Il Giorno Milano Interview by Cynthia

Cynthia, from the Philippines, has been kind enough to translate the boys’ interview with Radio Subasio. They had the interview on Friday shortly before the signature party event.  THANK YOU, CYNTHIA!! 😘

Il Giorno Milano

Il Volo with the editorial staff of Il Giorno: “Our tricolor song, our signature” / PHOTO

The Italian trio has conquered the international audiences and has sold millions of copies!

by ANDREA SPINELLI

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The trio in the editorial office.

Milan, 23 February 2019 – Three unpublished works and eight covers poised between “La voce del silenzio” and “People”, “Be My Love” and “Arrivederci Roma”. In stores since yesterday, the new album MUSICA marks the limit between yesterday’s Il Volo and tomorrow’s. Between what was and what promises to be the new tour at the start on June 22 from Palmanova, after a new concert tour in Japan and a double event in Matera taken by the American PBS. Piero Barone, Ignazio Boschetto, Gianluca Ginoble spoke about it yesterday in the editorial office of the Day, starting, naturally, from the Sanremo rentrée of “Musica che resta”.

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Four years ago, the Festival was a discovery. And this time?

Barone: In 2015 Sanremo offered us the opportunity to let everyone know what we did. It went very well and so, this year, to celebrate our first ten years of career we could not go back on the stage of the Ariston.

You did it in the race while in 2018 you were back on the Riviera as guests.

Barone: We had an important anniversary and a new project to be shared with the public, so it seemed right to do it in the race.

Boschetto: The real winner of the Festival is not so much who arrives first, but the success of the project brought to that stage.

Ginoble: Switching from guests to competitors does not mean taking a step backwards. The belief in the goodness of our new job did not make us feel the spirit of competition. We are very satisfied with the third place because it means that, four years after “Grande Amore”, the public is still there to follow and love our music.

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The album was released yesterday.

Ginoble: We are at work on a record entirely unpublished, but MUSICA is already a good step forward compared to those of the past, because for the first time we decided everything ourselves. Since we have completely different voices and musical tastes, everyone has vented as he thought.

You will also engrave a version in Spanish. Bet at the Latin Grammy?

Barone: We smelled the Latin Grammy in 2011, thanks to two nominations. We have not won it, but whoever stops dreaming stops living. So we continue to pursue our dreams.

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Among the authors of “Musica che resta” there is Gianna Nannini. Who called it?

Ginoble: Me. And she accepted immediately. I also told her that in the album we would have reinterpreted her “Meravigliosa creatura” and she said she was very happy.

Barone: Gianna has an explosive personality. With her, friendship was born two years ago behind the scenes of a TV show and from the beginning there was a great feeling.

Also the other unpublished will make people talk.

Ginoble: Well, there is “Vicinissimo” written by Davide Petrella and Dario Faini, the producer of Moneyby Mahmood. While “Until it’s good” Tony Maiello wrote it and it’s a pop song in all respects.

Boschetto: Last year we sang just to prepare for two years of touring all over the world. We have also created a “commemorative stamp” that will appear on products related to us.

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IL VOLO with the editorial staff of Il Giorno.

What does it mean for you to come back on tour?

Ginoble: MUSICA presents an IL VOLO different from the past, with more contemporary sounds and slightly less voices. So, ours will be a concert under the banner of beautiful singing, because that is our signature, but with different sounds, which are also approaching a slightly younger audience. We are maturing and we are trying to renew ourselves project after project.

Boschetto: The first tour will be summer, in the open spaces, then the we will arrive in the concert halls.

Ten years of career impose the first budgets. Is there a particular exhibit that has remained there?

Barone: For an artist, every concert represents a story to be lived and told. But to us who are Italians and love to sing in Italy, the Arena di Verona transmits a unique tension and vibration. We’ll be back on September 24th and we’re happy: like this, or like that of Ariston, you never get used to it.

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At this moment there is much talk of the proposal to play an Italian song on the radio every three. What do you think?

Ginoble: In my opinion, regardless of the origin, on the radio they should play beautiful songs.

Barone: I, on the other hand, agree with the proposal; because there are many quality Italian artists who deserve to be valued.

Ever thought of the musical?

Barone: Not yet. Meanwhile, however, we sang “D’Artagnan” with Cristina D’Avena.

Boschetto: A few years ago we recorded the soundtrack of a Mexican film: “Luna Nascosta”. But in the drawer we have songs that could be good for the cinema. As for the musical, I would very much like to interpret “West Side Story”.

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After the experience of four years ago, will you try to bring Eurovision home?

Barone: Of course. The Eurovision week we have the tour in Japan, but in case of victory at Sanremo we would have canceled it. Eurovision remains one of the greatest experiences of our career. I wish good luck to Mahmood and I think that all of us Italians should support him, because participating in a race is not so easy and so people’s proximity helps.

Boschetto: The Eurovision is a manifestation that binds you to the flag, to the tricolor (the Italian flag), and for this very beautiful. With a bit of controversy, however, I say that Italy (and therefore Rai – nda) should participate with the desire to win it ….

Any advice for Mahmood?

Barone: Only one – the Eurovision is not Sanremo, where those in the race are almost all friends but a place where you have to get on that stage convinced that there is nobody better than you.

In the MUSICA booklet the last thanks is for Pope Francis.

Ginoble: We met Papa Francesco in Panama ten days before the Festival and he gave us the right position to face it. At our age have an experience like the World Youth Day in which to represent, by singing to our peers is an extraordinary emotion. Doing it then a meter and a half from the Pope was an experience that leaves its mark.

IL GIORNO COLLAGE

Credit to IL GIORNO MILANO for all photos and to ANDREA SPINELLI for the interview.

REVIEW OF MUSICA CD by MYRON HEATON

I was one of the very first writers to write columns for the Flight Crew and I always enjoyed doing it and I always was proud of the fact that many you would write comments and some would email me when they wanted to.  The last time I wrote an article of any length was for the wonderful “Notte Magica” program – both the PBS presentation and the CD. Since then I was always waiting for a new album and/or a new PBS show.  Well the Latin American songs were MP3 and digital download. I do CD’s (as old fashioned as that is) but I did listen to the songs they recorded in Miami with Emilio Estefan. I did not write an article then because I was told there would be a CD eventually.  Well, so far ? ? ? I really ended up worried about the challenges that the boys were putting their voices through. The songs were each very similar to the next but I did like some of those songs. My problem was the stress and extreme tight throat they were developing in the recording process.

Now we skip ahead to right now.  Good news. In the process of preparing for this new album they must have gone back to working with their vocal coaches (always the foundation to the incredible sound these guys produce).  I sent an email to Barbara Vitali this afternoon and asked about vocal coaches and hope to get an answer soon. Bottom line is that each guy has progressed in spite of the extremes of some of those previous songs.  The other factor is that I really do like the songs on this album. Good for them!

Review 01

Gianluca:  In some of these songs the approach to vowels starts out a little closed and tight in the throat.  But as he warms up the throat gets more and more free and the size and sound of the vowels is bigger and more rich than ever. As I have said many times in other reviews, this is the finest baritone working the professional music world today and he sings Latin, Broadway, light rock, pop ballads, Italian romantic songs, opera and classical recital songs.  He can do it all and do it all superbly!!

Piero:  a little bit of the same problem that I think is left over from singing a whole different style of music.  But, as with Gianluca, he loosens up and gets rid of the old (sometimes) tight sound and lets it fly free and big.  This is an instrument that always was a big instrument and now is bigger.

Ignazio:  Listen to him float and soar up and around those high notes.  Greatest Lyric tenor working today. I have said that many times before also.  There is a way that he and Gianluca can “caress” and “romance” a beautiful phrase of love until the listener falls to the ground in a rush of emotion.

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Do you ever listen to these guys and find yourself getting chills up and down your back?   Do you ever find yourself having a hard time breathing when they handle the word “subtle” in their singing.   Too many young singers cannot sing soft without ending up with a dead sound and they cannot sing loud without screeching their brains out.  When our boys sing soft it is with absolute control and beauty – the kind that does send chills out. And they do not just sing with a mindless LOUD.  They produce a gorgeous large sound that fills the room without being harsh or formless. That kind of sound can make your heart skip a beat.

So here is where all that vocal work really pays off.

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The songs on this CD are:

Musica Che Resta  by Gianna Nannini &  Emilio Munda & Antonello Carozza

I think all of the Il Volo fans know by now this song was featured for the 2019 Sanremo Festival.  I was asked to address the controversy comparing “Musica Che Resta” to “Grande Amore” composed by Francesco Boccia.  First of all they are two different songs composed by two different composers. The “fuss” is silly and a waste of time.  These are two different songs and each has a special energy and works well for Il Volo. Having listened to “Grande Amore” many times and “Musica che resta” a good number of times I can see where some people would find similarity in the way the piano/softer opening sections layered over fast tempo rhythmic sections would have a “sameness” to them.  But they don’t really. Another place where you might find similarity is in the form of the two songs.

This is one place where there is a resemblance but, once again, it is of no importance.

Vicinissimomore to come later.

Arrivederci Roma  by Renato Rascel & Pietro Garinei & Sandro Giovanni

A good number of the “crooners” of the late 40’s, 50’s and 60’s sang this at one time or another.  It was used in the movie “Seven Hills of Rome” and it was a hit for Dean Martin and also Mario Lanza,  Well you can see the attraction going from Dean to Gianluca and from Mario to Piero.

Gianluca starts out a little tight in the throat but gets more loose as he moves ahead.   Piero starts the same – restricted throat but changes as he moves to the next phrase and he is showing off a much more open vowel sound concept.  I am anxious to see him in person soon and what how he uses his jaw. Ignazio really makes this song very romantic in the way he works the musical phrase.

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A chi mi dice (English=“those who tell me”)  by  Lars Halvor Jensen & Martin Larsson musicians of Danish background but now live in United Kingdom.  This song was featured by their own band.

Fino a quando fa bene  –

People (from musical “Funny Girl”)  by Julie Styne & Bob Merrill.  Funny Girl was a huge Broadway hit back in the mid-1960’s and made Barbara Streisand a star.  Then Columbia Pictures made a truly great film of the musical and Streisand, once again, starred.  At Oscar time, she ended up in the only tie ever in Best actress with Katharine Hepburn. All you loyal Il Volo fans should know that the boys have always loved her and, better yet, sang with her on her 2012 tour.  Great experience for them. They learned a lot from her. This song is her theme song and it works very well for the guys. Each guy is doing his best work on this song. Makes sense since they are loyal to her. Rumor has it she may join them for the PBS program – hope so.

La nave del olvido  by Dino Ramos and Armando Manzanero

This song was a big hit for the famous Mexican singer Jose Jose.  Remember IL VOLO singing for him at an awards program because he has lost his voice forever. They sang “El Triste” at that time.

Lontano dagli occhi  by Sergio Endrigo and Sergio Bardotti

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Be My Love  by Sammy Cahn & Nicholas Brodzsky

Those of us of a certain age (now wait a minute, I did not say the word “old” ) – anyway for those people of that age we all remember what a strong impression was made on us when Mario Lanza sang this song in the movies.  Check out the video of “That’s Entertainment” from MGM which is a fantastic collection of many scenes from MGM musicals from the 1930’s to the 1960’s He is very much part of the late 40’s and the 50’s. He was way too young when he died.

Here is another song that I bet Piero loves.  I would be interested in finding out in which order these songs were recorded.  Certain songs show that the boys have a rather tight throat take a verse or so to get loosened up to a more free sound

When you read my reviews of the past years you will see that the control of their instruments (voice) was always one thing that amazed me for their age and their more pop interests. One note about Sammy Cahn.  He is a composer that wrote a lot of Frank Sinatra’s best songs.

La voce del silenzio  by Paolo Limiti and Elio Isola

This song was a hit in 1968 from different singers first in Italian and then in English under the title “ Silent Voices” sung by Dionne Warwick

Meravigliosa creatura  by Gianna Nannini & Mara Redeghieri

A few more thoughts:

I have been reading that our boys have been getting negative comments for the style of music they do.  They seem to get more support here in the USA than they do in Europe (although that is getting better).  My thought is that we who stick by the boys no matter what kind of music they do because they are the best and because they show their love in every note – we must always make sure that loyalty gets to them and gets known by them.

I have a feeling that upcoming programs will be just wonderful.

Myron Heaton

LasVegas

Grande Amore – the wait is over! ~~ By Jana (2015 Archives…)

(Ciao a tutti! – Just about 4 years ago (February 20, 2015), I wrote this poem after receiving the Sanremo version of Grande Amore.  It is clear I was very excited – to say the least.  At the time, this post got 81 comments and something like over 500 views on the site.  Marie also chose it to go into the book we gave the guys, way back when, and I felt very honored.  I thought I’d post it again, just for fun.  I did write a new poem for the new Musica album, that I got yesterday, which is awesome – the album by the way.  However, I don’t think I could top this poem.  🙂  But I will post it as well in a few days. – Enjoy, again!)

 


a - jana

 

We knew it was coming, but when would that be?

We waited, and waited, then shouted with glee!

It was coming soon, but not til after Sanremo;

How long could I last, without a new song from Il Volo?

 

We then heard the news, it was on Amazon.IT!

There I went with my visa, to order it quickly!

I wanted it now, so express shipping I paid;

Hoping and praying, it would not be delayed!

 

Three weeks and counting, how much more can I bear?

I kept watch on my email, when would it be there?

The contest had started and Il Volo appeared;

Singing their hearts out, while everyone cheered!

 

But on Friday the 13th, not bad luck for me,

I read in my mail; the CD would be early!

I jumped up and down, how lucky am I?

I’ll have it soon in my hands; I could just cry.

 

The day finally came, it was arriving today;

I waited and paced, for the delivery all day.

I tracked it online, it came straight from Milan.

On to Bergamo and Brussells, then finally MY town!

 

I raced home to get it, but it was not there?

DHL had not come yet – how much more could I bear?

I went to the store, to pick up my dinner.

They had til 8pm, then there was a knock at my door!

 

It was here, finally, at last, it was here!

I’m sorry, but I could not wait to open it, I fear.

I quickly took pictures and then opened it with care;

Staring lovingly at my hand, so wishing they were there!

 

I listened and listened, and listened again.

Over and over I played it, I did not want it to end.

But bedtime was coming, I so needed my sleep,

I can listen again tomorrow, for I know it will keep.

 

Il Volo is love, Grand Amore, to be exact!

The heck with all the critics, they are just hacks!

So listen with joy, Il Volovers everywhere;

And know that we give them our tender loving care!

~Jana

 

 

MILANO , SIGNATURE-COPIES by Daniela

Crew, I do not know which way to start telling my day.

I just came back from Milan, where there was the instore for the presentation of the new CD, MUSICA.

My feet are broken, and I’m very tired, but I want to fix immediately, the emotions that have marked the day.

I had already decided to go to Milan on Friday, but on Thursday, I received a letter from the official fan club, which warned me that I had been drawn, to take part in the mini-live that would take place a couple of hours before the instore.

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Here I am with, in my hand, my copy of MUSICA, the new CD.

Waiting for the mini-live.

What about the Duomo behind me? Always beautiful to see!

After a couple of hours they call us for the mini-live. After going through the check of documents, here we are all lined up in the corridor, waiting.

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We will spend more than an hour in the corridor, with an incredible heat, because it was a beautiful spring day.

Meanwhile, we fans talk, and who should I see but Veronica. She bought tickets for Jana, for the Verona Arena.

Veronica sends you her greetings, Jana !!

Really nice, Veronica!

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And finally they let us in and tell us to sit on the ground ….. is not the best of the comfort, but they explain that they can stand up only at the bottom, otherwise nobody can see before.

Ok, I sit on the ground …. what we would not do for these guys !!! 😜

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We are 150 people admitted to the mini live.

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The director of Radio Subasio comes and begins to present the event. 

He says that during the week in Sanremo he was able to know Ignazio, Piero and Gianluca well and he says they are really special people (we already knew that) and he says that Radio Subasio will always play the music of IL VOLO.

Begin, the notes of, “MUSICA CHE RESTA”

But now here they are ……. IL VOLO….. Ignazio, Piero and Gianluca !!!

Did you manage to see me in the video?

They are really beautiful and funny, they sing and we all sing with them. This is a video of mine and of course what you hear is my voice!!

Daniela, Musica che resta – Click Here

And here’s another video, of the same time, we were all singing. There was a very relaxed atmosphere.

My legs hurt so much to stay in that position, but it did not matter!!

Gianluca also made a video!

A small interview follows from the director of Radio Subasio:

RS = In this CD there is music present and also of the past.

G = Yes, it is a slightly different album from the others we did in the past, because however there are more contemporary sounds, the choice of songs, also, but without abandoning the classic, such as “Be My Love” sung by Mario Lanza, but also by all the greatest tenors.

This represents a new beginning, a new path, which will lead us to have “a new face”, we sing with what are our true voices, our musical styles, which are different. It represents us 100%.

RS = Are you a little more pop, compared to the past, is it true Piero?

P = We have undertaken this collaboration with Michele Canova, we are fans of Mengoni, Tiziano Ferro, Jovanotti, and Canova has produced all the albums of these great artists and we have decided to collaborate with him and I must tell you that we are very satisfied and surprised of the work he did.

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RS = Well, Ignazio, in the meantime, congratulations.

Congratulations because of you, this week, there was the image of you give a caress on the cheek to Mahmood (applause).

A gesture of great class, “chapeau” to Il Volo but above all to Ignazio, because this is the thing that remains of this Sanremo, as you have accepted this result.

P = The most famous profile of Italy (that of Ignazio)

RS = Proving that it is absolutely not true that they did not like the result, and that they are envious …. the envious one is another (Ultimo).

I = There is a whole story behind that caress. Because behind the scenes, while we finalists were waiting, Mahmood was sad and I asked him: 

“Excuse me, because your face is so sad, you are living a beautiful experience, we are in Sanremo” and he said, “The microphone did not open when the song started.” I told him, “What are you saying, you have a good song, you’re good, you’re among the first, you have to be happy and not sad.”

So when they said he was the winner I went to him and whispered to him, “What did I tell you?”

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RS = So, you won the festival 4 years ago, in 2015, this year you came back, because you had to celebrate 10 years of IL VOLO activity, and you showed that, despite having won a Sanremo, and after having participated as super-guests, you are back in the race.

G = Because you do not have to live Sanremo only with the spirit of competition, certainly it was a courageous choice, but from guests to competitors, should not be understood as a step back, it was our choice, we did it for you fans, that you’ve been waiting for us for a long time. (applause)

It’s nice to be able to live Sanremo and sing for four nights in a row, even for you who have followed us, and voted.

RS = Yes, voted, because IL VOLO on Friday evening are splashed at the televoting. What did I tell you? Televoting !!

P = Now, girls, we know that in Sanremo you have voted so much, now give your banking code to Ignazio, who will think about making the wire transfers to you.

I = Besides giving them to Mahmood, I give them money too !! (laughs)

RS = It is nice to feel the warmth and the affection of your audience, now they have bought the cd and then they will come to see you on tour in concert.

P = One important thing, I read that you ask for dates in Sicily, in other places ….. in a few days, we will publish many other dates, now we have announced 7/8, there will be many.

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I = It will be a summer tour.

RS = Long

I = It will be a summer tour and then there will be other surprises, indoors (indoor concerts).

RS = Let’s say that they are back in Italy and do not leave us, they want to be heard and sing live. We listen to another song, because we have to get ready for the tour, for the concerts, from today the new album is out, we need to learn the new songs, like “VICINISSIMO”.

I = We decide, “A CHI MI DICE” or “VICINISSIMO”

G = “A CHI MI DICE” because they already know it.

I = Let’s say to “A CHI MI DICE” and then we end up with “VICINISSIMO”.

RS = “A CHI MI DICE” in the version of IL VOLO is the track number 4. This song was brought to success by the BLUE and was written by Tiziano Ferro.

Now begins “A CHI MI DICE”, sung by all the fans.

….. and this below is my video.

Daniela, A Chi Mi Dice – Click Here

After the song, the director of Radio Subasio, asks if there are any questions, no one raises his hand.

Only a 10 year old girl, name’s Chiara, close to me, asks to speak.

Chiara tells the boys, that they are very beautiful and that she feels Gianluca as a brother!!

Here is the short video.

The boys are very relaxed, Gianluca is the most elegant, with light trousers and gray jacket, Piero has a grey turtleneck sweater and black trousers but wearing fluorescent yellow sneakers, very showy, and at some point asks the fans if his shoes are beautiful.

Ignazio wears a flannel trousers and a simple mustard-colored sweater, he looks a lot thinner in person and all three are really young, young men.

The director of Radio Subasio, still asks if anyone wants to ask questions.

A boy takes courage and says that he follows IL VOLO since they won Sanremo and he likes them a lot.

A woman says they are very good and would like their greetings, for her 86-year-old mother.

Another boy says that thanks to IL VOLO he has established many true friendships.

In short, no real question, and then I make a sign, I have a question, or rather two.

They give me the microphone and they tell me to stand up. My legs are numb for the position on my knees, but I get up, too bad that there is no video of my intervention ….

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Me = I’m Daniela and I’m from Brescia. First of all, congratulations for Sanremo, you were really great.

In the fourth evening, that of the duets, you did a wonderful duet with Alessandro Quarta, do you think that, in any of your concerts, we will see the participation of Alessandro Quarta?

G = We cannot say anything but there is the idea.

P = It’s possible, let’s see.

I = First of all we must say that with Alessandro we have a good friendship and then everything is possible.

Me = I have another question, the American fans . . . I have been advised to tell you that when you go to do concerts in the USA, they would like a less classic program, because at the end of the concert they would like to stand up and sing and dance like Italian fans.

G = Now our program will be this, it is no longer Notte Magica.

I = Of course, the program that we will bring will be that of the CD …..

Me = … yes, but when you talk of concert on American soil you say you will do a more classic program. 

I = ….. but if you let me finish (everyone laughs), I was saying that before we were bound by Notte Magica, but now we’ll bring more pop there too.

Me = Thank you.

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I must say that I was not at all troubled to talk on the microphone and in front of everyone, in fact, I felt in the family.

I took the opportunity to talk about the American concerts, because then during the signature-copies, they stop for a few minutes.

After the series of questions, ended with my speech, they asked to pose for the final group photo and then we had to get out and queue for signature-copies.

 

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These are the last shots I took before going down.

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There were fans waiting to sign-copies, so we had to get off.

In a short time it became dark.

We who were at mini-live had precedence, so we all started waiting for our turn.

We were on the second floor, for the mini-live, about two hours of which one of waiting and one of mini-live.

I arrived in Milan by train, accompanied by my husband, but he was not admitted to the mini-live, so he had to wait outside …. what a treasure! When I got out, he said the voices were heard downstairs, so he figured out that I was talking at the microphone.

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And here are some photos, while we are in the queue and we approach the boys.

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Finally our turn has arrived, and here is our official photo – me and Beppe and IL VOLO.

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I was able to make a few words with the boys to whom I brought your greetings, they signed the CD and also the book UN’AVVENTURA STRORDINARIA that I had brought with me.

I gave two kisses to each of them.

A few moments and it was all over.

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Outside the library, there were Torpedine and Barbara Vitali sitting outside a bar talking to a couple of friends. I wanted to stop and talk to them, but I did not want to be inappropriate.

And so we headed to the train station, about 3 km to do on foot, as we had already done on arrival, under a hot sun.

We arrived at the station, everywhere there were great videos that projected the event of IL VOLO.

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Finally on the return train, I was able to rethink that frantic afternoon.

It was worth it.

I was finally holding my new CD and I was so close to the boys.

They are really simple and genuine.

I hope this CD will lead to their sales success, which is really deserved.

Daniela

Credit to owners of all photos and videos.

I AM WITH IL VOLO by Daniela

We all attended the fourth evening of Sanremo, the beautiful duet of IL VOLO with Alessandro Quarta for the performance of “MUSICA CHE RESTA”.

It was a wonderful evening and we all had the opportunity to know this great artist.

I AM 01

Alessandro Quarta was born in 1976 in Lecce and has a great success internationally, so much so that CNN has defined him a “musical genius” – a true star, the result of a great passion for music. Besides being a famous violinist, Alessandro Quarta is in fact a multi-instrumentalist and composer.

In his curriculum he has collaborations with major world artists such as Ray Charles, Aretha Franklin, Jamiroquai, James Brown, Tina Turner and Tom Jones.

In 2017 he was awarded at Montecitorio as “Best Italian Excellence in the World for Music.”

Alessandro has released a wonderful interview with RECENSIAMO MUSICA, which I now translate for you.

Recensiamo Musica Article – Click Here

I AM 02

The meeting with the violinist from Puglia in the aftermath of his performance at the Sanremo Festival 2019.

“There is no classical music and light music, there is beautiful music and bad music”, begins with a quote by the American composer Leonard Bernstein our chat with Alessandro Quarta, internationally renowned violinist whom we had the opportunity to appreciate on the stage of the Ariston Theater.

Hello Alessandro, welcome to Recensiamo Musica. I would like to start with your recent participation in Sanremo as a guest of Il Volo in the evening of the duets. How did you experience this experience?

“I would say very well, I did not expect the call of Michele (Torpedine) and the boys. As you can imagine, for me it was an important emotion, I deeply admire these three artists so young, theirs is a great musical talent and I think they still have a lot to give to the public, because they possess both the technique and the head, features that they do not always go hand in hand.”

What motivated you to collaborate with them?

“With the boys we share the same great passion, they for the beautiful song, I for the violin and the ability to combine beauty, passion, softness and violence together, aware of what you want and can give. I’ve never made a distinction between classical music and pop music. I appreciate everything that comes straight to the heart and makes you shiver, whether it’s Mozart or Il Volo.”

I AM 03

Musically speaking, however, there are some things you do not like?

“Surely, it annoys me everything that screams to be heard, but this is not necessarily enough to get noticed, indeed there is the risk that the opposite will happen, that the trouble will push you to change channels or stations. I accepted to collaborate with them because I consider them as innovators, certainly they were not the first ones, but they follow the great example set by Luciano Pavarotti and continued by Andrea Bocelli .”

“Musica che resta” has made someone turn up their noses, they have defined it as a too traditional song, because in your opinion the term “classic” is seen today as a negative assertion?

“It’s simple, everything that is labeled is already prejudicial in itself. I’ll give you an example, if you see me walking down the street I do not think you would ever ask me what time it is, because from my appearance I can look like a Mexican escapist, it’s much more reassuring, someone in a jacket and tie that, maybe, steals your wallet. Unfortunately what is said is true, it is the clothes that makes the man, the same thing happens in music. What I recommend to everyone is to listen before judging, especially to young people who are more likely to be influenced than they can imagine.”

I AM 04

Two years ago you were awarded as “Best Italian Excellence in the World for Music”, you the best person spoken to for this next question: how are art and culture in Italy?

“Bad, very bad, I’m not at all happy with how we are managing our immense artistic resources. Italy is living, of cultural heritage, it would take more responsibility on the part of the institutions, which should innovate and enhance our present, not just the glorious past. If we go back in time, between the end of the 1800’s and the beginning of the 1900’s, we would discover how the great musicians Erik Satie, Maurice Ravel and Claude Debussy have not been immediately successful, despite having reformed the art. Without them, today, we would not have what we have.”

You have traveled the world, you know many realities, because it is also a matter of mentality. We are loved around the world for Italian bel canto, why do we struggle to recognize it ourselves?

“Good question, I think we are a bit ‘too tied to the opinions of others’ and we trust little of instinct that suggests the kind of emotions we want to try. It is often just a matter of fads, you follow the herd rather than bring out your personality by praising your tastes. Then, for heaven’s sake, not everything can please, but why criticize something before even knowing it? A dish should not be judged by its appearance, it must be tasted and not photographed .”

I AM 05

You are a multi-instrumentalist musician, what binds you so much to the violin compared to all the other instruments?

“Do not ask me, I do not know what to answer, for me the violin is not an instrument, it’s part of my body. I also play the piano, the guitar, the bass and the drums, but there is no answer to your question, it’s like I was born with the bow in my hand, I started at the age of three, it’s part of me and he accompanies me around the world even simply resting in his beautiful custody (smiles).”

Speaking of your upcoming projects, February 22 will be released for the Italian market “Alessandro Quarta plays Astor Piazzolla”. What can you tell us about it?

“I think it is very important to bring the tango back to the atmospheres in which it was born, from sensuality to sexuality, everything that cannot be said in words or seen with images can be told through music. As we said before, the violin is not only a sweet and romantic but above all passionate instrument. For centuries it has been considered boring, in reality there is nothing more rock and erotic than its sound .”

I AM 06

What is the most important lesson you feel you have learned from all these years of musical activity?

“First of all, sacrifice is important, because wanting is power. Perhaps, the teaching that I have is to always remain oneself, even when in the dark moments nobody believes or struggles to understand you, it is in those moments that your real soul comes out, from that precise moment onwards people they will begin to know you for what you do and not for what you are.”

I AM 07

Really beautiful words of Alessandro Quarta, there is a lot of respect and a lot of affection towards our boys, even though they have just recently met.

Too bad that the video of the performance has been removed from RAI and therefore is no longer visible.

I AM WITH IL VOLO

And now I want to make you feel an instrumental version of “MUSICA CHE RESTA”, performed with the electric guitar by Marco Sgaramella, I liked it so much!

But last, I want to offer you this video. It was made by Emilio Munda, who is one of the authors of “MUSICA CHE RESTA”. He was in Sanremo, in the gallery, in the audience, and he filmed this video during the performance of the first night of the boys.

The stage is far away, but it is wonderful to see the public reaction.

And here is Piero, Ignazio and Gianluca, with Emilio Munda, in Sanremo.

I AM 08

This is the respect we want for Ignazio, Piero and GIanluca.

The respect that comes from worthy people, from people who believe in them and in their talent.

Guys, the road is always the right one, forward with your head high.

I AM WITH IL VOLO

Daniela

Credit to owners of all photos and videos.