Yes, on the evening, August 28th, in Melpignano in Puglia, the Notte della Taranta took place, which we will see on RAI1 on September 4th. Only 1,000 people were admitted to the event, but something we like has leaked.
First of all I have to correct what has already been said, because the newspapers had written that Il Volo would have played the role of co-host with Al Bano, but the news was false, because Il Volo was expected as a super-guest.
But here they are, in this photo, during last night’s event.
The thing that intrigued me most, is that Il Volo performed in a song that is certainly not part of their repertoire, Piero Ignazio and Gianluca, they sang Calinitta (Kali Nifta is the original title), a typical song of the Taranta and above all it was sung in the ancient language, original of the area: the griko.
Griko is a dialectal language that derives from Greek and was used in the Salento area, in Puglia, the area where the Notte della Taranta is held.
Here is a short video of their performance, which we will see entirely on September 4th.
And some photos of the evening.
Ignazio, Piero, and the master Melozzi.
A short report in the news of TG5.
VOICE = The music of the tambourines, the frenzied dance, and the song, which become tools to drive away, today, as in the most remote past, ghosts and fears.
The Notte della Taranta returns to illuminate the Salento summer. Only 1,000 spectators were allowed into the square of the former Augustinian convent of Melpignano, in the province of Lecce. But the thrill of finding the public, after a closed-door edition (2020), pervades the artists.
AL BANO = Even before the radio arrived, even before the television arrived, this music accompanied us during the span of 360 days, because the other 5 were of rest, from music.
IGNAZIO = Surely seeing the public again, it’s always good, after this period, after all these months, after this very difficult year.
VOICE = conducting the orchestra Enrico Melozzi and Madame, the revelation singer from Sanremo.
Il Volo with Albano
And here is a video, still incomplete, of the exhibition, but longer than the previous one.
Certainly a very different musicality from the usual one of Il Volo, but which has its roots in the peasant culture of the area, and, like any tradition, must be well-liked and maintained, and brought to the attention of the new generations, always !!
Bravo Il Volo who also lent themselves to this message.
A backstage moment with the artists’ signature on the large tambourine.
But there is also more, news has finally been published that reveal something about the video of Il Volo in Frasassi.
Frasassi Caves increasingly protagonists of the international star system. Oscar winner Vittorio Storaro (director of photography and three-time Oscar winner for Reds, Apocalypse Now and The Last Emperor) has chosen Volo as the protagonist of his short film about Ennio Morricone. The performance of the well-known trio, composed of two tenors and a baritone, was shot inside the suggestive caves of Genga.
Piero, Gianluca and Ignazio performed here in an exciting interpretation of “Your Love” (from “Once Upon a Time in the West”). The piece will be screened on 5 September in Venice during the fourth edition of the Filming Italy Best Movie Award, on the occasion of the Venice International Film Festival. “We are honored that Vittorio Storaro has called us to share the indescribable emotion of Maestro Ennio Morricone’s music – says Il Volo. We thank the Filming Italy Best Movie Award for inviting us to the Venice Film Festival to collect an award that is never like today. We want to share with all those who in this difficult period have supported us in our heartfelt desire to pay homage to Maestro Morricone.”
Here are the beautiful words of the director Vittorio Storaro.
“The vaccines and treatments will allow the reopening of art sites all over the world. In the caves of Frasassi the trio of Il Volo symbolically descended into the womb of Mother Earth as did the speleologists who discovered those caves fifty years ago. Through their art, which represents a new root, their song is reproduced, trio after trio. Il Volo fills every place that welcomes them: theaters, arenas, squares and archaeological sites all over the world: the energy of art so regenerates all forms of life.”
So you got it right.
In Venice, on the occasion of the Filming Italy Best Movie Award evening, Il Volo will receive the Special Award, and on that occasion the video made in the Frasassi caves will be screened.
And here is the answer from Ignazio, Gianluca and Piero.
“We are honored that Vittorio Storaro has called us to share the indescribable emotion of Maestro Ennio Morricone’s music – says Il Volo – We thank the Filming Italy Best Movie Award for inviting us to the Venice Film Festival to collect an award that is never like today. we want to share with all those (teams, technicians, musicians, … but also our fans) who in this difficult period have supported us in our heartfelt desire to pay homage to Maestro Morricone.”
A short backstage video of what we will see shot in Frasassi.
Please click on the logo below to view the video.
So we also added a great prize to our boys.
I am really happy with this umpteenth milestone and therefore a new event that we hope will be broadcast and of which we will certainly give you all the possible news.
If this story sounds familiar to you it’s because I had to write a similar story last year about our, Ignazio.
When I go on Instagram or Facebook and I see stories that hurt the guys, it upsets me. These are three of the nicest guys you’re ever going to meet in your life. It’s not just a career for them, it’s their life, their whole life. It’s what they’ve dedicated themselves to since they were teenagers. Everything they do they do for us the Fans. We as you know, aren’t just fans to them, we are family. They grew up with us and they know how important we are and, they do things every day to try to please us. Sometimes it’s a picture, sometimes a song or sometimes just their joking around. Then there are days, not too often, when they are quiet, they just hide themselves in their own lives. Lives that you and, I take for granted every day, they only get to enjoy occasionally. No, they can’t be out there for us 24/7 but they try their best to make themselves visible and available.
Even though we are like family to them, they do have families of their own. Families that they have spent so little time with over the last twelve years. The pandemic has been very hard on all of us. It was also hard for the guys because they had to leave us their fan family. If anything, there was some good that came out of this, the guys got to stay at home with their families. Since they were teenagers, they never had the opportunity to stay at home with their families for a whole year. And I think Ignazio expressed it best in an interview when he said, “if it wasn’t for the pandemic, I wouldn’t have spent those last (precious months) months with my dad.”
I chose to write about Ignazio this week because of some sad things that have been said about him on Instagram. I’ve had to do this on other occasions for Piero and Gianluca. This is a very important time for Ignazio. It’s a time when he needs to be near family and, among other things, to deal with the loss of his father. The purpose of this piece is to show you, those who don’t already know it, how, really, nice Ignazio is and has always been since he was a child!
Let me start by telling you about what Ignazio does for us with his music and what he contributes to the music industry.
If Ignazio did nothing more than sing for the rest of his life, he would be remembered as a singer who captured an audience at a very young age and continues to intrigue them with every passing day.
From the first time he stepped on the stage, he was a star. I remember watching him on PBS and thinking if he’s this good now, what will he be like ten years from now. Along with Gianluca and Piero these three, amazing, men have achieved in ten years what most men could only dream of achieving in a lifetime!
He is the voice that never ends! The voice that intrigues! The voice that takes your breath away! The voice that leads you to ecstasy!
But it doesn’t end there. No, there is so much more to be said about Ignazio and the best place to start is in his performances. He is the ultimate entertainer. He is the production. His presence is there in every aspect of the production. He is a prolific entertainer! He sees music! He feels music! He breathes music! Follow him around the stage. The little gestures aren’t just for our entertainment they are real movements within each song. Let me describe it as I have described it for you in the past:
Ignazio is known as the funny one and that he is! But is it really about the joke? Or is it more about the production.
I want you to think about the performance. We know these guys have amazing voices but, what if they got on the stage and for two hours, they did nothing but sing. I don’t think it would work. A performance needs the ability to move on. There’s no change of scenery and no intermission so how do you move the performance along? Ignazio! The joking he brings into the performance provides the levity to relive the seriousness of the performance. He brings a certain ease and suspense to the performance. The audience is always wondering, what will he do next.
But is it always about joking? I want you to think about what I’m saying. Ignazio is constantly moving around the stage. He’s dancing and keeping the rhythm. He’s swinging the microphone around and constantly nodding towards the orchestra, Gianluca and Piero. Is that the lead up to a joke? I don’t think so. Let me tell you what you are looking at. Ignazio is following every note that is sung or played on that stage. His mind is in motion. He is sensitive and passionate with music. He has the ability to see the music as it is happening. He knows where every instrument should come in and out. That’s why you notice little things like him smiling, nodding, pointing towards the musicians, Gianluca or Piero. He also grabs the baton from the conductor, sometimes to joke but more often to conduct. Think about him conducting the Asti Symphony Orchestra while Marcello Rota sang his tenor part. He wasn’t joking, he was conducting. And that’s why everyone was watching in amazement. And when it was over, they were speechless. Look at Michele Torpedine go across the stage to embrace him. He is in awe of this young man. You call him funny I call him brilliant! I am going to make a prediction here! Remember you heard it here first. Ignazio will compose a great operatic pop opera one day.
In an article by Ilvolovers Romania they commented: “Ignazio, for what he looks like and also for everything he sometimes hides, is an imposing, brave and authentic young man. Sensitive and passionate, his performance creates a hurricane of feelings for anyone who looks at him and listens to him. For him, the phrase “singing with the heart” is not a metaphor, it is a reality expressed in every gesture and makes us wonder what his eyes see when he sings.”
Let’s look at how Ignazio has helped aspiring young artist.
On February 2, 2014, Ignazio collaborated with singer Roberto Amadè in a project that resulted in a wonderful concert, the Amadè-Boschetto concert which was organized through the Cultural and Artistic Center “Ignazio Boschetto,” with the support of The Town Hall of Marsala. The Teatro Impero archipelago hall has long applauded this initiative which brought together several artists from Marsala.
Ignazio has helped many young people in their careers. In February 2014, Katya Pantaleo, a young singer from Marsala, won the Premio della Critica at Sanremo with the song “Come in paradiso” music, lyrics and arrangement by Ignazio.
On August 30, 2014, Chiara Cusumano and Giorgia Vassalo, The Duo Sisters, reached the finals of the Festival di Castrocaro, performing a song composed by Ignazio: “Paura d’Amare”.
And let’s not forget the beautiful song he wrote “Hablando de ti” that he has performed in concert.
And what about the theme song for the Rai Series Makari.
Let me add to this by recognizing Ignazio’s production company, Floki Productions. At 25 he started his own production company. Does this surprise you? It doesn’t surprise me. It makes a lot of sense to me.
Floki Productions I’m sure is Ignazio’s dream. So, where does the dream begin. Nico Arezzo!
In many ways Nico reminds me of Ignazio. He knows what he wants and, he goes after it. Nico was the first artist to sign a contract with Ignazio under Floki Productions.
You will remember that Ignazio released Nico’s song Gorilla on June 30, 2020 (in the middle of the pandemic) in a “Live on Instagram.” Let’s listen to what Ignazio had to say about that:
“On Thursday night we were the first to do a high-quality sound live on Instagram.”
People wouldn’t dream of doing what Ignazio did. What a spectacular show!
While the music world was trying to restart, Ignazio, at age 25, made his debut as a producer. And what a phenomenal production it was!
Ignazio said, “Production has always been my dream. It started with an idea to give a chance to those who deserve a break,” Ignazio reminds us “as it happened 11 years ago to myself, Gianluca and Piero.”
Some of you may remember the interview I did last October with Ignazio’s teacher Ermelinda De Bartoli. (you can read the full interview “Watching Ignazio Take Flight” on www.ilvoloflightcrw.com) Now I want to go back to that interview and pull out some of the questions and answers which will give you some insight as to who Ignazio really is:
Excerpts from the Interview of October 2020….
Susan: Ignazio’s mother said Ignazio was always very serious and responsible! How would you describe him as a teenager?
Ermelinda: I met him when he was only 14 years old. He was at the beginning of adolescence and, he was always joking. He was very attached to his family. He grew up in Bologna because the family moved there for work and, at the age of ten he moved to Marsala when the family decided to return. In Marsala he attended middle school and two years of high school. At school he was playful and sociable, with a very open and modest character. He often told us about his passion for singing which he studied with a teacher. His life as a teenager was not hard, because, as soon as he started his career at the age of 15, his life changed due to the numerous commitments linked to his success and the new path taken with Il Volo.
Susan: Ignazio is very kind and compassionate. Was this something you noticed about him as a teenager?
Ermelinda: He was very generous and affable to everyone. In particular, he was very compassionate towards some pupils with disabilities, with whom he often conversed, holding them in high regard and showing empathy.
I remember an episode one evening after he won Ti Lascio Una Canzone, the whole class with me and another colleague went to the pizzeria. Ignazio was just fifteen and, when it was time to pay the bill, he came to me and said: “Professor, you are my guest.” I understood that in him there was so much kindness in his manner and in his soul, in this case, a kind gesture towards a woman.
Susan: When Ignazio was your student, he was already studying with Lilliana Adreanò. Ignazio said he had a great passion for soccer and, he loved to play every afternoon but, it had been less so after he started taking singing lessons. He said, “I had less free time and then no free time and I realized that singing was more important than all the rest.” How do you think Ignazio saw his future at that time?
Ermelinda: It is true to study singing he began to leave other hobbies. After Ti Lascio Una Canzone despite having been praised by these great Italian singers, who sang with him, I remember that he told all this with great modesty and simplicity and despite the fact that he had won he never spoke of great expectations nor did he delude himself, at least, until the moment in which Michele Torpedine and Tony Renis hired them after a short time, to form Il Volo. I heard the comments on him by experts such as Claudio Cecchetto and Al Bano who, when he told him that he had recently taken singing lessons, were amazed.
Another detail that I noticed is that while he sang, he always kept his eyes closed and he told me that he was doing it because having recently lost his grandfather, who he adored and, it was he who Ignazio thought of while he sang and, he sang with his heart.
Susan: Ignazio went from your classroom to Ti Lascio Una Canzone and immediately became a star. You told me after the Italian program, he just took off. You said you saw him take off! What was it like watching all of this happen before your eyes? Did it seem like it was all happening very fast?
Ermelinda: Of course, having seen him “take flight” in a short time and, see him pass by the school desks, and then on a stage was for me, as for all his companions, a great emotion and a source of great pride.
Susan: Did you see a change in Ignazio during this time?
Ermelinda: Ignazio was still at school, after his first success, and with all of us, he always remained himself … with a modesty and genuineness that still distinguishes him today.
Susan: During the performances Ignazio sang with some really great singers. Massimo Ranieri, Albano, Fausto Leali to name a few. These singers were in awe of him. Do you think that Ignazio understood what was happening to him?
Ermelinda: Yes, these singers were more than in awe of what they heard, they were astonished, something that Ignazio confirmed when we asked him. And, to think that he was still a kid, and had not yet completed the development of the vocal cords.
Yes, Ignazio from the point of view of his singing ability had already understood in comparison with these famous singers that he had what it takes to become even greater.
Susan: How did your other students feel about what was going on in Ignazio’s life?
Ermelinda: His classmates were very happy and excited. Every Saturday night none of us left the house. We all waited to see Ignazio on TV … and on Monday when he returned to school, for the class, it was a riot and bursting questions, and also a source of pride to kids as they were, to have him as a companion … the little big star, their friend.
Susan: Did you every stop to think about how this all happened? How did a young man from a very simple family suddenly become a superstar?
Ermelinda: It often occurred to me that what was happening to Ignazio was a fairy tale … of those things that you think can only happen in fairy tales. He is a boy with a great talent hitherto unknown, from a very modest family but very united and with healthy values, he was able to tread the scenes of half the world … from his cottage in the countryside to a duet with Barbra Streisand and much more that we know.
The way in which all this happened is told by the facts that there was a first revelation of his talent and Ti Lasco Una Canzone, as we know, could remain there as it happens to many without getting anything else; then as he also said he had the luck of an intuition of the director who suggested to the managers Michele Torpedine and Tony Renis to form the trio.
Susan: How did you feel when Il Volo won Sanremo?
Ermelinda: When Il Volo won in Sanremo, that evening, in addition to the great emotion, I retraced the periods of when Ignazio was still young, always talking with humility about his first successes and I also thought that from the beginning I told myself that he was a phenomenon, so seeing him on that stage, the most important in Italy, was for me just as it was for all Marsala people.
Susan: Finally, what would you like to add about Ignazio that we haven’t already covered?
Ermelinda: I think I have said everything about him of what I know and what I have had the opportunity to perceive. When I talk about Ignazio, with others, I always say that he is very humble, modest and always very affectionate with the people who meet him. I still say:Ignazio, is a beautiful soul.
For Ignazio family is important. They are everything to him. So, please understand that he needs to be with his family right now. You like being with your family. How about posting some nice pictures of the Ignazio we love? Soon he will be in the limelight again. Until then, let’s remember, Ignazio is a Beautiful Soul!Respect that soul!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
Just a really quick post on this – not sure if this will be going national quite yet, but if you are in the Detroit viewing area, PBS will be presenting the Ennio Morricone concert this Thursday at 9p EST (DST). If it’s not on in your area, call your local PBS station to find out when it might be aired.
Likely most have already seen it on this site and have seen and read the translations from Jo Ann and Daniela. I am hoping they did a nice interview in Italy with them and this show will give us some insight to possible future concerts and CD/DVDs. I know they said they were working on the CD, so we may be able to order it for Christmas. I literally recall about 6 years ago now, ordering the CD/DVD from them and having to go in circles trying to get it delivered to my correct address, because I was moving! What a nightmare that was!
The guys obviously did not come to the USA this time to promote it from Detroit PBS and they did not ask for any volunteers, or Chris and I would have been there! 🙂
And therefore, after the latest news, we are sure that in September we will often see Il Volo on TV, at least here in Italy, and this news give us a lot of anticipation.
We had already read the news that on September 9th there will be the Seat Music Awards and there will also be Il Volo, but now two other events have been added, here they are:
On 4 September, on Rai1, there will be La Notte della Taranta.
It is a popular Apulian festival where, during the evening, typical Apulian songs are played and folk dances such as PIZZICA are performed.
This event takes place outdoors in Melpignano, in Puglia, towards the end of August.
Do you remember? In August 2018 Il Volo was at the La Notte della Taranta event, but only as a spectator, but perhaps Piero, Ignazio and Gianluca were probing the event, for their future participation, in fact I propose you the video with the interview that I translated you in 2018.
Listen carefully to their words. Click on the logo below to view the video.
P = We were really curious to see this event, and to test the air, to be able, perhaps, to come next year, who knows.
G = Yes, absolutely beautiful to see this culture, which is not only famous in Italy, but all over the world. When you start dancing, this rhythm gets inside you, it’s good, we’re going to have fun tonight.
The journalist asks Ignazio = Do you already have an idea of how to adapt your voice to the rhythm of the Pizzica?
I = Actually no, but we can always work on it. It’s nice to see how this event is all about folk song and dance and how much tradition it brings everyone into such a big event, so why not join in too? Next year or two years from now, we could join in too. It would be a great pleasure.
Journalist= Is there an evening, especially in past years that you know, or have you seen this event?
P = We have to be honest, NO. But we have always heard about the NOTTE DELLA TARANTA and this year, being free from commitments these days, we have decided to come and spend a couple of days in this magnificent land that has recently been visited and loved by tourists from all over the world. And it is a pleasure for us to be here.
As Ignazio said, on how to adapt our musical genre to this rhythm, we are a bit unprepared, but our thought is that music has no barriers and we never say: “This cannot be done”. But we say, “Let’s try and then see what happens.”
Journalist = But will you come to this event, as a guest, or as a concert teacher?
P + I + G = (laughs) As guests, we don’t think like teachers.
G = We cannot promise our presence, next year, sure, we would love it, but in one year many things happen, this year we came, we can’t wait to have fun, and why not, next year could participate.
P = The power of music is this, to see thousands of people united to dance LA PIZZICA.
Journalist = You are used to a large audience.
P = It is never enough.
Journalist = Do you know a Salento song and can you sing it?
G = Do you see how you put us in trouble? You did it on purpose (everyone laughs, then Gianluca sings a typical Milanese song … .. ha ha ha … final laughter.)
I = Thank you very much everyone, see you next year.
So you understood well, already in 2018 Il Volo had attended the event, wishing that perhaps in 2019 or 2020 they could have participated, but Covid has had a hand in it and so now we are in 2021, but Il Volo will not be present as guests, but as co-hosts of the event, together with Al Bano, the well-known singer, therefore a new and important role and certainly we will also have the opportunity to see them exhibit.
Can’t wait to see them in this role!!
Usually this event gathers over 150 thousand people. Of course, and unfortunately, this year due to Covid, only 1000 people will be admitted.
The event will take place in Melpignano on August 28th but will be broadcast on RAI1 on September 4th.
To follow, on September 9, again on RAI1, there will be the Seat Music Awards, and than, the 19 September there will be a new program on Rai1, entitled “Da Grande” the presenter will be Alessandro Cattelan, among the guests: Il Volo.
Cattelan was interviewed by Sorrisi e Canzoni. Click on photo below to view the article.
I translate for you the parts that interest us most:
“The title of the program, Da Grande, (as an adult) is more appropriate than ever …
We chose it on purpose. And it is a common thread of the program. It is a pure show, in which we will deal with the theme of growth, we will ask ourselves what it means to be great in 2021. Each generation has its age. My father, at 41 years, had already finished his parable: he had a 16-year-old son, a business he had been doing for a very long time.
Now, things have changed. So, in addition to being a show in which you dance, sing, laugh, reflect on the concept of being great, you wonder what the tests you have to face in order to be defined as such.
We will have Il Volo, with which we will have fun singing, we will change our look, we will interpret some music from various decades.”
So I would say a very crackling beginning of September!!
In the meantime, the second mini video of the short questions to Il Volo has also been published.
IL VOLO PART.2
QUESTION = Favorite dish?
GIANLUCA = Pizza. absolutely.
PIERO = My favorite dish? Ossobuco with saffron rice 😁😁😁 (it is a specialty of northern Italy, especially Milan)
A minute and thirty seconds later ….
IGNAZIO = Madalocco ????? 😁 (it’s not clear, however something similar, never heard this dish)
PIERO = What dish is it?
QUESTION = Do you have a lucky charm that you take with you to the stage?
GIANLUCA = The two of them😘 (Piero and Ignazio)
PIERO = Him 😘 (referring to Gianluca)
IGNAZIO = No, you know, nothing, no.
QUESTION = The nicest?
PIERO = Me
IGNAZIO = Gianluca 😘
GIANLUCA= (ironic) Do you see what a nice face? (and points to his face)
QUESTION = The most reserved.
IGNAZIO = Gianluca. Piero. Gianluca.
QUESTION = The most boring.
PIERO = Gianluca
IGNAZIO = Gianluca
GIANLUCA = But why me??
PIERO = You talk about carbohydrates, proteins ….
IGNAZIO = You are the most boring.
GIANLUCA = In what sense?
IGNAZIO = Gym, carbohydrates, proteins …..
PIERO = Yes, carbohydrates, proteins ….
GIANLUCA = But that’s not true!! You two make me pass for one who only thinks about that!! 😑
So, an early autumn full of commitments for Il Volo and we will certainly not tire of seeing them.
One last update, do you remember the porticoes of Bologna, so dear to Il Volo, which had presented the candidacy to be named “Unesco heritage”?
The news has been confirmed, at the end of July the porticoes of Bologna received this recognition !!!
What can I say, all right and in a little less than two weeks there will be the first televised appointment.
Today, we need to understand what it was like for the guys to come together, become Il Volo and start to understand the reality of stardom! But before we begin, let’s take a look at how the guys came to be called Il Volo.
In the beginning the idea of being one in three was something that the guys needed to learn about. They had to learn how to sing together. It was no longer this is your song, learn it and sing it. No, now it was, this is your part, your take, your phrase, learn it and sing it. They began to understand how music and recording actually worked. They were starting to learn about being three in the form of one. Sharing! And, if that wasn’t enough, they had to learn something even harder, how to get along with one another.
I’ve told you, in some of my stories, about the problems, the disagreements. These may seem unusual but in reality, they were not. You show me three teenage boys who can be thrown together and just immediately like one another and totally agree with one another. No, that won’t happen.
Ignazio said: “We were only three kids accompanied by our parents. We still did not know each other well. At the beginning I immediately started to connect with Piero. Perhaps because he is Sicilian like me and maybe because we always found the opportunity to make jokes and have fun.”
Gianluca said; “I was very shy and a little insecure but also a little immature and too instinctive
In quarrels, for example, maybe it happened that I also answered in an annoying way because I was the one, I felt at that time, and I could not wait until then. Piero, for example, took some good kicks from me. I threw a pizza, at Ignazio, in front of the Universal Canadian official in a restaurant in Montreal. The shrimp flew off the pizza and hit the official of Universal, I mean really.”
These were some of the obstacles. Some would easily be resolved and, some would take a long time and a lot of trust to overcome.
In 2009 – 2010 during the recording of their first album, the guys still did not have a “real” name. After Ti Lascio una Canzone, they were given the name Tre Tenorini, because they resembled Luciano Pavarotti (Ignazio, for the waistline). Jose Carreras (Gianluca, for the elegance, says Torpedine) and Plácido Domingo (Piero, for the tenor voice).
Tre Tenorini, no, that was never going to work. First off, they aren’t three tenors. As you know they are a baritone, a lyrical tenor and a spinto tenor. So, a new name would have to be found. Easy, no not at all. Let’s listen to what guys had to say about choosing a name.
Piero begins: “Sometimes finding a name is much more complicated than it may seem. We did not even believe that we would continue to sing, imagine if we thought we needed a name. Do you know that at one point they wanted to call us La Scala?”
Ignazio continues: “At that time when we were looking for a name and we couldn’t find one, we were recording We Are the World 25 for Haiti. It was the beginning of February 2010, and we called ourselves The Tryo, which we then used as guests at the second evening of the Sanremo Festival. A week later, we sang in front of Queen Rania of Jordan, and that is when we translated it to, Il Trio.
Gianluca said: “The problem of the name? It was one of those impossible marketing missions: it had to be short and easy to pronounce in practically all the world. For example, there is a group called Il Divo, and they also sing a genre similar to ours, and Il Divo was just the kind of name we wanted: short, easy to pronounce and also very international, because it has a clear meaning to everyone.
And that’s why the name La Scala came out. Elettra Morini, the wife of Tony Renis, had proposed it. Elettra, who was a dancer there, told her husband: ‘Why do you not call them La Scala? Surely everyone in the world knows La Scala.’
Ignazio interrupts: “And then, there was the question that they called us the Lyric, La Scala, La Scala. We chewed on it a little but, it did not convince us.”
Piero tells us that everyone was involved in this project….
“But who was looking for the name? All of us: the three of us, Michele, our parents, whoever belonged to our family or, our working group said a name, two or three, and it was written on a list. That list had become worse than a telephone list: we got to more than five hundred proposals.
This thing of the name was becoming a joke. We were going to record the album, make a meeting, or engage in anything else and, we ended up talking about this name, but we never got the right idea. In the end, one day out of the blue, a gentleman working from Michele, Stefano, says: ‘Il Volo.’”
Ignazio says, “IL VOLO? What about IL VOLO? IL VOLO? It began to turn in the air (ha ha) and so the birth of Il Volo.”
And just when it seemed the decision was made to choose Il Volo, another problem arose.
Piero explains….
“But then we discovered that there had already been a group by this name in 1974, composed of Mario Lavezzi, Vince Tempera, Alberto Radius, Bob Callero, Gabriele Lorenzi and Gianni Dall’Aglio. It was a collaboration that lasted a year and a half and had gathered all of the best musicians. But now we liked the name, so we decided to keep it. Also, because it immediately seemed to us a good omen to fly, to take flight, get up in the air.
But we risked a little.
Think if this project did not start, if we were not really able to ‘take off,’ do you imagine how they would have made fun of us? ‘The Flight takes off? No, Il Volo has crashed!’ At that point, we had the CD, the name also and we left for the States.”
After a week in the States visiting Miami and Los Angeles, they returned to Italy. By May 2010, things began to change.
Piero recalls: “We too began to understand that something was only changing when our first record came out.”
Ignazio remembers: “It was already in May 2010 and the Il Volo album was about to come out all over the world. Maybe I was too small and naive, but I did not feel the anxiety of the job, like today.”
The first major television show in which the guys appeared in America was American Idol, the world’s most famous music talent show.
The guys certainly took America by storm and slowly also many other countries in the world.
Ignazio begins to explain the reality of it…
“In a few months I found myself having traveled the world, from Europe to the Americas, from Asia to Oceania. From 2010 to 2013 we traveled like crazy, without ever stopping. In three years, I have not been home for five months.
In 2013 at the end of the American tour the guys found themselves at the door of Latin America and their South American Tour.
First stop Guadalajara, Mexico. And what better way to begin than on October 4, 2013, Ignazio’s 19th birthday!
Here Come the Fans
Gianluca recalls how the South American Tour began…
“In five years, we have done a lot of concerts, we have been in a lot of places and, I absolutely agree with Piero when he says that it is difficult to remember everything, that things have followed so quickly that they seem confused, sometimes I almost forget. However, if I stop and think about it there are flashes that come to mind, for example the 2013 tour in South America.
One of the first things I remember is Ignazio’s birthday in Messio, on the evening of the first concert of the tour.
We arrived at the hotel that was a bit in the middle of nowhere, in Guadalajara. Here we met for the first time our drummer, Salvatore Corazza. There was a huge garden and we started playing soccer.
The most special thing about Ignazio’s birthday was that we celebrated with fans. And speaking of fans, there I lost my password for Instagram and, I started to go crazy because it is very important to keep in touch with the Volovers.
Piero recalls….
“At the beginning, in South America, we realized we were really famous only when we arrived and, the fans were in front of the hotel waiting for us. But it happened slowly, slowly. Slowly, relatively slowly, month after month. Because two months before we were in Argentina and there were twenty fans, the next one there were a hundred, the one after there were three hundred, and then a thousand, two thousand. Now the situation is unbelievable if you have not experienced it, you will not believe it because we are with bodyguards twenty-four hours a day. It’s another world.
I remember in Peru, in Lima, we land, we get off the plane and there were already bodyguards at the baggage claim. Usually, they are waiting for us after the baggage claim, two of them come to the entrance and two of them come to the exit to escort us.
Here seven, eight bodyguards arrive directly at the baggage claim. I did not understand. Why, for us? I thought of the fans, but it was the first time we went to Peru, it was really impossible that it was. Now imagine a glazed sliding door, at the airport and you cannot see the other side. Imagine that you have just picked up your baggage, you approach the door, the bodyguard puts you next to the door and the door opens and … you find yourself in front of a wall, a wall of girls, all one above the other screaming, a single scream, something that stuns.
We were in our cars and, they followed us with taxis. The taxi drivers overcame us like crazy, with the girls hanging out of the windows that sounded trumpets, waving flags. We spent three months of our year this way.”
Gianluca says….
“And, instead, do you remember Cuernavaca? It was 2013, I remember that we went in the room of Jerry di Pirro, who was our tour manager, to listen to Sade’s music. I remember the white curtains and a terrible heat, in the evening, the pool …”
Piero interrupts….
“… the insects! In that hotel I remember that I entered the room, we were in the middle of the forest and the white ceiling was completely covered with insects. My father and I spent half the evening crushing mosquitoes and other little animals with slippers.
Then I remember my father talking to the Mexicans while he cooked me pasta. Because before singing, three hours before, I always eat a hundred grams of tomato and basil spaghetti. I love that moment.
He comes in the dressing room, brings me the spaghetti made by him (we bring the packages from home). And that year he started explaining to the Mexicans how spaghetti tomato and basil was cooked.
It was a tour de force, from one day to the other air travel throughout South America, but dad was always with me. One morning I woke up in Guatemala, I look at my dad and say: ‘Dad, what should we do today?’
‘We have to leave for another city.’
‘When is the concert? Tomorrow?’
‘No, tonight! And go! Let’s start.’
That is the real passion: come without force but go forward. Only passion kept me standing.”
Gianluca says….
“Now I do not know, maybe we would not do it this way anymore.”
Piero continues….
“However, Gianlu’ this year in July we have gone thirty hours on flights for appearances on TV in the United States. I went back to Detroit with that heat and the album to finish and the tour to do.”
Ignazio recalls opening his mouth and, nothing comes out…
“I tried to sing and, my voice does not come out, there is nothing to do, it does not come out.
I only know that when I finished that tour in South America I was nicknamed ‘Ignazio the tank’ by myself: I had done twenty concerts with bronchitis.
The worst was in Caracas, Venezuela, six thousand five hundred people, at seven in the evening: soundcheck.
Let’s start with the first song. I try to sing and, my voice does not come out, there is nothing to do, it does not come out. And here comes the most total panic, we stopped the soundcheck, the production calls a doctor and, I was punctured with Bentelan.
In short, for a month and half I sang only thanks to the cortisone and breathing technique that our teacher Sergio Bertocchi taught us.”
Piero interrupts….
“Our because he is also my teacher.
But maybe only say master. Sergio Bertocchi is the person who helped me most in singing, the one that solves my doubts and my problems. If I enter a lesson with a doubt, I go out and I am another Piero, happy and relaxed.
And he never leaves me alone: even outside of Italy, we do lessons on Skype, we solve doubts and problems on the phone.
When I thought that in the Grande Amore tour, I would have liked to sing an air of an opera, Bertocchi told me: ‘You can do it very well, but you have to study a lot.’ And so, I did. For me, the study is fundamental, commitment and study.
Between May and June 2015, every time we were in Bologna to record ‘L’amore Si Mouve,’ I went to my teacher from 8 to 10 am (then at 10:30 am I went into the recording studio) and studied with him ‘E Lucevan le Stelle,’ the aria of Giacomo Puccini’s Tosca that I sang during the tour.
It was tiring, but there’s nothing like seriously engaging in something to feel at peace with oneself. Or at least for me.
And you do not know how important it is to have an experienced a person like Sergio Bertocchi to guide you.”
Ignazio interrupts….
“I know for sure, that without his breathing exercises I do not know how I would have sung. Without a voice I was completely out of it.”
Piero jokes with Ignazio….
“Eh, Igna’, but the voice, you had in that interview!
It was March 2013 we were in Argentina at the famous Los 5 edicion broadcast of QMusica TV. In practice the program works like this. The guest says something about himself and, between a piece and the other part of his story, presents a video of a song he likes, for a total of five videos.
What was the problem? In the meantime, we spoke Spanish and sometimes we were wrong, so we stopped the recording and got it back. So, Ignazio was already a bit tired out, let’s say.
But the worst thing is that in Argentina they do not have the Volo V, they have the B, they say ‘Il Bolo.’
And one, and two, and three, always ‘Il Bolo.’ At that point, Ignazio begins to correct the guy who was in the studio and repeating to us the things to say, and once, and twice, and three: ‘Il Volo, it is said Il Volo, V!’
Until the guy in the studio runs off of new ‘Il Bolo’ and Ignazio starts with a string of bad words in precise Sicilian that are still today immortalized in the off-wave.”
Ignazio interrupts:
“Eh, however, guys, we are serious people, now. And, I have made a commitment to write.
Where were we? Oh yes. The end of the Latin American tour.
Christmas 2013 was approaching and, the record company wanted to come out with a record of Christmas songs. So Universal decided to complete the EP that came out two years ago with just five Christmas songs.
So, after the Latin American tour we started promoting the Christmas album.
My house began to fail me. Being four months away, changing cities, hotels and planes almost every day is not easy. From the age of sixteen, finding yourself catapulted into a world that was completely different from the one I was used to, was not a simple thing to manage. At first no, actually the first two years I thought ‘What a beautiful life!’ Then I realized that all that glitters is not gold.
To get satisfaction and achieve the goals you have set for yourself, you have to give up many things and, work hard. Stay focused on your work. It’s not easy.
Many people ask: ‘But these guys never get tired?’ Well, yes, we get tired too, sometimes. Personally, there was a time when I thought only of friends. I wanted to go out, I never answered the phone, the emails, the messages, I was out of this world.
It was thanks to my family, to the boys and to Michele that I realized that I was neglecting what was always important for me: the music.”
Gianluca agreeing with Ignazio continues….
“True, Ignazio is right. It was not easy then and, neither is it now.
In those years, in 2012 and 2013, no one knew us in Italy, we were just the three children who had come from Ti Lascio Una Canzone.
But in America, in South America, in Europe we were very well known. And not only there! After the release of our first CD, we went on tour even in places that none of us could have imagined we would go to: Australia, Singapore, Malaysia, Taiwan and New Zealand. In Singapore we also had a gold record with that first CD.
In 2012 we arrived in Norway, one of the few European countries that we had not yet touched. We participated in the concert dedicated to the Nobel Peace Prize – that year went to the European Union – in Oslo. A fantastic evening that allowed us to meet Gerard Butler and Sarah Jessica Parker, who were the presenters, and an artist like Kylie Minogue.
And then, in 2014 we were in Moscow twice, once guests in a concert by Toto Cugno and once with a concert of our own, and at the beginning of 2015 we were in Beijing, guests of a TV program for the Chinese New Year.
So, before Sanremo, we lived two lives, two completely different lives. Abroad we were stars and, we came to Italy to rest. I took refuge in Montepagano, Piero in Naro, Ignazio in Marsala. It was nice to come back to a ‘normal’ life.
We felt that something was missing, that it was bad to be so successful outside of our country and not be able to have it in Italy.”
So, they learned very early on to understand what it meant to live two lives. And to experience The Reality of Stardom.
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
