Tag Archives: Jose Carreras

Through the Fields of My Mind: She Stopped the Presses by SUSAN

Today I would like to give you a heads up about what will be going on at Flight Crew for the next few weeks! Our dear Pat has had surgery (which went well and is on the road to recovery!) and we will not be posting for a few weeks but, we will report any new and important news to you. What will go offline are our stories which require a lot of detail in order to be posted. This will be a short silence and when we come back it will be in full force.

Continue reading Through the Fields of My Mind: She Stopped the Presses by SUSAN

FRASASSI 50 by Daniela

On 25 September 1971, a young group of speleologists, entering a small hole on a hill in the Marche (Italian region near Abruzzo) discovered the beautiful Frasassi Caves.
In memory of this moment, after 50 years, an event took place, which involved the population of Genga (the place where the caves are) and via streaming, even those who wanted to follow the event.

View inside the Frasassi Caves

Among the various activities, there was also the projection of the video by Vittorio Storaro, played by Il Volo, presented on 24 September, free of charge to all local citizens, and which took place in the museum of Genga, where beautiful photos of Il Volo within the caves, and these photos will always be visible in the museum.

Poster of the 50th Anniversary event

Of this moment, unfortunately, there is no main video, but only some shots and short videos that we propose.

It’s a video without audio, but … my God, what a fantastic music that of Mission, of Morricone, of course.

The Mayor, Vittorio Storaro and Ignazio, Gianluca and Piero opening the event

And here is the initial cut that opens the exhibition.
Present, the Mayor, Vittorio Storaro and Ignazio, Gianluca and Piero.

The Mayor, Vittorio Storaro and Ignazio, Gianluca and Piero cutting the ribbon

Here are some shots, which will be permanently present in the museum.

Photo poster of the event

Photo collage poster

Photo collage posters

Photo collage posters

Photo collage poster

A short but intense video, which shows the skill of our boys in the harmony of their beautiful voices.
PIERO = It is right that you know, we wanted to thank everyone for the patience and determination of Maurizio Tosoroni (head of the Frasassi Caves Consortium).

Piero and Michele Torpedine in the Frasassi Caves

And we have reached day 25.
The event is held inside the caves, only very few are allowed, but there is the possibility of streaming.
The event, very beautiful, where all the speleologists who participated in the discovery of the caves 50 years ago were awarded, one by one, then saw a short speech by the mayor, the projection of the short film by Storaro (which, however, was not taken from the streaming) and then there is a short but very nice interview with Il Volo.
We were in connection and therefore we propose the unexpected with Il Volo.
PRESENTER = Of course there are many questions we want to ask you, but first of all I want to ask you what you felt when you staged this video clip, that is, what was the atmosphere, the attitude with which you lived this fact.
GIANLUCA = First of all it is a great pleasure to be here, and we greet everyone with great affection, thanks for the welcome (applause).
It is a magical place, then, to be able to interpret the notes of the great master Morricone, flanked by a great filmmaker, one of the greatest, the master Vittorio Storaro. At our age to be able to say that we have had these experiences that have enriched us artistically, but also personally.
PRESENTER= You have now entered the history of cinema.
GIANLUCA = Of cinema not, maybe one day, who knows.
PRESENTER = Of humanity.
GIANLUCA = But being the soundtrack of this wonderful place, 50 years after its discovery, is a great pride for us, a great privilege. Thanks again.
(and he passes the microphone to Ignazio)
Left to right: Piero, Gianluca and Ignazio with the presenter inside the caves
PRESENTER = Then I want you to continue immediately (then seeing that Ignazio has taken the microphone) go, go ….
IGNAZIO = No, if there is a question I speak, otherwise I shut up.
PRESENTER = There are many questions, but I also want to welcome those who represent perhaps more than all of us, the teacher, and is Storaro’s daughter, Francesca where are you?
PRESENTER = Here you are Francesca. Welcome Francesca.
Why is Francesca here? Because she is a great light-designer and has worked on many things, of which I want to show you some photos. (here the video, which is very long has been cut, Francesca shows many photos of beautiful places and churches where she has put new lights, with low or almost no atmospheric impact, but which render the monuments in a beautiful light and with a lot of savings in energy consumption. Francesca will take care of the new lighting of the caves).
New lights, new caves to discover (he turns to Ignazio), perhaps new films to make.
IGNAZIO = I don’t know, this would be better to ask Vittorio Storaro, we sing, so …..
PRESENTER = As you know, there was an experiment here of people who have been in the cave for six months, maybe you could be the first tenors ……
PIERO = I’m not here for six months !!
IGNAZIO = It’s a little cold, maybe, if you bring me a small stove to warm up, I’ll think about it, however we wanted to …… can we say a few words ???
PRESENTER = Please.
IGNAZIO = We take this opportunity to thank Maurizio Tosoroni and the mayor, who made all this possible and also the Marche region……..
IL VOLO singing acapella in the caves with them on the big screen behind
PRESENTER = A round of applause to Tosoroni. There it is, it is just smaller than a “giant” (the giants are the large columns of stalagmites that are in the center of the room called the Abyss, some reach up to 82 feet).
IGNAZIO = …… because in any case we are three guys with many very ambitious desires, and when the master Storaro told us this idea, we were immediately amazed and wanted to start working immediately, so without them and ours manager Michele Torpedine, who watches us from the steps, from up there.
Is there anyone???? (Ignazio raises his hand to his mouth to launch this sentence which, I believe, is the sentence that the first speleologist said when he lowered himself into the hole).
PRESENTER = Torpedine is not a nickname, he is fast, but that’s what his name is! He is also a little electric, he looks at us from above, he is there (and Michele is framed laughing and making the gesture to get off the rope), he is there, sooner or later he will come down, we do not know when, but sooner or later he will come down .
IGNAZIO = Thanks, because life is made up of thanks, and it is right to give thanks to those who have allowed us to do all this.
PRESENTER = Sure, thank you, thank you very much, (and he passes the microphone to Piero), a few more words.
PIERO = A little while ago we talked to the ex-boys (he refers to the speleologists who discovered the caves, they were in their early twenties, now they are over 70 years old), those who discovered this incredible place, they are beautiful, I had a lot of fun, they’re super cool, but where are these men? (look for them)
Left to right: Piero, Gianluca and Ignazio with the presenter inside the caves
PRESENTER = They are there.
Here they are, a round of applause to the speleologists. (The speleologists, before the intervention of Il Volo, were called one by one and they all received commemorative plaques).
PIERO = You are number one!
They are fantastic, one of them has been living in Sicily for 40 years, we chatted, and they told us about when they went down (in the caves), how long it took …..
GIANLUCA = (to the speleologists) You have made history.
PRESENTER = (repeats) You have made history.
PIERO = Believe me, I am honored and thrilled to have talked to them and to have made us part of this incredible experience and adventure. Thanks!!
PRESENTER = Well, great, you were right to point this out.
You have seen with the light how much can be done and how much more will probably be done, but there is one thing I have to ask you. I want to ask you something, I just put myself out here, (walks away from the boys) and stand here looking at you. I want to ask you: in your opinion, what can be done here with the voice?
Now, right now! (Piero’s face is amazed, Igna and Gian’s a little more worried, a sign that it is not an expected request)
IGNAZIO = You can talk to be heard up there, but there is a microphone, or you can thank …..
Left to right: Piero, Gianluca and Ignazio inside the caves
PIERO = Let’s do an experiment.
PRESENTER = Come on.
PIERO = Since this is a magical place and there is acoustics, I would remove the microphone, can we remove the microphone?
GIANLUCA = We sing without a microphone.
PRESENTER = Without microphone come on.
PIERO = A little piece.
PRESENTER = Yes, the usual 2 and a quarter hours concert!
(the boys are about to start)
Wait, while you sing, he’s coming down, he’s official, he’s ready to go, so think about him while you sing and give him strength and courage. (He refers to the fact that a speleologist is on top of the mountain and in this moment, he is descending into the hole from which they descended 50 years earlier, so he is coming down from the vault of the room called Abyss, for this reason, the boys looked up into the darkness of the cave.)
PIERO = Can you get off in 20 seconds ??
PRESENTER = Surely it will start … go.
(the boys perform a splendid piece of Your Love a cappella, wonderful, fantastic voices and intense gazes between them. Applause)
Hurray!
Successful experiment.
Successful experiment, you should know that someone preceded you in this experiment and was unable to sing.
It is true!
PIERO = Was it you?
PRESENTER = No, I can’t sing even if I’m warm.
No, no, there was someone here, I don’t think it is an urban legend (i.e. false), a great name of opera who came here, and who suddenly failed to sing, as if the cave had it. …..
GIANLUCA = Performance anxiety?
PIERO = But a little while ago, talking to the speleologists, I don’t remember the name of the man who told me … Giancarlo, he told me about the adrenaline and what it can cause, when they discovered these caves, maybe all of them they don’t know that Giancarlo, in the following days, had a fever of 40° (104° F) and it was due to adrenaline, and it is something that struck me a lot, because we, with adrenaline, live with it.
PRESENTER = Of course, those who live on stage live on adrenaline.
IGNAZIO = Before they said it was adrenaline, now they tell you it’s the corona virus! 😁
PRESENTER = Exactly!
However, it seems that the tenor who failed to sing was Katia Ricciarelli (in reality she is a woman, therefore a soprano.
Katia Ricciarelli is an Italian soprano, who became famous above all because she was engaged to Josè Carreras and then married to Pippo Baudo, a well-known Italian presenter, from whom she later divorced. Katia Ricciarelli, during various television broadcasts, has never appreciated Il Volo, on the contrary she refuses the success of the boys because she does not appreciate that they sing operas since they never went to the conservatory. )
Left to right: Piero, Gianluca and Ignazio singing acapella inside the caves
IGNAZIO = Oh well, it can happen, because there is a lot of humidity, and then the voice ….. she is a good tenor anyway (jokes, because she knows well that she is not a tenor, laughter), you know, the voice is very subjective and the humidity does a lot, but it depends!
PRESENTER = But it was great because the largest soundbox in the world contained your voices, and amplified them, in a natural way.
IGNAZIO = We hope and wish that, over time, it will contain many voices from the world. There are so many voices this place deserves to hear.
PRESENTER = This is a great idea, you know.
PIERO = This project, the tribute to Ennio Morricone, was born from our ideas, a little exaggerated at times, so during the lockdown we thought and worked intensely on the melodies of maestro Ennio Morricone, with a lot of respect. Then the idea of collaboration with the great maestro Storaro was born and now we are starting again, with optimism, we are sure that we will succeed, we will start with a world tour, carrying around, singing the melodies of Maestro Morricone, and we started from the belly of the earth, as the master Storaro says, so there is no better start.
GIANLUCA = Above all, it is also the way to bring the beauty of these places, the Frasassi Caves, around the world. It is a way to bring, not only what is our tradition through our voices, Italian music, but also the beauties of our country. This is a UNIQUE place in the world.
PRESENTER = It’s true, it’s really true. Thank you thank you.
IGNAZIO = Thank you very much. (the presenter motions him to continue). I don’t say anything more.
PRESENTER = Maybe you want to greet us with a ….. (perhaps with an acute) (An acute is a long prolonged sound emitted with the voice, said for those who do classical opera.)
IGNAZIO = I am a singer, but I don’t always sing, I also speak ….. (laughter) or I try
PRESENTER = Because you tenors are used to expressing yourself like this too …..
IGNAZIO = No, but I wanted to say that with Maurizio Tosoroni, we will try to ensure that our colleagues (other singers) will come here, even with the mayor, to enjoy this magnificent place.
PRESENTER = Well, thank you, really thank you, I don’t know whether to call you “boys” (Ignazio makes an eloquent gesture as if to say: sure, we are) you are boys but also something more, now you belong to the history of humanity.
PIERO = Cavers are also boys.
PRESENTER = They were boys, they are boys, it’s true, by the way, then we will talk about it, it seems that there is a habit in this place, where time passes differently, it has been scientifically proven, then we will talk about it.
Thanks!!

Distant view of the stage amid the stalagmites in the cave

IL VOLO on stage singing acapella with the big screen behind them

IL VOLO on stage singing acapella with the big screen behind them

As usual, I have no words for what they did and what they said.
Although I always expect a lot from them, I appreciate more and more their way of acting and doing.
The a cappella singing was certainly not prepared, but they were very good.
The presenter was pleasantly impressed and recalled that someone who brags as much and criticizes others as much, had failed to do so, and our boys, they only had words of support for her (Katia Ricciarelli).
Very good as always and even more: our Piero, Ignazio and Gianluca.
Daniela 

 

Credit to owners of all photos and videos.

 

The Reality of Stardom

Today, we need to understand what it was like for the guys to come together, become Il Volo and start to understand the reality of stardom! But before we begin, let’s take a look at how the guys came to be called Il Volo.
In the beginning the idea of being one in three was something that the guys needed to learn about. They had to learn how to sing together. It was no longer this is your song, learn it and sing it. No, now it was, this is your part, your take, your phrase, learn it and sing it. They began to understand how music and recording actually worked. They were starting to learn about being three in the form of one. Sharing! And, if that wasn’t enough, they had to learn something even harder, how to get along with one another.
I’ve told you, in some of my stories, about the problems, the disagreements. These may seem unusual but in reality, they were not. You show me three teenage boys who can be thrown together and just immediately like one another and totally agree with one another. No, that won’t happen.
Left to right: Gianluca, Ignazio and Piero photo shoot image
Ignazio said: “We were only three kids accompanied by our parents. We still did not know each other well. At the beginning I immediately started to connect with Piero. Perhaps because he is Sicilian like me and maybe because we always found the opportunity to make jokes and have fun.”
Gianluca said; “I was very shy and a little insecure but also a little immature and too instinctive
In quarrels, for example, maybe it happened that I also answered in an annoying way because I was the one, I felt at that time, and I could not wait until then. Piero, for example, took some good kicks from me. I threw a pizza, at Ignazio, in front of the Universal Canadian official in a restaurant in Montreal. The shrimp flew off the pizza and hit the official of Universal, I mean really.”
These were some of the obstacles. Some would easily be resolved and, some would take a long time and a lot of trust to overcome.
In 2009 – 2010 during the recording of their first album, the guys still did not have a “real” name. After Ti Lascio una Canzone, they were given the name Tre Tenorini, because they resembled Luciano Pavarotti (Ignazio, for the waistline). Jose Carreras (Gianluca, for the elegance, says Torpedine) and Plácido Domingo (Piero, for the tenor voice).
Tre Tenorini, no, that was never going to work. First off, they aren’t three tenors. As you know they are a baritone, a lyrical tenor and a spinto tenor. So, a new name would have to be found. Easy, no not at all. Let’s listen to what guys had to say about choosing a name.
Piero begins: “Sometimes finding a name is much more complicated than it may seem. We did not even believe that we would continue to sing, imagine if we thought we needed a name. Do you know that at one point they wanted to call us La Scala?”
Ignazio continues: “At that time when we were looking for a name and we couldn’t find one, we were recording We Are the World 25 for Haiti. It was the beginning of February 2010, and we called ourselves The Tryo, which we then used as guests at the second evening of the Sanremo Festival. A week later, we sang in front of Queen Rania of Jordan, and that is when we translated it to, Il Trio.
Gianluca said: “The problem of the name? It was one of those impossible marketing missions: it had to be short and easy to pronounce in practically all the world. For example, there is a group called Il Divo, and they also sing a genre similar to ours, and Il Divo was just the kind of name we wanted: short, easy to pronounce and also very international, because it has a clear meaning to everyone.

Young IL VOLO

And that’s why the name La Scala came out. Elettra Morini, the wife of Tony Renis, had proposed it. Elettra, who was a dancer there, told her husband: ‘Why do you not call them La Scala? Surely everyone in the world knows La Scala.’
Ignazio interrupts: “And then, there was the question that they called us the Lyric, La Scala, La Scala. We chewed on it a little but, it did not convince us.”
Piero tells us that everyone was involved in this project….
“But who was looking for the name? All of us: the three of us, Michele, our parents, whoever belonged to our family or, our working group said a name, two or three, and it was written on a list. That list had become worse than a telephone list: we got to more than five hundred proposals.
This thing of the name was becoming a joke. We were going to record the album, make a meeting, or engage in anything else and, we ended up talking about this name, but we never got the right idea. In the end, one day out of the blue, a gentleman working from Michele, Stefano, says: ‘Il Volo.’”
Ignazio says, “IL VOLO? What about IL VOLO? IL VOLO? It began to turn in the air (ha ha) and so the birth of Il Volo.”
And just when it seemed the decision was made to choose Il Volo, another problem arose.
Piero explains….
“But then we discovered that there had already been a group by this name in 1974, composed of Mario Lavezzi, Vince Tempera, Alberto Radius, Bob Callero, Gabriele Lorenzi and Gianni Dall’Aglio. It was a collaboration that lasted a year and a half and had gathered all of the best musicians. But now we liked the name, so we decided to keep it. Also, because it immediately seemed to us a good omen to fly, to take flight, get up in the air.
But we risked a little.
A young photo of IL VOLO
Think if this project did not start, if we were not really able to ‘take off,’ do you imagine how they would have made fun of us? ‘The Flight takes off? No, Il Volo has crashed!’ At that point, we had the CD, the name also and we left for the States.”
After a week in the States visiting Miami and Los Angeles, they returned to Italy. By May 2010, things began to change.
Piero recalls: “We too began to understand that something was only changing when our first record came out.”
Ignazio remembers: “It was already in May 2010 and the Il Volo album was about to come out all over the world. Maybe I was too small and naive, but I did not feel the anxiety of the job, like today.”
The first major television show in which the guys appeared in America was American Idol, the world’s most famous music talent show.
The guys certainly took America by storm and slowly also many other countries in the world.
Ignazio begins to explain the reality of it…
“In a few months I found myself having traveled the world, from Europe to the Americas, from Asia to Oceania. From 2010 to 2013 we traveled like crazy, without ever stopping. In three years, I have not been home for five months.

Left to right: Gianluca, Piero and Ignazio asleep in the back seat of their tour car

In 2013 at the end of the American tour the guys found themselves at the door of Latin America and their South American Tour.
First stop Guadalajara, Mexico. And what better way to begin than on October 4, 2013, Ignazio’s 19th birthday!
Here Come the Fans
Gianluca recalls how the South American Tour began…
“In five years, we have done a lot of concerts, we have been in a lot of places and, I absolutely agree with Piero when he says that it is difficult to remember everything, that things have followed so quickly that they seem confused, sometimes I almost forget. However, if I stop and think about it there are flashes that come to mind, for example the 2013 tour in South America.
IL VOLO kneeling on state with the audience behind them
One of the first things I remember is Ignazio’s birthday in Messio, on the evening of the first concert of the tour.
We arrived at the hotel that was a bit in the middle of nowhere, in Guadalajara. Here we met for the first time our drummer, Salvatore Corazza. There was a huge garden and we started playing soccer.
The most special thing about Ignazio’s birthday was that we celebrated with fans. And speaking of fans, there I lost my password for Instagram and, I started to go crazy because it is very important to keep in touch with the Volovers.
Piero recalls….
“At the beginning, in South America, we realized we were really famous only when we arrived and, the fans were in front of the hotel waiting for us. But it happened slowly, slowly. Slowly, relatively slowly, month after month. Because two months before we were in Argentina and there were twenty fans, the next one there were a hundred, the one after there were three hundred, and then a thousand, two thousand. Now the situation is unbelievable if you have not experienced it, you will not believe it because we are with bodyguards twenty-four hours a day. It’s another world.
I remember in Peru, in Lima, we land, we get off the plane and there were already bodyguards at the baggage claim. Usually, they are waiting for us after the baggage claim, two of them come to the entrance and two of them come to the exit to escort us.
Here seven, eight bodyguards arrive directly at the baggage claim. I did not understand. Why, for us? I thought of the fans, but it was the first time we went to Peru, it was really impossible that it was. Now imagine a glazed sliding door, at the airport and you cannot see the other side. Imagine that you have just picked up your baggage, you approach the door, the bodyguard puts you next to the door and the door opens and … you find yourself in front of a wall, a wall of girls, all one above the other screaming, a single scream, something that stuns.
We were in our cars and, they followed us with taxis. The taxi drivers overcame us like crazy, with the girls hanging out of the windows that sounded trumpets, waving flags. We spent three months of our year this way.”
IL VOLO with fans in 2011
Gianluca says….
“And, instead, do you remember Cuernavaca? It was 2013, I remember that we went in the room of Jerry di Pirro, who was our tour manager, to listen to Sade’s music. I remember the white curtains and a terrible heat, in the evening, the pool …”
Piero interrupts….
“… the insects! In that hotel I remember that I entered the room, we were in the middle of the forest and the white ceiling was completely covered with insects. My father and I spent half the evening crushing mosquitoes and other little animals with slippers. 
Then I remember my father talking to the Mexicans while he cooked me pasta. Because before singing, three hours before, I always eat a hundred grams of tomato and basil spaghetti. I love that moment.
He comes in the dressing room, brings me the spaghetti made by him (we bring the packages from home). And that year he started explaining to the Mexicans how spaghetti tomato and basil was cooked.
It was a tour de force, from one day to the other air travel throughout South America, but dad was always with me. One morning I woke up in Guatemala, I look at my dad and say: ‘Dad, what should we do today?’
‘We have to leave for another city.’
‘When is the concert? Tomorrow?’
‘No, tonight! And go! Let’s start.’
That is the real passion: come without force but go forward. Only passion kept me standing.”

IL VOLO handshake before the concert

Gianluca says….
“Now I do not know, maybe we would not do it this way anymore.”
Piero continues….
“However, Gianlu’ this year in July we have gone thirty hours on flights for appearances on TV in the United States. I went back to Detroit with that heat and the album to finish and the tour to do.”
Ignazio recalls opening his mouth and, nothing comes out…
“I tried to sing and, my voice does not come out, there is nothing to do, it does not come out.
I only know that when I finished that tour in South America I was nicknamed ‘Ignazio the tank’ by myself: I had done twenty concerts with bronchitis.
The worst was in Caracas, Venezuela, six thousand five hundred people, at seven in the evening: soundcheck.
Let’s start with the first song. I try to sing and, my voice does not come out, there is nothing to do, it does not come out. And here comes the most total panic, we stopped the soundcheck, the production calls a doctor and, I was punctured with Bentelan.
In short, for a month and half I sang only thanks to the cortisone and breathing technique that our teacher Sergio Bertocchi taught us.”
Piero interrupts….
Our because he is also my teacher.
But maybe only say master. Sergio Bertocchi is the person who helped me most in singing, the one that solves my doubts and my problems. If I enter a lesson with a doubt, I go out and I am another Piero, happy and relaxed.
And he never leaves me alone: even outside of Italy, we do lessons on Skype, we solve doubts and problems on the phone.
When I thought that in the Grande Amore tour, I would have liked to sing an air of an opera, Bertocchi told me: ‘You can do it very well, but you have to study a lot.’ And so, I did. For me, the study is fundamental, commitment and study.

Left to right: Gianluca, Ignazio and Piero on stage smiling

Between May and June 2015, every time we were in Bologna to record ‘L’amore Si Mouve,’ I went to my teacher from 8 to 10 am (then at 10:30 am I went into the recording studio) and studied with him ‘E Lucevan le Stelle,’ the aria of Giacomo Puccini’s Tosca that I sang during the tour.
It was tiring, but there’s nothing like seriously engaging in something to feel at peace with oneself. Or at least for me.
And you do not know how important it is to have an experienced a person like Sergio Bertocchi to guide you.”
Ignazio interrupts….
“I know for sure, that without his breathing exercises I do not know how I would have sung. Without a voice I was completely out of it.”
Piero jokes with Ignazio….
“Eh, Igna’, but the voice, you had in that interview!

Ignazio, Gianluca and Piero sitting on stage singing

It was March 2013 we were in Argentina at the famous Los 5 edicion broadcast of QMusica TV. In practice the program works like this. The guest says something about himself and, between a piece and the other part of his story, presents a video of a song he likes, for a total of five videos.
What was the problem? In the meantime, we spoke Spanish and sometimes we were wrong, so we stopped the recording and got it back. So, Ignazio was already a bit tired out, let’s say.
But the worst thing is that in Argentina they do not have the Volo V, they have the B, they say ‘Il Bolo.’
And one, and two, and three, always ‘Il Bolo.’ At that point, Ignazio begins to correct the guy who was in the studio and repeating to us the things to say, and once, and twice, and three: ‘Il Volo, it is said Il Volo, V!’
Until the guy in the studio runs off of new ‘Il Bolo’ and Ignazio starts with a string of bad words in precise Sicilian that are still today immortalized in the off-wave.”
Ignazio interrupts:
“Eh, however, guys, we are serious people, now. And, I have made a commitment to write.
Where were we? Oh yes. The end of the Latin American tour.
Christmas 2013 was approaching and, the record company wanted to come out with a record of Christmas songs. So Universal decided to complete the EP that came out two years ago with just five Christmas songs.
So, after the Latin American tour we started promoting the Christmas album.

Gianluca, Piero and Ignazio in front of Radio City Music Hall

My house began to fail me. Being four months away, changing cities, hotels and planes almost every day is not easy. From the age of sixteen, finding yourself catapulted into a world that was completely different from the one I was used to, was not a simple thing to manage. At first no, actually the first two years I thought ‘What a beautiful life!’ Then I realized that all that glitters is not gold.
To get satisfaction and achieve the goals you have set for yourself, you have to give up many things and, work hard. Stay focused on your work. It’s not easy.
Many people ask: ‘But these guys never get tired?’ Well, yes, we get tired too, sometimes. Personally, there was a time when I thought only of friends. I wanted to go out, I never answered the phone, the emails, the messages, I was out of this world.
It was thanks to my family, to the boys and to Michele that I realized that I was neglecting what was always important for me: the music.”
Gianluca agreeing with Ignazio continues….
“True, Ignazio is right. It was not easy then and, neither is it now.
In those years, in 2012 and 2013, no one knew us in Italy, we were just the three children who had come from Ti Lascio Una Canzone.
But in America, in South America, in Europe we were very well known. And not only there! After the release of our first CD, we went on tour even in places that none of us could have imagined we would go to: Australia, Singapore, Malaysia, Taiwan and New Zealand. In Singapore we also had a gold record with that first CD.
In 2012 we arrived in Norway, one of the few European countries that we had not yet touched. We participated in the concert dedicated to the Nobel Peace Prize – that year went to the European Union – in Oslo. A fantastic evening that allowed us to meet Gerard Butler and Sarah Jessica Parker, who were the presenters, and an artist like Kylie Minogue.

And then, in 2014 we were in Moscow twice, once guests in a concert by Toto Cugno and once with a concert of our own, and at the beginning of 2015 we were in Beijing, guests of a TV program for the Chinese New Year.
So, before Sanremo, we lived two lives, two completely different lives. Abroad we were stars and, we came to Italy to rest. I took refuge in Montepagano, Piero in Naro, Ignazio in Marsala. It was nice to come back to a ‘normal’ life.
IL VOLO then and now
We felt that something was missing, that it was bad to be so successful outside of our country and not be able to have it in Italy.”
So, they learned very early on to understand what it meant to live two lives. And to experience The Reality of Stardom. 
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com
*Excerpts from Il Volo, Un’avventura straordinaria, La nostra storia.
Credit to owners of all photos and videos.

IL VOLO TO FELICITÀ – Part 1 by Daniela

Saturday 19 June, on RAI 2, a beautiful interview made with Il Volo, in the FELICITÀ (Happiness) program conducted by Pascal Vicedomini, was broadcast.

The RAI press office only notified us the day before this interview, so few knew, but surely the videos have already been published on all Facebook pages (what we fans can do) and therefore, I bet you’re wondering what our guys said, so here’s the video and the translation.🤗
I warn you that it is a very long interview, but very interesting, and therefore I will proceed by dividing it into two parts.
So here’s the first part, up to 27:03.

PIERO = Happiness for me is every day. Because I found that inner balance. In the particular year we lived, I took advantage of it, thanks to the people who support me, like my family and friends, and I found that inner balance that makes me enjoy life. I enjoy life every day.

Closeup of Piero during the interview

PV = What is happiness for you? (to Gianluca)
GIANLUCA = I believe this certainly – the support of the family, do what you love, live from your passion, make it a job, and be serene, feel good about yourself.
Happiness is a moment. The moments of pain help you to face life, to form that armor that allows you to face life in the best way. That inner serenity is surrounding yourself with people that allow you to be a better person.

Closeup of Gianluca during the interview

PV =  For you, Ignazio?
IGNAZIO =  Happiness, in the end, is just a word.
Surely as they say, feeling good about yourself can be a cause for happiness, but the most important thing is to create it, and it’s very subjective, I think.

Closeup of Ignazio during the interview

(start the theme song of the program)
PV = Happiness. But who is happier than me today, who are together with three ex-kids, whom I met who were really at the beginning and have become international stars: Ignazio, Pietro and Gianluca.
PIERO = Piero, Piero (Pascal said Pietro).
PV = Piero, sorry, sometimes I make a mistake.
PIERO = Pascal, we are very happy anyway.
GIAN= But the grandfather’s name is Pietro, so you paid him a compliment anyway.
PV = (to Piero) But do you celebrate St. Peter and Paul? (the name day).
PIERO = Yes, of course.
PV = So, it was a little mistake.
GIAN = You knew us as children, now we are almost men … almost men.
PV = And what guys, three young music legends, three seducers …
GIAN = Indeed ….. but all these compliments ….
PV = I almost feel like an intruder in your world
IGNAZIO = We met, really at the beginning of our journey. (career)
In Los Angeles, right?

Il Volo performs Il Mondo (Live LA Showcase)

PV = How not !!
IGNAZIO = We shared those moments, even a little strange for fourteen-fifteen-year-olds, being in parties with the biggest stars in the world.
PV = I remember, guys, they arrived in Los Angeles and were immediately catapulted into a mega galactic party, greeted by: Schwarzenegger, Sean Penn, Puff Daddy, Quincy Jones, Beyoncé, Cindy Crawford …
IGNAZIO = Cindy Crawford I remember her well!
GIAN = I remember her too ….
PIERO = The particular thing, do you know what Pascal was? To go home and tell our friends what we had experienced, and it was impossible (because they would not believe).
PV = Those are the first moments when you begin to understand that something is changing.
(the video of the Sanremo victory starts)

IL VOLO sitting on blue chairs being interviewed by Pascal Vicedomini

PV = (voice) Gianluca Ginoble, Piero Barone, Ignazio Boschetto, aka IL VOLO, three young excellences of contemporary bel canto in the world, three constantly evolving talents, who have already seduced the audiences of many countries far and wide for the planet.
Three guys put together to break through the myth of the three tenors par excellence: Pavarotti, Carreras and Domingo and who in some way are keeping up with the expectations of the many people who believed in them, from the very beginning.
Three brilliant witnesses of pure Italianness that strikes, fascinates and seduces, so much so that it gradually becomes a global phenomenon.
Three witnesses of the restart of the music industry and of the Italian live entertainment, and who recently seduced the national television audience with the record concert at the Verona Arena, in homage to maestro Ennio Morricone. Event that arranged them in a good mood, on the occasion of our “reunion” between friends.
PV = Ignazio, when did you realize that your life was changing?
IGNAZIO = But maybe we haven’t noticed today yet, because fortunately, and I say fortunately, we live things with simplicity, always trying to put music, our passion, in the foreground.
Then, it is normal, there are many responsibilities, we are no longer kids, where there is the novelty of three kids who have an important voice, an adult voice, so now is the time to work, to develop new ideas. With our manager Michele Torpedine, we always try to renew ourselves, we lock ourselves in a room for days to understand what is the best thing, the next step to take.
There was the Arena di Verona, and we are already thinking about another project, so we must never stop.
PV = About the Arena, a great recent triumph, we will talk very soon, but let’s go back a little to the beginning.
(the video of O Sole Mio, starts)

IL VOLO singing O Sole Mio

PV = (voice) It was 2009 when three provincial kids, with an extraordinary voice, two Sicilians, Piero and Ignazio and one from Abruzzo, Gianluca, made their debut on the RAI stage in “TI LASCIO UNA CANZONE,” a program by Antonella Clerici, directed by Roberto Cenci, who, in meeting the three “child prodigies”, immediately came up with the brilliant idea of putting them together.
R. CENCI = I followed the casting directly and in this second edition, I found these three guys and took them individually, because I got Ginoble because he had a voice very similar to Bocelli, not as a tenor, but when he sang normally. Ignazio had what I called “canna” (high tones) and Piero was the only one I had doubts about, whether to take it or not, because he was really a “tenorino” (small tenor) and the year before I had already had a boy with the tenor voice.
In the end, after two or three episodes, I spoke with Bibi (Bibi Ballandi, Italian TV producer) and I said:
“Look, I have an idea, I want to bring them together and call them – Tenorini – to make the beautiful songs, the Italian bel canto.”
It was an immediate, incredible success.
He called Tony Renis and said, “Guys, but these three are very strong, in my opinion in America, they could win,” and I said, “In my opinion, the only one who can help them in this sense is you, if you want I can put you in contact with the families,” and in short, from there, let’s say that he accompanied them in what is their journey under full sail.

Closeup of Roberto Cenci

(the video of THE WORLD begins)
PV = (voice) Launching three very young Italian tenors into the world seemed an impossible mission, but considering the previous successes of producer Tony Renis, who for the occasion wanted, at all costs, at his side, the former manager of Bocelli, Michele Torpedine, the operation was a challenge to attempt.
Especially since together with the lawyer Peter Lopez, mister “Quando Quando” (Tony Renis) , he convinced the legendary Italian-American colleague Jimmy Lovine, to make an album with the Italian “tenorini”, very different from the rappers he launched, as a tribute to its Ischian origins.
And so it was that the three boys found themselves in Hollywood, among the elite of showbiz.
It was February 2010, on the eve of the Grammy Awards, or the Oscars of music.

IL VOLO being interviewed in 2010

PV = Gianluca: this first experience in America.
GIAN = It is a great emotion, we hope it is a starting point, because it is an incredible thing to be in America.
PV = Ignazio: in the footsteps of the great masters who made the history of world music, here in Los Angeles.
IGNAZIO = Being with Tony is beautiful, we have fun, we spend beautiful days together.
PV = (to Piero) You are already preparing an album, which will soon be released, also made with Umberto Gatica, therefore: Tony Renis, Umberto Gatica, Torpedine, one team …..
PIERO = Really strong, we get along very well with them, we communicate with them and we express ourselves well with them.
(start the video of UN AMORE COSÌ GRANDE – Live The Americana)
T. RENIS = Very strong, they are conquering the United States. The Americans are going crazy for these three kids, who are phenomena. They sing, they sing, really, they know how to sing.

Tony Renis being interviewed

(start the video WE ARE THE WORLD 25 FOR HAITI)
PV = (voice) That trip to Los Angeles, with their uncle Tony Renis in 2010, marked the turning point for Gianluca, Ignazio and Piero, in fact, the famous producer, also managed to convince his old friend-colleague Quincy Jones to let his three new ones enter as pupils, in the video in favor of Haiti, which re-proposed WE ARE THE WORLD by Michael Jackson and Lionel Richie.
TORPEDINE = It was a great dream, also because I came from a long experience of Andrea Bocelli, after 16 years, let’s say it was easier for me to continue this discussion.
PV = What place do Il Volo occupy in international music today?
TORPEDINE = I believe that after Andrea Bocelli, who clearly today we are talking about a monument, we are no longer talking only about an artist, immediately afterwards, they are there, because they are present in all countries of the world, as a publication, as a live, as a performance . Today Il Volo, together with Andrea, clearly Andrea becomes almost unattainable, because the recording market today is almost infinite, in general, but on the live part, they have the same capacities, in some countries, in others they don’t, but let’s say they occupy a huge space.

Closeup of Michele Torpedine

GIAN = Let’s say that, certainly the novelty was that, as Ignazio said, of three children singing pop-lyric, because it was the first time, so let’s say that from this point of view, we have always tried to be unique, and to propose to the public, to the people who follow us, something different.
Then, it is clear that over time, it is necessary to demonstrate and consolidate success, because being the novelty, it is also easy to be a meteor, therefore, as Ignazio said, sorry if I repeat myself, we must renew ourselves, with hard work, with constancy, with sacrifices and always staying on track, this is important. I must say that there is not only a working relationship, but also our friendship has been consolidated over time, and this helps us to be cohesive, strong and to develop ideas that allow us to renew ourselves.
RED RONNIE = I want for them, a good of the soul, because even if they joined almost by chance, Piero, Ignazio and Gianluca, they have three totally different personalities, who together have a crazy cohesion, so much so that they have invaded the world.
I hope they enjoy the happiness they deserve and are experiencing, because …… because they are still spontaneous, they still have the desire to see with their eyes what happens and, this is important, also with the heart. They are perfect when they are elegant, at the Verona Arena or on an important stage, or when they are like this, a little “discarded” when they come into my programs and let themselves go. Because they are three guys, very lucky, and very alive.

PV = (voice) Red Ronnie says well, three very different guys, who complement each other on stage, three particular characters, united by their common talent and love for music: Piero the professor, Ignazio the philosopher and Gianluca the seducer, two Sicilians and an Abruzzese.
After all, they are three young people of today with the ancient passion for opera, to be merged with pop, a characteristic that makes them fascinating in a transversal way to the different civilizations crossed in their first twelve years of common career in the world.
The result of the intelligence of the Italian province, which over the years has established itself, not only in music, but in every sector of society, as the journalist and writer points out: Pierangelo Buttafuoco.
P. BUTTAFUOCO = It is up to the village boy to “take flight”. If that of IL Volo is the story, or rather the novel, or better still the epic, of those who, like the guys, know how to go away.
Because the commandment given to the country guys is always the same, and it is this: “Who goes out, succeeds” (pun to say that whoever leaves the country, succeeds, that is, is successful, in life), and said in Sicilian it becomes: “cu nesci, arriesci”.

Closeup of Pierangelo Buttafuoco

ANTONELLA BORALEVI (writer-journalist) = What is special about Il Volo?
Meanwhile, this name, because already hearing it, this name, takes you somewhere else, and then the fact that, we never say Il Volo, but we say “the boys of Il Volo”. I think that the three members of Il Volo group will have to get used to being called “boys” even when they are 70 years old.
But above all I would like to thank them, the guys from Il Volo, because they have the characteristic of giving joy. The guys from Il Volo put you in a good mood. The guys from Il Volo, you look at them and you feel better, you listen to them and you hum them and you feel better. So, as they say: go go go, guys from Il Volo and thank you for the joy you give us.

Closeup of Antonella Boralevi

PV = (voice) All mad per Il Volo, it could be the title of a docu-film about the life of the three boys who continue to reap successes and attract fans of all ages, especially women, in the many countries already visited by three young people, they enchant the spectators and seduce, in particular, the fair sex, with their typical Italian charm. That’s right, it was for Pavarotti, it is for Andrea Bocelli, it is for Gianluca, Ignazio and Piero, of whom also three collaborators of Milly Carlucci have an excellent opinion and who had the pleasure of training Il Volo, for a special episode of Dancing with the stars.
OB = (dance teacher). Piero dancer mmmmhhh. Piero dancer, determined, very stubborn, I remember that he always wanted to try the steps, always perfect the rhythm. Obviously: he Sicilian and I Sicilian, we had a great time, I have wonderful memories, both of Piero and of the whole group. We had a lot of fun in our beautiful tango.

Piero on the left and Ornella Boccafoschi on the right

LL = (dance teacher) Gianluca dancer was a real discovery. But I think that in the tango, it was really exceptional, because in reality it represents it a little. Tango is very technical, and in my opinion Gianluca is precise, like tango, like all professionals, on the other hand. He is sensual, mysterious, captivating and intriguing, but above all, tango is elegance, and he is a very, very elegant person, and this is a gift that few people have, and that distinguishes him above all.

Gianluca on the left and Lucrezia Lando on the right

MG = (dance teacher). Ignazio was a great revelation and certainly as a dancer he was exceptional that evening at Dancing under the stars, when we did the tango together and I must say that it was really nice to see how, in a short time, this guy really learned the main things, of this dance, which was the tango. He tried to really express himself 100% and I was really very proud and proud and happy to have danced this dance with him.

Ignazio on the left and Mia Gabusi in the right photo

R. RONNIE = Happiness could be …. such a wonderful place, surrounded by nature, relaxation. But you are missing something, you miss sharing it with the person you love, and then happiness is not living a beautiful thing, but sharing it.
Happiness is giving to others, it is giving, making people feel good. For me, happiness is giving space to artists, emerging groups, giving a voice to those who don’t have it.
In the end, we remain, for what we have given, not for what we have had, so happiness is giving.
(There are some scenes with Pavarotti)
PV = (voice) The myth of Luciano Pavarotti, after the docu-masterpiece of the Oscar winner Ron Howard, hovers in the dreams of all of us and above all in those of Piero Barone, Ignazio Boschetto and Gianluca Ginoble, alias Il Volo, who during the years they also managed to make friends with the friends and colleagues of a thousand adventures of Big Luciano (Pavarotti), the Spanish tenors Josè Carreras and Plácido Domingo. Especially with the latter who, as an indomitable lion, has also granted his three grandchildren (Il Volo) the honor of stepping on the same stage.
But what does it feel like to follow in the footsteps of three legends, who started the history of opera-pop? Feel the thought of Il Volo about it.

Plácido Domingo, Jose Carreras and Luciano Pavoratti -The Three Tenors singing

PIERO = The three tenors, Pavarotti, Domingo and Carreras, were the three who cleared opera, classical music, outside the theater and brought it to the general public.
Let’s say that we are trying to follow, humbly, without emulating the three tenors, we are trying not to let this music die, which will never end, because classical music, the classical term, is synonymous with eternal.
We were in Florence, in Piazza Santa Croce, it was not a normal evening, it was a Magic Night, in fact it was the title of that project that we have taken on tour everywhere.
Clearly when we conceive a project, if there is no trust on the part of someone, there is no encouragement. When the idea of doing the Tribute to the Three Tenors was born, there was the foundation of Pavarotti who supported this idea, many messages with Josè Carreras, but the maestro Plácido Domingo did us the honor …..
IGNAZIO = Besides, he is a great friend of ours!

Plácido Domingo conducting the orchestra while IL VOLO sings

PIERO = ……he did us the honor of accepting our invitation, coming to Florence, conducting and singing that repertoire with us, so having his support gave us so much strength.
GIAN = I would also like to add that we have just done the concert at the Arena di Verona, the Tribute to Morricone, and there too, as Piero said, there was support, and of course it continues to be there for this recording project that will be released soon, by maestro Andrea Morricone and the whole Morricone family.
So this gives us that encouragement Piero was talking about.
PV = I must tell you that at this moment I am having a bit of the chills, because the first part of my artistic career began in the myth of Luciano Pavarotti, Josè Carreras, and Placido Domingo, I have followed them, ever since in 1990, together with maestro Zubin Mehta, they trod the Caracalla stage for a concert on the occasion of the Italia 90 World Cup, and from that moment, I understood the power of Luciano Pavarotti, and his two Spanish friends, to go and communicate the great international music, but above all Italian.
Finding myself today, with three very young friends, Italians, who are on that road, frankly, gives me, on the one hand, the feeling that I am getting a little old, on the other hand the joy of seeing that Maestro Pavarotti has drawn a really important road that you guys are following very well, isn’t it Ignazio?
IGNAZIO = Look, I tell you the truth, even with this Morricone project, we never wanted to be a copy of something, we want to try to be the means, to ensure that this music is never forgotten.
We are moving towards an era where the music changes every year, the charts change.
GIAN = (says in English) This legacy will never die, you know?
PV = You understand, the boy from Abruzzo who now speaks with an English slang!
PV = Piero, at this moment I have a flash, I remember a magnificent summer evening, in Piazza del Popolo (Rome) with the master Ennio Morricone who directed you in that wonderful song E PIÙ TI PENSO . In those days we celebrated the 150th anniversary of the unification of Italy, it was your first great performance, face to face with the legend of legends, the master Morricone.

Closeup of Ennio Morricone at an awards show

PIERO = The first meeting with master Morricone, took place in the FORUM studios in Rome, in 2010 during the recording of our first album.
We were just recording E PIÙ TI PENSO and the master was passing through the studios and came in to listen, so he was the first to listen to our work.
We, fourteen, fifteen, still did not realize the importance, the greatness of the master. When he listened to E PIÙ TI PENSO, he decided to conduct this song live, on the occasion of a concert in Piazza del Popolo …
IGNAZIO = 150 years of the Unification of Italy.
PIERO = ….. 150 years of the Unification of Italy.
Today, we are not ashamed to say it, we have realized the importance and prestige of that event.
PV = In fact, Ignazio, having reached personal success, having arrived at a personal encounter with the legends, you so young, did not immediately make you understand what magnificent world you had entered.
How do you relive the memory of these events today? We talked about We Are The World and then 150 years, and in any case you are still at the beginning of a prestigious career.
How do you relive those passages that have taken place in the international arena and that seemed so unimaginable?
IGNAZIO = Look, I try to be brief. I think they will be indelible memories, which we will never forget, perhaps in those times, thanks to naivety, we lived everything more serenely. But they will be memories that we cannot help but take with us, tell them to our children, our grandchildren. Surely a very important thing is that we have learned a lot from them, the experience with Barbra Streisand has taught us a lot. In the end, when you relate to artists and people, because they are mainly people, you learn humanity, you learn humility, you learn how much dedication they put into their work, how much effort, how many sacrifices, and therefore we only learned from them.

IL VOLO sitting on blue chairs being interviewed by Pascal Vicedomini

GIAN = And then, these experiences that we have lived, we feel three privileged, those experiences that, like pieces, form the personality and that give sensitivity, empathy. These strong emotions that we have lived together have been a continuous personal growth, which has allowed us, really, to experience these things at a young age, with a naivety and a beauty, with a purity and we are truly proud to have lived them together.
Being on stage together, knowing that there are companions … I look at them (Piero and Ignazio) and they have experienced things that not even our brothers or our parents can understand, because there is this union between us, which makes these things truly special.

Closeup of Piero during the interview

I wanted to translate this long interview, because it seemed interesting to me.
I’m halfway through the work, there are still many interesting things.
Tell me if you want to find out what will be said in the second part and, with a little patience, that too will come.
Daniela

 

Credit to owners of all photos and videos.

Let the Magic Begin!

Everything that the guys do is magic! They make us happy every time they open their mouths. But there are moments that just blow us away!
2016-2017 were the years dedicated to the “Notte Magica” project, the tribute to the 1990 event of the Three Tenors.

IL VOLO and Placido Domino hug on the Firenze stage

On July 7, 1990, a magical night took place in Rome: Jose Carreras, Plácido Domingo and Luciano Pavarotti sang together for the first time in one of the most evocative temples of opera, the ancient Baths of Caracalla. This was the biggest classical music project of the 20th century.

Photo of the Three Tenors Plácido Domingo, Jose Carreras and Luciano Pavarotti from July 7, 1990 on stage in Rome

Twenty-six years later, Il Volo, paid tribute to the event and to the Three Tenors with a new album and a live concert event, “Notte Magica ~ A Tribute to The Three Tenors.”

 

The Il Volo concert took place on July 1st, 2016 at Piazza Santa Croce, one of the most beautiful plazas in Florence. They were joined by the famous Teatro Massimo di Palermo Orchestra. The guys performed some of the most famous Neapolitan songs and arias from the Italian and international operatic repertoire all of which were sung by the original Three Tenors.

Beautiful night time picture of the PIazza Santa Croce with the stage and audience lit up in red

Close up night time picture of the PIazza Santa Croce with the stage

Their special guest was Maestro Plácido Domingo. Maestro Domingo conducted almost half of the program and joined Il Volo singing the classic “Non ti scordar di me.” Although the guys were not born in 1990, they grew up listening to the three tenors.

Message to IL VOLO from Placido Domingo

They were fascinated and, inspired by their voices and legendary achievements. Now, the guys were sharing their music with a younger audience. This was a great opportunity for the younger generation to experience the same emotions as we did on that magical night 26 years earlier.

This was also the beginning of the world tour of “Notte Magica – A Tribute to The Three Tenors” which debuted on March 4th, 2017 at the Radio City Music Hall in New York. The show was sold out. After 15 stops in the United States, all sold out, the tour was extended to Europe from May 5th, 2017 for 29 performances and from September it extended to Latin America.

Photo of Radio City Musica hall lights

Some moments to remember along the way:
The Arias!
Ignazio was first with “Una Furtiva Lagrima.” 
In the aria “Una Furtiva Lagrima from L’elisir D’amore by Gaetano Donizetti, Ignazio makes you feel the innocents of Nemorino’s love for Adina. His warm graceful voice is very bright and strong with a smooth, clear and crisp dimension. He has an astonishingly, acute extension that leaves you breathless. He is exceptional because he can sing from the lowest to the highest note in the tenor range and, he can, easily, hit that high C. Waiting for it and knowing it’s going to happen is so exciting!  Ignazio only needs to open his mouth in song and passion exudes from his lips. He’s very expressive and simplistic in his presentation. He feels every note of every song and expresses it in a most sensitive way. You feel what he feels! The end result is a delivery full of passion that leads you to ecstasy!

Next came Gianluca singing “La Danza.”
“La Danza” by Gioachino Rossini, is actually a Neapolitan Tarantella which is used in comic opera because of its’ rapid succession of rhythm. It is really a tongue twister. The singer should have excellent enunciation, to sing the song to maximum effect and Gianluca certainly fits the bill. Gianluca’s highs and lows, his emotion and expression are superb. He has total command of the song. He has a very rich chest resonance which creates a feeling of depth and drama in his voice. It is exactly what is needed for this song. His ability to sing from the lowest to the highest note in the baritone range gives him the ability to move along with the rhythmic movement of the song. There are many videos of Gianluca singing La Danza but, I chose this one because he is so animated, so happy, he’s feeling the orchestra and he’s even leading them at one point. In the end, he had the time of his life with this performance. Maybe because he was at home in Abruzzi, enjoying it with his people! A difficult song, a beautiful delivery!
(Click on the photo below to view “La Danza”)

Gianluca smiling on stage after performing La Danza

And finally, Piero with “No Puede Ser.”
“No Puede Ser” from the opera La Tabernera del Puerto was composer by Pablo Sorozábal. Federico Romero and Guillermo Fernández-Shaw wrote the Spanish Libretto.
Piero’s voice really comes to life in this aria. He has the brightness and height of a lyric tenor, but with a heavier vocal weight enabling his voice to be “pushed” to dramatic climaxes with less strain than his lighter-voice counterparts. Every note that comes out of his mouth reaches you with such intensity and remains with you for a long time. It’s the voice that reaches out to you and demands your attention. From the first note Piero pierces your soul! His passion comes through in his music. Arias are very dramatic and, Piero brings all the drama of the aria into his performance. Always a showstopper!

 The Notte Magica tour, which followed included, in addition to opera tunes such as “Nessun Dorma”, “E Lucean le Stelle” and “Una Furtiva Lagrima”, there were famous songs in Spanish like “Granada” and “No Puede Ser.” There were pieces of traditional American songs like “My Way” (from the original French song “Comme d’habitude,” English lyrics by Paul Anka and made famous by Frank Sinatra) and “Maria” from the musical “West Side Story.” There were the traditional Neapolitan classics such as “Torna a Surriento”, “O Surdato nnammurato” and “O Sole Mio”. They also included romances like “Mattinata” and Italian songs such as “Caruso” by Lucio Dalla, which was a fantastic interpretation of the great Luciano Pavarotti. All of this is embellished with symphonic masterpieces performed only by the orchestra, such as the prelude of Bizet’s “Carmen” and the intermezzo of Mascagni’s “Cavalleria Rusticana” (my favorite opera).

(Nessun Dorma, the first Notte Magica in Florence,  the beginning of the video is shaky, but then continues well, live video recorded by Daniela)

Piero, Ignazio and Gianluca explained that their tour had a mission. That is to make known and appreciated the value of this repertoire even to those who have never listened to it before. And the intent seems perfectly successful because it was applauded by at least three generations.

Message to Placido Domingo from IL VOLO

The pearl of the evening “Ave Maria, Mater Misericordiae”, was an Ave Maria written specifically for Il Volo that they dreamed of performing for Pope Francis. The guys did in fact sing it, for the Holy Father, at World Youth Day in Panama City.

And to round it off, they ended the concert with “Grande Amore”!
When I was researching the material for this article, I found, in our archives, some beautiful emotions expressed by our Daniela from Flight Crew about the event in Piazza Santa Croce, and I would like to share them with you.
“The magic of that night was that no one knew what to expect! We all know that the boys have incredible voices, but when they started with the Nessun Dorma, I think all those present held their breath to the end.

IL VOLO and orchestra on the Firenze stage

‘Oh my God, it’s very difficult, I thought, and even the boys were very emotional. There was a palpable tension in the air.

Placido Domingo singing with IL VOLO on the Firenze stage

At the final note, we could not believe our ears, we all got up and applauded for a very long time. Teardrops fell from our eyes. They were very good, we were all very proud of them, and they were wringing their hands, hugging each other, moved by the success of the song.

Gianluca, Ignazio and Piero on the Firenze stage with Placido Domingo

The various songs went by fast and, the evening was beautiful. The muggy heat of the afternoon had given way to a nice evening temperature and Piazza Santa Croce was truly magnificent. Everyone present was very much involved.

Left to right: Gianluca, Ignazio and Piero on the Firenze stage

Between one song and another there were presentations made by the boys themselves, repeated twice, once in Italian and once in English and this was funny because Piero said‘Rewind everything and repeat because the grandmother in the front row has not heard well.’

There were also strange moments, because it was summer and it was hot and yet, because the CD would come out at Christmas, they also sang a Christmas song, which was not added on the CD.
And Gianluca occasionally said‘Congratulations, Merry Christmas!’

The boys were really elegant, and the stage was huge, with a large chandelier that came down from the roof and emanated lights of many colors.

Left to right: Gianluca, Ignazio and Piero singing on the Firenze stage

People reacted with enthusiastic applauses for their great affection, but also because they recognized the skill of our boys – Il Volo.”

Wide view of Gianluca, Ignazio and Piero singing on the Firenze with orchestrastage

Also in our archives was a description of the opening of the concert in Detroit, in the United States, which was written by our administrator at Flight Crew, Jana, and I would like to share it with you.
“The lights went down in the theatre, and they went up on the stage, a deep blue light created a reminiscent backdrop of the evening sky in Florence. The smoke machine started to create a subtle breeze in the air. A quiet hush fell over the audience as the orchestra members strolled out onto the stage. The crowd clapped politely. Then the maestro, Joseph Modica, came out; again, the crowd clapped. The lights changed from red, to blue, to purple, to teal, and back again, all night. Very similar to the Florence concert, actually. Joseph raised his hands and, the first notes of the violins could be heard resounding over the crowd. That song, that most of us had only heard on the CD or TV, was now playing live, right in front of us. The sing-songy violins spoke and the cellos and bass answered back to them. Soon, it was over. The audience cheered and clapped, knowing that what they were really waiting for was about to appear before their eyes. Seconds later, the Notte Magica truly began.”

Left to right: Gianluca, Ignazio and Piero singing on the Firenze stage

The concert, Notte Magica in Florence, was filmed and broadcast in the United States by the national television network PBS, and in Italy by Canale 5. It was also broadcast in over 500 cinemas in Italy and around the world.
Staying with Notte Magica for a moment….

The beautiful Firenze stage in Piazza Santa Croce with orchestra

Victoria, one of our Flight Crew members, sent in this beautiful video clip that her 90-year-old Il Volo fan friend sent to her!  Victoria was wondering who the woman with the dark hair was and what was the story behind this video?  So, when you want the facts, where do you go? To our faithful and ever ready Italian Correspondent Extraordinare, Daniela Perani, who gave us the tender story.
The story is simple. There are six children, 5 females and 1 male. The woman with the dark hair is their mother, who has made many sacrifices for them. Four years earlier, they lost their dad, who was a sailor. They were not wealthy and, they led simple lives. They were always cheerful and, their dad was always there for them. These children made a promise to their dad that they would take care of their mother, but for four years she was always so sad.

IL VOLO and the family from C’è Posta Per Te

The children wanted to do something to make their mother happy so, to show their love, they took her to the Maria De Filippi program, C’è Posta Per Te, which they knew she would like. Knowing how much she loved Il Volo, they called the guys to tell them about their mother. Piero, Ignazio, and Gianluca, gave her beautiful words of support, a bracelet, and sang for her. Then they invited the whole family to the concert in Rome.

In this video you will notice how touched she is and how she looks admirably at the boys as they sing. Her tears touched all of us!

Our journey this week showed us the magic of Il Volo. Something all their fans know about. The magic continued throughout the years. Such a short time but 12 years is like an eternity when we think about all they have done.
Soon we will hear our guys live at the Ancient Arena of Verona. The concerts will come back. All the sadness will soon be over and, we will “Let the Magic Begin” all over again.
So happy you are back on stage. It was lonely without you!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
If you would like to share a story with me, please email:  susan.flightcrew@yahoo.com
To read more Il Volo stories visit us at www.ilvoloflightcrw.com

 

Credit to owners of all photos and videos.