will remain his passion.
I fly to Philadelphia to give Pavarotti the demo and, he immediately tells me that he will never sing a song of light music. I asked him to at least listen to the demo and he agreed. I explained to him that the boy who sings is not a tenor but a simple boy who plays for passion and Pavarotti asks me if I’m kidding him, because for years he hasn’t heard such a beautiful voice.
I go home and call Bocelli and I incredulously propose a contract to him. Bocelli doesn’t believe it’s all true.

At first it was difficult, nobody wanted Andrea. Too risky! There were always so many bad reviews in American newspapers, but people loved him, that’s the only thing he has always counted on.
The live reaction of the people was a show in the show. Andrea was a great interpreter of emotions he knew how to take on the feelings of ordinary people. This was its added value: to be a common mortal with a divine voice.

As to women, Michele says…
Women, I love them, but I’m afraid of them.  I can’t trust the exclusive relationship with a woman.  I am not so naive as not understand that beautiful women are with me even for what I do, I am wealthy, I ride in beautiful cars and, I have some power. I never married, but I was almost married. How it ended makes me feel bad today. I was 30, she was from Bologna, beautiful and intelligent. We decided to get married.
I will only say, he cheated and, it was over! Too bad!

As with everything, Michele goes back to his mother….
My mother who I loved very much, left me early, too early, without giving me a way to show all my love for her. My mother could not share with me that little bit of success, of well-being, that I wanted to give her after so many hardships. I had everything from her, and she, she had no way to say with pride “That is my son”. I feel guilty about this.
But there is another woman who has always been important in my life, and it is my sister Liliana, a little friend, a little mother, and always with me even at work, especially in the most important moments.

I must admit that other female figures have been very important in my career. At the beginning, Cristina Gelsi, who followed me in the 16 years with Bocelli. And, now Barbara Vitali, omnipresent in all my activities, almost my alter ego, lives traveling the world to assist Il Volo.

So, let’s talk about the guys and their relationship with Michele.

In an interview with La Vita in Diretta, Michele was asked, “What has changed, Torpedine?”
I have many enemies, which will increase after this book but, I met the right people: Gianluca Ginoble, Ignazio Boschetto and Piero Barone.

Yes, as you can tell from the title of the book, when I met them and put them together as a trio, they were so young… to think that ten years (now fifteen years) have already passed! With them and with their families, good people, a relationship was born that goes far beyond the professional one.

Together we joke and laugh, then we get serious, enjoying worldwide successes: but the human side, their being real and clean, for me is an added value, which is priceless. And, especially in this environment, is a rare commodity.
So true! This is something we always say about the guys. Something we admire! Their integrity and values are priceless! We admire that they are able to remain grounded being in this environment.

Where there is gratitude, there is Il Volo! Michele continues…
It’s so hard to be told ‘thank you.’ For this reason, the boys, Gianluca, Piero and Ignazio are different: grateful, so much so that I had to tell them to stop making my name and thanking me during interviews or at the end of the concerts, everything seems prepared.
But, of course, we know it’s from the heart! That’s who Il Volo is!

Asked about whether or not Michele would “Fancy a family.” He replied….
I have no children or wife, I married music. Perhaps the ugly will come later when I turn around and find no one. But at the moment I’m fine with that!
We wonder what did Michele expect when he signed Il Volo?
Another great story started, a new story at a time when it seemed to me that there was no future for me, for my profession: a breath of oxygen in my environment.
After years of disappointment, loss of trust and gratitude, missing or denied, with Ignazio, Piero and Gianluca, Michele rediscovers the values of gratitude. Michele says….
The boys allowed me to really go back to my job.
So where did Michele begin with the boys? He started in a place where he always wanted to be.
Let’s start with trust because they trust me first of all; the administration of an entire world tour, with important figures to move on which I could take what I want if I were dishonest. But they trusted me and so did their parents, to whom, moreover, I have committed myself to teaching everything, the mechanisms, the things that move, the figures, the relationships. All.

So how does Michele describe this trust?

If I had to define the story of Il Volo with a dominant feeling, I would call it, Un Grande Amore – A Great Love!
Many have arrogated the merit of the success of the three boys, which is certainly the result of great teamwork, but it is above all the result of intelligence, humility and generosity of the three families who have not only never hindered my work as manager, but were supportive in the best way: Ercole and Lenora Ginoble parents of Gianluca, Vito and Caterina Boschetto father and mother of Ignazio, and Gaetano and Eleonora Barone who gave life to Piero.
To sum up his life, Michele says….
Many disappointments, mainly human and partly, even professional.
At some point, I found myself feeling more disappointed than ever with music, with the environment I mean. There was never gratitude around me. I found myself tired, eager for simplicity, for pure things. The horizon seems closed to me. One night I was at home, sitting on the couch, and three boys, fourteen, fifteen, appear on TV. Of course, they are good, and if I tried to really put them together? A trio, here’s what I could do: Il Volo.
I think those three determined boys saved me from depression and from the desire to leave everything. Three teenagers, yes, but already great, in all respects. Already great since I first saw them: Piero, Ignazio and Gianluca. 

How do the guys feel about Michele?
Let me answer that by going back a few years when Michele was involved in a lawsuit and the guys were asked about their relationship with Michele over the last ten years. The guys answered with this message about Michele.
We know you well. You have been by our side for more than 10 years. You have defended us from everyone, you have fought for us, you have taught us so much and above all you love us. You always made us understand who we should trust and who preferred to use us for their own interests and for their own personal glory. We are proud to have chosen you and to have renewed our trust, for 10 years, day after day. This is truth that no sentence can hinder. For the rest, just have patience: in the end the truth always comes. In life and in courts.
In concluding Michele said….
I started from a studio apartment in a small white house and passed to the Oval Room of the White House, received by Clinton and Bush. Who knows Ricomincio Dai Tre – I Start Again from Three may become a film!
Maybe it’s time for me to go back to my old career and write the screenplay!
Well Michele maybe I should go back to my old career, and we can write that screenplay together!!!

What did we learn from this story? We learned Michele is a very sensitive man. A determined man! A Self-Made Man!
So, you might ask, why this story this week? Last week I wrote about Fifteen Years of a Lifetime. And for me it seemed appropriate to talk about the man who introduced the world to Il Volo and stands alongside them every day! 
The man who looked up at a TV screen, saw three teenagers on the stage of Ti Lascio una canzone and even before he heard them sing, knew he had found his new beginning! 
The wheels that turned in Michele’s head that night can only be described as La Forza del Destino (the force of destiny)! The continuation of the same force that was leading Piero, Ignazio and Gianluca! The force that led them to the stage of Ti Lascio una canzone, at the same moment in time!
By the next morning, Michele had already put all the pieces together to lead them down the road to Stardom!
That is the genius of Michele Torpedine!
A phenomenal career for Il Volo and a new life for Michele!

God’s plan completed!

Next week we bring all the stories together to begin the celebration of the fifteen years together.

See you in Milan on Sunday!

For your listening pleasure – Il Volo Takes Flight – Live From the Detroit Opera House 2011

 

Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
Excerpts of this story are from “Ricomincio Dai Tre” by Michele Torpedine. Interviews with La Vita in Diretta, Sabato Italiano, ilsussidiario.it and TV Zoom
 Credit to owners of all photos.

In The Shadow of Il Volo by Susan

Last week I wrote about the guys being The Epitome of Success. This week, I would like to add to that story by talking about a man who made it all possible, the man who lives In The Shadow of Il Volo.
In 2021, the man in the shadows wrote a book, “Ricomincio Dai Tre” (I Start Again from Three).  If you follow Il Volo, you certainly know who I am talking about, their manager, Michele Torpedine.  At concerts we see a patch of grey hair and we all say, “There’s Michele.”

But who is this man? And where did it all begin for him?
“Ricomincio Dai Tre” is Michele Torpedine’s autobiography. I said this about the guys’ book and, I will say it about Michele’s book, “If you can read Italian, you need to read this book.” It was so good, I read it in one weekend. I will say a lot of the people he talks about, you probably will not know, unless you’re Italian. Having said this, it is a very good read!

Let’s start by first looking at how the guys came to know Michele.
The day the guys came together singing, “O Sole Mio” on Ti Lascio una Canzone, Michele was at the end of his career. For him it was truly over. All he had done for so many now seemed in vain. But with this vision before him, three amazing teenagers, he was able to see a new light. A light that would start the wheels rolling again. A light that would reveal truth. A truth that never before was revealed to him. A truth he searched for his whole life but would only find in his relationship with Il Volo.
What was this truth? For the answer, let’s go back to the beginning that is the beginning for Michele. Let’s listen to what Michele has to say about his humble beginnings….
In my story, you will find pieces of true stories of artists, such as Andrea Bocelli, Il Volo, or rather, among their stories, you will find mine, that of an Apulian child emigrated to Bologna, the boy who from a studio apartment in a small white house (the Apulian houses are often white), went to the oval room of the White House.
I loved music, I still love it, the world of music, less.
I was born on 12th May 1952 in a small town in northern Puglia. I don’t remember anything about this place, because I moved to Bologna when I was 5 months old.

My father was called Salvatore, he was a tailor, he was severe, hard.
My mother’s name was Titina, I lost her when I was 27 years old. I carried her down in my arms, wrapped in a sheet, to the mortuary chamber. She was 51 years old. Hunger, misery and cancer, this was her life, she struggled like a beast, then from one day to the other she fell ill and flew away in less than a year, I still haven’t managed to forgive her for leaving me so early.
In Bologna, we came in search of work and survival, we are poor, but really poor. We were five people in one room.
At the age of 8, I start to work, with a shoemaker, straightening the nails that were extracted from the soles. At 12 I started working as a bartender, then as a waiter and bellhop.
My brother Nino, at the age of 17, assembled his first battery of drums (drum set), I, who was five years younger than him, began to follow him and learn. I began to work in the evening. I would go to the places where you can play. At the age of 14, I became part of a local orchestra.
At 16, my first dream came true, a friend of mine called me on a Sunday afternoon and told me that he was given the task of hiring six bands to open the Jimi Hendrix concert and asked me if I wanted to take part. I accepted immediately; I was excited.
Our band is the last one to play before Hendrix enters. Bad fate because people couldn’t wait any longer, so they threw booze and popcorn at us.
Things began to improve. They call me more and more often.
One evening, all together, we go to see a concert of musicians playing with Ray Charles, the place is packed, that evening he is there too, Ray Charles, at a certain point they tell me they don’t have a drummer and they asked me to play. My legs were shaking, I was paralyzed with fear, but then I calmed down and played.

Michele says that the battery (the drums) is his life, not women, nothing for him is as reliable as a drum set. Michele continues….
Everything goes well, time passes, I was good, but not a genius, I understood that it is better to change.
One day someone proposed that I be a road manager, that is the one who contacts the local promoters, pays the musicians, takes the money, checks that everything goes well.
I plan a series of concerts for artists like Paoli-Vanoni, a great success, things are getting better and better, from one day to the next I became a millionaire, and people began to ask for me.

I started a partnership with Zucchero Fornaciari. He is a good soul singer, nobody in Italy sings like that. Time passed and Zucchero became very successful, one day he came to me with a beautiful and sad song: “Miserere”, and he says, “this song should be sung with a tenor … let’s try to ask Pavarotti?”

Pavarotti was in America. I have to bring him a demo of the song so he can listen to it. I contacted all the tenors I knew but nobody wants to do a demo with Zucchero, with them pop was not contemplated by the classical tenors.
By pure chance, a friend tells me that in Tuscany, in a club, in the evening, there is a blind boy who plays the piano and is very good, he also sings tenor songs, his name is Andrea Bocelli.
It was the first time I met Bocelli. No one believed in him, not even himself.
Bocelli agreed to do the demo but, he was fearful because Pavarotti would hear it. He is very good and likeable. He sings the demo in a special way. I tell him to persist with music and he replies that he has won a receptionist competition and that music will remain his passion.
I flew to Philadelphia to give Pavarotti the demo and he immediately told me that he will never sing a song of light music. I asked him to at least listen to the demo and he agreed. I explained to him that the boy who sings is not a tenor but a simple boy who plays with passion and Pavarotti asks me if I’m kidding him, because for years he hasn’t heard such a beautiful voice.
I went home and call Bocelli and I incredulously propose a contract to him. Bocelli doesn’t believe it’s all true.

At first it was difficult, nobody wanted Andrea. Too risky! There were always so many bad reviews in American newspapers, but people loved him, that’s the only thing he has always counted on.
The live reaction of the people was a show in the show. Andrea was a great interpreter of emotions he knew how to take on the feelings of ordinary people. This was its added value: to be a common mortal with a divine voice.

As to women, Michele says…
Women, I love them, but I’m afraid of them.  I can’t trust the exclusive relationship with a woman.  I am not so naive as not to understand that beautiful women are with me even for what I do, I am wealthy, I ride in beautiful cars and, I have some power. I never married, but I was almost married. How it ended makes me feel bad today. I was 30, she was from Bologna, beautiful and intelligent. We decided to get married.
I will only say, he cheated and, it was over! Too bad!
As with everything, Michele goes back to his mother….
My mother, who I loved very much, left me early, too early, without giving me a way to show all my love for her. My mother could not share with me that little bit of success, of well-being, that I wanted to give her after so many hardships. I had everything from her, and she, she had no way to say with pride “That is my son.” I feel guilty about this.
But there is another woman who has always been important in my life, and it is my sister Liliana, a little friend, a little mother, and always with me even at work, especially in the most important moments.
I must admit that other female figures have been very important in my career. At the beginning, Cristina Gelsi, who followed me in the 16 years with Bocelli. And, now Barbara Vitali, omnipresent in all my activities, almost my alter ego, lives traveling the world to assist Il Volo.
So, let’s talk about the guys and their relationship with Michele.
In an interview with La Vita in Diretta, Michele was asked, “What has changed, Torpedine?”
I have many enemies, which will increase after this book but, I met the right people: Gianluca Ginoble, Ignazio Boschetto and Piero Barone.

Yes, as you can tell from the title of the book, when I met them and put them together as a trio, they were so young… to think that ten years have already passed! With them and with their families, good people, a relationship was born that goes far beyond the professional one.
Together we joke and laugh, then we get serious, enjoying worldwide successes: but the human side, their being real and clean, for me is an added value, which is priceless. And, especially in this environment, is a rare commodity.
So true! This is something we always say about the guys. Something we admire! Their integrity and values are priceless! We admire that they are able to remain grounded being in this environment.

Where there is gratitude, there is Il Volo! Michele continues…
It’s so hard to be told ‘thank you.’ For this reason, the boys, Gianluca, Piero and Ignazio are different: grateful, so much so that I had to tell them to stop making my name and thanking me during interviews or at the end of the concerts, everything seems prepared.
But, of course, we know it’s from the heart! That’s who Il Volo is!
Asked about whether or not Michele would “Fancy a family.” He replied….
I have no children or wife, I married music. Perhaps the ugly will come later when I turn around and find no one. But at the moment I’m fine with that!
We wonder what Michele expected when he signed Il Volo?
Another great story started, a new story at a time when it seemed to me that there was no future for me, for my profession: a breath of oxygen in my environment.
After years of disappointment, loss of trust and gratitude, missing or denied, with Ignazio, Piero and Gianluca, Michele rediscovers the values of gratitude. Michele says….
The boys allowed me to really go back to my job.
So where did Michele begin with the boys? He started in a place where he always wanted to be.
Let’s start with trust because they trust me first of all; the administration of an entire world tour, with important figures to move on which I could take what I want if I were dishonest. But they trusted me and so did their parents, to whom, moreover, I have committed myself to teaching everything, the mechanisms, the things that move, the figures, the relationships. All.

So how does Michele describe this trust?
If I had to define the story of Il Volo with a dominant feeling, I would call it, Un Grande Amore – A Great Love!
Many have arrogated the merit of the success of the three boys, which is certainly the result of great teamwork, but it is above all the result of intelligence, humility and generosity of the three families who have not only never hindered my work as manager, but were supportive in the best way: Ercole and Lenora Ginoble parents of Gianluca, Vito and Caterina Boschetto father and mother of Ignazio, and Gaetano and Eleonora Barone who gave life to Piero.
To sum up his life, Michele says,
Many disappointments, mainly human and partly, even professional.
At some point, I found myself feeling more disappointed than ever with music, with the environment I mean. There was never gratitude around me. I found myself tired, eager for simplicity, for pure things. The horizon seems closed to me. One night I was at home, sitting on the couch, and three boys, fourteen, fifteen, appear on TV. Of course, they are good, and if I tried to really put them together. A trio, here’s what I could do: Il Volo.

I think those three determined boys saved me from depression and from the desire to leave everything. Three teenagers, yes, but already great, in all respects. Already great since I first saw them: Piero, Ignazio and Gianluca.
In concluding Michele says…
I started from a studio apartment in a small white house and passed to the Oval Room of the White House, received by Clinton and Bush. Who knows Ricomincio Dai Tre – I Start Again from Three may become a film!

Maybe it’s time for me to go back to my old career and  write the screenplay!
So, what haven’t I talked about in this story. Oh, yes, how do the guys feel about Michele?
When Michele was involved in a legal matter, the guys went to bat for him. They said….
We know you well. You have been by our side for more than 10 years. You have defended us from everyone, you have fought for us, you have taught us so much and above all you love us. You always made us understand who we should trust and who preferred to use us for their own interests and for their own personal glory. We are proud to have chosen you and to have renewed our trust, for 10 years, day after day. This is truth that no sentence can hinder. For the rest, just have patience: in the end the truth always comes. In life and in courts.
What did we learn from this story? We learned Michele is a very sensitive man who lives in The Shadow of Il Volo!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!

IL VOLO USA Tour 2014 Philadelphia PA Mann Center 
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
Excerpts from “Ricomincio Dai Tre” by Michele Torpedine. 
Credit to owners of all photos

 

 

INTERVIEW WITH IL VOLO IN JAPAN by Keisyuu

Today I come back to you with a nice interview.
It is not a simple Italian interview, far from it. In August 2022, Il Volo went to Japan for three concerts, this interview was released the day before the last concert, of course it’s all written in Japanese and I don’t know anything about this language, but our Chinese friend Xinjie, that you have already met here in Flight Crew in two posts : (https://ilvoloflightcrw.com/2019/06/03/capri-history-of-a-meeting/), (https://ilvoloflightcrw.com/2019/07/05/roma-my-first-concert-by-xinjie/) and that you see here in the photo together with Il Volo and two other fans in Capri.

Xinjie contacted me telling me that she translated an interview for a friend and then she thought that the same interview could be appreciated by all the readers of Flight Crew and all the fans of Il Volo, so she sent me the beautiful translation.
From now on, Xinjie will be our eastern correspondent, under the name of KEISYUU. ☺
Thank you on behalf of all, all fans will appreciate this read!! ☺😘
Daniela 🤗

INTERVIEW WITH IL VOLO IN JAPAN

Japanese fans are very polite and elegant. The strong love from everyone can be clearly felt even on stage. (Gianluca)
INTERVIEW: YUKO KATO

I interviewed them the morning before the show in Nagoya. This time, there was also a live recording at Kiyomizu Temple, and Il Volo stayed in Japan for a long time. They had plenty of time to enjoy Japan. What was troubling was the heat of summer in Japan, and even at Kiyomizu Temple, the makeup was ruined by the dripping sweat, and had to be fixed for each song. Because of that, the three got tired of the heat. Just before the interview, the location was changed to a hotel, therefore photography was not allowed.

On the other hand, they enjoyed Japanese cuisine. “Those boys would be happy every day if they eat sushi”, I was told so by people involved. But in addition to sushi, it seems that they have discovered new favorites such as okonomiyaki.

Well, much earlier than the interview time, Piero comes first. Next is Gianluca. And Ignazio is on the verge. Ignazio, who was greeted with a cold gaze from both of them, “Isn’t it just the correct time!? I’m not late,” he said, showing off his watch and making a big appeal. The two smiled wryly. Probably he’s always doing it.

— I heard that you recorded a live video at Kiyomizu Temple without audience,  I wanted to see it live.

Piero Barone: It was a great experience. We make music called bel canto, which is an Italian tradition, and thanks to bel canto, we can sing in many beautiful places. This is also true in Italy, and again we can sing in a very beautiful temple in Japan. Kiyomizu Temple is the most important temple in Kyoto and has a great history, so it was really an honor to sing in such a wonderful place. It’s a very small place, so we couldn’t let the audience in, but I hope you enjoy what we’ve done by watching the video. Personally, I feel that Japanese culture and Italian culture are very compatible. Anyway, it has become an unforgettable memory for a lifetime, and I will continue to talk about live performances at Kiyomizu Temple in the future.

— How did you feel about performing at a Buddhist temple? 

PIero: We respect all religions. In fact, before the performance, we asked the monk of the temple to offer a prayer. Honestly, I didn’t understand what was said.. ( bitter smile). But we also have a lot of respect for that.

— But the high temperature and humidity made it difficult for you, didn’t they? You spent nearly 4 hours in the heat, right?

Gianluca: No, it didn’t affect the singing. But it was hard for the hair! That was the only problem (laughs).

Everyone: (laughs).

Gianluca: Two years ago we gave a Christmas concert at St. Peter’s Basilica in front of the Pope, and it was very cold. It was harder back then. Personally, it’s much harder to sing in the cold than it is to sing in the heat.

Ignazio: By the way, the performance at Kiyomizu Temple started recording around 9pm and ended around 1am.

Gianluca: Everything was perfect for us. It is the first time that overseas artists perform at Kiyomizu Temple. It is truly an honor and I will never forget it.

— When is this video going to be distributed?

Piero: It will be in September. (Note: Published on September 18)

— We’ll look forward to it. By the way, I recently released “Grande Amore” featuring Japan’s Little Glee Monster. Whose idea was this?

Piero: It was originally an idea from the label, but we also like Little Glee Monster very much that we wanted to collaborate.

Ignazio: We’ve wanted to collaborate on Grande Amore with Japanese artists for a couple of years. And have already done the same thing with the Brazilian and German artists. When we told the Japanese label about it, they looked for different artists and we chose Little Glee Monster.

— Did you actually meet these girls?

Piero: No, unfortunately we didn’t. We invited them to our show, and they’re also on the tour right now.

— That’s a pity.

Ignazio: It’s the first tour after years, so that’s actually a good thing! Because of the pandemic, we spent our days without doing anything at home.


— The Tokyo and Osaka shows are over, how did the audience react?

Gianluca: It was fantastic, the Japanese fans have always given us so much love from the first day, it is exactly the “Grande Amore”. Japanese audiences are very different from audiences in other countries.

— Oh, really? How?

Gianluca: Japanese fans are very polite and elegant. They have the utmost respect for artists, and the strong love from everyone can be clearly felt even on stage. I feel that Japanese culture and traditions are very unique in all aspects, and it means so much to us that Japanese people show so much love for Italian artists on the other side of the world.

— You have prepared a special set list for Japan, right?

PIero: Oh, yes. We talked to the conductor and the orchestra and changed the set list a little bit. Japanese fans prefer classical and symphonic songs, so we sing songs that we don’t do in other countries. As a result, it became a very long set.

— There are 28 songs in all.

PIero: Yes, that’s a pretty long show. But that’s how we love to sing on stage. We love sharing our music with everyone and we always want to do something special for our fans in Japan.

— Singing 28 songs for 2 hours non-stop is amazing.

Ignazio: Every night.

Gianluca: Just like football players. Some players play non-stop for 90 minutes. Of course, we don’t miss our daily training, too. It’s our job, also our passion. This is our lifestyle.

— Can you tell me the highlights of the show?

Piero: Uhmm…For me it’s the first song. You get on stage and see all sorts of new faces, I like to see everyone’s facial expressions that shine brightly when I start singing the first song. We’ve had great reactions in Tokyo and Osaka, and I hope we get the same reactions here in Nagoya.

— I’ve read a few live reviews by fans, and some have said they were so emotional that they brought tears to their eyes.

Piero: I’m glad for that.

Ignazio: At the beginning of the show, I always say, “Tonight is going to be a night full of emotions. I want you to have a lot of fun, to be emotional, to cry, to laugh. “ That’s the right way. You can be emotional, you can have fun, and that’s the beauty of our music. We love what we do and we do it with passion. Of course it’s a business, but before that there’s a lot of passion and love for music.

Gianluca: We’re doing this music for the elderly who’ve been hearing bel canto and the Three Tenors, and for the younger generation who don’t know that. We want to follow those whom we respect and convey this genre to the future.

— Japanese young people don’t listen to classical music very much, so that’s the problem.

Gianluca: It’s the same in any country, it’s normal. This genre is not so commercial. Pop has always been commercial, while classical is not. Even in this way, the existence of The Three Tenors has prevailed in the world.

Piero: (Luciano) Pavarotti at the top of the list.

Ignazio: The younger generation grew up listening to commercial music from the time they were born, so it’s hard to let them listen to classical music. The music used in TikTok, Instagram, etc. is also easy to listen to. Like rap or electronics. So, there are a lot of young people who don’t know this kind of music, and they have to discover it by themselves. Of course, I’m not saying that you should only listen to this kind of music, but I think it’s best to listen to a variety of music, but I also want them to listen to this kind of music we do, and through that, I hope them can get a sense of comfort and feel a lot of emotion. I’m not saying it’s wrong to listen to commercial music.

Gianluca: Yeah, we listen to a lot of music ourselves. From Elton John to Elvis Presley, The Weekend, Michael Jackson…

Ignazio: Ariana Grande, Drake…

Gianluca: Yes, that’s right. We listen to everything. Music is a part of our life.

We’re currently working on a very big new project while touring (Piero)

— Do you (Piero) also listen to music other than opera? I can’t imagine…

PIero: Certainly. After all, I have the strongest passion for opera, but as a singer, I have to broaden my horizons while listening to other genres of music!

Gianluca: Can you imagine listening to only one genre in your life? You can also say that about food. It’s like that I go to Japan and look for Italian restaurants. If you only eat the same food, only listen to the same music, you can’t grow and can’t expand your horizons. You have to try a lot of things anyway. Regardless of the genre, you should enjoy good quality music and good food.

Ignazio: Because you may be the one who limits yourself the most. I have to get rid of it first.

— Ignazio, you’re interested in producing, aren’t you?

Ignazio: Yes, I am interested, and I hope to do it someday. I’m not ready to do it alone yet. We work with a lot of producers and we learn a lot from them.

— Gianluca, you’ve taken acting lessons, but are you interested in acting?

Gianluca: Even if you are a singer, if you study acting and stage, you can become a better performer on stage.

Piero: That’s for sure.

Gianluca: For me, I started studying acting to become a better artist and to have more confidence on stage. But if I continue to practice like this, I may be blessed with the opportunity to work as an actor someday.

— And you bought a piano 3 years ago to write songs, right?

Gianluca: Yes. I have a lot of goals and things I want to do. I’m still not very good at playing the piano…

Ignazio: You’ve gotten a lot better!

Gianluca: Ah yeah, compared to before. I will resume my lesson when I get home. I hope someday I can write a song myself.

— Piero, when I first met you, you seemed very shy, but now you seem to be full of confidence.

Piero: It depends on the day (laughs). Waking up good or bad, changes the mood of the day.

Gianluca: When he looks shy, he’s just sleepy.

Piero: (laughs).

— Every time I do an interview, you announce a new project, so do you have any upcoming projects?

Piero: The last thing we did was the Morricone’s album (Il Volo Sings Morricone in ‘21), but then we went on tour and now we are on tour and working on a really big new project. But it’s too early to tell the details.

— Can you tell a little?

Piero: I can’t tell you anything. It’s a project for next year.

— Is it a new album?

Ignazio: Well~~(laughs)?

PIero: It’s going to be a big project. But we are working on it now, and it’s still a very early staircase, so unfortunately we can’t say anything.

— This tour is like Greatest Hits, not a tour of Morricone…

PIero: It also includes Morricone’s songs.

Gianluca: There are 5 Morricone songs.

Ignazio: Yes yes. We can’t do all 28 songs of Morricone. We do that plus other songs.

— When will you return to Japan next time?

Ignazio: We’ll be back next year!

Gianluca: Before that, I’d like to come back for a personal vacation.

Piero: But this time, we have plenty of time to travel around Kyoto and Tokyo. We also went to the Shinsekai of Osaka. By the way, we are going back to Italy tomorrow night, but we will go to Nagoya Castle before that. We love to explore different places.

Gianluca: also to eat a lot of traditional foods. Such as okonomiyaki.

Ignazio: Daisuki, Nippon! (I love you, Japan!)

Recorded August 12 in Nagoya.