Sunday 26 December, Santo Stefano (with us 25 and 26 December are always holidays), on RAI 1, during the program DOMENICA IN, conducted in the studio by Mara Venier, Il Volo was a guest.
A pleasant hour, where Piero, Ignazio and Gianluca sang and talked, a really nice interview, which had already been previously recorded, to make sure that that day, everyone was with their own family.
Here is the video and its translation.
Click on the photo below to view the video.
MARA = I would start immediately with them, I thank them very much, they are indeed ambassadors of Italian culture and music in the world and thanks to Rai Italia, we are seen all over the world and I want to greet all the Italians living abroad and me I would start immediately with Il Volo.
(Applause. A video begins with the most important stages of Il Volo’s career)
But how wonderful this video is, how many very famous people they met.
Well we will be here, we will present the latest wonderful project of Il Volo, which is entirely dedicated to the great Ennio Morricone, but let’s start immediately like this: IL VOLO.
(Enter Gianluca, Ignazio and Piero, applause, kisses and hugs)
Guys, start right away with the first performance, then let’s talk about everything, everything.
GIAN = Come on, we are ready, here we are. (the song SE begins, from Cinema Paradiso)
MARA = Well done, well done.
PIERO = How beautiful.
IGNAZIO + GIAN = Thank you
MARA = I’m excited, maybe it’s Holy Christmas …. she turns to Gian: “Everything’s fine, dear”.
GIAN = Very well.
MARA = Very good, very good.
PIERO = This is too much. (He refers to the constant applause of the audience.)
MARA = No, it’s never too much. But have you seen the video we sent?
IGNAZIO = Absolutely yes, and it’s always exciting to see it.
PIERO = There were the images of the film Nuovo Cinema Paradiso.
MARA = These are taken from the film Nuovo Cinema Paradiso, which together with Il Ferroviere(another Italian film) are the films of my life (he means that they are his favorite films). I know the lines of the film by heart.
PIERO = It is also my favorite movie.
MARA = Mine too.
PIERO = I watched it during the lockdown, I dedicated a Sunday afternoon to this film, I don’t deny you that I cried.
MARA = When he looks at all the kissing film clippings …..?
PIERO = For me, the most exciting moment, as a Sicilian, when he says to him: “Don’t get nostalgic, never come back” …. there an emotion came to me ….
GIAN = It’s normal, it’s a bit like what we experienced, leaving what was ours ….
MARA = Sure, maybe because of this. Do you recognize yourself a little …
PIERO = So much ….
MARA = However it is a wonderful film, great Peppuccio Tornatore, great director, great friend, a kiss. (applause)
So guys, I saw in the first video, during your presentation, and I must tell you that I was quite excited, because the path you have made, who has it happened to?
Maybe in Modugno, I don’t know, I really think about the greats, the myths.
What happened to you in a few years is simply wonderful (applause)because you bring Italy to the world. And Italy is not just pizza, spaghetti and mandolin(stereotype of Italy), it is also something else and you are bringing something else, your talent, your voice, I wanted to tell you.
IGNAZIO = This has always been our goal, to make our culture known, however in this album, we give prestige to what was the maestro Ennio Morricone, and as you can see from the cover, we also remember Sergio Leone’s films (western director and friend of Morricone).
MARA = Beautiful.
GIAN = Remember the movie The Good, The Bad and the Ugly ….
MARA = Beautiful also the photo inside, though. Look at these three children.
PIERO = Can we have a marker to autograph this album to Mara?
MARA = Really? Immediately, live? Come on, yes!
IGNAZIO = I’ll go.
MARA = Look, by magic, there is also the marker, “Aunt Mara” and this too (she also gives the CD and asks that they be dedicated to aunt Mara, as Mara often calls herself by young people).
IGNAZIO = The dedications are made by Gianluca.
GIANLUCA = Since I have the most beautiful writing, I write.
PIERO = I write like doctors, doctors’ recipes (prescriptions) ….
MARA = … that it is not clear what you write.
IGNAZIO = While Gianluca is writing, let’s go back to the previous discussion ..
MARA = Among all these important characters, myths, true myths, is there anyone who has moved you more? Saw Barbra Streisand ….
PIERO = The editing you did is really beautiful, but each of us has his own indelible memory, personally, singing in front of Pope Francis in Panama, during the youth day, I think it was one of the most important and profound moments.
MARA = Of course, I believe it. Then he has a great charisma, I spent two afternoons with him, one afternoon for 4 hours always with him, and the incredible thing is that it’s like talking ….. (the photo of the boys with the Pope appears in the background) There they are !! …. because he is a simple man, it is like being really, with a grandfather.
IGNAZIO = I think that a figure like Pope Francis, we needed it, also to approach the youngest, I speak as a boy who does not practice, but, thanks to Pope Francis, I have re-evaluated the religious world.
MARA = Of course, when there are men like that, then he is a real revolutionary, guys.
GIAN = Maybe he’s looking at us, let’s say hello.
MARA = We greet Pope Francis: “Happy St. Stephen Holiness!” ….. but he only wants to be called Pope Francis.
So guys, I start where we started, because it’s beautiful, then do your whole wonderful journey.
(Begins a 2011 video of the LA VITA IN DIRETTA program , conducted by Mara Venier, with guests of the very young Piero, Ignazio and Gianluca. In the video Mara says that three of them are 48 years old and then asks who wanted the name Il Volo and Piero replies that it is a metaphorical name and that they decided it together.)
Have you understood? In the end I wished you to fly high, but you took me at my word !!!
GIAN = I still remember the first moments. It was one of our first interviews. I still remember the excitement of doing the interviews, we didn’t know what to say, sometimes we got tangled up, we didn’t really know how to behave with the cameras. It’s amazing how, over time, things can change, in 10 years our life has changed in an incredible way.
MARA = Incredible. Have you ever thought about all this guys? (she drops the felt-tip pen)
IGNAZIO = I’ll take care of it.
MARA = Come on, I can do it.
IGNAZIO = I wanted to be a gentleman.
MARA = What love !! I wanted to take this (the vinyl) and show it because it’s beautiful.
PIERO = Actually while we were singing she was afraid that it would be stolen.
MARA = In fact, look, I’m holding it tight. By the way, Monica Bellucci called me (Il Volo was a guest on the previous Sunday for a tribute to the actress Monica Bellucci in connection from Paris).
IGNAZIO = Did she like it?
MARA = She thanked me, it was a surprise, she wasn’t expecting it at all.
GIAN = It was good for us too.
MARA = Really?
GIAN = Sure
MARA = Did you have any feedback?
GIAN = Apart from that, during the interview, Monica Bellucci is Monica Bellucci(as if to say that Bellucci is famously beautiful) .… but Mara Venier ….
PIERO = But Mara Venier is Mara Venier (as if to say that Mara is beautiful too)
MARA = Oh yes, at my age …. guys but I invite you every Sunday ….
IGNAZIO = You have to thank that I am already busy, otherwise I would make you a ruthless court (what a seducer).
MARA = Where is your girlfriend?
IGNAZIO = She is far away.
MARA = Very far?
PIERO = No, she’s near here, around the corner.
GIAN = Exactly!
PIERO = In Brazil.
MARA = But you really had to find her in Brazil?
IGNAZIO = Love does not know distances, it does not know religions, races.
MARA = Is she Brazilian?
IGNAZIO = Yes. Traveling, you meet different cultures, and this has given us the opportunity to get to know the whole world and also arrive in Brazil, where I later met what my love is, however ….
MARA = But why Ignazio, didn’t you join her now for Christmas?
IGNAZIO = Work calls and we are very professional.
MARA = Like me.
IGNAZIO = Exactly. Unfortunately or fortunately, in life you have to work and there are priorities.
MARA = I am very happy.
IGNAZIO = And we are young ….
MARA = You have time, now, as soon as the broadcast is over, you can join it.
IGNAZIO = Yes, I’m going down (He means Brazil. Actually the program is recorded in this way Ignazio at Christmas reached his love in Brazil.)
MARA = So guys, let’s talk again ….. why are you looking at me like this Piero, you look at me and you make me laugh.
PIERO = I respect you, you are fantastic. See you go to the programs, that feeling with the presenter, it is fundamental, it is crucial to make sure that the best part of us comes out.
MARA = Sure.
PIERO = Because you know, behind the artist, behind the singer, many at home cannot perceive the personality, because there is always the fear of making a mistake, or how much to talk, with you it is unfiltered.
IGNAZIO = Also because you always talk, so we are fine.
MARA = That’s not true !! I always make you talk and above all I listen, what a bad Ignazio. (Ignazio laughs) I’m not sending you to your girlfriend, I make you stay here, even for New Year’s, I don’t let you leave. (applause and laughter)
Ennio Morricone, why? You are very young, boys and here are some pieces that will truly remain in history.
GIAN = Let’s say that we have had an artistic evolution over the years, it all started with O SOLE MIO, then slowly, even with Grande Amore, we tried to have our own repertoire, then in 2016 a Tribute to the Three Tenors with Plácido Domingo, and this time we decided to pay a tribute, however, on the soundtracks of the films, which are a little detached from what is the real tradition of Italian music, because in any case Morricone is a genre in itself, an international genre, which has made history …
MARA = Oscar winner!
GIAN = Exactly, and therefore he wrote a music that has made generations dream, and it is also a way to make him known to the youngest, who may not be able to connect the music with the composer at first glance. So for us it is really an honor, we also thank the family, the teacher Andrea Morricone ….
MARA = The son.
GIAN = …. who immediately supported the project, and also his wife Maria Travia, who also gave the possibility to have her son (Andrea) write a text on the first sung version of the Ecstasy of Gold by Il Buono, the bad, the ugly.
MARA = Beautiful !! Now I’ll show you June of this year, the Verona Arena, I remember that we made a connection, just to launch your concert, let’s see this clip together.
(A video starts with Your Love from the Verona concert. In the video, Andrea Morricone says: “It is really exciting to hear my father’s music playing in this splendid Arena, it is really fantastic.” Ignazio says:
“Maestro Morricone means a lot to us, he is a symbol of Italy in the world, on this stage with the great maestro Andrea Morricone, is an honor.”)
How wonderful! (applause)
PIERO = Mara, those images are really strong for us, because the first images we saw are taken from the concert on June 5th and it was the first concert, right after the lockdown ….
MARA = Sure.
PIERO = ….. with 50% of the capacity of the Verona Arena.
IGNAZIO = 6 thousand.
PIERO = Yes, 6 thousand people, so we got on stage after almost two years of pause and silence, so there we really understood that for an artist, for a singer, the audience is oxygen.
MARA = Sure, absolutely. How have you lived through these two years of pandemic and I keep saying that we must still be very careful. Yes, we must not give up.
IGNAZIO = Never.
MARA = You who are used to traveling the world, never stand still.
GIAN = We tried to live it definitely not in a passive way. It is not easy, because many families have certainly suffered, and there have been people who have not been able to manage, especially young people, adolescents, who perhaps miss the most delicate period of their life and therefore, in some way, be still, not having a place in society, being able to understand what to do in the future and instead stopping, was certainly difficult for young people. And we also try to be an example for the young people who follow us.
MARA = Absolutely.
GIAN = We certainly haven’t stopped, you need to have a spirit of adaptation, when life puts you to the test anyway.
MARA = Look Gianluca, when I invite my guests, especially artists, musicians, even important ones, I always asked them, during the pandemic, during the lockdown, what they did, and the majority always told me that they continued to write, and moreover, they have also had the concentration, in these months, even so difficult, also of pain, of insecurity, of fear, in the end, but many have told me that they have been creative.
GIAN = They gave vent to creativity.
MARA = Exactly, they gave vent to creativity, exactly.
PIERO = We, too, created this album during the pandemic.
MARA = The album was born right there.
PIERO = Yes, because for us, the worst enemy has always been time, we have never had the time to concentrate or dedicate ourselves to taking care of all aspects of a project.
For this album, we worked a year and a half, the initial part via ZOOM (internet) with video calls. Then we went to the recording studio, zoomed in with the linked producers from Stockholm. We wanted it at all costs.
GIAN = Then it is clear that we always try to see the positive side, because from 2009 to today, we have always been 7-8 months a year out (abroad), on tour or promotion of the record, in short, it is our life. But in these two years, the positive thing is that we have been more with our families, we have cultivated relationships, met love, maybe we have been more with our friends. So we rediscovered what was our “old life”.
MARA = Exactly.
GIAN = Because anyway it’s like jumping on two different tracks every now and then, Il Volo and then ….
MARA = And then I imagine that when you are away for months and months, abroad, traveling the world with the tour, in short, your family, but also your country, in the end you miss them.
IGNAZIO = We always say that these years have been the result of positive and negative things.
Personally I am a person who has a hard time falling asleep at night, because my head is constantly thinking, about everything there is to do, I store a lot of information. But I realized that sometimes stopping, even if difficult, stopping is good, also to understand what you want from life, what you are doing.
MARA = Reflect, a moment of calm.
PIERO = You live everything with frenzy.
MARA = Especially you.
PIERO = We never stop, only at Christmas. For us, Christmas, on the 24th evening, we have to go home, and it is as if time stopped.
MARA = And this is beautiful, can I tell you? Coming home on the 24th is beautiful.
IGNAZIO = then on the 26th we come to Rome! (Domenica In is recorded in Rome).
MARA = Let’s go on guys, now there is a beautiful piece always taken from Morricone, “Once Upon a Time in the West”.
PIERO = It is the song we sang in Sanremo, this year we were guests in Sanremo.
MARA = So now you will let the guests of “Zia Mara” hear it.
On November 17, Il Volo was a guest on Radio Italia, only Italian music, for the promotion of their latest CD.
The event was led by Mauro Marino and Manola Moslehi. It was a great interview and Piero, Ignazio and Gianluca also sang two songs live.
In November two years ago, I was able to go to Radio Italia and it was wonderful. Unfortunately this year, due to COVID restrictions and also the afternoon hours, I was unable to go, too bad.
Here is the video and its translation.
Please click on the photo to view the video.
MAURO = Here we are in the Reward Music Play, complete with an audience, welcome back, well arrived, purely female audience, I must say.
MANOLA = Of course, also because today’s guests are three beautiful guys, so even the eye wants its part.
MAURO = Exactly, and for the eye, we also greet the friends who follow us on Radio Italia TV, Manola Moslehi, Mauro Marino, and then let’s call them, we are standing here on stage, because in front of these microphones, soon, yes, will perform live, the three guys from:
MANOLA = IL VOLO !! (applause, enter Piero, Ignazio and Gianluca).
MAURO = Here they are, take a seat, please, please. You can sit down.
Manola ran away and I don’t know why.
I + P + G = Hi, hi.
MAURO = When you are ready ….. here they are: IL VOLO (Manola returns to the stage)
MANOLA = I thought they sang right away, do you understand? I didn’t want to waste time.
MAURO = Are you ready?
IGNAZIO = Very ready.
PIERO = But we haven’t warmed up our voices.
MAURO = Try to do it now.
PIERO = How do we do it? Let’s start like this?
MANOLA = Come on, come and sing.
GIAN = We are yours today …..
MANOLA = Sing, sing ….
MAURO = It’s just that you don’t have microphones (the microphones in front of the boys are just for singing), it’s just for that, then you tell us everything when we get off here in front.
PIERO = Can you come near here? ….
MAURO = I can come, but I can’t give you my microphone, you know the rules (this are the new rules for COVID the microphone is personal and must be disinfected before being used by another).
MANOLA = Piero has to ask for things …
MAURO = Tell me, what is it I have to do, tell me.
PIERO = Are we on live?
MAURO = We are on live, yes, yes.
PIERO = Ah,on live without warming our voice, beautiful.
MANOLA= But no, go , go live!!
GIAN = We greet all those who look at us with their mobile phones from home !!
MAURO = I know what you will do SE TELEFONANDO, right? You let us listen to it and then we talk about it. Il Volo on Radio Italia.
(starts SE TELEFONANDO live)
MANOLA = Live on Radio Italia only Italian music, Il Volo, strictly live !! Wonderful guys.
MAURO = Thanks guys. So, we wanted to specify that they sang from the vivo, you already said it …
MANOLA = Yes, yes.
MAURO = … and they haven’t even warmed up their voices, so now guys, you are machines that go automatically …
MANOLA = Think if they had warmed up their voices …
MAURO = Great, thanks guys !! Here are the microphones, perfect and I sit down too, voila!
MANOLA = (To the audience) Did you like them?
IGNAZIO = Here we are.
MAURO = So, there is a new album, dedicated to the great maestro Ennio Morricone, besides you have just sung this song, everyone knows that the song (the text) was also written by Maurizio Costanzo (great Italian television entertainer) and the music, is also by Ennio Morricone, we wanted to remember this because it is with this song that you opened today’s appointment.
IGNAZIO = You know how this song was born, don’t you?
MAURO = I know the story, but you tell it.
IGNAZIO = No, no, Piero tells it. 😁
MAURO = Come on Piero.
PIERO = When the idea of dedicating an entire album to Maestro Morricone, and the project was born, started for us, an extremely complex course of study, because when we entered the world of Ennio Morricone, on tiptoe, we discovered that he had written nearly 500 melodies.
IGNAZIO = More than 500 compositions.
PIERO = Not only soundtracks, we discovered that he made the arrangement of IL MONDO and also of SE TELEFONANDO.
IGNAZIO = ABBRONZATISSIMA (Ignazio mentions a very famous Italian song from the 60s)
MANOLA = Also, it’s true! (she refers that even Abbronzatissima was set to music by Morricone)
PIERO = Lots of songs. Since we had the support of the entire family of Ennio Morricone, including his son Andrea Morricone, he told us several anecdotes, including the birth of SE TELEFONANDO. His father was queuing at the post office, to pay the electricity bill, and he hears the ambulance and the sirens of the ambulance “ta-na-na”, is born: SE TELEFONANDO.
MANOLA = What a genius though, it couldn’t be otherwise. How was your first meeting with him?
IGNAZIO = It was in 2011, because in our first album there was a song, it was a medley between Once Upon a Time in America and Malena: E PIÙ TI PENSO. So, he (Morricone) was recording, working in the studio at that time, and we met there and then in 2011 we collaborated, we sang E PIÙ’ TI PENSO in Piazza del Popolo directed by him and so it was nice. There is also the anecdote that we always tell, that Gianluca gives a YOU to the master in front of the orchestra and everyone OH OH, and he says: “Don’t worry, kid, I’ll take care of it.” He was a man of few words, he showed little, but a lot.
Then, unfortunately we had little time and opportunity to spend time together and get to know him more, but it would have been really interesting and beautiful.
MAURO = While you were talking and singing before, we looked at you, out here, and we said: “We saw these three who were kids, now you are men, now you are men.”
PIERO = It’s the beard that makes the difference
GIAN = Three years ago we were 24, in three years we are 30.
MAURO = Perfect.
GIAN = The 30th begins to approach.
PIERO = Sorry, if we had 24, how do we get 30? Where did you go to school??
GIAN = Oh yes, in three years we will be 30, we are no longer children.
MAURO = But it’s nice to see this transformation, from boys to young men.
IGNAZIO = This transformation from ugly (to Piero) to beautiful ….
MANOLA = So, in reality, it sounds strange to say to three still very young people, that you have 12 years of career behind you, one is at least impressed, I mean.
PIERO = You know that we, the pre-COVID, just before the COVID were celebrating 10 years of career with a world tour. On March 11, we suspended the tour to suddenly return to Italy, and we will be back on tour exactly after two years, so it’s a 12-year career, but two years homebound as if time had stopped.
MAURO = In stand by.
IGNAZIO = A little like those birthdays that last a week, we the ten-year that lasts two years.
MANOLA = So, we have an incredible event in Piazza Duomo (Milan) it was 2018, you were very tanned, you were, but you are still beautiful, I wanted to know from you, looking at that image there, with that crowded square, what a feeling you have on.
IGNAZIO = I was hideous.
MANOLA = That’s not true!
PIERO = But it’s strange, it’s a strong feeling to see the audience, we’ve been missing that feeling for a while.
Now we are restarting with the tour, with the events, it is a slow, uphill process, but soon we will return to that feeling of serenity that we saw a little while ago.
MAURO = We all wish it a little, we said it before while we were waiting for you, together with the friends who are here (audience), there are not many, because you have to keep your distance, but see people live, meet people, for those who do yours craft, it is crucial I guess, especially for you.
You were talking about tours, then we will talk together about the tour, which will start in March, meanwhile, here they are launching the pens ….
MANOLA = The lady from the audience threw a pen …
GIAN = But it’s Hermione Granger’s magic wand (Harry Potter’s little witch)
PIERO = (he took the pen and this one has a big fake diamond on the end) Oh my, it looks like Queen Elizabeth’s pen.
MANOLA = We explain to friends who listen to us on the radio, that a lady from the audience threw them a very discreet pen, with a diamond ….
IGNAZIO = (Ignazio took the pen in his hand) Madam, is this diamond real? Ah, is that true? (he puts the pen with the diamond in his pocket)😁😁
MAURO = The pen is gone …😁
IGNAZIO = Another pen, thanks.😁
MAURO = Let’s go back to the album, because rightly I saw that, looking at the cover, the friends who follow us can see the image here in the background of the stage, (meanwhile Piero is unwrapping the vinyl record), it reminds us a little of Sergio Leone’s films obviously (director of many westerns with Morricone’s music).
GIAN = But it was totally inspired by that world there. Shooting that world from “Sergio Leone” and those Morricone’s music, is a return to the past that is eternal, that will never die. The vintage taste that really takes everyone, especially the generations who lived through those times, but also young people, who maybe discover something they have never heard or seen.
MAURO = Indeed, she is very beautiful and this (the vinyl record that Piero is discarding) I will tell you immediately, I will steal this, tell Torpedine, where he is around here: “Torpedine, this is for me, thank you “, 😉 your producer.
So 14 songs, you said before that Morricone composed more than 500 songs etc., how did you choose these 14?
PIERO = This was the most difficult phase, choosing the songs, because there are so many. It is clear that we have chosen the most famous ones, those to which we are most connected, for example personally a song that I have always loved, is the one taken from the film NUOVO CINEMA PARADISO, “SE” (meanwhile Piero signs the vinyl record.)
I am linked to that film because you know, it is about this Sicilian child who goes to Rome, to chase his dream, so when I sing it I feel that strong emotion.
Then, together with Andrea Morricone and our producers, who are Swedish, also very knowledgeable about Morricone’s repertoire, we finally found a meeting and this 14-track setlist was born.
MANOLA = Furthermore, this new album was preceded by a concert at the Verona Arena, and directed by the son of Maestro Morricone, Andrea, also an incredible experience.
IGNAZIO = Yes, it also went on the air (the concert) a few days ago, on November 10th for Maestro Morricone’s birthday. It was a great experience, because we were finally back in concert after almost two years in front of an audience, it was the first concert in front of an audience and certainly singing all those melodies, many of which tell true stories, such as Here’s to you, which is one of my favorite songs, which talks about the story of Sacco and Vanzetti and a huge injustice. So it was exciting, both for the songs sung and for the situation in which we found ourselves, after a year and a half, to go back to the concert in front of people, we were also preparing the album, which is now out, so it was a lot nice.
MANOLA = We were talking about your 12-year career before, but there is a moment in your career, even at an international level, that you remember with more affection ….
IGNAZIO = When we met you (laughter)😁😁
MANOLA = I wanted to know this ☺….. I thank you infinitely …. and the second important moment ????
GIAN = When we saw you again (laughter)😁😁
MANOLA = For me the interview can be concluded here !! Thanks.☺
MAURO = (to Piero) And what’s yours?
PIERO = Everyone has their indelible moment, personally when we sang in front of Pope Francis in Panama, during the World Youth Day, that was something unforgettable.
MAURO = There is no Manola to keep!😉
MANOLA = Compared to the Pope, I withdraw !!😁
(starts the live of the song SE…..applause)
MANOLA = It is strange to enter at the end of this song, because it seems to disturb me, Il Volo on Radio Italia only Italian music, strictly live, we specify it, because you look like a record, guys, it’s incredible !!
MAURO = Really good.
GIAN = Thanks!
MANOLA = Well done, well done, well done
MAURO = But, among the 14 songs on the album ….
GIAN = This is my favorite ..
MAURO = His too though (by Piero)
GIAN = …. especially for the text, not only for the melody, because this was written by Andrea Morricone, the son of the master, the film (the music) was written by Andrea, but then the text is wonderful, tells a beautiful love story.
MAURO = Exactly.
IGNAZIO = What I often think is that it is totally different from everything there is today, from all the fashion music, which we listen to today, but I think that these melodies are a little like pizza for Italians, that is they are part of our culture, and we must be really proud of them, because the maestro Morricone has spread great emotions to the whole world with his soundtracks to all the greatest films.
GIAN = I imagine that tomorrow we will read in all the newspapers “Morricone is like pizza” ….😑
MANOLA = Yes, but it’s a nice compliment though.
PIERO = I understand what Ignazio means, we want to explain and clarify the title of this project, of this album, Il Volo sings Morricone. Morricone is not a man whose work is celebrated, Morricone is a genre apart, he has created a completely different genre, and is an eternal genre, which will never die.
MAURO = Indeed, the comparison is correct, it is right.
IGNAZIO = It is part of our culture.
MAURO = It is right and then you are the only ones to bring the Italian Bel Canto around the world, and therefore it was right to think of an album of this genre, with the music of the maestro Ennio Morricone, so congratulations for the idea.
What I wanted to ask you, what was the hardest song to sing, among these 14?
PIERO = Maybe “Amalia por amor”, because it is in Portuguese.
IGNAZIO = No, I think that one of the most difficult has always been “E più ti penso”, yes!
PIERO = Even “Metti una sera a cena”, it was difficult …
MANOLA = Gianluca what do you think?
GIAN = I have to tell you that for them (Piero and Ignazio), it was all particularly difficult … (laughter)😁😁, for me a little less …. no, I’m kidding!
IGNAZIO = He faced everything with high chest !!
GIAN = But I must say that it is not only the acute, the high note, it is a matter of interpretation…
MAURO = Bravo!
GIAN = …. they are very difficult melodies, which move away from “Nessun Dorma” or from songs where there is a need for vocal power, without interpretation these songs cannot be sung.
IGNAZIO = For example there is “Here’s to You”, it is a song that we expressly wanted to sing it in a much lower key than what we could have done, because in any case the songs, especially these songs, as Gianluca says, need of a great interpretation and we worked hard on it, in fact, we sang, re-sung and re-sung this song in the studio to find the perfect emotion and interpretation.
GIAN = Then if you live it in first person, as for example in the song SE of Nuovo Cinema Paradiso ….. even better
PIERO = We understand it, that you are in love, the text speaks of love, we understand it !!!😁
MANOLA = It seems to me a beautiful thing.!
GIAN = It is beautiful indeed …😘
IGNAZIO = I understand, but he is becoming a little like Abruzzo, in everything he puts Abruzzo in the middle !! (laughs)😁
MANOLA = Today it is like this, today Gianluca is in the middle (she mean that Gian is made fun of by Piero and Ignazio)
PIERO = When he breaks up, he’ll sing “And the more I think of you” (laughter)
MANOLA = But why should he leave?
MAURO = Later we hope …
MANOLA = But as late as possible! Since these are the last minutes we spend together, let’s talk about the 2022 tour right away. The orchestra from live and your voices that will somehow blend with this incredible orchestra. You will also leave for the US.
PIERO = March 3, from the US, March – April and then the rest of the world.
We would like to remind you that we will sing in Italy in two different periods: summer and autumn.
In the autumn we will do the sports halls and soon we will publish the dates.
MANOLA = Are you excited?
IGNAZIO = A lot
MANOLA = Meet the live audience again …
IGNAZIO = We can’t wait, but we really can’t wait, because we always say that concerts are the maximum expression of an artist, where you can feel really free, because yes, the interviews where you tell about yourself are beautiful, but on stage you can express everything and have that adrenaline, and it’s very different from doing interviews.
PIERO = It is the magical expression of our deepest joy.
MAURO = In the meantime, between now and when you leave for the tour, you can always come here and meet the audience in our Reward Play.
IGNAZIO = Yes, but I don’t want to have that man who hurries everyone (he points to a man behind the scenes), if we come here, we start in the morning and finish in the evening.
MAURO = No, no, don’t worry, we’ll tie him up that day.
PIERO = But you have to redo Palermo (He refers to a summer event made by Radio Italia in a square in Palermo, with great success)
MANOLA = We will do it again, we hope.
MAURO = But surely, if it can be done, it will be done. In the meantime we are waiting for you here, if you come to visit us: Radio Italia live, so at least the friends who are here (audience) can see you sing live, do a kind of dress rehearsal.
PIERO = So let’s do the rehearsal (he shows the vinyl record) This is the new album, close-up on the album: Il Volo Sings Morricone, our new album.
MAURO = Thanks guys, thanks to everyone.
MANOLA = Thanks to IL VOLO.
G + P + I = Grazie mille, bye bye.
Nice interview, and how wonderful those two songs.
I’m sorry that you have waited a long time for this translation, but my PC started to throw a tantrum, several times I had to redo some pieces.
Meanwhile, our young men, tireless, continue the promotion of the CD, they have already been to Spain and Germany and now they will also do two instore, one in Milan and one in Rome.
Finally I am attaching this beautiful video that was published a few days ago, it is Piero who sings the AVE MARIA at his best friend’s wedding, in June of this year. Good viewing!
We’ve recently had so many intriguing posts about the Verona concert, the latest Il Volo TV interview, and the history of Il Volo, that I took a short break from writing and translating (while I worked at my day job)! In any case, Flight Crew still wanted you to get the translation of an Il Volo interview article that appeared in Famiglia Cristiana magazine right before the Verona concert.
The Famiglia Cristiana article pursued some of the things many other interviewers have already asked the guys: their memories, their feelings about returning to the stage, upcoming recordings. But this article touched on one or two things that most of the media don’t usually get Il Volo to talk about: supporting each other during crises, their faith, prayer, marriage, starting a family. See if you agree with me that overall, Ignazio said the least, but revealed the most.
The Cover Story Title is “Exclusive: Il Volo at the Arena of Verona in Concert for Morricone. Once Again in Front of the Public.”The cover quote from the guys is“Our Strength? It’s Our Friendship and Our Faith.”
This posting will be a little different than my previous ones, because I am giving you the actual magazine pages, so we can enjoy the whole thing together. I put the translation of the call-out boxes into our own call-out boxes. In case some of the magazine pages aren’t super sharp, we have also embedded some of the original shots here and there for you to enjoy.
(Each image in this post can be clicked on to view a larger version.)
As you can see below, the inside headline, besides repeating the cover, adds: “The Three Singers of Il Volo are the Stars of a Concert in Honor of Ennio Morricone, Whom We Lost One Year Ago.
When I first saw this article, it added to my impression that the Verona concert was dedicated to more different people than any other show I’ve ever heard. Daniela’s and my translations of the stage talk from the concert over the past month showed that in addition to the show being dedicated to the memory of Maestro Ennio Morricone, Ignazio dedicated the concert to those we lost during the pandemic, and Piero dedicated it to Ignazio’s late father Vito. Now, at the bottom of this magazine article, we see Gianluca’s statement “I’m dedicating this show to my grandfather Ernesto who recovered from the [Corona] virus. It’s he who helped me discover the westerns of Sergio Leone.”
Sergio Leone, as you probably know is the Italian film director whose “The Good, the Bad and the Ugly” featured Maestro Morricone’s music, and like the other two films in that trilogy, A Fistful of Dollars and For a Few Dollars More, added up to help make Clint Eastwood a star. Leone also directed the “Once Upon a Time” series of western films. Given Leone’s Italia origins, he is the founder of the style that came to be called “Spaghetti Westerns.”
So, without further ado, here’s the translation of the article by Eugenio Arcidiacono. [Based on his name, he may actually be an archdeacon].
“The interview takes place remotely, with the three Il Volo guys linked by video from their homes. But on June 5 will put them back together again for the first big concert in Italy with the public (a live audience) since the start of the pandemic: 6 thousand people will listen to them in the Arena di Verona during their tribute to Ennio Morricone one year after his loss (and the lucky ticketholders will be allowed to return home later than the curfew hour). Many more are those who will follow them on TV, live on RAI1 and in other countries of the world, from the United States to Japan. A great challenge after a year and a half of inactivity for Piero Barone, Gianluca Ginoble and Ignazio Boschetto.“
“We’re only thinking about one thing: finally, we get to sing. We couldn’t stand it anymore!” exclaims Piero. “We prepared for months, partly because for us it’s a totally new repertoire, with the exception of Il Più Ti Penso, a song that was constructed by blending themes from Once Upon a Time in America and from Malèna, which we included in our first album.
EA: Did any of the other tracks have lyrics written purposely for you?
Ignazio: “No, they’ve already been performed with lyrics. The only “gem” is Ecstasy of Gold from the Good the Bad and the Ugly: the Morricone family gave it lyrics, so it was a debut performance.
Gianluca: “There have been so many tributes to Morricone, but this will be the very first time for a tribute done by a male group. A tribute that will be translated to a CD that will come out after the summer. Andrea Morricone came to us in the recording studio and will be a guest on the stage to conduct some of his father’s music.”
EA: You’ve been conducted by Ennio Morricone in concert in the Piazza Del Popolo in Rome in 2011. You weren’t even 20 years old. What memories do you have?
Gianluca: “It’s true, we return to being children when we think of him. We were really naïve. I remember that during the general rehearsals with a one-hundred-piece orchestra he gave me the cue to start singing, but I didn’t start. Morricone turned to me [for not starting], and then I said to him, “So you give me the start cue?’ I saw the first violinist turn white [with shock] because I addressed the maestro as “tu” [the familiar/intimate form of you, which is not supposed to be used to conductors and music directors]. But he just smiled at me and said to me ‘Guys, don’t worry about it. I’ll deal with it.’”
EA: What is the first film with his music that you saw?
Piero: “Nuovo Cinema Paradiso. As a real Sicilian I recognized myself in that little boy who wanted to get away from his homeland to find his own way, and who listened to the adult he was most attached to, who counseled him to not get trapped by nostalgia. I’ve only cried a few times in my life, but when I saw it and heard that poignant music, I melted like a popsicle.”
Piero stops, and begins to hum the theme song from Nuovo Cinema Paradiso. “Who knows these notes? With our concert we want to make our audience take a dip into their past, rediscovering the emotions they experienced the first time they saw these films.”
Gianluca: “I, on the other hand, am fond of westerns, because I watched them with my Grandfather Ernesto, whom I’m extremely attached to. When I let him hear The Good, the Bad and the Ugly sung by us, he got very excited. I dedicate the concert and the CD to him, because at 87 years old he became sick with COVID and took a month in the hospital to recover. We were very scared, but in the end, he made it.”
EA: The concert was originally expected to be in St. Peter’s Square, but instead became the season opener in the Arena of Verona.
Piero: “We thought of St. Peter’s Square because Morricone was from Rome, but they didn’t have the conditions to guarantee [everyone’s] safety there. At the Arena of Verona, on the other hand, these conditions were present and it’s as magical a place as any, and recognized all over the world. But we still want to return to St. Peter’s Square as soon as possible.”
EA: Morricone has also composed musical scores thick with spirituality. Will you also perform one of those?
Gianluca: “In Fantasy, a track based on the theme of Gabriel’s Oboe, from the film Mission, one of the most mystical melodies ever composed by the master, accompanied by words like “In fantasy exists a warm wind which blows over the cities, like a friend. I dream of souls that are forever free.”
EA: As ambassadors of Italian music to the world, what do you think about Maneskin’s victory at the Eurofestival?
Piero: “We’re very happy. They are young people with great personality who present an “unpublished” side of Italian music to the outside: rock.”
Gianluca: “They do a completely different genre than ours, but we like them. We don’t listen to lyric music from morning to night. I grew up with David Bowie and Elton John.”
EA: In these months of forced inactivity, how has the relationship among you been, especially as friends?
Piero: “We got to know each other better. We talked a great deal, not just about music; and above all, we learned how to listen to each other.”
EA: How do you feel about those three child prodigies who in 2009 appeared on Ti Lascio Una Canzone?
Piero: Much tenderness, but also pride. We have been fortunate but also good at not getting sucked into the most ephemeral, fleeting parts of show business. We have managed not to lose contact with reality, because we have always remained anchored to our families.
EA: All three of you are believers and practicing [Catholics]. What reflections have sustained you in these times we’re living in?
Ignazio: “Like Piero said, this pandemic has made us grow as persons, because we have held each other up in difficult times, like the death of my father and the illness of Gianluca’s grandfather. But our faith has been fundamental in helping us. Prayer, in particular, has proven its power.”
EA: After the Arena of Verona, you won’t be doing concerts [in Italy] for the rest of the year. You can take advantage of this to start having your families.
Gianluca: “I’m still such a kid, that I can’t imagine myself as a father.”
Piero: “For sure, the first of us to get married will be Ignazio.”
Ignazio: “Yes, it’s true that I have always dreamed of a wife and children. With the job I do it’s not easy. But I’ve been working on it…”
Credit to Famiglia Cristiana and owners of all photos.
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