Saturday 19 June, on RAI 2, a beautiful interview made with Il Volo, in the FELICITÀ (Happiness) program conducted by Pascal Vicedomini, was broadcast.

The RAI press office only notified us the day before this interview, so few knew, but surely the videos have already been published on all Facebook pages (what we fans can do) and therefore, I bet you’re wondering what our guys said, so here’s the video and the translation.🤗

I warn you that it is a very long interview, but very interesting, and therefore I will proceed by dividing it into two parts.

So here’s the first part, up to 27:03.

PIERO = Happiness for me is every day. Because I found that inner balance. In the particular year we lived, I took advantage of it, thanks to the people who support me, like my family and friends, and I found that inner balance that makes me enjoy life. I enjoy life every day.

PV = What is happiness for you? (to Gianluca)

GIANLUCA = I believe this certainly – the support of the family, do what you love, live from your passion, make it a job, and be serene, feel good about yourself.

Happiness is a moment. The moments of pain help you to face life, to form that armor that allows you to face life in the best way. That inner serenity is surrounding yourself with people that allow you to be a better person.

PV =  For you, Ignazio?

IGNAZIO =  Happiness, in the end, is just a word.

Surely as they say, feeling good about yourself can be a cause for happiness, but the most important thing is to create it, and it’s very subjective, I think.

(start the theme song of the program)

PV = Happiness. But who is happier than me today, who are together with three ex-kids, whom I met who were really at the beginning and have become international stars: Ignazio, Pietro and Gianluca.

PIERO = Piero, Piero (Pascal said Pietro).

PV = Piero, sorry, sometimes I make a mistake.

PIERO = Pascal, we are very happy anyway.

GIAN= But the grandfather’s name is Pietro, so you paid him a compliment anyway.

PV = (to Piero) But do you celebrate St. Peter and Paul? (the name day).

PIERO = Yes, of course.

PV = So, it was a little mistake.

GIAN = You knew us as children, now we are almost men … almost men.

PV = And what guys, three young music legends, three seducers …

GIAN = Indeed ….. but all these compliments ….

PV = I almost feel like an intruder in your world

IGNAZIO = We met, really at the beginning of our journey. (career)

In Los Angeles, right?

PV = How not !!

IGNAZIO = We shared those moments, even a little strange for fourteen-fifteen-year-olds, being in parties with the biggest stars in the world.

PV = I remember, guys, they arrived in Los Angeles and were immediately catapulted into a mega galactic party, greeted by: Schwarzenegger, Sean Penn, Puff Daddy, Quincy Jones, Beyoncé, Cindy Crawford …

IGNAZIO = Cindy Crawford I remember her well!

GIAN = I remember her too ….

PIERO = The particular thing, do you know what Pascal was? To go home and tell our friends what we had experienced, and it was impossible (because they would not believe).

PV = Those are the first moments when you begin to understand that something is changing.

(the video of the Sanremo victory starts)

PV = (voice) Gianluca Ginoble, Piero Barone, Ignazio Boschetto, aka IL VOLO, three young excellences of contemporary bel canto in the world, three constantly evolving talents, who have already seduced the audiences of many countries far and wide for the planet.

Three guys put together to break through the myth of the three tenors par excellence: Pavarotti, Carreras and Domingo and who in some way are keeping up with the expectations of the many people who believed in them, from the very beginning.

Three brilliant witnesses of pure Italianness that strikes, fascinates and seduces, so much so that it gradually becomes a global phenomenon.

Three witnesses of the restart of the music industry and of the Italian live entertainment, and who recently seduced the national television audience with the record concert at the Verona Arena, in homage to maestro Ennio Morricone. Event that arranged them in a good mood, on the occasion of our “reunion” between friends.

PV = Ignazio, when did you realize that your life was changing?

IGNAZIO = But maybe we haven’t noticed today yet, because fortunately, and I say fortunately, we live things with simplicity, always trying to put music, our passion, in the foreground.

Then, it is normal, there are many responsibilities, we are no longer kids, where there is the novelty of three kids who have an important voice, an adult voice, so now is the time to work, to develop new ideas. With our manager Michele Torpedine, we always try to renew ourselves, we lock ourselves in a room for days to understand what is the best thing, the next step to take.

There was the Arena di Verona, and we are already thinking about another project, so we must never stop.

PV = About the Arena, a great recent triumph, we will talk very soon, but let’s go back a little to the beginning.

(the video of O Sole Mio, starts)

PV = (voice) It was 2009 when three provincial kids, with an extraordinary voice, two Sicilians, Piero and Ignazio and one from Abruzzo, Gianluca, made their debut on the RAI stage in “TI LASCIO UNA CANZONE,” a program by Antonella Clerici, directed by Roberto Cenci, who, in meeting the three “child prodigies”, immediately came up with the brilliant idea of putting them together.

R. CENCI = I followed the casting directly and in this second edition, I found these three guys and took them individually, because I got Ginoble because he had a voice very similar to Bocelli, not as a tenor, but when he sang normally. Ignazio had what I called “canna” (high tones) and Piero was the only one I had doubts about, whether to take it or not, because he was really a “tenorino” (small tenor) and the year before I had already had a boy with the tenor voice.

In the end, after two or three episodes, I spoke with Bibi (Bibi Ballandi, Italian TV producer) and I said:
“Look, I have an idea, I want to bring them together and call them – Tenorini – to make the beautiful songs, the Italian bel canto.”

It was an immediate, incredible success.

He called Tony Renis and said, “Guys, but these three are very strong, in my opinion in America, they could win,” and I said, “In my opinion, the only one who can help them in this sense is you, if you want I can put you in contact with the families,” and in short, from there, let’s say that he accompanied them in what is their journey under full sail.

(the video of THE WORLD begins)

PV = (voice) Launching three very young Italian tenors into the world seemed an impossible mission, but considering the previous successes of producer Tony Renis, who for the occasion wanted, at all costs, at his side, the former manager of Bocelli, Michele Torpedine, the operation was a challenge to attempt.

Especially since together with the lawyer Peter Lopez, mister “Quando Quando” (Tony Renis) , he convinced the legendary Italian-American colleague Jimmy Lovine, to make an album with the Italian “tenorini”, very different from the rappers he launched, as a tribute to its Ischian origins.

And so it was that the three boys found themselves in Hollywood, among the elite of showbiz.

It was February 2010, on the eve of the Grammy Awards, or the Oscars of music.

PV = Gianluca: this first experience in America.

GIAN = It is a great emotion, we hope it is a starting point, because it is an incredible thing to be in America.

PV = Ignazio: in the footsteps of the great masters who made the history of world music, here in Los Angeles.

IGNAZIO = Being with Tony is beautiful, we have fun, we spend beautiful days together.

PV = (to Piero) You are already preparing an album, which will soon be released, also made with Umberto Gatica, therefore: Tony Renis, Umberto Gatica, Torpedine, one team …..

PIERO = Really strong, we get along very well with them, we communicate with them and we express ourselves well with them.

(start the video of UN AMORE COSÌ GRANDE – Live The Americana)

T. RENIS = Very strong, they are conquering the United States. The Americans are going crazy for these three kids, who are phenomena. They sing, they sing, really, they know how to sing.

(start the video WE ARE THE WORLD 25 FOR HAITI)

PV = (voice) That trip to Los Angeles, with their uncle Tony Renis in 2010, marked the turning point for Gianluca, Ignazio and Piero, in fact, the famous producer, also managed to convince his old friend-colleague Quincy Jones to let his three new ones enter as pupils, in the video in favor of Haiti, which re-proposed WE ARE THE WORLD by Michael Jackson and Lionel Richie.

TORPEDINE = It was a great dream, also because I came from a long experience of Andrea Bocelli, after 16 years, let’s say it was easier for me to continue this discussion.

PV = What place do Il Volo occupy in international music today?

TORPEDINE = I believe that after Andrea Bocelli, who clearly today we are talking about a monument, we are no longer talking only about an artist, immediately afterwards, they are there, because they are present in all countries of the world, as a publication, as a live, as a performance . Today Il Volo, together with Andrea, clearly Andrea becomes almost unattainable, because the recording market today is almost infinite, in general, but on the live part, they have the same capacities, in some countries, in others they don’t, but let’s say they occupy a huge space.

GIAN = Let’s say that, certainly the novelty was that, as Ignazio said, of three children singing pop-lyric, because it was the first time, so let’s say that from this point of view, we have always tried to be unique, and to propose to the public, to the people who follow us, something different.

Then, it is clear that over time, it is necessary to demonstrate and consolidate success, because being the novelty, it is also easy to be a meteor, therefore, as Ignazio said, sorry if I repeat myself, we must renew ourselves, with hard work, with constancy, with sacrifices and always staying on track, this is important. I must say that there is not only a working relationship, but also our friendship has been consolidated over time, and this helps us to be cohesive, strong and to develop ideas that allow us to renew ourselves.

RED RONNIE = I want for them, a good of the soul, because even if they joined almost by chance, Piero, Ignazio and Gianluca, they have three totally different personalities, who together have a crazy cohesion, so much so that they have invaded the world.

I hope they enjoy the happiness they deserve and are experiencing, because …… because they are still spontaneous, they still have the desire to see with their eyes what happens and, this is important, also with the heart. They are perfect when they are elegant, at the Verona Arena or on an important stage, or when they are like this, a little “discarded” when they come into my programs and let themselves go. Because they are three guys, very lucky, and very alive.

PV = (voice) Red Ronnie says well, three very different guys, who complement each other on stage, three particular characters, united by their common talent and love for music: Piero the professor, Ignazio the philosopher and Gianluca the seducer, two Sicilians and an Abruzzese.

After all, they are three young people of today with the ancient passion for opera, to be merged with pop, a characteristic that makes them fascinating in a transversal way to the different civilizations crossed in their first twelve years of common career in the world.

The result of the intelligence of the Italian province, which over the years has established itself, not only in music, but in every sector of society, as the journalist and writer points out: Pierangelo Buttafuoco.

P. BUTTAFUOCO = It is up to the village boy to “take flight”. If that of IL Volo is the story, or rather the novel, or better still the epic, of those who, like the guys, know how to go away.

Because the commandment given to the country guys is always the same, and it is this: “Who goes out, succeeds” (pun to say that whoever leaves the country, succeeds, that is, is successful, in life), and said in Sicilian it becomes: “cu nesci, arriesci”.

ANTONELLA BORALEVI (writer-journalist) = What is special about Il Volo?

Meanwhile, this name, because already hearing it, this name, takes you somewhere else, and then the fact that, we never say Il Volo, but we say “the boys of Il Volo”. I think that the three members of Il Volo group will have to get used to being called “boys” even when they are 70 years old.

But above all I would like to thank them, the guys from Il Volo, because they have the characteristic of giving joy. The guys from Il Volo put you in a good mood. The guys from Il Volo, you look at them and you feel better, you listen to them and you hum them and you feel better. So, as they say: go go go, guys from Il Volo and thank you for the joy you give us.

PV = (voice) All mad per Il Volo, it could be the title of a docu-film about the life of the three boys who continue to reap successes and attract fans of all ages, especially women, in the many countries already visited by three young people, they enchant the spectators and seduce, in particular, the fair sex, with their typical Italian charm. That’s right, it was for Pavarotti, it is for Andrea Bocelli, it is for Gianluca, Ignazio and Piero, of whom also three collaborators of Milly Carlucci have an excellent opinion and who had the pleasure of training Il Volo, for a special episode of Dancing with the stars.

OB = (dance teacher). Piero dancer mmmmhhh. Piero dancer, determined, very stubborn, I remember that he always wanted to try the steps, always perfect the rhythm. Obviously: he Sicilian and I Sicilian, we had a great time, I have wonderful memories, both of Piero and of the whole group. We had a lot of fun in our beautiful tango.

LL = (dance teacher) Gianluca dancer was a real discovery. But I think that in the tango, it was really exceptional, because in reality it represents it a little. Tango is very technical, and in my opinion Gianluca is precise, like tango, like all professionals, on the other hand. He is sensual, mysterious, captivating and intriguing, but above all, tango is elegance, and he is a very, very elegant person, and this is a gift that few people have, and that distinguishes him above all.

MG = (dance teacher). Ignazio was a great revelation and certainly as a dancer he was exceptional that evening at Dancing under the stars, when we did the tango together and I must say that it was really nice to see how, in a short time, this guy really learned the main things, of this dance, which was the tango. He tried to really express himself 100% and I was really very proud and proud and happy to have danced this dance with him.

R. RONNIE = Happiness could be …. such a wonderful place, surrounded by nature, relaxation. But you are missing something, you miss sharing it with the person you love, and then happiness is not living a beautiful thing, but sharing it.

Happiness is giving to others, it is giving, making people feel good. For me, happiness is giving space to artists, emerging groups, giving a voice to those who don’t have it.

In the end, we remain, for what we have given, not for what we have had, so happiness is giving.

(There are some scenes with Pavarotti)

PV = (voice) The myth of Luciano Pavarotti, after the docu-masterpiece of the Oscar winner Ron Howard, hovers in the dreams of all of us and above all in those of Piero Barone, Ignazio Boschetto and Gianluca Ginoble, alias Il Volo, who during the years they also managed to make friends with the friends and colleagues of a thousand adventures of Big Luciano (Pavarotti), the Spanish tenors Josè Carreras and Plácido Domingo. Especially with the latter who, as an indomitable lion, has also granted his three grandchildren (Il Volo) the honor of stepping on the same stage.

But what does it feel like to follow in the footsteps of three legends, who started the history of opera-pop? Feel the thought of Il Volo about it.

PIERO = The three tenors, Pavarotti, Domingo and Carreras, were the three who cleared opera, classical music, outside the theater and brought it to the general public.

Let’s say that we are trying to follow, humbly, without emulating the three tenors, we are trying not to let this music die, which will never end, because classical music, the classical term, is synonymous with eternal.
We were in Florence, in Piazza Santa Croce, it was not a normal evening, it was a Magic Night, in fact it was the title of that project that we have taken on tour everywhere.

Clearly when we conceive a project, if there is no trust on the part of someone, there is no encouragement. When the idea of doing the Tribute to the Three Tenors was born, there was the foundation of Pavarotti who supported this idea, many messages with Josè Carreras, but the maestro Plácido Domingo did us the honor …..

IGNAZIO = Besides, he is a great friend of ours!

PIERO = ……he did us the honor of accepting our invitation, coming to Florence, conducting and singing that repertoire with us, so having his support gave us so much strength.

GIAN = I would also like to add that we have just done the concert at the Arena di Verona, the Tribute to Morricone, and there too, as Piero said, there was support, and of course it continues to be there for this recording project that will be released soon, by maestro Andrea Morricone and the whole Morricone family.

So this gives us that encouragement Piero was talking about.

PV = I must tell you that at this moment I am having a bit of the chills, because the first part of my artistic career began in the myth of Luciano Pavarotti, Josè Carreras, and Placido Domingo, I have followed them, ever since in 1990, together with maestro Zubin Mehta, they trod the Caracalla stage for a concert on the occasion of the Italia 90 World Cup, and from that moment, I understood the power of Luciano Pavarotti, and his two Spanish friends, to go and communicate the great international music, but above all Italian.

Finding myself today, with three very young friends, Italians, who are on that road, frankly, gives me, on the one hand, the feeling that I am getting a little old, on the other hand the joy of seeing that Maestro Pavarotti has drawn a really important road that you guys are following very well, isn’t it Ignazio?

IGNAZIO = Look, I tell you the truth, even with this Morricone project, we never wanted to be a copy of something, we want to try to be the means, to ensure that this music is never forgotten.

We are moving towards an era where the music changes every year, the charts change.

GIAN = (says in English) This legacy will never die, you know?

PV = You understand, the boy from Abruzzo who now speaks with an English slang!

PV = Piero, at this moment I have a flash, I remember a magnificent summer evening, in Piazza del Popolo (Rome) with the master Ennio Morricone who directed you in that wonderful song E PIÙ TI PENSO . In those days we celebrated the 150th anniversary of the unification of Italy, it was your first great performance, face to face with the legend of legends, the master Morricone.

PIERO = The first meeting with master Morricone, took place in the FORUM studios in Rome, in 2010 during the recording of our first album.

We were just recording E PIÙ TI PENSO and the master was passing through the studios and came in to listen, so he was the first to listen to our work.

We, fourteen, fifteen, still did not realize the importance, the greatness of the master. When he listened to E PIÙ TI PENSO, he decided to conduct this song live, on the occasion of a concert in Piazza del Popolo …

IGNAZIO = 150 years of the Unification of Italy.

PIERO = ….. 150 years of the Unification of Italy.

Today, we are not ashamed to say it, we have realized the importance and prestige of that event.

PV = In fact, Ignazio, having reached personal success, having arrived at a personal encounter with the legends, you so young, did not immediately make you understand what magnificent world you had entered.

How do you relive the memory of these events today? We talked about We Are The World and then 150 years, and in any case you are still at the beginning of a prestigious career.

How do you relive those passages that have taken place in the international arena and that seemed so unimaginable?

IGNAZIO = Look, I try to be brief. I think they will be indelible memories, which we will never forget, perhaps in those times, thanks to naivety, we lived everything more serenely. But they will be memories that we cannot help but take with us, tell them to our children, our grandchildren. Surely a very important thing is that we have learned a lot from them, the experience with Barbra Streisand has taught us a lot. In the end, when you relate to artists and people, because they are mainly people, you learn humanity, you learn humility, you learn how much dedication they put into their work, how much effort, how many sacrifices, and therefore we only learned from them.

GIAN = And then, these experiences that we have lived, we feel three privileged, those experiences that, like pieces, form the personality and that give sensitivity, empathy. These strong emotions that we have lived together have been a continuous personal growth, which has allowed us, really, to experience these things at a young age, with a naivety and a beauty, with a purity and we are truly proud to have lived them together.

Being on stage together, knowing that there are companions … I look at them (Piero and Ignazio) and they have experienced things that not even our brothers or our parents can understand, because there is this union between us, which makes these things truly special.

I wanted to translate this long interview, because it seemed interesting to me.

I’m halfway through the work, there are still many interesting things.

Tell me if you want to find out what will be said in the second part and, with a little patience, that too will come.

Daniela

 

Credit to owners of all photos and videos.