Today we will take a look at the guys around the ages of ten and eleven. Yes, the music was always there but, there were other things in their lives that had great meaning. You might call them passions! Gianluca and Ignazio had a passion for soccer. But Piero had no passions! None that I ever heard of. For Piero it was always about studying, not school studies, but classical music studies. Perhaps because he had asthma, he never took an interest in sports. The closest he comes to passion is his love for Chemistry and Math. And if a friend could be a passion, then he certainly had a friend who fit the bill!
So, let’s follow the guys on their afternoon adventures.
A Family Passion for Soccer!
Between the age of eleven and thirteen, Gianluca enjoyed playing soccer! What was it Gianluca loved about soccer? You might say for Gianluca the passion was inherited! Let’s listen to what he has to say about his passion for Soccer….
Football has always been a great passion of mine. This too, like music, is a family passion.
My father is a big fan of Pescara, as is my grandfather. They were also big fans of Gianluca Vialli, no matter which team he played on because he was a myth for my father. And because Vialli also had a name that appealed to both my father and mother, when I was born, they named me Gianluca. Let’s say that name aside, my father gave me a piece of football culture.
I am a big fan of Roma football, before Il Volo, more so. I watched all the games, I did not miss one, and every time Totti beat a penalty, I covered my head with my arms and, if I heard the scream from the television, I screamed from home. But now there are work commitments and that prevents me from following my favorite team. Even now, despite the commitments, I continue to play football as soon as I can.
When I go back to Montepagano I always try to organize a game with old friends with whom I trained in the youth teams of Roseto.
How did I play soccer? I was good, come on, I did not like losing, I wanted to score goals by force, I never passed the ball, and when I had the ball, I scored. Let’s say that I was a bit ‘instinctive’ even on the football field.
Once when I was playing in Pescara there was a score of 4 to 4. I had already scored two goals, but the draw was not enough for me, I wanted the win. Only the field was difficult, it had rained, so there was a lot of mud. What happened? I pull, huge slide and I fill myself with mud, from head to toe. What do I do? I start shouting, ‘I got dirty!’ In all this, it must be said that the game was true, even if we were very young. There was the championship, with the ranking and everything else, it’s not that you could take and do what was going on in your head. The referee shouts, ‘Get up, what are you playing ball.’ ‘No,’ I said, ‘I’m leaving, I’m all dirty!’ He shouts, ‘get up and go to the locker room.’ Not for nothing, they don’t call me the ‘little Cassano’ (famous Italian soccer player) for nothing. Cassano was so good and, he was so restless!
Another time we were at the Borghesiana in Rome, at a national tournament. The Roseto was also in series C2 and even in the very young there were good coaches, competent, good, that when they told you one thing, that was that, because they knew what they were talking about. In that game at the Borghesiana, I do not even remember, against who we were, I did not score goals, the coach takes me away from the game. At the beginning I came back on the bench nice quiet, but after a moment they did everything to restrain me. ‘I want to go in! I want to score!’ I was shouting. I kicked the coach. Now obviously, I would not do it again, even if football is still my passion.
This is one of many stories Gianluca told about playing soccer when he was a child. Let’s think about this for a moment. If Gianluca didn’t become a singer, would he have become a soccer player? He was, real, good!
A Passion that gets you in Trouble!
On July 24, 2004, at the age of ten, Ignazio moved to Marsala. Let’s listen to what Ignazio had to say about life in Sicily….
In the beginning I did not accept Sicilian life. It was difficult for me to set myself up at school because the programs were, very, different from the school where I had trained. The consequence? I was seen by everyone as ‘the polentone’ of the situation, it was the Bolognese accent….
(A “polentone” is a somewhat derogatory term that is given to the citizens of northern Italy.)
I did not take it (the move) very well. At a lunch at my paternal grandmother’s house, my mother was so hurt by my words that she started to cry: ‘I recommend you, if I die you must take me to Bologna.
Fortunately, Ignazio met new friends close to his home and this changed his mind.
Let’s start from the assumption, if there is still any need for it, that being lively every now and then can cause some damage. What damage is that? To answer this question, let’s go back to Bologna with Ignazio.….
My main project when I went to school was to get home and spend the afternoon playing football. It had been less so after I started taking singing lessons. I had less free time and then no free time and I realized that singing was more important than all the rest. But in general, soccer was really a big passion for me. From an early age I had a passion for football, also because my sister played football when we lived in Bologna and then she continued, even in Marsala. She played volleyball first, and I also inherited that passion, then she moved her passion to soccer.
At school I was bored, I was learning but I was bored. But I always enjoyed playing soccer. I came home, had my lunch and did my homework faster than light, because even homework bored me. As fast as I could, I went down to the playground to play football with my friends. It happened in Bologna and, it happened in Marsala, ‘nu puzzu’ (the saying refers to the well which smells) it was there that I went after school, in time to eat something, and then everyone ran behind the house to the well.
Let’s say that there were some basic rules to be followed in order to stay away from home all afternoon. One of these was that I always had to tell mom where I was, if I walked away, I called her with the intercom and warned her that I was going away, and if I did not go away, I would call her with the intercom and warn her, ‘Mom, I’m down here!’
After five minutes: ‘Mom, I’m down here!’
Another five minutes: ‘Mom I’m down here!’
Because I worried that she was worried, and I wanted to let her know that I was ……. down there.
Near the end of July 2004, we had already packed everything and, we were ready for the move to Marsala. I went to get an ice cream with some friends, near home, really, just a few steps away. Upon returning, I saw some guys in the building next to ours playing football. I could go home and do nothing but, it was the last days I was in town? And the game was in the courtyard next to mine, it was practically like it was mine. So, I stop. I did not think to call mom with the intercom, and I played soccer, all afternoon, without even a ‘Mom, I’m down here!’ And mom started looking for me, all over Molinella. She rode around the city and did not find me. Then she called my father, who was at the supermarket shopping: ‘Come I cannot find Ignazio.’ My father arrives, my mom throws the bike in a corner, runs in the car, then, out of the corner of her eye she sees my shorts.
‘Ignaziooooo !!!!’
‘Hey, mom ….’
‘Woeful!!!!’
At one point, my mother from anger also spoke Chinese. If it had not been that we had already packed everything for the move, I certainly would have to iron two beautiful chairs full of clothes for punishment. Instead, as a punishment, no more backyard and no pizza for a month. What then, being without pizza for a month, was worse than two chairs of clothes to iron, because I always ate pizza. And pasta, too. Two other passions of mine, together with soccer and music. I know, I know, you could see from my form. In the canteen, at school, I liked to eat toasted bread! And I always asked for an ‘encore of pasta.’ Mamma told the ladies who worked in the canteen: ‘Do not give him too much soup as he is chubby, just a little bit of pasta and if you do not give it to him, even better.’ One day, one of them replied: ‘But when he comes with that little face and tells me, please another little …. here, lady, how can I say no’ I was a born actor. But in all, the one that gave me the most satisfaction with pasta was Nina. I ate some huge dishes. Because mom and dad had to work at night, I ate with Nina and, she cooked pasta. ‘Nun è che ci ni calava settanta grammi!’ (It was not that she cooked two and a half ounces!) She cooked almost 9 ounces for two people. We ate, really, full dishes. And then, Nina would call mom at work and ask her for recipes: ‘How do you make ragout like grandmother does? How do you make crepes?’ And she started cooking for the whole family.
The moral of the story, in addition to my passion for soccer and volleyball, Nina gave me a passion for cooking.
Meanwhile….
In Marsala, Ignazio, Vito and Vincenzo, and sometimes Ivan, would meet every day at the well and decide what to do. They would build huts, play the game of the week, go for a bike ride, in short, everything and more, and this is also where they met to go to school football that was just two kilometers from their homes. And sometimes, in the middle of a challenge or under a hut, under construction, you could hear shouting “Ignazio!” and everything stopped….
We stopped breathing a second and descended silent. Mom wanted me to go home and do my homework. She wanted, but I did not always agree.
A Passion for Chemistry and Math? And, my personal favorite, the Story of Denise!
We know if Piero had a passion, it would be for music but, in this story, we find out he had no great passion for school but, he did have a passion, so to speak, for chemistry and math!
Piero tells us that he had good grades in school because of his secret weapon Denise….
For Denise I should make a monument.
Denise was Piero’s classmate for twelve years. The good grades were thanks to her. In the afternoon Piero would pick her up in his electric car, an E50, and they would study together. She repeated the lesson and he learned by what she was saying….
I did not like reading books, what could I do? The songs have always remained in my head right away, I listen to a song and after two, three times at most, I know all the words, but the lessons no, these do not come into my head even with the hammering. You imagine that once, out of despair, to memorize a history lesson, I gave it a reason, that is, I put it to music. But when I could not do this – that is, most of the time – I sat next to Denise and I listened to her repeat the lesson. Or, in classwork, she wrote and did it, zac! She put the paper in the middle of the desk and, I copied. The professors probably knew but they never caught me and so they always gave me that half vote less than she, even if the tasks were the same. But, who cared, I was very happy.
I only liked two school subjects. All of you are thinking physical education. No. Physical education I did not like, I did not want to put on the tracksuit because I was fat and, I felt clumsy with the tracksuit. Today everything is different.
Piero lost fifty-three pounds and he likes to go to the gym. He also helped Ignazio to get involved with exercising when he was on his diet….
At school, I did not like gymnastics instead I loved chemistry. I had good marks which I earned by myself. No Denise. And I excelled in Math, in fact, I am so good, that I am the one of the three that runs with a bag full of all of our accounts.
As for the other school subjects, I was always ordered, I was studying only the necessary, I did what I could. It is not that I did not study because of bad will, it was that I had other projects and the professors knew and understood it. I was not a tramp that ran from morning to night with the motorbike, I was one who was at home studying piano, solfeggio, I had many commitments, I always had something to do.
I was known in the country, I never smoked a cigarette, never used drugs of any kind, never went to the disco, I never did stupid. In short, never.
If you ask Piero’s father, he will surely tell you about the wheelies with the motorbike. It was the only thing that he did not do right. His friends told Mr. Barone that Piero did wheelies and he got angry….
When I arrived at the roundabout in the center of the city, voom, I did a wheelie with the motorbike. Just that. But even in those cases I was very responsible. Do you know what I was doing when I was driving the motorbike? My father gave me sheets of newspaper, I put them on my chest, under my shirt and I went around so the wind did not enter my chest, understood? Full helmet, strictly integral.
If you’re wondering, yes, I was a little weighed in those years but, I was so controlled because, I had a thousand allergies that put my respiratory tract “in danger.” I never went to school trips, I could not go to the disco, I could not do certain things that all my peers did. But now, when I return home I go to the disco, we are never less than twenty, twenty-five people, and Dad is calm because I’m even more responsible than before and because in the group there are also people older than me, even forty years and married.
I like being with people much older than me because, even if I’m only twenty years old, I have to manage my life in a very serious way and at a certain point I had to ‘grow by force.’ It’s strange if I think about it, because that little boy Piero, who was attentive to everything he did, so as not to ruin his voice, and not to get some asthma attack, would never have imagined becoming a singer. He had other plans.
So, I started this story with Gianluca’s passion for Soccer. Let’s end with the soccer game that the guys played in for charity. The one time when the guys shared a Passion,
The Passion for Helping Others.
I will let Gianluca tell us about this event in his own words….
You cannot imagine the happiness of playing in the Partita del Cuore,(Match of the Heart) a Telethon for Charity on June 2, 2015 at Juventus Stadium. The stadium, in fact, made Ignazio happy more than anyone, because he is a huge Juventino (a big fan of Juventus). I was more excited about having been called up for the first time in the National singers and even more for being able to score. The match was against the team of Champions for research, all great sports champions and big names in the show, from Alex Del Piero to Pavel Nedved, from Jorge Lorenzo to Liam Gallagher of Oasis. What a dream it was! The stadium was full of people cheering crazy. My team was losing, when I came in, we were 3 to 4 and not being able to do anything, apart from shouting directions to my team-mates on the pitch, it made me feel even more strained. It’s like, I know how to play football, you see the others, think about what you would do for them and tell them. No, you scream it, otherwise they will not hear you. Ignazio and I shrieked like crazy to Piero, and then Piero and I shrieked like crazy to Ignazio, but ‘my legs are trembling’, I had to run, enter the pitch, I wanted to score. The coach made me enter in the 83rd minute. We were, as I said, under a goal, but I do not like losing football. So, I took the ball and I scored. What magic! The stadium was screaming, the guys ran to hug me, it was almost like winning the Sanremo Festival again.”
Now I will give you my take on the game! Certainly, we have to be proud of Gianluca for scoring a goal but, did you expect that he wouldn’t? And Ignazio made the sportscasters work for their money. They never expected him to be so good. This goes back to what I’ve said many times, Italy you should pay more attention to these guys! Now, before I go on about Piero, who I think was the hero of the game, I would like to tell you something about the man Piero went up against Alessandro Del Piero.
Alex Del Piero is widely regarded as one of the greatest soccer players of his generation, and as one of the best Italian players of all times. In 1993 he joined Juventus, where he played for 19 seasons (11 as captain), and holds the club records for most goals (290) and appearances (705).
It’s been said that “Alessandro Del Piero was the symbol of the club for many years.” “He always comes to the training field with a smile for everyone, a comforting word for everyone. This is his greatness: humbleness… he’s a golden person.” A lot like our guys!
Upon retirement, Del Piero refused the board’s offer to retire the No. 10 shirt in his honor, saying: “I’ve really had so much that I would never want it to be retired, this way, every child can dream one day of wearing it.”
Earlier this year, Del Piero joined ESPN. Del Piero commented, “I am super excited about joining the ESPN FC roster. I’ve watched how fast the USA fan base for soccer has grown over the past five years, the emergence of terrific young American players and the ever-growing popularity of the game among fans.”
In addition to his role with ESPN, Del Piero will continue as a pundit with Sky Sports Italia. Del Piero is also a highly successful entrepreneur. He currently resides in Los Angeles where he opened a world class Italian restaurant named No. 10, representing his jersey number as well as owning a professional development soccer team, named LA10 FC and is a co-founder of EDGE Americas Sports.
So back to Piero! So here our Piero decides he is going to take on Del Piero. He played so well that when he went up against Del Piero he surprised everyone with his moves. Especially the guys! You could tell Del Piero was enjoying the game as much as the guys! He was hysterical laughing when Piero took him on! I don’t think he expected it! You need to know that Del Piero has a wonderful sense of humor. He can be very funny.
End result….by his actions in the game, Piero became, in my opinion, the hero of the game, and so the final score is ….
Soccer – 3
Piero you made us and the guys very proud by your performance!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
After the June 5th concert in the Verona Arena, there were many new things.
But first of all, I want to start with a photo of the concert I promised you, to show you where the families of the boys were during the evening.
(Please click on the photo to view a larger version.)
On June 23, Gianluca Ginoble went to visit the Vatican museums. Beautiful museums, full of works of art that are envied all over the world.
Gianluca was accompanied by two young women. One of them, Nicole, was considered Gian’s new “girlfriend”, but after this episode, there was no more gossip about the couple. In the photo above, Nicole is the girl in the light floral dress.
Gianluca, inspired by the environments, also sang some verses of the Ave Maria. It was wonderful to hear
Gianluca’s voice resound in the beautiful Vatican rooms.
Piero’s birthday was on June 24th. Surely you have all seen the numerous and beautiful photos, also because the birthday party lasted two days.
On the evening of June 23, to arrive at midnight, there was a nice “party in white”, where all the guests were dressed in white. But how beautiful were Piero and Gianluca in white?
Among the numerous guests, including Torpedine and Barbara.
Great justified absentee, Ignazio, who was in Brazil, seems to be in the company of a damsel.
Here, we say, “If they are roses, they will bloom”. 😉
There was a lot of fun, the party took place in Sicily.
Look what a nice gift Gianluca gave to Piero !!
The three hands crossed, really beautiful and meaningful.
The party continued throughout the 26th day together with friends and family.
And then also in Taormina!!
…………. and could not miss Bambar and Saretto, with its excellent granitas!!
June 30th, Ignazio was at a cousin’s wedding.
Piero also went to a wedding, but I think it’s wedding of his a friend.
On July 5, however, a little friend of ours we met during the concert dedicated to Morricone: Julian Iorio, was interviewed for the broadcast DEDICATED on Rai 1 and Ignazio Boschetto intervened during the interview.
IGNAZIO = Julian, how are you?
Meanwhile, I wanted to say thank you for keeping me company on the Arena stage, it was great to share the stage with you, you were appreciated by everyone, ah, what have you done !!
I send you a hug, a greeting and we hope to see you soon, there will be no lack of opportunity. Bye!
INTERVIEWER = Thanks to Ignazio Boschetto from IL Volo!!
JULIAN = Hi Ignazio!!
INTERVIEWER = He is your colleague.
Listen but what do you feel when you sing and play with these great musicians?
What do you feel?
JULIAN = Pleasure, much pleasure, because Ignazio, by now, we have known each other for a long time and we love each other, so I feel safe with him.❤
INTERVIEWER = Tell us something, but are you a little afraid, before performing, or are you really calm?
JULIAN = So, I was excited, but I knew that I had mum and dad behind the scenes, and Ignazio by my side, and the whole orchestra was behind me picking me up. (he means that the orchestra was supporting him)😁❤
INTERVIEWER = Let’s review that moment together now, come on.
(here begins a short video of the fantastic performance of Ignazio and Julian)
How wonderful, this was a concert at the Verona Arena, dedicated to the great maestro Ennio Morricone.
July 5: concert in Croatia.
July 6: concert in Bulgaria.
July 8: concert in Romania
July 8, also, Il Volo announced the definitive cancellation of the remaining Italian concerts (including Taormina unfortunately) and the new dates for 2022. Tickets already purchased remain valid.
Hello everyone!
Accordingly to the current regulations, today we announce that the entire “10 Years – Live” tour scheduled for 2021 will be postponed to 2022.
We would like to remind you that tickets already sold will be valid for the new dates.
Please find below the new dates: 11th of June 2022 at “Teatro Antico” in Taormina (making up for 4th of September 2021 at “Teatro Antico” in Taormina)
12th of June 2022 at “Teatro Antico” in Taormina (making up for 5th of September 2021 at “Teatro Antico” in Taormina)
3rd of October 2022 at “Mediolanum Forum” in Assago, Milano (making up for 23rd of October 2021 at “Mediolanum Forum” in Assago, Milano)
7th of October 2022 at “Palazzo dello Sport” in Rome (making up for 20th of October 2021 at “Palazzo dello Sport” in Rome”)
10th of October 2022 at “Pala Alpitour” in Turin (making up for 16th of October 2021 at “Pala Alpitour” in Turin)
See you soon!❤️
On July 9, Il Volo released a video where they perform Grande Amore, with Brazilian singer Paula Fernandez.
”Grande Amore” video with the talented @paulafernandes has just been released and we hope you enjoy it! Watch it on YouTube!
Do you remember when I wrote you that the boys were in Rome at Villa Borghese for the shooting of a video? They were used in this video.
Did you like this performance paired with Paula? Feel free to tell me your opinion.
But on July 9, this short video was also released, from the Facebook page of the “Frasassi Caves”, with the comment:
Il Volo at the Frasassi caves, a perfect combination of Nature, Style and Quality! Coming Soon.
On July 18, the Facebook page of the Frasassi Caves published this second short video.
(Click on the logo below to view the video.)
What can I say, many events have filled the days of our guys.
Piero, Ignazio and Gianluca are back in a great way, they don’t have a moment’s break, and the three concerts in East Europe were great. Very good because as fans, we suffer when we don’t see or hear them for a long time.
I must say that the latest announcement, the one relating to the Frasassi Caves, gives me the chills, I just want to see what they will do in that beautiful context, it will be fantastic.
In the beginning the guys were called “awesome opera singers!” That’s how they described them. No, not in Italy! Here in America!
I love looking back at the beginning of their career and watching how they grew! One of the nice things about living in New York is you get all the interviews and promos firsthand!
In the late summer of 2011, the guys were getting ready for their first North American Tour. This involved a lot of preparation and a lot of appearances on TV talk shows to pave the way! I remember watching them on “Good Morning America” and thinking this is going to be an amazing journey for them. They have so much going for them but above all they had their youth which was an asset! Their voices were enticing and, they were adorable! Every teenage girl was going to fall in love with them. So would their mothers, and above all the grandmothers! It was the beginning of a journey that was going to take them to every corner of the earth. They would steal the hearts of all who came into contact with them. And, given their age, we could count on their music being around for a long time. That was the thing about their music, it came from the past and fit right into the present and would go well into the future. Everyone would come to love it! Yes, there were others who sang the same songs but, they were not Il Volo! Only Il Volo could pierce our hearts with their beautiful voices and leave us memories that would grow with age and expand with every new song!
During the last days of summer in September of 2011, the guys were taping the “Today” show. They were teenagers and they were belting out their favorite song “O Sole Mio” in front of projections of stained-glass windows. Their appearance capped a few months that brought them from “American Idol” to the morning talk shows to the final episode of “Entourage.” The idea was carefully designed to expose them to both mothers and daughters, before their first North American tour, which included theaters like the Beacon Theater in Manhattan.
In the NBC studio at Rockefeller Center, a sleepy-eyed Gianluca, 16, crooned the opening verse, and Piero, 18, and Ignazio, who was turning 17 the following Tuesday, released ringing high notes. Hoda Kotb, “Today’s” co-host, put her hand on her heart and smiled wistfully behind the cameras.
“We are Il Volo,” Ignazio said at the end with a heavy accent and a dimpled grin. “It means ‘flight.’ Thank you for flying with us!
After the taping Hoda said, “Believe me, everyone’s going to come running. They’re going to beat down the door.” How right she was!
The theory, Arias for teenagers, the crossover dream was being masterminded by some of the most savvy executives in the music business: Jimmy Iovine, who helped turn Eminem and Lady Gaga into superstars; Ron Fair, who nurtured the careers of Christina Aguilera and the Black Eyed Peas; and Steve Leber, a management legend who worked with the Rolling Stones, Aerosmith and AC/DC and has come out of pop retirement to try to make Il Volo explode. And explode they did!
The group was introducing the same Italian pop standards and power ballads that performers like Bocelli used to rocket to superstardom. The difference, of course, is age: theirs, and that of their potential audience.
“In the beginning all of us thought that because of their kind of music, the audience would be from 35 and up,” said producer Tony Renis. “But now we realize that they can conquer the kids. The younger generation all over the world. The kids are used to rap but they never had the chance to listen to this kind of music. But now Il Volo is spreading a new kind of feeling. They are conquering every age.”
The group caught Mr. Renis’s eye in the spring of 2009, when the three boys were competing individually on “Ti Lascio una Canzone,” an Italian version of “American Idol.” A shrewd producer on the show, Roberto Cenci, suggested they combine forces, and their renditions of modern classics were hits.
“These kids were singing ‘O Sole Mio,’ and I heard such amazing, beautiful voices that I didn’t believe it,” Mr. Renis said. “I thought it was fake. They were singing with such mature voices, like men of 50 or 60 years.”
Mr. Iovine and Mr. Fair signed the guys to Geffen Records after hearing a clip that Mr. Renis played for them. Their debut album, “Il Volo,” a mélange of songs in Italian, English and Spanish calibrated for the widest possible appeal, was assembled over the next year and released in Italy in November 2010.
The label’s connections landed the guys a spot on “American Idol.” They also did a cameo on the final episode of “Entourage,” with their song “Un Amore Così Grande.”
Meanwhile, when Anthony Rugiero heard Il Volo sing, he was struck by the group’s similarity to both opera’s The Three Tenors and the pop music world’s Jonas Brothers.
“I was amazed,” said Rugiero. “It was, like wow! They are treating these kids like the Jonas Brothers in Italy and they’re singing opera, like The Three Tenors. You look at them and it’s like, these guys have it all. It’s too good to be true.”
Rugiero, who heard the group sing in Italy, knew Il Volo could help his charitable endeavors. He had been looking for a way to raise funds for Boys’ Town of Italy, Italian Language Inter-Cultural Alliance and the Volterra-Detroit.
“I was thinking, how can I get a group together that’s big enough that it would reach all age levels? I thought about singing groups and was trying to think of who I could get, when I see these young kids in Italy,” Rugiero recalled. “They take classical music and put a little something into it. These kids are wonderful.”
Rugiero, who also is a board member of the Detroit Opera House, was determined to bring the group to Detroit as a fundraiser for three organizations and began working on a plan to produce the concert himself. After Live Nation bought the group’s North American concert tour, Rugiero suggested a benefit dinner that would be held in conjunction with the show on Sunday, October 16. Concert promoters liked the idea.
This video is the best example of how they were able to steal the hearts of the American people. The video shows them on a simple stage with limit musicians and their voices shine!
“I purchased the first 20 rows, center section, all premium seats,” Rugiero said, describing seats at the Fox Theatre. “We hope to have a great evening.”
Fiat was the sponsor of the event, along with several Italian-American business leaders including Tom Celani and Anthony Soave.
The Volterra-Detroit Foundation supports The University of Detroit Mercy School of Architecture and Comune di Volterra, which had formed a partnership to provide a new educational opportunity in the City of Volterra, Italy, for students in metro Detroit. Through the partnership, U.S. students can study in Italy for no additional fee, after paying their regular college tuition.
“I love programs that bridge the gap between Italy and the U.S.,” Rugiero said.
Rugiero didn’t get to produce the concert but he was able to use it as a fundraiser for three worthy organizations.
Back in New York, the “Today Show” was not their only talk-show appearance. They were on “The Tonight Show,” “Good Morning America,” “The Ellen DeGeneres Show” and CBS’s “Early Show” in May, when their album was released in the United States. And they were preparing for a PBS special.
In the meantime, their album made its debut on the Billboard 100 chart at No. 10. The Italian and American management teams butted heads about where, when and how to spend the boys’ time. Should they stay in America a full year and play smallish clubs? Make one-off appearances all over the world? Play theaters seating 1,000 or 3,000?
“No one had a real game plan,” said Mr. Leber, who persuaded the families to bring him and his son, Jordan, on to help manage the group as it rolled out. “They need to tour, tour, tour, tour. The kids and the parents were nervous about going on the road. But the most important thing was to go on the road.”
So, on the road they were. Each of the boys was accompanied by one parent, a substantial sacrifice, since all three left their jobs to join their sons, and none are wealthy: Piero’s father is an auto-body mechanic, Gianluca’s a truck driver, and Ignazio’s mother owned a pizzeria that her 25-year-old daughter was running in her absence. None of the three spoke English.
The group had already been to Singapore, New Zealand, Sydney, Miami, jumping on the red carpet at the Venice Film Festival. With the upcoming North American Tour, it was necessary to get a new wardrobe. The guys were taken to Dolce & Gabbana on Madison Avenue to shop for a tour wardrobe. When they arrived at the store, Barbara Vitali told the sales associate, “We have to balance the repertory they are performing with the teenagers that they are.”
The scene in D & G was confusing! A series of slim blazers failed to fit Ignazio, who has lost more than 30 pounds but remains wide in the shoulders. Ignazio sang “All Nylon” to the tune of “All Night Long.” Gianluca emerged from the dressing room in tight black velvet pants and a shiny black blazer. Piero ended up with boots spattered Pollock style.
“They’re very, very different from one another,” Mr. Fair said. “Gianluca’s like a young Tony Curtis or a Mario Lanza, almost a Presley character, handsome and dark and Italian with fabulous hair. Ignazio is a crowd pleaser and a people person, adorable and funny. Piero is more studious, very serious.”
Three hours and well into five figures’ worth of clothing later, the group headed to theBorgata Hotel Casino & Spa in Atlantic City, site of the tour’s first performance of the guys first full concert ever. They allotted two days for preparation.
The following morning’s rehearsal began well. The boys sounded fresh as they warmed up; the echo of one of Ignazio’s high notes stayed in the ice-cold air of the theater for five full seconds. But Gianluca missed an entrance — he had, as usual, been on his cellphone with his girlfriend — and things quickly dissolved into backstage shouting.
The next day was the opening show, and the boys had still not run a single song all the way through. Mr. Leber arrived, doling out hugs. “This is not music,” he said. “This is a happening. This is an event.”
And it was. It got off to a rough start. The lighting careened from darkness to glare. The sound mix, including the vocal track augmenting some of the group’s harmonies, was murky; the video projections — a mixture of slow-motion Italian film clips and animations — were distracting. The boys seemed unsure of exactly where to stand and how to move.
Then they opened their mouths. The first song was “Il Mondo,” a sweeping heart tugger. Like many of the numbers in Il Volo’s playbook, it started quietly, with a verse from Gianluca. It built and built, until Ignazio, oozing delight at being onstage, let loose a startlingly full and mature high note.
A girl literally screamed with delight!
Gianluca glanced at Piero with relief in his eyes. The audience gave standing ovation after standing ovation.
Next stop, Toronto. In contrast to the Borgata show — which, like much of the tour, was organized by the American concert-promotion monolith Live Nation — the Toronto appearance was the work of a local promoter, Mimmo Pellegrino. It was at Roy Thomson Hall, where the Toronto Symphony Orchestra plays and, which is about three times the size of the Borgata theater.
The Borgata show had, as Mr. Leber had predicted, the feel of an event – sold out, electric. In Toronto about a quarter of the seats remained empty. Some odd scenic elements had been added, like three enormous white masks that were revealed at the end to be swivel chairs. The audience response was warm, but it was hard for even the loudest of the recorded string arrangements to fill the big space.
The audience at both shows was mostly older, but there were the seeds of what could become a classic boy-band phenomenon: that girl screaming in the audience at the Borgata, high-pitched shrieks of “We love you!” in Toronto, a high school senior who asked Piero to be her date for homecoming. (He said yes.) And maybe, just maybe, they will inspire young people to try “real” opera. The thought was, if Il Volo can persuade teenagers to notice and care about vocal production in a classical — or at least classic — style, who knows?
“By January they could sell 1.5 million records around the world,” predicted Mr. Fair, who arrived at the theater in Toronto just as the boys were exiting the stage. “Everyone will know who Il Volo is. It’s going to be a gigantic live act. Tickets are going to sell like crazy. And then a song will come along, like a Coldplay-type song, a pop record that’s introspective and beautiful, and everyone on the more pop end of things will know them.”
But before everyone knew them there was a degree of fame and it was pleasant and inviting. There was some discussion after the Borgata show about whether the boys should exit through a back door. They decided instead to greet the public, and as they walked into the lobby, what can only be called a polite mob ensued, just the right size and just the right amount of enthusiasm. The boys thanked everyone graciously as they signed autographs and posed for photos.
Earlier in the day Ignazio was doing a sound check onstage with the band. Steve Leber watched from the seats. As if on cue, Ignazio hit one of his shining high notes. Mr. Leber smiled. “Our game plan is working,” he said.
And it certainly worked well. The crowds grew and, the enthusiasm grew and, it has never stopped working since then. The 2011 North American Tour was just the beginning of their success in America. A success that ten years later continues not just in North American but around the world.
And over the last year the call from our guys and the world was Let the Concerts Begin.
2022 should prove to be the best year yet! Welcome Back guys! You have really given us great pleasure with your Tribute to Ennio Morricone and we look forward to its arrival in North America and around the world!
Join me next week as I go back Through the Fields of My Mind and open the door to a new adventure!
Excerpts from an article in the New York Times by Zachary Woolfe on Sept. 29, 2011
Today I would like to share a letter with you from a lady named Marilyn Andrews in Seattle.
In 2020, at the height of the covid pandemic, my husband passed away from a long illness. I had been caring for him for several years prior to his passing. I loved him so deeply, but yet, after many months, I had been unable to grieve for him. Let me describe my husband, and you may be able to make an association with someone else:
Professional singer; glorious baritone voice; a repertoire of thousands of songs; offered a chance at fame on national TV (but turned it down over concerns for impact on the family); opened a show for Tony Bennett; musically inspired by Tony Bennett, Frank Sinatra, Perry Como, Mario Lanza, the Three Tenors, etc.; private in nature but a consummate perfectionist in public performance; intelligent, serious, articulate, a philosopher of the mind; handsome, part time model with a stunning smile; fit and athletic runner and weight lifter; self taught in many things, including guitar and piano; a lover of beautiful clothes (Armani in particular); a lover of all things Italian – culture, art, history, wine. Above all, lover of family. The list could go on….
In the fall of 2020, I happened to hear a televised concert of Il Volo on TV. I loved the music and began to follow the group online and joined the fan club – my first and only one ever. As I read more about Piero, Ignazio and Gianluca individually, I was startled by the many things Gianluca and, my husband had in common. “How odd”, I thought. The more I learned, the more things I found they had in common, the stranger it became, and so the more I followed.
Sometime in the winter of 2020, I viewed and heard Gianluca’s performance of “Mi Mancherai” in Rome on YouTube. At that time, I knew virtually no Italian words, and so had no idea of the song’s meaning. But upon hearing it, something inside me just broke. It was such a jolt that I actually felt it physically. The timbre of the song, the sadness and the passion with which it was delivered instantly touched my soul at such a deep level that I cannot even describe it. I wept, and wept and wept, and realized that I was finally, finally grieving for my lost husband. Two days later, I searched online for an English translation of the song. And the tears came all over again, as I learned that the song is about losing someone so very close to you that you are overwhelmed with the “missing” and the sense of loss. It was quite literally a musical expression of grief – my grief. Without realizing it, I had been led, seemingly step by step, to the music of Il Volo, then to the character of Gianluca, then to his song, then to the expression of my grief. How could this even be possible – that a complete stranger helped me begin to overcome my deepest loss? I have no idea. But I somehow need to thank Il Volo and specifically Gianluca for the gift that he gave me, even without his knowledge of it.
Over time, I am healing. And I have begun the process of reinventing myself. Hesse says that “the true profession of man is finding his way to himself.” That is what I am doing. With my previous background in international business, I am learning Italian, working remotely here in Seattle for an Italian company in Vicenza, and planning a different life for myself. I may not stay in the U.S.; it is possible I may choose – Italy? Spain? Portugal? All of these changes involve a great deal of new thinking, new learning, and a lot of courage, but as I heal, I am becoming a true lioness!
Today the music of Il Volo brings me no tears, only incomparable joy. I have never had the opportunity or pleasure of seeing and hearing Il Volo in concert, but I hope to do so in the future, in Italy or somewhere in the world. It is highly unlikely that I will ever meet Gianluca in person. But if I did, I would shake his hand, thank him, and let him know that he has helped me more than he will ever know. “All things are possible.”
Many of you, in the comments after the various articles on the Verona concert, asked me for the opinion of the press. I have not forgotten about this and therefore here I am giving you my opinion.
I want it to be clear, that it is only my personal opinion, maybe I am too protective, towards Piero, Ignazio and Gianluca, or maybe, like a mother, I want the best for them, because I think they deserve it, and therefore also this time, I was disappointed with the reviews in the press, or rather, I was half satisfied, but I certainly expected more.
Let’s start from the fact, that the concert was magnificent and you have all been able to see it.
The television ratings have absolutely rewarded the concert, they had the maximum ratings of the evening, therefore a real success.
The next day, it was Sunday, but I expected that the newspapers and television news, at least those of RAI, would write or say a few words of congratulations.
Those few newspapers that reported the news, did it purely as a news item, “Il Volo had the best ratings”, no compliments to the three boys.
On the Sunday after the concert, I watched the RAI news and also all the entertainment shows that also report the news of the various shows.
NOTHING, no one has talked about it, nor in the news, not even in the gossip broadcasts.
BIG DISAPPOINTMENT.
Here are some of the articles, of which I will translate the best parts.
The music has restarted and it has done so in a big way with a show that is not only musical. Starring Ignazio Boschetto, Piero Barone and Gianluca Ginoble who, in the unprecedented role also of conductors of the evening, led the spectators and viewers of Rai 1 in an evening dedicated to sharing. Il Volo, Tribute to Ennio Morricone had the merit of turning the lights back on to music.
The opening on the notes of Ecstasy of Gold, the main piece of the soundtrack of Once Upon a Time in the West, was exciting.
Two and a half hours of music, memories and emotions in a journey not only linked to the figure of the Maestro, but which fits perfectly with the musical journey undertaken over the years by the three boys, increasingly careful to bring excellence around the world of our country.
Ignazio, Piero and Gianluca then retraced their 12-year career, with significant images and with the performance on the notes of ‘O Sole Mio, a song they sang as children, and Grande Amore, the piece with which they triumphed at the Festival of Sanremo 2015.
Music is sharing and it certainly cannot save the world, but it certainly has the merit of making it more enjoyable. Especially after the terrible year and a half in which we changed our perspective on the present and the future.
After a long season without concerts, live music officially resumes thanks to the concert held this evening, Saturday 5 June, in the splendid setting of the Verona Arena. Protagonists Gianluca Ginoble, Ignazio Boschetto and Piero Barone, the three souls and the three voices of Il Volo. Two and a half hours of beautiful music, a concert-tribute to the romantic and visionary genius of Ennio Morricone.
Broadcast live on Rai Uno, the event certainly did not disappoint expectations.
In the lineup some of the most beautiful songs already interpreted in the past by the trio ….. Inevitable some of the themes composed by Ennio Morricone for the cinema … national pop scene …. Finally, from the very first listening, the unpublished “I Colori dell’amore” (The Colors of Love), signed for the occasion by Maestro Andrea Morricone, a particularly suggestive piece, crowning an unforgettable evening. We start again … we start again in a great way.
People, as many people as they have not seen in the same place for a long time. With the masks, the right distances ……. the music has started again, the Verona Arena has been granted to a few thousand people who have been excited for almost three hours together with Il Volo which paid homage to the teacher Ennio Morricone. A perfect evening for climate, program and joy, to the point of (almost) forgetting the waiting time “justified” by television times ….. an evening that will go down in history.
Gianluca, Piero and Ignazio start with Ecstasy of Gold, the theme of The Good, the Ugy and the Bad by Sergio Leone. Then a few words, presented Andrea Morricone ………. who will conduct the orchestra in some pieces during the evening. One is Your Love …….. the three artists remember when, in 2016, they participated in the tribute evening to the three tenors Pavarotti-Domingo-Carreras. The composition cannot be anything but the Nessun Dorma and the execution is thrilling; the orchestra, directed by Maestro Marcello Rota, and the choir the latter arranged as tradition dictates in front of the stage, immense …………… The colors of love is the piece created for Il Volo by Andrea Morricone followed, for the last standing ovation, by Libiamo ne ‘lieti calici, aria from La Traviata by Giuseppe Verdi and the reprise of Estasi Dell’Oro. With a dedication to the people that Covid has taken away and a thought to Vito, Ignazio Boschetto’s father who died last March, the circle closes, the music remains in the air. And, I’m sure, people are finally smiling under themasks.
Il Volo-Tribute to Ennio Morricone: success for the concert that bewitched the audience.
… aired on Rai1 last night live from the Verona Arena, it won the prime time with a 25% share, winning 4,702,000 viewers.
…… The exclusive concert-event of the international trio Il Volo, in honor of Maestro Ennio Morricone, saw Piero, Ignazio and Gianluca alternate conducting, accompanied by Marco Giallini and Laura Chiatti. The Filarmonia Veneta Regional Orchestra was conducted by Maestro Marcello Rota, with special participation in some pieces by Maestro Andrea Morricone.
The event, which also marked the reopening of the Verona Arena’s musical season, lasted over two hours, winning one standing ovation after another from the audience present at the Arena.
Certainly these are all positive articles, but they are few and moreover from minor newspapers, certainly not those that, after Notte Magica, have really said very badly about them.
But one yes, I had a great satisfaction reading IL FATTO QUOTIDIANO.
This newspaper had written very badly after Notte Magica, using titles like this: ”Il Volo on Canale 5, the great opera scam: we hope that people will keep them abroad, so, at least for a while, we get rid of them”.
The three tenors have returned to live music for the only concert scheduled for this year. The Verona Arena was sold out with a Covid capacity of 6 thousand people to applaud the most famous arias of Maestro Morricone and the many guests on stage. Emotion for a special dedication to Ignazio’s father that Piero Barone made at the end of the show.
The challenge was twofold. The great return to prime time live on Rai Uno and all three alone to conduct, without any intermediary. The result of “Il Volo – Tribute to Ennio Morricone”? In front of the screen last night there were 4,702,000 viewers and 25.8% share. Excellent listening that rewarded an evening that was indeed the celebration of the great Maestro but also the story of Piero Barone, Ignazio Boschetto and Gianluca Ginoble, their story between anecdotes and songs from their repertoire included in the lineup. The event was organized in full compliance with anti Covid-19 guidelines and protocols.
……………Excited, the three tenors dedicated the event “to the people who didn’t make it. Our thoughts go up there to them.” Piero then added: “This concert is dedicated to Vito who we miss so much and is watching us from up there.” That is, Ignazio’s father who died of an illness on February 28th. The concert will be broadcast in the United States by the PBS network. Il Volo will return to America next year for a series of concerts, while the Morricone tribute album will be released later this year and will be sold all over the world.
But the journalists who had written so badly about Il Volo after Notte Magica, where did they go?
What happened to them??? This time they didn’t write anything bad, but not only that, they didn’t write anything at all, as if the event hadn’t happened.
And then the articles that I first translated are beautiful, but there is no direct compliment to the boys, nothing that says about their personal growth, artistic maturation, praise to their voices.
The only really beautiful article, no ifs and buts, is the one published by VANITY FAIR, really well written, you understand that whoever wrote it was really present and experienced the emotions of that concert.
The Arena di Verona reopens its doors to music starting from Il Volo with a show in honor of Ennio Morricone, live on Rai Uno. We stayed with them in Verona.
Months of closed doors, silence. The Verona Arena turns the lights back on and lets the music play, starting with Il Volo – Tribute to Ennio Morricone, a concert event, in honor of the great Maestro. Broadcast live on Saturday 5th June on Rai Uno, it marks the great restart of the summer season of one of the most important places for Italian music.
It is a special evening. The three boys appear excited, after days of rehearsals, which ended at two in the morning the night before.
A show prepared in detail, where for the first time the two tenors and the baritone also play the role of television hosts but choose not to read the hunchback, in order to be more free to be themselves. The difference can be seen, after a somewhat rigid start in the spoken parts, when they finally break up joking with each other. It is their beauty. Serious and composed as they sing, they appear much more fun (and entertained) if they let themselves go to their dynamics of colleagues (and especially friends) who have been working together for the past 12 years. Instead, no hesitation in the sung parts, from the first note of Your Love, the song that opens the concert, among the images of the film Once upon a time in the west. They show once again, in this first concert after a year and a half of stoppage which for them is also the first live television broadcast, that they are professionals able to fill the sky of Verona with three powerful voices that fit together perfectly and excite an audience that stands up many times, in continuous standing ovations, demonstrating great participation and emotion to the three protagonists.
“These have been difficult days for us. We’ve been thinking about doing a live broadcast for a long time, but we’ve always wanted to wait, we didn’t think we were ready. Today we want to send a message to young people. Never give up on your dreams. Because we didn’t do it,” says Ignatius, just as one of their dreams comes true.
…………It is their only 2021 concert in Italy and is also broadcast in the United States by the PBS network. “The best thing is to see so many people working on this event,” they say. And with them there are also the dancers, as if to emphasize that the art that must start again also passes through dance.
………….What you don’t see on TV are the ladies in the front rows waving to greet them or the people outside the Arena listening. The greetings of the three, when they are not framed and the words during the advertising blacks. There are also many foreigners who have come from abroad to attend the show. “We have experienced shortcomings and distances. There are those who have had great losses and those who have great satisfaction. We are dedicating this concert to people who have not made it. Our thoughts go up there to them,” says Ignatius. And among them there is also his father Vito, who died suddenly in March. “This concert is dedicated to Vito who we miss so much and is watching us from up there,” says Piero at the end, in a moment that becomes very emotional but which again leaves room for the professionalism of three friends who support each other. And so, while Ignazio sings perhaps at his best, the hands of Gianluca, visibly moved, look for his, to support him, in the most difficult, but also the most exciting, moment of the whole show.
They show their nuances, especially when they go on stage alone. Gianluca sings Your Song by Elton John showing his more pop side, dedicating the song to his mother, sitting in the front row. Piero, with Andrea Griminelli on flute, No puede ser nueva and Ignazio Listen accompanied by an eight and a half year old boy, Julian Iorio, on saxophone.
The tribute to the maestro therefore also goes through great songs such as Volare, My Way, O sole mio. And there is also Grande Amore, the song with which they won in 2015 at the Sanremo Festival. At the end they thank them, they dedicate an encore to the cameras off to the standing audience, they hope they enjoyed the show «We were very anxious. But we gave everything .
In their future there is now a period of rest. One more day in Verona and then everyone at home, waiting to be able to leave for a tour in 2022 that they hope will keep them busy for at least two years. Before then, however, a new disc for Sony Music, which will be this tribute to the maestro and which will arrive after the summer. “After a year and a half you gave us oxygen,” they tell the audience. And the public too, it is evident, has breathed this evening.
Of course, other newspapers have reported good comments, but they are publications linked to them by friendship, such as Il Resto Del Carlino (newspaper of Bologna) or the newspapers of Abruzzo and Sicily, even the newspaper of the Arena, but there was no doubt that they wrote well of Il Volo.
Mute scene, however on the part of all the television programs, nobody talked about it.
In short, I was satisfied because there were no obvious “attacks” on our boys, but I’m not thrilled with what was written.
I repeat, maybe it is my feeling, but I would have liked more, for so much work, so much art, so much beauty, which Piero, Ignazio and Gianluca have certainly been able to give us.
We’ve recently had so many intriguing posts about the Verona concert, the latest Il Volo TV interview, and the history of Il Volo, that I took a short break from writing and translating (while I worked at my day job)! In any case, Flight Crew still wanted you to get the translation of an Il Volo interview article that appeared in Famiglia Cristiana magazine right before the Verona concert.
The Famiglia Cristiana article pursued some of the things many other interviewers have already asked the guys: their memories, their feelings about returning to the stage, upcoming recordings. But this article touched on one or two things that most of the media don’t usually get Il Volo to talk about: supporting each other during crises, their faith, prayer, marriage, starting a family. See if you agree with me that overall, Ignazio said the least, but revealed the most.
The Cover Story Title is “Exclusive: Il Volo at the Arena of Verona in Concert for Morricone. Once Again in Front of the Public.”The cover quote from the guys is“Our Strength? It’s Our Friendship and Our Faith.”
This posting will be a little different than my previous ones, because I am giving you the actual magazine pages, so we can enjoy the whole thing together. I put the translation of the call-out boxes into our own call-out boxes. In case some of the magazine pages aren’t super sharp, we have also embedded some of the original shots here and there for you to enjoy.
(Each image in this post can be clicked on to view a larger version.)
As you can see below, the inside headline, besides repeating the cover, adds: “The Three Singers of Il Volo are the Stars of a Concert in Honor of Ennio Morricone, Whom We Lost One Year Ago.
When I first saw this article, it added to my impression that the Verona concert was dedicated to more different people than any other show I’ve ever heard. Daniela’s and my translations of the stage talk from the concert over the past month showed that in addition to the show being dedicated to the memory of Maestro Ennio Morricone, Ignazio dedicated the concert to those we lost during the pandemic, and Piero dedicated it to Ignazio’s late father Vito. Now, at the bottom of this magazine article, we see Gianluca’s statement “I’m dedicating this show to my grandfather Ernesto who recovered from the [Corona] virus. It’s he who helped me discover the westerns of Sergio Leone.”
Sergio Leone, as you probably know is the Italian film director whose “The Good, the Bad and the Ugly” featured Maestro Morricone’s music, and like the other two films in that trilogy, A Fistful of Dollars and For a Few Dollars More, added up to help make Clint Eastwood a star. Leone also directed the “Once Upon a Time” series of western films. Given Leone’s Italia origins, he is the founder of the style that came to be called “Spaghetti Westerns.”
So, without further ado, here’s the translation of the article by Eugenio Arcidiacono. [Based on his name, he may actually be an archdeacon].
“The interview takes place remotely, with the three Il Volo guys linked by video from their homes. But on June 5 will put them back together again for the first big concert in Italy with the public (a live audience) since the start of the pandemic: 6 thousand people will listen to them in the Arena di Verona during their tribute to Ennio Morricone one year after his loss (and the lucky ticketholders will be allowed to return home later than the curfew hour). Many more are those who will follow them on TV, live on RAI1 and in other countries of the world, from the United States to Japan. A great challenge after a year and a half of inactivity for Piero Barone, Gianluca Ginoble and Ignazio Boschetto.“
“We’re only thinking about one thing: finally, we get to sing. We couldn’t stand it anymore!” exclaims Piero. “We prepared for months, partly because for us it’s a totally new repertoire, with the exception of Il Più Ti Penso, a song that was constructed by blending themes from Once Upon a Time in America and from Malèna, which we included in our first album.
EA: Did any of the other tracks have lyrics written purposely for you?
Ignazio: “No, they’ve already been performed with lyrics. The only “gem” is Ecstasy of Gold from the Good the Bad and the Ugly: the Morricone family gave it lyrics, so it was a debut performance.
Gianluca: “There have been so many tributes to Morricone, but this will be the very first time for a tribute done by a male group. A tribute that will be translated to a CD that will come out after the summer. Andrea Morricone came to us in the recording studio and will be a guest on the stage to conduct some of his father’s music.”
EA: You’ve been conducted by Ennio Morricone in concert in the Piazza Del Popolo in Rome in 2011. You weren’t even 20 years old. What memories do you have?
Gianluca: “It’s true, we return to being children when we think of him. We were really naïve. I remember that during the general rehearsals with a one-hundred-piece orchestra he gave me the cue to start singing, but I didn’t start. Morricone turned to me [for not starting], and then I said to him, “So you give me the start cue?’ I saw the first violinist turn white [with shock] because I addressed the maestro as “tu” [the familiar/intimate form of you, which is not supposed to be used to conductors and music directors]. But he just smiled at me and said to me ‘Guys, don’t worry about it. I’ll deal with it.’”
EA: What is the first film with his music that you saw?
Piero: “Nuovo Cinema Paradiso. As a real Sicilian I recognized myself in that little boy who wanted to get away from his homeland to find his own way, and who listened to the adult he was most attached to, who counseled him to not get trapped by nostalgia. I’ve only cried a few times in my life, but when I saw it and heard that poignant music, I melted like a popsicle.”
Piero stops, and begins to hum the theme song from Nuovo Cinema Paradiso. “Who knows these notes? With our concert we want to make our audience take a dip into their past, rediscovering the emotions they experienced the first time they saw these films.”
Gianluca: “I, on the other hand, am fond of westerns, because I watched them with my Grandfather Ernesto, whom I’m extremely attached to. When I let him hear The Good, the Bad and the Ugly sung by us, he got very excited. I dedicate the concert and the CD to him, because at 87 years old he became sick with COVID and took a month in the hospital to recover. We were very scared, but in the end, he made it.”
EA: The concert was originally expected to be in St. Peter’s Square, but instead became the season opener in the Arena of Verona.
Piero: “We thought of St. Peter’s Square because Morricone was from Rome, but they didn’t have the conditions to guarantee [everyone’s] safety there. At the Arena of Verona, on the other hand, these conditions were present and it’s as magical a place as any, and recognized all over the world. But we still want to return to St. Peter’s Square as soon as possible.”
EA: Morricone has also composed musical scores thick with spirituality. Will you also perform one of those?
Gianluca: “In Fantasy, a track based on the theme of Gabriel’s Oboe, from the film Mission, one of the most mystical melodies ever composed by the master, accompanied by words like “In fantasy exists a warm wind which blows over the cities, like a friend. I dream of souls that are forever free.”
EA: As ambassadors of Italian music to the world, what do you think about Maneskin’s victory at the Eurofestival?
Piero: “We’re very happy. They are young people with great personality who present an “unpublished” side of Italian music to the outside: rock.”
Gianluca: “They do a completely different genre than ours, but we like them. We don’t listen to lyric music from morning to night. I grew up with David Bowie and Elton John.”
EA: In these months of forced inactivity, how has the relationship among you been, especially as friends?
Piero: “We got to know each other better. We talked a great deal, not just about music; and above all, we learned how to listen to each other.”
EA: How do you feel about those three child prodigies who in 2009 appeared on Ti Lascio Una Canzone?
Piero: Much tenderness, but also pride. We have been fortunate but also good at not getting sucked into the most ephemeral, fleeting parts of show business. We have managed not to lose contact with reality, because we have always remained anchored to our families.
EA: All three of you are believers and practicing [Catholics]. What reflections have sustained you in these times we’re living in?
Ignazio: “Like Piero said, this pandemic has made us grow as persons, because we have held each other up in difficult times, like the death of my father and the illness of Gianluca’s grandfather. But our faith has been fundamental in helping us. Prayer, in particular, has proven its power.”
EA: After the Arena of Verona, you won’t be doing concerts [in Italy] for the rest of the year. You can take advantage of this to start having your families.
Gianluca: “I’m still such a kid, that I can’t imagine myself as a father.”
Piero: “For sure, the first of us to get married will be Ignazio.”
Ignazio: “Yes, it’s true that I have always dreamed of a wife and children. With the job I do it’s not easy. But I’ve been working on it…”
Credit to Famiglia Cristiana and owners of all photos.
Come in and share the love of life, friends and Il Volo!
